Incontri

Camerata Strumentale di S.Cecilia, Charles Rosen, Coro dei Monaci Abbazia di Montecassino, fone Ensemble, I Filarmonici di Roma, I Musici, Michele Campanella, Orchestra da Camera del Festival Internazionale di Brescia e Bergamo, Orchestra da Camera Italiana, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Orchestra Filarmonica Marchigiana, Rocco Filippini

8.9912.99
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Original Recording Format: DSD 64

In the world of classical music recording, fonè has for almost thirty years been using advanced techniques, aimed at re-creating the atmosphere of the original performance. Each new recording is the result of an enthusiastic encounter between the art of performance and the art of recording and aims to reproduce the spirit with which works of the past were executed.

One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, which is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on.

The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years  1947 and 1949 (U47, U48, and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the “Living Stereo” recordings.

No use is made of electronic manipulation or artificial correction of the signal, which while making sound easier to realize also render it unacceptably unnatural. With this method, the musical information can be transferred to the digital standard DSD.

Fonè uses for the analog standard Nagra 4S, Studer C37, and J37 and Ampex ATR 102 machines. For the digital standard, in collaboration with Philips the latest DSD (Direct Stream Digital) technology.For all successive stages of elaboration and control where the replay is required, highly sophisticated systems of musical recording are used.

Tracklist

1.
Gaudeamus
02:44
2.
Sonata no LAscensione in do Magg.
04:28
3.
Concerto in Re Min. per due violini, archi e continuo F I no100 - Allegro non molto
04:25
4.
Concerto in Re Min. per due violini, archi e continuo F I no 100 - Adagio
04:15
5.
Concerto in Re Min. per due violini, archi e continuo F I no 100 - Allegro molto
03:08
6.
Concerto in Re Magg. Hob. XVIII n.2 per pianoforte e orchestra, allegro moderato
08:04
7.
Sinfonia no.4 in La Magg. op.90, Allegro vivace
10:28
8.
Sonata in Re Magg. KV 576, Allegro
05:06
9.
Exultate, jubilate KV 165, Andante
04:39
10.
Sonata op. 65 Scherzo, Allegro con brio
04:54
11.
Concerto per archi, Scherzo
03:57
12.
Meditation da Thais per violino ed orchestra
04:49
13.
In quelle trine morbide - da Manon Lescaut
02:51

Total time: 01:03:48

Additional information

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Label

Qualities

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Channels

Original Recording Format

Recording Type & Bit Rate

DSD 64

SKU

SACD132

Release Date August 8, 2014
SKU SACD132

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Fonè 104 albums

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