Divertimenti

Combattimento Consort Amsterdam

19.9927.49
Clear
Original Recording Format: DSD 64

On May 1 in the year 1761, Joseph Haydn (1732-1809) entered into the service of the princes of Esterházy. It was an association that would last nearly 30 years and prove fruitful for Prince Nikolaus I and the composer. At first, Haydn was merely the deputy kapelmeister. He was expected, as specified in the contract, to behave, obligingly write whatever music was assigned to him, and comport himself as an example to the other musicians. Additionally, he was to report in livery to the prince each day at noon to receive his instructions for the day.
Several years later, he was named kapelmeister. In this function, he wrote nearly all of the music heard in the court, from piano sonatas to symphonies, violin concertos to operas. Under the influence of the Enlightenment, the relationship between employer and employee began to change in the second half of the 18th century. Previously, a court or church musician was considered a servant who should bow to his superiors and be at all times obedient. But now, a musician – at least, an outstanding one – was seen more as a valued employee who could bring credit to his patron and should thus be fostered. Haydn held an enviable position with the Esterházys in that regard. To a degree, he had a confidential relationship with Prince Nikolaus, owing in particular to the prince’s unusual hobby: Nikolaus was a passionate player of the baryton. This relative of the viola da gamba was even then uncommon. The baryton, roughly the size of a cello, has six or seven strings that the musician plays upon and an additional nine to twenty strings that provide resonance through sympathetic vibration, lending the instrument its unique muffled sound. Because it was so difficult to play, the instrument never became very popular, and it was largely obsolete by Haydn’s time. As the prince played the baryton, however, Haydn as a matter of course had to compose for it.

Tracklist

1.
Octet (Divertimento no. 1) in G major Hob.X-12- Moderato
05:16
2.
Octet (Divertimento no. 1) in G major Hob.X-12- Adagio
05:23
3.
Octet (Divertimento no. 1) in G major Hob.X-12- Finale- Presto
03:24
4.
Quintet in D major Hob.X-10- Adagio
05:45
5.
Quintet in D major Hob.X-10- Allegro
04:16
6.
Quintet in D major Hob.X-10- Menuet and Trio
03:37
7.
Octet (Divertimento no. 3) in G major Hob.X-5- Adagio
05:34
8.
Octet (Divertimento no. 3) in G major Hob.X-5- Allegro
05:07
9.
Octet (Divertimento no. 3) in G major Hob.X-5- Presto
03:21
10.
Octet in D major Hob.X-1- Allegro moderato
05:58
11.
Octet in D major Hob.X-1- Adagio
06:50
12.
Octet in D major Hob.X-1- Presto
04:23

Total time: 00:58:54

Additional information

Artists

Composers

Conductors

Genres

,

Label

Qualities

Channels

, ,

Original Recording Format

Cables

Siltech

Digital Converters

DCS

Mastering Engineer

Bert van der Wolf

Mastering Equipment

Avalon

Microphones

Sonodore

Producer

Bert van der Wolf

Recording Engineer

Bert van der Wolf

Recording location

Waalse kerk Amsterdam

Recording Type & Bit Rate

DSD64

Recording Software

Pyramix

SKU

CC72345

Release Date September 9, 2014
SKU CC72345

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