{"title":"2xHD - Storyville","description":"\u003cp\u003eNamed after the notorious New Orleans district where jazz was born, the label was launched in Copenhagen in 1952 by jazz fanatic Karl Emil Knudsen. Storyville originally sold imported American records but when the burgeoning post war jazz scene attracted the American jazz artists to tour in Europe and Scandinavia Knudsen seized every opportunity to record his jazz heroes for the label.\r\n\r\nBy late 2003 when Karl Emil Knudsen, the self-styled “Doctor of Jazz Archaeology”, passed away, his Storyville label was considered by the jazz cognoscenti to be the Scandinavian equivalent to America’s Blue Note Records. The Storyville archive includes recordings by Louis Armstrong, Ben Webster, Duke Ellington, Eddie “Lockjaw” Davis and Benny Carter, to name but a few. Storyville Records was also instrumental in launching the career of some of the most influential Danish jazz artists including Niels-Henning Ørsted Pedersen, Fessor's Big City Band, and the legendary Papa Bues Viking Jazz Band.\r\n\r\nIn 2005 Editions Wilhelm Hansen, a Danish company with over 150 years in music publishing and part of the Music Sales Group acquired Storyville from Knudsen’s family. Anders Stefansen and Mona Granager, both long standing associates who worked with Knudsen to build the label, have stayed on with Storyville and will preserve the label’s unique identity.\r\n\r\nAs part of the Music Sales family of companies Storyville Records is ideally placed to bring its wealth of classic recordings to new generations of jazz fans through album re-releases, special collectors’ editions of rare jazz recordings and digital downloads. We are sure that Karl Emil would be delighted to know that his label lives on within a fiercely independent music company that shares the same passion for great music.\r\n\r\nStoryville Records\u003c\/p\u003e","products":[{"product_id":"2xhdst1097-johnny-hodges-featuring-ben-webster","title":"Johnny Hodges featuring Ben Webster","description":"\u003cem\u003e\u003cstrong\u003eJohnny Hodges featuring Ben Webster\u003c\/strong\u003e\u003c\/em\u003e includes the superb November 1960 session recorded by the \u003cstrong\u003eBen Webster-Johnny Hodges Sextet\u003c\/strong\u003e in studio conditions at the Jazz Cellar, in San Francisco (without an audience). It is presented here in its complete form for the first time ever on tracks 1 thru 6.\r\n\r\nThese recordings are exceptional in that no other date exists in their collaborative discography featuring them as the only horns. The two great saxophonists were the only horn players heard at the session. They were backed by a rhythm section of piano, guitar, bass and drums.\r\n\r\nA complete (and very rare) octet session featuring \u003cstrong\u003eJohnny Hodges \u0026amp; His Orchestra\u003c\/strong\u003e from August 27, 1964, has been added as a bonus to this new DSD 256 Stereo release on tracks 7 thru 9.\r\n\r\nBen Webster and Johnny Hodges had already known each other for over 25 years by the time they recorded the present date together at The Jazz Cellar in San Francisco. The two sax giants recorded their first sides together as members of the illustrious Duke Ellington orchestra on August 19, 1935.\r\n\r\nThis album offers two jazz masters – masters of the saxophone – for the price of one. Ellingtonians both, John Cornelius Hodges and Benjamin Francis Webster were superbly lyrical and magnificently authoritative saxophonists whose extemporized compositions had a serenity and authority that are only to be found among the true elite of Jazz musicians.\r\n\r\nPossessor of the most beautiful tone ever heard in Jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades. Hodges’ luscious playing on ballads has never been topped.\r\n\r\nHodges was best known for his solo work with Duke Ellington’s Orchestra where he played lead alto in the saxophone section for many years and his playing became one of the identifying voices of the Ellington orchestra. He is considered one of the definitive Alto Saxophone players of the big band era (alongside Benny Carter). His unchanging style always managed to sound fresh.\r\n\r\n\u003cem\u003ePlease note that the booklet for this release contains a printing error regarding the instrumentation credits. Ben Webster and Paul Gonsalves are credited with playing the \"trumpet\" where this should be “tenor saxophone”.\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eThe Jazz Cellar, San Francisco, November 22 1960 (Tracks 1 thru 6)\u003c\/strong\u003e\r\nJohnny Hodges, Alto Saxophone\r\nBen Webster, Tenor Saxophone\r\nLou Levy, Piano\r\nHerb Ellis, Guitar\r\nWilfred Middlebrooks, Bass\r\nGus Johnson, Drums\r\n\r\n\u003cstrong\u003eRare Octet Session with Johnny Hodges \u0026amp; His Orchestra, August 27, 1964 (Tracks 7 thru 9)\u003c\/strong\u003e\r\nJohnny Hodges, Alto Saxophone\r\nCat Anderson, Trumpet\r\nLawrence Brown, Trombone\r\nPaul Gonsalves, Alto Saxophone\r\nRussell Procope, Alto Saxophone \u0026amp; Clarinet\r\nVictor Feldman, Piano\r\nGeorge Catlett, Bass\r\nSam Woodyard, Drums","brand":"2xHD - Storyville","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739171434820,"sku":"2XHDST1097-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739171467588,"sku":"2XHDST1097-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739171500356,"sku":"2XHDST1097-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739171533124,"sku":"2XHDST1097-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310186766660,"sku":"2XHDST1097-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/2XHDST1097-2.jpg?v=1790500306"},{"product_id":"2xhdst1098-archie-shepp-and-the-new-york-contemporary-five","title":"Archie Shepp and the New York Contemporary Five","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv title=\"Page 2\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eOn this record is heard a new American jazz group. Certainly one of the most important in recent years and yet one with which the American jazz public has had almost no opportunity of getting acquainted. It was formed with a special view to an engagement in Copenhagen, as no club in New York would, in 1963, be interested in sustaining a group like this during its formative period. Also, its first recordings were made during that stay in Copenhagen, as almost no American record companies could, in 1963, be persuaded to invest in music of this kind. \u003cbr\u003eWe are thus facing a situation unknown in the history of jazz up till now, a situation where important develop- ments take place outside of the United States. In par- ticular, the Jazzhus Montmartre in Copenhagen seems to be out to becoming something like the Minton’s Play House of the ‘sixties. 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It took Mezzrow 20 years to realise that ambition, finally achieving his goal when French critic Hugues Panassie? made his recording safari to New York in November 1938.\u003cbr\u003eThe 12 tracks on this album are of later vintage, a selection from the sides that Mezzrow made in the mid-forties when he was president of the King Jazz record company.\u003c\/p\u003e\n\u003cp\u003eThe Mezzrow-Bechet partnership was a conspicuously one-sided match because Mezzrow had nothing like Bechet’s stature as a musician. 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That year, Hackett had undertaken a short British tour, and it was plain that advancing age and chronic diabetes were slowly taking their toll. Towards the end of that tour, Keith Ingham, the brilliant British pianist who accompanied Hackett, found him ‘sometimes almost too weak to play and making, for him, a few uncharacteristic mistakes, although at other times he played superbly.\u003c\/p\u003e\n\u003cdiv title=\"Page 2\"\u003e\n\u003cp\u003eOnce he walked off-stage in mid-concert to inject himself with insulin, murmuring ‘I have to get some blood’, and yet he continued his punishing schedule, leaving London to fly to Montreal and open with Teresa Brewer the same night.\u003cbr\u003eNow, several years after Bobby Hackett’s death, the greying roster of bright young men with horns who illuminated the jazz scene in the Thirties and after continues to diminish, but Hackett’s passing was in many ways a special loss. Besides being a seminal jazz trumpeter who for over thirty years worked with every great jazz figure of his era, Hackett was a generous, lovable man who inspired affection. “The truth is,” he told critic Brian Priestly, “I love everybody – but I like musicians best.” And everyone in turn loved Hackett, from Louis Armstrong – who hired him for his All-Stars to play “them pretty notes” – to Frank Sinatra and Tony Bennett – who used him as featured back-up trumpeter – and Dizzy Gillespie, who subbed for him during illnesses.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"2xHD - Storyville","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739187261764,"sku":"2XHDST1104-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739187294532,"sku":"2XHDST1104-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739187327300,"sku":"2XHDST1104-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739187360068,"sku":"2XHDST1104-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310245650756,"sku":"2XHDST1104-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/2XHDST1104-1.jpg?v=1790503973"},{"product_id":"2xhdst1111-louis-armstrong-his-all-stars-monophonic-recording","title":"Louis Armstrong \u0026 His All Stars (Monophonic Recording)","description":"Here are Louis Armstrong and his All Stars at two different locations in San Francisco 1954, doing what they loved and did best: playing Jazz of a quality defying description, and, as Louis would have said “pleasing the people”. These recordings happily capture Louis and his cohorts at the glorious height of their powers during two engagements (broadcast from the Downbeat and Hangover clubs) of the kind that often formed the All-Stars’ nightly round.  Seldom, if ever, have Armstrong and his All-Stars been captured in more exultant form.\r\n\r\nFrom the roars of applause that greet Louis Armstrong, every track on this album reveals the All-Stars at the zenith of their creative powers.  From ‘Indiana’ presented with a flaring urgency, highlighted by an exultant trumpet solo outstanding even by Armstrong standards to ‘High Society’ which reveals the staggering form that Armstrong was in that night; listen, there is a carefree humor, which shows in a nutshell how to mix hilarity and jazz of monumental worth.\r\n\r\nSuch performances as this are seminal to Jazz.  Like Louis Armstrong, music like this will never come again.\r\n\r\n\u003cstrong\u003eTracks 1,2,3,4,5,6,10\u003c\/strong\u003e\r\n\u003cstrong\u003e(Recorded at Club Hangover, San Francisco on January 16th, 1954)\u003c\/strong\u003e\r\nLouis Armstrong - Trumpet, Vocals\r\nTrummy Young - Trombone\r\nBarney Bigard - Clarinet \u0026amp; Vocals on Track 5\r\nBilly Kyle - Piano\r\nMilt Hinton - Bass\r\nKenny Jones - Drums\r\nVelma Middleton - Vocals on Track 4\r\n\r\n\u003cstrong\u003eTracks 7,8,9,11\u003c\/strong\u003e\r\n\u003cstrong\u003e(Recorded at Downbeat, San Francisco on December 31st, 1954)\u003c\/strong\u003e\r\nLouis Armstrong - Trumpet, Vocals\r\nTrummy Young - Trombone\r\nBarney Bigard - Clarinet\r\nBilly Kyle - Piano\r\nArvell Shaw - Bass\r\nMilt Hinton - Bass\r\nKenny Jones - Drums","brand":"2xHD - Storyville","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739188736324,"sku":"2XHDST1111-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739188769092,"sku":"2XHDST1111-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739188801860,"sku":"2XHDST1111-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739188834628,"sku":"2XHDST1111-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310251483460,"sku":"2XHDST1111-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/2XHDST1111-2.jpg?v=1790504456"},{"product_id":"2xhdst1108-the-noble-art-of-teddy-wilson","title":"The Noble Art of Teddy Wilson","description":"\u003cp\u003eTruly one of the greatest this gifted jazz pianist has shown impeccable taste and skill ever since his first tremendous solo on record 'Once Upon a Time' with Benny Carter's Chocolate Dandles in 1933. 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But Tate could also be an exciting, hard-swinging player too, and his control of the horn in its upper register predated many of the technical advances in saxophone playing that were made by the modernists in hard bop and the avant garde.\u003c\/p\u003e","brand":"2xHD - Storyville","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739198042436,"sku":"2XHDST1114-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739198075204,"sku":"2XHDST1114-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739198107972,"sku":"2XHDST1114-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739198140740,"sku":"2XHDST1114-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310289068356,"sku":"2XHDST1114-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/2XHDST1114-1.jpg?v=1790506620"},{"product_id":"2xhdst1117-lester-leaps-in","title":"Lester Leaps In","description":"\u003cp\u003eOne of the great originals in the jazz hierarchy, Lester Young was without doubt the most influential tenor saxophonist after Coleman Hawkins. 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The rhythm played by the drummer was fascinating. Not having a workable knowledge of the western metric system, he couldn’t tell me the time value, so I subdivided and came up with 14\/8, or two time 7\/4. \u003cbr\u003e\u003cbr\u003eAs a result, MA’NEE: which is Urdu for meaning. This piece is also my conception of the bus ride in Tunis. The melody the Tunisians were singing was a folk melody, Bedouin in nature, combined with the rhythm of the drums, was soulfully Tunisian, but the melody you will hear is mine. For another form of expres- sion, the ad-lib choruses are played in 4\/4. Soprano sax, Piano, Bass, in that order. The drums captured the idea of the bus ride remarkably well I thought.\u003c\/p\u003e\n\u003cp\u003eTHE CALL\u003cbr\u003eA simple melody in 5\/4 begins with a chant of eastern flavor. After the ad-lib choruses, the rhythm developes into free-form. Concerning the soloist, Niels-Henning Ørsted Pedersen should take the most of the bows. The mood in free-form is interrupted by the chant, and the melody stated in the beginning, is heard again, then we fade.\u003c\/p\u003e\n\u003cp\u003eRUE DE LA HARPE\u003cbr\u003eThis is a very small street in the Latin Quarter in Paris. While working the Chat-quePeche, a drummer asked me one night if he could sit in. I agreed and he was a gas. His name, Jimmy Hopps. I found his drumming very inspiring. He was fresh, and full of fire. He also inspired me in the direction of this album. I hope we hear more of him.\u003c\/p\u003e\n\u003cp\u003eSENTIMENTS\u003cbr\u003eAn idea which we did not thoroughly pursue, combining Jazz \u0026amp; Beat, here we touched on the sound of organ and fender bass. The high point of the piece is the drumming of Jimmy Hopps. Versatile.\u003c\/p\u003e\n\u003cp\u003eFROM ME TO YOU\u003cbr\u003eHere we introduce the sound of the Baritone sax. After the initial melody chorus, there is an ad-lib solo by the sax, followed by an ad-lib bass solo. 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