LJOS

Fauna Vokalkvintett

15.9933.49
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Original Recording Format: DXD

LJOS is an album of holiday music performed by the Fauna Vocal Quintet – Christina Thingvold, Silje Worquenesh Østby Kleiven, Gudrun Emilie Goffeng, Camilla Marie Bjørk Andreassen and Beate Børli Løkken. Some reviewers consider the album to be one of the best of 2L’s choral recordings. 

2L Music: “Autumn and winter bring months of cold and darkness to the North. This is why we have always so warmly embraced the Christmas season in our part of the world. For we celebrate not only the Christian festival, we also celebrate the turning of the sun and the promise of longer, lighter days to come. “Ljos” celebrates this very light – the light that shines at the darkest time, bringing warmth and hope. Fauna present a wonderful selection of Christmas songs – some familiar, some new and tantalizing to the ear – from their native Norway, which through distinctive, sensitive arrangements recreate the contrast between light and dark.”

Marc Philips from Vinyl Anachronist: “If I had to pinpoint what makes this album so astonishing, it’s the fact that this quintet is small enough so that you can hear the vocalizations in their naked wonder. This isn’t an ocean of voices washing over you, but five humans with very tangible presences forming words with their lips and their tongues. It’s a natural sound, just as natural as if these women were standing in front of you and talking to you.

That said, the sound they make as a group is so joyous and beautiful that you begin to love the songs themselves, as unfamiliar as they may be, and perhaps one day these melodies will be a permanent fixture in your home during the holidays. That’s what I’m thinking, anyway. Highly recommended, of course.”

Tracklist

1.
Det kimer na til julefest
03:03
2.
Jeg er sa glad hver julekveld
04:48
3.
Et lidet barn sa lystelig
02:17
4.
Deilig er den himmel bla
04:10
5.
Ei rose er utsprungen
03:10
6.
Et barn er fodt i Betlehem
04:41
7.
Folkefrelsar til oss kom
02:45
8.
Haugebonden
03:47
9.
Nu er det gamle ar forsvunnet
03:16
10.
Den fagraste rosa
03:10
11.
Mitt hjerte alltid vanker
03:39
12.
Julesang
01:41
13.
Kling no, klokka
03:52

Total time: 00:44:19

Additional information

Label

SKU

2L151

Qualities

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Channels

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Artists

Genres

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Digital Converters

Horus, Merging Technologies

Editing Software

Pyramix, Merging Technologies

Mastering Engineer

Morten Lindberg

Microphones

DPA Microphones

Original Recording Format

Power Line Conditioner

JMF Audio PCD302

Producer

Morten Lindberg

Recording Engineer

Morten Lindberg

Recording Location

Bryn Church, Norway in June and September 2018

Recording Software

Pyramix, Merging Technologies

Recording Technician

Beatrice Johannessen

Recording Type & Bit Rate

DXD

Release Date June 6, 2019

Press reviews

Classic Music 5 out of 5

It’s been a long time since Christmas, but should it be celebrated properly — as the moral in Dickens A Christmas Carol tells us. The spirit of the festival should not be limited to the short twelve days or to the weeks leading up to it. Winter in the Nordics lasts well past our equinox, so the theme of Ljos, which is missing in this time, is equally relevant in January, February, and March as in December.

Fauna Vocal Quintet is a beautifully balanced ensemble, which really makes beautiful and actualized performances of these hymns and songs. Some old ones. Some new ones. All Norwegian. For a stranger, from a somewhat warmer, more southwest climate, these melodies cling to the border of something familiar and are active at any time of the year.

The Fauna Vocal Quintet consists of Christina Thingvold, Silje Worquenesh Østby Kleiven, Gudrun Emilie Goffeng, Camilla Maria Bjørandreassen, and Beate Børli Løkken. Here they have been given a fantastic recording by Morten Lindberg and Beatrice Johannessen at 2L Music. A 5-Star album.

Vinyl Anachronist

Let’s play a musical game using logic. I think that 2L Recordings in Norway puts out some of the best-sounding recordings available, something that regular readers of my blog will know all too well. I also think that 2L’s choral recordings are my favorite within the scope of their vast catalog. And I think that Ljos, the latest voice recording, is their best yet.

Suffice it to say, this is one special recording.

I love 2L’s choral releases because of what they are — a mass of voices recorded in a huge church somewhere in Scandinavia. You can hear all the details in these recordings that would register if you were actually there in person, the separation between the massed voice sound, the rise of individual voices, and the way those voices travel throughout the big room and bounce off all the walls, rafters, and pews. Ljos is a tad different from those releases, mostly since this is performed by the Fauna Vokalkvintett. If you say that last word over and over, you’ll realize that there are only five voices here and that shifts the dynamics of the recording so that you’ll focus on different things this time around.

First of all, the five singers — Christina Thingvold, Silje Worquenesh Ostby Kleiven, Gudrun Emilie Goffeng, Camilla Marie Bjork Andreassen and Beate Borli Lokken–are standing in a circle when they perform, with the microphones situated above their heads. This placement results in a recording where you can clearly see where each woman is standing in relation to the others. That means you’ll be able to “see” the distances between the singers as well as their distance from you. If your sound system is up to it, the realism will be eerie.

Ljos celebrates the holidays, which means I got my hands on it a little too late, but that doesn’t matter. This is wintry music, as is typical for 2L, and it’s still very much winter outside. “Autumn and winter bring months of cold and darkness to the North. This is why we have always so warmly embraced the Christmas season in our part of the world.” That sentiment fuels the beauty of these Norwegian Christmas songs, which are mostly unknown to me. They have wonderful titles such as “I Am So Glad Each Christmas Eve,” “The Most Radiant Rose” and “The Mound-Goblin,” and that helps to push the celebration past the New Year and out toward the spring. It’s a warm, wonderful feeling.

If I had to pinpoint what makes this album so astonishing, it’s the fact that this quintet is small enough so that you can hear the vocalizations in their naked wonder. This isn’t an ocean of voices washing over you, but five humans with very tangible presences forming words with their lips and their tongues. It’s a natural sound, just as natural as if these women were standing in front of you and talking to you. That said, the sound they make as a group is so joyous and beautiful that you begin to love the songs themselves, as unfamiliar as they may be, and perhaps one day these melodies will be a permanent fixture in your home during the holidays. That’s what I’m thinking, anyway. Highly recommended, of course.

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