{"title":"AOTW Collection","description":"\u003ch1 style=\"text-align: center\"\u003e\u003cspan style=\"color: #ff9900\"\u003eNOW 20% OFF!!!\u003c\/span\u003e\u003c\/h1\u003e\r\n\u003cp style=\"text-align: center\"\u003eHere you can find the past Albums of the Week.\r\nCompiled and offered at 20% off, these albums are a great way for you to broaden your own collection.\u003c\/p\u003e\r\nThe \u003cspan style=\"color: #3366ff\"\u003e\u003ca style=\"color: #3366ff\" href=\"https:\/\/www.nativedsd.com\/specials\/\"\u003eCurrent AOTW\u003c\/a\u003e\u003c\/span\u003e is 40% off for one week, so be sure not to miss that one!\r\n\r\n*Discount paused during storewide sales.","products":[{"product_id":"hmu907441-gershwin","title":"Gershwin","description":"\u003cp\u003eGershwin’s music really is hard to label. With a creative range that won him successes both on Broadway and in Carnegie Hall, it could scarcely be otherwise for this pioneer “crossover” artist. But why try to pigeonhole such brilliance? Better simply to enjoy it’ His parents, Moshe Gershovitz and Rose Bruskin, emigrated separately from Russia to America in the 1890s.They married in 1895 and settled in New York’s tough Lower East Side neighborhood. They had four children: sons Ira, George and Arthur, and a daughter, Frances. Father ran a Turkish bath. Ira dabbled in writing song lyrics while helping out with the customers, sowing the seeds of his long, marvellous partnership with his kid-brother composer.\u003c\/p\u003e\n\u003cp\u003eGeorge was a vigorous, active child, playing street hockey and roller-skating through the area. He had little interest in schooling. There was hardly any music in the household until a piano arrived in 1910. Intended primarily for Ira, it was George who was drawn to it most strongly. If it hadn’t appealed to him, he might have followed many of his friends’ paths and become a gangster.\u003c\/p\u003e\n\u003cp\u003eOne of his piano teachers gave him Chopin, Liszt and Debussy to play, inspiring an early ambition to become a concert pianist. But the family’s need for money led him to drop out of high school at 15. He got a job as a song ‘plugger’ in the retail department of Jerome H. Remick \u0026amp; Co., one of several major popular music publishers located in Tin Pan Alley. His job was to sell their songs by playing and singing them for performers. That was how he met and befriended Fred Astaire, destined to be one of his greatest interpreters.\u003c\/p\u003e\n\u003cp\u003eHe gradually broke into the pop song market he had come to know so well from the inside. The first of his songs to see print appeared in 1916. It bore the memorable title When You Want ’Em, You Can’t Get ’Em, When You’ve Got ’Em, You Don’t Want ’Em. He had to start somewhere! By the early ’20s, he was earning a healthy income from his own material. For several years he had also been taking private instruction in classical techniques. Sooner or later these two streams were bound to merge. \u003c\/p\u003e\n\u003cp\u003eThe premiere of Rhapsody in Blue took place as planned on February 12, 1924, in New York’s Aeolian Hall. Gershwin himself played the solo part. It came at the end of a long, varied program, but it was still received with overwhelming enthusiasm. This irresistible blend of ’20s jazz and daredevil classical virtuosity remains one of the most beloved and frequently performed of all American compositions. Walter Damrosch, conductor of the New York Symphony Orchestra, was in the audience when Gershwin’s rhapsody made its debut. Impressed by its unprecedented amalgamation of popular and classical styles, he commissioned Gershwin to compose a full-scale piano concerto. “Many persons had thought that my rhapsody was only a happy accident,” Gershwin wrote. “Well I went out, for one thing, to show them that there was plenty more where that came from. I made up my mind to do a piece of ‘absolute’ music. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738606940484,"sku":"HMU907441-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738606973252,"sku":"HMU907441-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738607006020,"sku":"HMU907441-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738607038788,"sku":"HMU907441-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738607071556,"sku":"HMU907441-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307971289412,"sku":"HMU907441-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334520709444,"sku":"HMU907441S1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334520742212,"sku":"HMU907441S69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334520774980,"sku":"HMU907441S710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Gershwin-Cover-No-Logo.jpg?v=1790438524"},{"product_id":"sacd126-la-notte-the-night","title":"La Notte (The Night)","description":"\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  \u003co:revision\u003e0\u003c\/o:revision\u003e\n  \u003co:totaltime\u003e0\u003c\/o:totaltime\u003e\n  \u003co:pages\u003e1\u003c\/o:pages\u003e\n  \u003co:words\u003e148\u003c\/o:words\u003e\n  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name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" 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semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan class=\"hps\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003eA trumpet\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e, \u003cspan class=\"hps\"\u003ea guitar and a\u003c\/span\u003e \u003cspan class=\"hps\"\u003ebass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003eThe absence of the\u003c\/span\u003e \u003cspan class=\"hps\"\u003ebattery\u003c\/span\u003e \u003cspan class=\"hps\"\u003eimmediately brings to\u003c\/span\u003e \u003cspan class=\"hps\"\u003emind\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethe last\u003c\/span\u003e \u003cspan class=\"hps\"\u003eChet\u003c\/span\u003e \u003cspan class=\"hps\"\u003eBaker,\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea \u003c\/span\u003e\u003cspan class=\"hps\"\u003echamber\u003c\/span\u003e \u003cspan class=\"hps\"\u003esize\u003c\/span\u003e, intimate and \u003cspan class=\"hps\"\u003esensual. \u003c\/span\u003e\u003cspan class=\"hps\"\u003eThe music was\u003c\/span\u003e \u003cspan class=\"hps\"\u003e\"photographed\"\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein the wonderful\u003c\/span\u003e \u003cspan class=\"hps\"\u003eacoustics of the theater \u003c\/span\u003e\u003cspan class=\"hpsatn\"\u003e\"\u003c\/span\u003ePersius \u003cspan class=\"hps\"\u003eFlaccus\u003c\/span\u003e\" \u003cspan class=\"hps\"\u003eof Volterra\u003c\/span\u003e, waiting for \u003cspan class=\"hps\"\u003ethe bells\u003c\/span\u003e \u003cspan class=\"hps\"\u003eof the five \u003c\/span\u003e\u003cspan class=\"hps\"\u003eceased,\u003c\/span\u003e \u003cspan class=\"hps\"\u003eor\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethat the thunder\u003c\/span\u003e \u003cspan class=\"hps\"\u003eof a storm\u003c\/span\u003e \u003cspan class=\"hps\"\u003eat the end of\u003c\/span\u003e \u003cspan class=\"hps\"\u003esummer\u003c\/span\u003e \u003cspan class=\"hps\"\u003esubsides\u003c\/span\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003eA choice that\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehas put\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethe musicians\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein direct relation to\u003c\/span\u003e \u003cspan class=\"hps\"\u003etheir essence simple\u003c\/span\u003e, highlighting \u003cspan class=\"hps\"\u003ethe strength and\u003c\/span\u003e \u003cspan class=\"hps\"\u003efragility.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cem\u003e\u003cspan class=\"hps\"\u003eThis\u003c\/span\u003e \u003cspan class=\"hps\"\u003erecording technique\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehas opened up\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea\u003c\/span\u003e \u003cspan class=\"hps\"\u003ewindow to the future\u003c\/span\u003e, \u003cspan class=\"hps\"\u003ewe returned\u003c\/span\u003e \u003cspan class=\"hps\"\u003eback decades\u003c\/span\u003e, as often \u003cspan class=\"hps\"\u003ehappens when you \u003c\/span\u003e\u003cspan class=\"hps\"\u003elooking for something\u003c\/span\u003e \u003cspan class=\"hps\"\u003eand\u003c\/span\u003e \u003cspan class=\"hps\"\u003efind it\u003c\/span\u003e \u003cspan class=\"hps\"\u003enecessary to look\u003c\/span\u003e \u003cspan class=\"hps\"\u003eto the past.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003e-- Enzo\u003c\/span\u003e \u003cspan class=\"hps\"\u003ePietropaoli\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cbr\u003e \u003cem\u003e\u003cspan class=\"hps\"\u003eThe result\u003c\/span\u003e \u003cspan class=\"hps\"\u003emanages to combine\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehighly accurate and\u003c\/span\u003e \u003cspan class=\"hps\"\u003enatural sound \u003c\/span\u003e\u003cspan class=\"hps\"\u003ewith human presence\u003c\/span\u003e, lively and \u003cspan class=\"hps\"\u003evivid\u003c\/span\u003e \u003cspan class=\"hps\"\u003emusicians.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003e-- Battista\u003c\/span\u003e \u003cspan class=\"hps\"\u003eLena\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cem\u003e\u003cspan class=\"hps\"\u003eThe impression\u003c\/span\u003e \u003cspan class=\"hps\"\u003eis that you can\u003c\/span\u003e \u003cspan class=\"hps\"\u003eexpand with\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea magnifying glass \u003c\/span\u003e\u003cspan class=\"hps\"\u003ethe sound image\u003c\/span\u003e \u003cspan class=\"hps\"\u003eto infinity\u003c\/span\u003e, discovering \u003cspan class=\"hps\"\u003eeach time\u003c\/span\u003e \u003cspan class=\"hps\"\u003enew \u003c\/span\u003e\u003cspan class=\"hps\"\u003edetails that\u003c\/span\u003e \u003cspan class=\"hps\"\u003eare always\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein focus\u003c\/span\u003e.\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e-- \u003cspan class=\"hps\"\u003eFulvio\u003c\/span\u003e \u003cspan class=\"hps\"\u003eSigurtà\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738645803332,"sku":"SACD126-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738645836100,"sku":"SACD126-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308144075076,"sku":"SACD126-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD126-1.jpg?v=1790124788"},{"product_id":"cc72533-beethoven-symphony-no-9","title":"Beethoven Symphony No. 9","description":"Challenge Classics presents \u003cem\u003e\u003cstrong\u003eBeethoven Symphony No. 9 \u003c\/strong\u003e\u003c\/em\u003eperformed by the \u003cstrong\u003eNetherlands Symphony Orchestra\u003c\/strong\u003e conducted by \u003cstrong\u003eJan Willem de Vriend\u003c\/strong\u003e. The album is available in Stereo and 5 Channel Surround Sound DSD from Native DSD Music.\r\n\r\n\u003cem\u003e“I am Isis. I am that is, and that was, and that shall be, and no mortal hath raised the veil from before my face.”\u003c\/em\u003e - famous inscription on the colonnade of the Temple of Isis in ancient Egypt. (Ich bin, was da ist \/ Ich bin alles was ist, was war, und was seyn wird, kein sterblicher Mensch hat meinen Schleyer aufgehoben)\r\n\r\nBeethoven once wrote this down and the sentence had lain on his desk ever since, together with another one: “He is One, self-existent, and to that One, all things owe their existence.” (“Er ist einzig von ihm selbst, diesem Einzigen sind alle Dinge ihr Daseyn schuldig”)\r\n\r\nThese were important words to Beethoven. Perhaps they inspired him to aim for the highest attainable in his work. 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We thank Joseph Kerman for this sobering statistic: ‘\u003cem\u003e. . . in the twenty-five year period after Beethoven’s death, Vienna – that great musical center – can boast a grand total of no more than seven public performances of any of these works\u003c\/em\u003e.’\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eTastes, however, change. In 1928, just a century after the composer’s death, music aficionado J. W. N. Sullivan wrote in his Beethoven biography that '\u003cem\u003eIn the last string quartets spiritual experiences are communicated of which it is very difficult to mention even the elements. 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Yet as a whole, this selection of music illustrates the breadth of contemporary classical music written for percussionists, as well as the flexibility and virtuosity of Smoke \u0026amp; Mirrors.\r\n\r\nWorld class and sophisticated as this ensemble is, these musicians retain and communicate the sheer joy I experienced when banging pots and pans as a two- and three-year old. Do you remember your own pleasure making a racket as a kid? Smoke \u0026amp; Mirrors: Katalin La Favre, Jessica Cameron, Joe Beribak, Edward Hong and Derek Tywoniuk have never forgotten it.\r\n\r\nWe chose a single \u003cstrong\u003eAKG Stereo C24 Microphone\u003c\/strong\u003e for this \u003cstrong\u003eOne Microphone Recording\u003c\/strong\u003e. Jon Fisher from Gearworks Pro Audio loaned us these precious microphones. Elliot Midwood designed our microphone preamplification equipment and we recorded directly to RMGI 468 tape for what Yarlung releases as “The SonoruS Series.”  Mastering by Steve Hoffman. Bernie Grundman cut our lacquers for vinyl release.\r\n\r\nWe used the Hapi converter and Pyramix software from Merging Technologies in Switzerland to make these transfers to DSD 256.  Our sincere thanks to \u003cstrong\u003eGeorge Klissarov\u003c\/strong\u003e and \u003cstrong\u003eexaSound\u003c\/strong\u003e for making this album possible.\r\n\r\n\u003cstrong\u003eSmoke \u0026amp; Mirrors Percussion Ensemble\u003c\/strong\u003e","brand":"Yarlung Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738716352836,"sku":"YAR15195DSD-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56738716385604,"sku":"YAR15195DSD-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738716418372,"sku":"YAR15195DSD-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738716451140,"sku":"YAR15195DSD-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57308340683076,"sku":"YAR15195DSD-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/YAR15195DSD-1.jpg?v=1790130198"},{"product_id":"ancd12-sound-medicine-hd","title":"Sound Medicine HD","description":"Modern Science is now recognizing what the ancient mystics throughout time have been saying: that all physical matter is in a constant state of vibration, and therefore everything emanates sound (even if it's not audible to the human ear). 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This factor was a major contributor to the apparent energy and spontaneity that is so well heard in this music.  The repertoire was chosen to be user friendly, vivid, colorful and impactful which is evident as these recordings have become sought after gems for both superb sound and enjoyment.\r\n\r\nThe philosophy of the recording process was to be as true to the natural acoustic and performance as possible which meant this was an \u003cstrong\u003eAnalog, Direct to 2 Track, Minimal Microphone Recording\u003c\/strong\u003e with no spotlighting of solo instruments.  Simply, these were not “fix it in the mix” recordings.\r\n\r\nWhat you hear is what went directly on half-inch tape using what is arguably the finest 2 Track 30 IPS Analog Recorder in the world. The Wilson Ultramaster, a highly modified Studer tape deck with custom designed electronics designed by John Curl.  To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed.  Ergo, the finest acoustic, the finest musicians, the finest recording engineer and the finest equipment were all in play under the watchful eyes and ears of David and Sheryl Lee Wilson.\r\n\r\nThis edition of Center Stage at NativeDSD features an \u003cstrong\u003eAnalog to High Definition Stereo DSD 64 Digital Transfer by Bruce Brown at Puget Sound Studios using the Meitner ADC-8 Analog to Digital Converter from EMM Labs\u003c\/strong\u003e. Puget Sound Studios received the tapes from Wilson Audiophile Recordings, LLC, in a wooden crate. Master Tapes were then cataloged in an Excel spreadsheet. 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Graham, Conductor \u0026amp; Producer\u003c\/strong\u003e\r\n\u003cstrong\u003eNational Symphonic Winds\u003c\/strong\u003e","brand":"Wilson Audiophile Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738719826244,"sku":"Wilson8824-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738719859012,"sku":"Wilson8824-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308352119108,"sku":"Wilson8824-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Wilson8824-1.jpg?v=1790130603"},{"product_id":"wilson9231-gershwin-by-knight","title":"Gershwin by Knight","description":"\u003cp\u003eThe music brought together on this album represents many of the most popular of George Gershwin’s creations. Earl Wild’s Virtuoso Etudes are transcriptions of some of the most beloved Gershwin songs of the early American theatre. These, along with Wild’s “Fantasy on Porgy and Bess,” and Gershwin’s own arrangement of “Rhapsody In Blue,” trace Gershwin’s evolution from a commercially successful song writer to a composer of serious intent who was quite conscious of his posterity.\u003cbr\u003eThe songs “I Got Rhythm” and “Embraceable You\" (from the 1930 show “Girl Crazy”), as well as “The Man I Love” and “Fascinating Rhythm” (written for “Lady Be Good” of 1924), were conceived for a musical theatre which had yet to achieve its current level of sophistication. There was no real relationship between the songs used and the narrative of the show (songs were, in fact, often used interchangeably). The American musical theatre as we know it today, a synthesis of music, dialogue and song (much like early German comic opera), was foreshadowed in Showboat, but really only came to maturity with the work of Rodgers and Hammerstein.\u003c\/p\u003e\n\u003cp\u003e“Rhapsody In Blue” (1924) and the opera Porgy and Bess (1935), on the other hand, were written for a concert audience by a self-conscious Gershwin who wanted to legitimize American music. Often doubting his own abilities, Gershwin, at one point, felt compelled to approach Maurice Ravel for lessons in “serious” composition. 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It was Gershwin’s desire to demonstrate that jazz rhythms could be more flexible, as varied as those of concert music; the result has been a staple of the concert hall ever since.\u003cbr\u003eThe creation of Porgy and Bess took several years of planning and two years of active composition (as opposed to the three weeks which produced “Rhapsody In Blue”). Gershwin was now concerned with a wider variety of aesthetic questions: How to make jazz seem a natural musical language for opera singers? How to use a libretto which required a predominantly Black cast? How to avoid the strong emotional associations of Black spirituals? Use only original music (although cast in the form of hymns or spirituals)? What to do with the dialogue of the White characters? Have it spoken while the Black dialogue continues in musical recitative? 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These pieces are truly exhilarating to play and perform, and their fresh impact never fails to hit some target or other, judging by the reaction of a live audience. Not often do you witness four violins trying to outdo each other! \u003c\/em\u003e\r\n\r\n\u003cem\u003eDuring Brecon Baroque’s concerts preceding the recording, the rapierlike turns in musical conversations between the four parts always seemed to lead to added expectation and excitement – more effective because of the contrasted moments of deep melancholy which Vivaldi somehow manages to express irrespective of mode; like Schubert, a major key can be just as poignant and affecting as a minor in a conceit of sadness or loss. \u003c\/em\u003e\r\n\r\n\u003cem\u003eFor example, in the slow movements of Concertos nos. 9 and 12 in D and E major respectively, there is an exquisite tenderness in his writing, something fragile, innocent, and temporary; I catch myself wondering for whom these moments were created… I would like to thank all my wonderful colleagues for these many intense moments of energy, tenderness and joy while performing and recording these fantastic concertos – works which intrigued Bach and from which he mined so many of the very finest Vivaldian attributes. \u003c\/em\u003e -- Rachel Podger\r\n\r\n\u003cstrong\u003eRachel Podger, Violin\u003c\/strong\u003e\r\n\u003cstrong\u003eBrecon Baroque\u003c\/strong\u003e\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=S_aBZyeW2_4","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738778153284,"sku":"36515-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738778186052,"sku":"36515-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738778218820,"sku":"36515-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738778251588,"sku":"36515-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738778284356,"sku":"36515-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308408348996,"sku":"36515-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334697787716,"sku":"36515S1417","price":31.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334697820484,"sku":"36515S69","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334697853252,"sku":"36515S710","price":28.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CCSSA36515-500x500-1.jpg?v=1790451512"},{"product_id":"gdcd058-celebration-in-brass","title":"Celebration In Brass","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003e\u003cstrong\u003eGabriel V Brass Ensemble\u003c\/strong\u003e presents \u003cem\u003e\u003cstrong\u003eCelebration in Brass\u003c\/strong\u003e\u003c\/em\u003e, an inspiring collection of fanfares, beloved hymns, and masterworks arranged for brass by twentieth-century composers. \u003cstrong\u003eAvailable in Stereo and 5 Channel Surround Sound DSD at NativeDSD. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003eMusic-lovers will appreciate the rich interpretations of beloved hymns by James Curnow, William Mac Davis, Jack Stamp, and Steve Sherrill. 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So we have it for you today at the NativeDSD Music store in Stereo and Multichannel DSD 256 (the recorded DSD bit rate), DSD 128 and DSD 64.\r\n\r\nGonzalo Noqué, producer\/engineer of Eudora Records, introduces this gorgeous new DSD 256 album with guitarist Ricardo Gallén in the NativeDSD Blog's \"Producer's Notes\" section. Gonzalo tells us: \"Every time I record in DSD in the 13th Century Church of San Francisco, in Ávila (Spain) I marvel at the acoustics of this location and the ability of the DSD256 format to capture the nuances of the instruments and natural space acoustics.\r\n\r\nTo bring you the full benefit of this native DSD 256 recording, all the DSD files for En Silencio at the NativeDSD Music store use DSD rendering from the master DSD 256fs Stereo and Surround Sound recording. 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All the DSD bit rates at NativeDSD were created in the DSD Domain by NativeDSD Mastering Engineer Tom Caulfield from the DSD 256 original recording using the Signalyst HQ Player 4 Pro mastering tools.\r\n\u003cp class=\"MsoNormal\"\u003eRead a personal note from the Producer about this recording in the \u003ca href=\"https:\/\/www.nativedsd.com\/recording-reports\/producers-note-for-ricardo-gallen-en-silencio\/\"\u003eBlog Article.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cstrong\u003eRicardo Gallen - Guitar\u003c\/strong\u003e","brand":"Eudora Records","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739176776004,"sku":"EUDDR1801-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739176808772,"sku":"EUDDR1801-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739176841540,"sku":"EUDDR1801-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739176874308,"sku":"EUDDR1801-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739176907076,"sku":"EUDDR1801-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739176939844,"sku":"EUDDR1801-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739176972612,"sku":"EUDDR1801-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56739177005380,"sku":"EUDDR1801-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56739177038148,"sku":"EUDDR1801-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739177070916,"sku":"EUDDR1801-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57310197449028,"sku":"EUDDR1801-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57336143348036,"sku":"EUDDR1801S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57336143380804,"sku":"EUDDR1801S1517","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57336143413572,"sku":"EUDDR1801S1617","price":34.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57336143446340,"sku":"EUDDR1801S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57336143479108,"sku":"EUDDR1801S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/En-Silencio-No-Logo.jpg?v=1790501348"},{"product_id":"grv1008-our-gang-pure-dsd","title":"Our Gang [Pure DSD]","description":"[embed]https:\/\/www.youtube.com\/watch?v=EvwHTKNbiM4[\/embed]\r\n\r\n\u003cem\u003e\u003cstrong\u003eOur Gang\u003c\/strong\u003e\u003c\/em\u003e by the \u003cstrong\u003eAnthony Wilson Trio \u003c\/strong\u003eis a \u003cstrong\u003eLive and Direct to Stereo DSD Recording using the Sony Sonoma Direct Stream Digital™ System with custom engineered Analog to Digital and Digital to Analog Converters designed by Ed Meitner at EMM Labs. \u003c\/strong\u003eThe album was Recorded by Michael C. Ross and Darren Morra, Produced by Ying Tan, Sebastian Koh and Joe Harley and Mastered by Bernie Grundman.\r\n\r\nMuch of guitarist Anthony Wilson’s reputation, remarkable for one still in his early 30s, rests on his writing abilities. A triple threat composer with a unique ear for melody, harmony and rhythm, Wilson’s charts for his celebrated nine-piece ensemble are strongly grounded in the jazz tradition even as they maintain a thoroughly modern, forward-looking perspective.\r\n\r\nHis skills have won him a slew of honors: the Thelonious Monk International Composers’ Competition in 1995, a Grammy nomination for Best Large Jazz Ensemble Performance in 1997, The Gil Evans Fellowship in composition from the International Association of Jazz Educators in 1999, top-ranking (tied with Dave Douglas) in the composers deserving wider recognition category in Downbeat magazine’s 2000 International Critics’ Poll.\r\n\r\nBut composition is only half the Wilson story. Anyone who has seen him perform, whether with his incisive nonet, as a member of the orchestra led by his father, distinguished bandleader Gerald Wilson, or in various gigs with saxophonists Bennie Wallace and Ernie Watts, trumpeter Marcus Printup, singer Madeleine Peyroux and others, know that he’s also a smart, sensitive guitarist, one who brings the same ear for tradition, melody and harmony to his instrument that he brings to his writing.\r\n\r\n\u003cstrong\u003eAnthony Wilson Trio\u003c\/strong\u003e\r\nAnthony Wilson, Guitar\r\nJoe Bagg, Hammond B-3 Organ\r\nMark Ferber, Drums","brand":"Groove Note Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739183329604,"sku":"GRV1008-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739183362372,"sku":"GRV1008-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739183395140,"sku":"GRV1008-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739183427908,"sku":"GRV1008-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310241849668,"sku":"GRV1008-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/our-gang-audiophile-hq-45-rpm-gatefold.jpg?v=1790502994"},{"product_id":"lwc1153-bach-toccatas-preludes-and-fugues","title":"Bach: Toccatas, Preludes and Fugues","description":"In his ninth and tenth of a total of fourteen releases of \u003cem\u003e\u003cstrong\u003eBach’s Collected Organ Works\u003c\/strong\u003e\u003c\/em\u003e, organist \u003cstrong\u003eKare Nordstoga\u003c\/strong\u003e pulls together much of what was not collected from the composer’s side — preludes and fugues. \u003cstrong\u003eThe album is available in Stereo and 5 Channel Surround Sound DSD 256, DSD 128, DSD 64 and DXD at NativeDSD.\u003c\/strong\u003e\r\n\r\nThe double form prelude (or toccata) and fugue has been an established form of composition since the 1600s. The North Germans Dietrich Buxtehude and Georg Bohm made a powerful contribution to this contrastive style in which the freer first part and the more rigorous second part are united in a dynamic whole. 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Together with Roland Dyens, they named it Sérénade and it is recorded for the first time on this Album. \u003c\/p\u003e","brand":"Cobra Records","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739201777988,"sku":"COBRA0066-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739201810756,"sku":"COBRA0066-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739201843524,"sku":"COBRA0066-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739201876292,"sku":"COBRA0066-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739201909060,"sku":"COBRA0066-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739201941828,"sku":"COBRA0066-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739201974596,"sku":"COBRA0066-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56739202007364,"sku":"COBRA0066-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56739202040132,"sku":"COBRA0066-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739202072900,"sku":"COBRA0066-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56739202105668,"sku":"COBRA0066-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Binaural","offer_id":56739202138436,"sku":"COBRA0066-24","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Binaural","offer_id":56739202171204,"sku":"COBRA0066-25","price":26.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Binaural","offer_id":56739202203972,"sku":"COBRA0066-26","price":30.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Binaural","offer_id":56739202236740,"sku":"COBRA0066-49","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Binaural","offer_id":56739202269508,"sku":"COBRA0066-50","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57310297850180,"sku":"COBRA0066-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337230328132,"sku":"COBRA0066S1417","price":27.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337230360900,"sku":"COBRA0066S1517","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337230393668,"sku":"COBRA0066S1617","price":33.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 2ch Binaural","offer_id":57337230426436,"sku":"COBRA0066S1424","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 2ch Binaural","offer_id":57337230459204,"sku":"COBRA0066S1525","price":26.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 2ch Binaural","offer_id":57337230491972,"sku":"COBRA0066S1626","price":30.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround \u0026 2ch Binaural","offer_id":57337230524740,"sku":"COBRA0066S141724","price":30.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround \u0026 2ch Binaural","offer_id":57337230557508,"sku":"COBRA0066S151825","price":32.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround \u0026 2ch Binaural","offer_id":57337230590276,"sku":"COBRA0066S161926","price":36.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/COBRA0066-1_12d0717b-4125-4cbd-9433-8d675d17b0d1.jpg?v=1790507531"},{"product_id":"fmica990011803-les-chats-noirs-the-black-cats-pure-dsd","title":"Les Chats Noirs (The Black Cats) [Pure DSD]","description":"\u003ca href=\"https:\/\/www.nativedsd.com\/information\/higher-rates-program\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg id=\"m_57133061801057355526F7A1015-C2D7-42AA-8814-6D0FF0E08C9E\" class=\"CToWUd\" style=\"color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; margin-left: auto; margin-right: auto;\" src=\"https:\/\/mail.google.com\/mail\/u\/1?ui=2\u0026amp;ik=80b4fe5295\u0026amp;attid=0.1.1\u0026amp;permmsgid=msg-f:1650266483212961099\u0026amp;th=16e6ec9f7ca4454b\u0026amp;view=fimg\u0026amp;sz=s0-l75-ft\u0026amp;attbid=ANGjdJ_PjkjOvjaIykMPRKYwhI3oHEYA7EWJgQ8EtdsKQlP11f2yr9FuW1Xg2IotPTZExpchujME-F-uoSGF1xbVn-Pt4olXJv9defr16sIMQcwohqEptsomfb2JM1I\u0026amp;disp=emb\" alt=\"\" data-image-whitelisted=\"\"\u003e\u003c\/a\u003e\u003cem\u003e\u003cstrong\u003eLes Chats Noir (The Black Cats)\u003c\/strong\u003e\u003c\/em\u003e is the self-titled debut album by this unique group from France.  It's on the \u003cstrong\u003eForward Music Italy\u003c\/strong\u003e label and brings together many musical styles and genres from the French Music Scene: Chanson, Jazz, Swing and even the group's version of Video Killed The Radio Star!\r\n\r\nThe album is based on an idea by Renato Gattone. It features an accordion, a manouche guitar and a double bass.  Les Chats Noirs’ first album mixes traditional atmospheres and new musical horizons. It's an album full of Parisian feeling, evoked by a sinuous voice that warms the contemporary taste, also underlined by a Rhodes piano. A narration weaving together music and poetry, moving from Baudelaire’s verses to the pop music of a century later.\r\n\r\nForward Music Italy invites you to \"Take a trip to the Paris of the 40s with Les Chats Noirs (The Black Cats).  An elegant quartet that plays the most famous French melodies such as la vie en rose, the mer, that reste-t-il de nos amours and even lesser known favorites. A voice, an accordion, a manouche guitar and a double bass create a light, fun and \"absolument délicieuse\" atmosphere.\"\r\n\r\n\u003cstrong\u003eLes Chats Noir (The Black Cats)\u003c\/strong\u003e\r\nClara Simonoviez - Vocals\r\nRenato Gattone - Double Bass\r\nPrimiano Di Biase - Harmonica\r\nAugusto Creni - Guitar\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=6hf_2aGdW7Q","brand":"Forward Music Italy","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739203809604,"sku":"FMICA990011803-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739203842372,"sku":"FMICA990011803-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739203875140,"sku":"FMICA990011803-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739203907908,"sku":"FMICA990011803-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739203940676,"sku":"FMICA990011803-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310317936964,"sku":"FMICA990011803-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/FMICA990011803-1.jpg?v=1790508015"},{"product_id":"fmica990011805-note-nascoste-hidden-notes-pure-dsd","title":"Note Nascoste (Hidden Notes) [Pure DSD]","description":"\u003cem\u003e\u003cstrong\u003eNote Nascoste (Hidden Notes)\u003c\/strong\u003e\u003c\/em\u003e features guitarist \u003cstrong\u003eLeonardo Gallucci\u003c\/strong\u003e in a \u003cstrong\u003ePure DSD 256 recording\u003c\/strong\u003e on the Forward Music Italy label. 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The instrument can reduce the traditional guitars limitations by using the medium bass register that is so unexpected in a classic context.\r\n\r\nExploring with passion and curiosity the endless capability of the instrument, guitarist Leonardo Gallucci discovered unknown depth and different sounds with an amazing texture, colors and warmth.\r\n\r\n\u003cstrong\u003eLeonardo Gallucci, Guitar\u003c\/strong\u003e","brand":"Forward Music Italy","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739204006212,"sku":"FMICA990011805-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739204038980,"sku":"FMICA990011805-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739204071748,"sku":"FMICA990011805-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739204104516,"sku":"FMICA990011805-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":57310321246532,"sku":"FMICA990011805-15","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/FMICA990011805-1.jpg?v=1790508076"},{"product_id":"2xhdst1122-ben-webster-plays-duke-ellington","title":"Ben Webster Plays Duke Ellington","description":"For many people \u003cstrong\u003eBen Webster\u003c\/strong\u003e is indelibly linked with the name of \u003cstrong\u003eDuke Ellington\u003c\/strong\u003e. Ben had a long and distinguished career, of which his work with Duke was only a small part, but the crucial exposure just as he reached musical maturity was given by Ellington, and that maturity was hastened by the challenge of playing with Ellington. Yet he also gave a lot to the band and to the continuing Ellington tradition. That connection is featured on \u003cem\u003e\u003cstrong\u003eBen Webster Plays Duke Ellington\u003c\/strong\u003e\u003c\/em\u003e.\r\n\r\nBen Webster created the role of the tenor saxophone with Duke. Before he joined for his longest stay (in January 1940), there had been no expectation of significant tenor contributions – despite Ben’s previous brief encounters in 1935 and 1936. But, in far less time than the 3 ½ years he remained, Ben had made the tenor an Ellingtonian voice almost as strong as Johnny Hodges and Harry Carney on alto and baritone. 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Williamson at Ivory Studios in the Isle of Wight and features a wide range of themes from the poppy “Into the Night” all the way to the heavy “Presentiment” and closing the album is the epic “Cataclysm in Winter” which is the ultimate theme tune to an apocalyptic world drained of all hope.\u003c\/p\u003e\n\u003cp\u003eSurviving on Borrowed Time is part one of what is to be a tragic trilogy. Recorded using a combination of digital equipment (Pyramix from Merging Technologies and Sonama 32-Track DSD Workstation from the Super Audio Center) and analog (Revox and Tascam reel-to-reel recorders utilizing recording to Analog Master tape).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Cask J. Thomson\u003c\/strong\u003e, referred to as \u003cstrong\u003eCask\u003c\/strong\u003e, is a Scottish musician, audio engineer, composer, graphic designer and author born in Falkirk, Scotland, and currently living in Queensland, Australia. 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That means he focused on one single note which has independent resonance and reverb, and on the harmony and musical structure which each notation makes. Therefore, his music is more beautiful when it is played as is and straightforward without any additional exaggerated emotion.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Note from the pianist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1843, Heine, the romantic poet, was nostalgic about Chopin's piano playing after the flourish of virtuoso pianists performing with passionate mannerism. \u003c\/p\u003e\n\u003cp\u003eFranz Liszt started to play in front of large audiences in Opera houses, and therefore piano playing has become more extroverted. \u003c\/p\u003e\n\u003cp\u003ePiano manufacturers were also developing an innovative mechanism which helps pianists to play faster and louder to serve a large crowd. 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The different cultures - from the most tribal to the most elitist ones -, political-social phenomena, religions, the arts in any of their manifestations as well as the same human thought and feeling inspire and feed the Master’s sound world.\r\n\r\nConsequently, the challenge of recording his Sonatas for Guitar was not so much in the quantity or difficulty of his music, but in trying to show that Ethos originating from his music. From the first sonata to the last one (not composed chronologically speaking) one can appreciate the multitude of ideas coming from his privileged knowledge as a composer and orchestra conductor of the great repertoire and its most hidden ins and outs.\r\n\r\nIt is sometimes evident when he quotes Spanish Renaissance visualists such as Mudarra or Milan, but also masters of the stature of Pasquini, Beethoven or Shostakovich. 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