Fidicinium Sacro-Profanum

Ars Antiqua Austria, Gunar Letzbor

19.9927.49
Clear
Original Recording Format: DSD 64

H.I.F. Biber
Fidicinium Sacro-Profanum
Ars Antiqua Austria
Gunar Letzbor

Gunar Letzbor Violine 1 & Leitung
Friedrich Kircher Violine 2 (Sonaten 1-6)
Barbara Konrad Viola 1 (Sonaten 7-12)
Markus Miesenberger Viola 1 (Sonaten 1-6) und Viola 2 (Sonaten 7-12)
Jan Krigovsky Violone
Hubert Hoffmann Laute
Wolfgang Zerer Orgel, Cembalo

H.I.F. BIBER: a genius, whose life story is for the most part unresearched, a violin virtuoso who raised the technique of violin playing in Austria to an incredibly high level, a man of incredible powers of imagination and the courage to venture on abstraction.
The complexity of his work is astonishing, his oeuvre encompasses a range from richly orchestrated church music, artfully elaborated chamber music, to virtuoso music for his personal solo instrument, the violin.Astonishingly, his work has only recently attained recognition on the professional concert scene. Moreover, the scientific and critical treatment of his works is limping far behind the significance of this remarkable Austrian musician.
Biber was born in 1644 in Wartenberg (Str.z) Bohemia. His baptismal certificate was issued on 12 August. His father, Martin Biber, worked as a hunter at the Wartenberg Court and was thus a subject of the dynasty of the Counts of Liechtenstein. This noble family originated in Tyrol (Castel Corn, near Bozen/Bolzano) and came to Bohemia and Moravia during the sixteenth century. We can only guess how and where Heinrich Ignaz received his first music lessons. During his schooldays, two teachers – which is to say musicians – were active in Wartenberg/Str.z. Wiegand Knüffel, a notorious drunkard and ruffian, was appointed cantor and organist in 1656. He died in Wartenberg in 1675 as “former cantor”. It is verified that Johann Georg Teifel had been invested as church musician since 1670; the date when he succeeded his bibulous predecessor can no longer be specified. Whatever, Biber must have been in the aforementioned Wiegand Knüffle’s tutorship for some time.

Tracklist

1.
Fidicinium Sacro-Profanum - Sonata I in B Minor
05:46
2.
Fidicinium Sacro-Profanum -Sonata II in F Major
03:51
3.
Fidicinium Sacro-Profanum -Sonata III in D Minor
02:50
4.
Fidicinium Sacro-Profanum - Sonata IV in G Minor
04:30
5.
Fidicinium Sacro-Profanum - Sonata V in C Major
03:36
6.
Fidicinium Sacro-Profanum - Sonata VI in A Minor
03:35
7.
Fidicinium Sacro-Profanum - Sonata VII in D Major
02:12
8.
Fidicinium Sacro-Profanum - Sonata VIII in B Major
02:26
9.
Fidicinium Sacro-Profanum - Sonata IX in G Major
04:16
10.
Fidicinium Sacro-Profanum - Sonata X in E Major
03:35
11.
Fidicinium Sacro-Profanum - Sonata XI in C Minor
04:43
12.
Fidicinium Sacro-Profanum - Sonata XII in A Major
05:03

Total time: 00:46:23

Additional information

Artists

,

Composers

Conductors

Genres

,

Label

Qualities

Channels

, ,

Original Recording Format

Cables

Siltech Mono Crystal

Digital Converters

dCS

Mastering Engineer

Bert van der Wolf

Mastering Equipment

Avalon Acoustic monitoring

Microphones

Sonodore

Producer

Bert van der Wolf

Recording location

St. Florian bei Linz an der Donau

Recording Type & Bit Rate

DSD64

Recording Software

Pyramix

SKU

CC72575

Release Date July 7, 2014
SKU CC72575

Press reviews

Fono Forum

Biber wird daran Gefallen finden.

Concerto

Mit hoher Transparenz und präziser Dramaturgie der Spielweisen, Temporelationen und Ausdrucksspären verleiht die prächtig präsent klingende Aufnahme just diesem Binnengeflecht der Werke eine geradezu theatralische Plastizität.

BBC Music Magazine

Gunar Letzbor and his Ars Antiqua Austria are among pre-eminent artists in bringing to life the Austrian and Bohemian music of the 17th century. This disc leaves us in no doubt about their disciplined ensemble playing and their feeling for lively characterisation.

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