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The album includes two new works by legendary composer Philip Glass: the lyrical \u003cem\u003ePhilip’s Song\u003c\/em\u003e, as well as Haimovitz’s haunting rendition of Glass’ \u003cem\u003eSamsara\u003c\/em\u003e which begins with the simplest of musical elements, winding its way as the cello metamorphoses into a tambura – the instrumental drone of raga.\r\n\r\nLayale Chaker’s heartfelt lament Before Bloom takes the form of a Middle Eastern taqsim, evoking the flowers and leaves bearing witness to suffering, yet blooming defiantly each Spring. Annabelle Chvostek’s (formerly of the Wailin’ Jennys) Your Shadow and Inflorescence invites the cello into a bluegrass realm as she grapples with internalizing the darkness of Zephyrus’ assault and regaining her own breath.\r\n\r\nTamar-kali sparingly uses col legno, pizzicato, and arco timbres in Little Bear Awakens to capture a dance of Spring. 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sonate one mozart with piano paganini ysa solo n almost forgotten song revision by kreisler new piece young german composer tobias peschanel data-sheets-userformat=\"{\"\u003e\u003cem\u003e\u003cstrong\u003e5 Centuries of Violin Music\u003c\/strong\u003e\u003c\/em\u003e presents violin repertoire out of five centuries in a recital program featuring violinist \u003cstrong\u003eAlban Beikircher\u003c\/strong\u003e.\u003c\/span\u003e\r\n\u003cblockquote\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" recording presents violin repertoire out of five centuries in a recital programme. is no instrument that features such rich and broad expressiveness rousseau all it were especially composing virtuosos which steadily continued developing the tonal technical possibilities to this day. present would like enable an overview through representative composers from different periods history instrument. biber his beautiful sonatas then tartini trill sonate one mozart with piano paganini 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all, it were especially composing violin virtuosos which steadily continued developing the tonal and technical possibilities of the violin to this day. \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" recording presents violin repertoire out of five centuries in a recital programme. is no instrument that features such rich and broad expressiveness rousseau all it were especially composing virtuosos which steadily continued developing the tonal technical possibilities to this day. present would like enable an overview through representative composers from different periods history instrument. biber his beautiful sonatas then tartini trill sonate one mozart with piano paganini ysa solo n almost forgotten song revision by kreisler new piece young german composer tobias peschanel data-sheets-userformat=\"{\"\u003eThis recording provides an overview of this through representative composers from different periods of the history of the instrument. 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He composed several sonatas in the Berlin style of the time before returning to London, where he died a few years later.\r\n\r\nEven though Abel left behind a sizable oeuvre, including many symphonic works, he is maybe best remembered for his extraordinary compositions for the “queen of all instruments”, as he called it: the viola da gamba. Every viola da gamba player is familiar with some of his work. Many of us have started our education with the easy pieces with basso continuo, gradually moving to the extremely demanding and rich repertoire for solo viola da gamba. It is this repertoire that is recorded on this album.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eRalph Rousseau, Viola da Gamba\u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e","brand":"TRPTK","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740239475012,"sku":"TTK0125-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56740239507780,"sku":"TTK0125-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56740239540548,"sku":"TTK0125-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740239573316,"sku":"TTK0125-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740239606084,"sku":"TTK0125-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740239638852,"sku":"TTK0125-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56740239671620,"sku":"TTK0125-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56740239704388,"sku":"TTK0125-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56740239737156,"sku":"TTK0125-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740239769924,"sku":"TTK0125-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740239802692,"sku":"TTK0125-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56740239835460,"sku":"TTK0125-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340067217732,"sku":"TTK0125-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57340067250500,"sku":"TTK0125S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57340067283268,"sku":"TTK0125S1517","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57340067316036,"sku":"TTK0125S1617","price":34.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57340067348804,"sku":"TTK0125S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57340067381572,"sku":"TTK0125S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/TTK0125.jpg?v=1790591037"},{"product_id":"pwsglsa15452-apparitions","title":"Apparitions","description":"\u003cblockquote\u003eAn artistic milestone of New York ‘downtown’ creative jazz with an avant-garde edge, recorded in crystal-clear DSD.\r\n\u003ci\u003e- \u003cstrong\u003eMark Werlin\u003c\/strong\u003e\u003c\/i\u003e\n\u003c\/blockquote\u003e\r\n\r\n\u003chr\u003e\r\n\r\nNew York saxophonist \u003cstrong\u003eTony Malaby\u003c\/strong\u003e’s Mexican-American background and experience playing both inside and outside bring a subtly different flavor to his second record as leader. The members of the band worked with his structural concepts more than with written-out compositions: “I decided to try to create platforms for my favorite ‘zones’ that we’d developed or would hit on. So for example, a multi-layered zone where the four of us are each playing in our own pulse or dimension in time, or a very transparent zone where it’s cymbals\/mallets\/brushes and I’m playing flute-like and Drew Gress is playing arco. And the question is: how am I going to get this into a composition, how am I going to structure it?”\r\n\r\nThroughout \u003cem\u003e\u003cstrong\u003eApparitions\u003c\/strong\u003e\u003c\/em\u003e, freedom and form are dual aspects of the music’s evolution. Cutting-edge jazz typically blurs the distinction between composition and improvisation, but seldom are the results so intuitive yet coherent — sinuous group elaborations of uncanny dexterity, the often dense textures retaining a striking clarity. The whole record feels like one extended suite exploring forms and moods on some knife-edge between passion and abstraction. “A big part of the aesthetic is that the composition is hidden, and the improv is equally hidden… Tom Rainey, Mike Sarin and Drew are masters at creating this effect, because they can absorb the material very quickly and are then able to abstract it and deconstruct it, they create another layer over the written material, even as they perform it… On ‘Talpa’ and ‘Jersey Merge’ there’s a structure that we’re blowing off of, chord changes — ‘Jersey Merge’ is based on the harmonic structure of ‘Bye Bye Blackbird’ — and I knew that I’d get a different type of music from the rest of the record if I incorporated a couple of tunes with form and structure. The way they mask that there is a form there is brilliant, it creates a seamlessness that never constricts me as an improviser.”\r\n\r\nTimbral innovation is another area of investigation, “trying to create the illusion that I’m not playing saxophone, that I’m playing marimba or other percussion-like instruments… trying to make the ensemble sound bigger than it really is.” Evoking cultural and natural space is also an important consideration: “I use a lot of imagery or visualization, and at the time of making Apparitions I was dealing a lot with my heritage, so a lot of imagery of adobe, weavings, chilis, cilantro, spices, the ancient pyramids of Mexico… these were on my mind. And there’s a primitiveness in the music — ‘Tula’ at times sounds like I’m blowing into a conch shell… Something I’ve always carried with me from the southwest is a sense of space. It’s very easy for me to create density and energy but I’m working on spacing that out, pacing myself, and thinking of ‘arcs’ differently, I don’t want things to always start soft, crescendo to a peak, and come down at the end.”\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eTony Malaby\u003c\/strong\u003e, tenor \u0026amp; soprano saxophone\r\n\u003cstrong\u003eTom Rainey\u003c\/strong\u003e, drums\r\n\u003cstrong\u003eDrew Gress\u003c\/strong\u003e, double bass\r\n\u003cstrong\u003eMichael Sarin\u003c\/strong\u003e, drums \u0026amp; percussion\r\n\r\nRecorded to DSD October 8, 2002 at Systems Two, Brooklyn. 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The original High Resolution versions have been kept secret far too long and are really hidden gems to be enjoyed now by many.\r\n\u003cblockquote\u003e\n\u003cem\u003eAfter retrieving the files from the archive, I decided to have another go on the mixes, now 16 years later with the progressive insight and acquired tools over the years for this stunning high resolution. \u003c\/em\u003e\u003cem\u003eIt was a tremendous pleasure to find the true hidden gems within these tracks and I am thrilled to finally share those with the world.\u003c\/em\u003e\r\n- \u003cem\u003eBert van der Wolf, Oude Avenhuis, 2023\u003c\/em\u003e\n\u003c\/blockquote\u003e\r\nVisit \u003ca href=\"https:\/\/spiritofturtle.com\/collections\/downloads\/products\/beethoven-complete-symphonies-vol-1-download\"\u003eSpirit of Turtle\u003c\/a\u003e for even more formats of this album.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eAnima Eterna Brugge\u003c\/strong\u003e\r\n\u003cstrong\u003eJos van Immerseel, Conductor\u003c\/strong\u003e","brand":"Alpha Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740240818500,"sku":"ALPHA3802-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740240851268,"sku":"ALPHA3802-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740240884036,"sku":"ALPHA3802-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740240916804,"sku":"ALPHA3802-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740240949572,"sku":"ALPHA3802-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740240982340,"sku":"ALPHA3802-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5.1ch Surround","offer_id":56740241015108,"sku":"ALPHA3802-36","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5.1ch Surround","offer_id":56740241047876,"sku":"ALPHA3802-39","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5.1ch Surround","offer_id":56740241080644,"sku":"ALPHA3802-43","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5.1ch Surround","offer_id":56740241113412,"sku":"ALPHA3802-44","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ Auro3D","offer_id":56740241146180,"sku":"ALPHA3802-61","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340068725060,"sku":"ALPHA3802-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340068757828,"sku":"ALPHA3802S1443","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340068790596,"sku":"ALPHA3802S1543","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340068823364,"sku":"ALPHA3802S1639","price":34.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/ALPHA3802.jpg?v=1790591154"},{"product_id":"alpha3803-beethoven-symphonies-ouvertures-vol-3","title":"Beethoven Symphonies \u0026 Ouvertures Vol. 3","description":"\u003cstrong\u003eA truly inspiring time travel during the re-mastering process of these legendary performances!\u003c\/strong\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eBeethoven Symphonies \u0026amp; Ouvertures Vol. 3\u003c\/strong\u003e\u003c\/em\u003e is an extraordinary one and it was rewarded with multiple accolades in the international press. The level of historical insight and dedication of \u003cstrong\u003eAnima Eterna Brugge\u003c\/strong\u003e and their leader \u003cstrong\u003eJos van Immerseel\u003c\/strong\u003e, regarding informed playing on period instruments, is really remarkable.\r\n\r\nHaving the privilege to artistically produce and record their performances was an honor and the results are wonderful and rather unique. The original High Resolution versions have been kept secret far to long and are really hidden gems to be enjoyed now by many.\r\n\u003cblockquote\u003e\n\u003cem\u003eAfter retrieving the files from the archive, I decided to have another go on the mixes, now 16 years later with the progressive insight and acquired tools over the years for this stunning high resolution. It was a tremendous pleasure to find the true hidden gems within these tracks and I am thrilled to finally share those with the world.\u003c\/em\u003e\r\n- \u003cem\u003eBert van der Wolf, Oude Avenhuis, 2023\u003c\/em\u003e\n\u003c\/blockquote\u003e\r\nVisit \u003ca href=\"https:\/\/spiritofturtle.com\/collections\/downloads\/products\/beethoven-complete-symphonies-vol-1-download\"\u003eSpirit of Turtle\u003c\/a\u003e for even more formats of this album.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eAnima Eterna Brugge\u003c\/strong\u003e\r\n\u003cstrong\u003eJos van Immerseel, Conductor\u003c\/strong\u003e","brand":"Alpha Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740242653508,"sku":"ALPHA3803-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740242686276,"sku":"ALPHA3803-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch 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Surround","offer_id":57340071969092,"sku":"ALPHA3803S1639","price":34.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/ALPHA3803.jpg?v=1790591221"},{"product_id":"pwsglsa15502-solos","title":"Solos","description":"\u003cblockquote\u003ePartners in life and music perform an intimate concert of solo piano works that explore Holcomb's Americana and Horvitz' impressionist influences, recorded live to DSD.\r\n\u003cstrong\u003e- \u003cem\u003eMark Werlin\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/blockquote\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" pianists and composers with individual styles wayne horvitz robin holcomb have now been partners in life as well musically for almost five decades. they had appeared on record each other company numerous times but this was their first recording actually sharing the billing. together yet alone plays solo piano steiinway d program includes original compositions suite comet comes three free improvisations covers shorter beautiful dsd a small concert hall creates an intimate palpable atmosphere. to essentials differences similarities music stand out. both possess notable techniques it emotional resonances luminosity of playing that really stay listener. put share wide range interests influences. i entered world jazz very late its history exuberant improvising whereas is much more familiar earlier forms. played early american folk indonesian music. we seem be mesmerized by harmonic language hymns no particular reason. are drawn bittersweet melody harmony find pieces quality them lovely will get into deeply moment which then shimmers throughout think my may melancholy overall. question different sounds our training backgrounds although at time met also became involved musical projects were influenced cecil taylor all coming out aacm bag artists group keith jarrett chick corea etc. air. improvisors us sort two-handed approach la cecil. being introduced messiaen john cage many contemporary hearing connections between those musics. unlike however single-note from various life. implies these stylistic impressionism debussy or pared-down elegance satie varying moods flow personal shared artistic statement. data-sheets-userformat=\"{\" it:=\"\" replied:=\"\"\u003e\u003cem\u003e\u003cstrong\u003eSolos\u003c\/strong\u003e\u003c\/em\u003e features two distinguished pianists and composers with individual styles. \u003cstrong\u003eWayne Horvitz\u003c\/strong\u003e and \u003cstrong\u003eRobin Holcomb\u003c\/strong\u003e have now been partners in life as well as musically for almost five decades. \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" pianists and composers with individual styles wayne horvitz robin holcomb have now been partners in life as well musically for almost five decades. they had appeared on record each other company numerous times but this was their first recording actually sharing the billing. together yet alone plays solo piano steiinway d program includes original compositions suite comet comes three free improvisations covers shorter beautiful dsd a small concert hall creates an intimate palpable atmosphere. to essentials differences similarities music stand out. both possess notable techniques it emotional resonances luminosity of playing that really stay listener. put share wide range interests influences. i entered world jazz very late its history exuberant improvising whereas is much more familiar earlier forms. played early american folk indonesian music. we seem be mesmerized by harmonic language hymns no particular reason. are drawn bittersweet melody harmony find pieces quality them lovely will get into deeply moment which then shimmers throughout think my may melancholy overall. question different sounds our training backgrounds although at time met also became involved musical projects were influenced cecil taylor all coming out aacm bag artists group keith jarrett chick corea etc. air. improvisors us sort two-handed approach la cecil. being introduced messiaen john cage many contemporary hearing connections between those musics. unlike however single-note from various life. implies these stylistic impressionism debussy or pared-down elegance satie varying moods flow personal shared artistic statement. data-sheets-userformat=\"{\" it:=\"\" replied:=\"\"\u003eThey had appeared on record in each other’s company numerous times, but this was their first recording actually sharing the billing. Together… and yet alone, as each plays solo piano (a Steinway D). \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" pianists and composers with individual styles wayne horvitz robin holcomb have now been partners in life as well musically for almost five decades. they had appeared on record each other company numerous times but this was their first recording actually sharing the billing. together yet alone plays solo piano steiinway d program includes original compositions suite comet comes three free improvisations covers shorter beautiful dsd a small concert hall creates an intimate palpable atmosphere. to essentials differences similarities music stand out. both possess notable techniques it emotional resonances luminosity of playing that really stay listener. put share wide range interests influences. i entered world jazz very late its history exuberant improvising whereas is much more familiar earlier forms. played early american folk indonesian music. we seem be mesmerized by harmonic language hymns no particular reason. are drawn bittersweet melody harmony find pieces quality them lovely will get into deeply moment which then shimmers throughout think my may melancholy overall. question different sounds our training backgrounds although at time met also became involved musical projects were influenced cecil taylor all coming out aacm bag artists group keith jarrett chick corea etc. air. improvisors us sort two-handed approach la cecil. being introduced messiaen john cage many contemporary hearing connections between those musics. unlike however single-note from various life. implies these stylistic impressionism debussy or pared-down elegance satie varying moods flow personal shared artistic statement. data-sheets-userformat=\"{\" it:=\"\" replied:=\"\"\u003eThe program includes original compositions (e.g. Holcomb’s 13-minute suite “When the Comet Comes”), three free improvisations, and three covers (including Wayne Shorter’s beautiful “Armageddon.”). DSD recording in a small concert hall creates an intimate, palpable atmosphere.\u003c\/span\u003e\r\n\r\nReduced to essentials, the differences as well as the similarities in their music stand out. They both possess notable techniques, but it’s the emotional resonances and luminosity of the playing that really stay with the listener.\r\n\r\nAs Robin put it: \u003cem\u003e“We share a wide range of interests and influences. I entered the world of jazz very late in its history with the exuberant improvising of ‘free jazz’ whereas Wayne is much more familiar with earlier jazz forms. I have played more early American folk music and Indonesian music. We seem to both be mesmerized by the harmonic language of hymns, for no particular reason. We are both drawn to the bittersweet in both melody and harmony – I find that Wayne’s pieces have more of a ‘yanking’ quality to them – a lovely melody will get ‘yanked’ into a deeply bittersweet moment which then shimmers throughout the music. I think that my pieces may be more melancholy overall.”\u003c\/em\u003e\r\n\r\nWayne replied: \u003cem\u003e“Without question we have very different sounds and techniques, our training and backgrounds are different, although at the time that we first met and also became involved in musical projects together we were both very influenced by Cecil Taylor (pianistically) and all the music coming out of the AACM and the BAG (Black Artists’ Group). Also Keith Jarrett and Chick Corea etc. were very much in the air. As improvisors both of us share a sort of two-handed approach à la Cecil. Also we were being introduced to the music of Messiaen and John Cage and many other contemporary composers and hearing the connections between all those musics. Unlike Robin, however, I also have a more single-note ‘linear’ approach that comes from playing jazz at various times in my life.”\u003c\/em\u003e\r\n\r\nSolos implies all these stylistic connections and more (e.g. the impressionism of Debussy or the pared-down elegance of Satie). But its varying moods flow together into a personal, shared artistic statement.\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" recorded album filled with subtle beauty and moments of darkness john kelman allaboutjazz beautiful new york times horvitz understand what makes music interesting organic listenable. jeff mccord downbeat is a category unto herself pianistic analogue maybe to the guitar approach fellow seattle resident periodic collaborator bill frisell that demands rewards concentration. it could change way you listen. chacona signal noise data-sheets-userformat=\"{\"\u003e\u003cem\u003e“Beautifully recorded…an album filled with subtle beauty and moments of darkness…”\u003c\/em\u003e\r\n– John Kelman, All About Jazz\u003c\/span\u003e\r\n\r\n\u003cem\u003e“…staggeringly beautiful…”\u003c\/em\u003e\r\n— New York Times\r\n\r\n****\u003cem\u003e “[Holcomb and Horvitz] understand what makes music interesting, organic, and listenable.”\u003c\/em\u003e\r\n\u003cem\u003e– Jeff McCord, DownBeat\u003c\/em\u003e\r\n\r\n\u003cem\u003e“[Holcomb] is a category unto herself, a pianistic analogue, maybe, to the guitar approach of fellow Seattle resident (and periodic collaborator) Bill Frisell…a music that demands – and rewards – concentration. It could change the way you listen.”\u003c\/em\u003e\r\n– John Chacona, Signal to Noise\r\n\r\n\u003chr\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" pianists and composers with individual styles wayne horvitz robin holcomb have now been partners in life as well musically for almost five decades. they had appeared on record each other company numerous times but this was their first recording actually sharing the billing. together yet alone plays solo piano steiinway d program includes original compositions suite comet comes three free improvisations covers shorter beautiful dsd a small concert hall creates an intimate palpable atmosphere. to essentials differences similarities music stand out. both possess notable techniques it emotional resonances luminosity of playing that really stay listener. put share wide range interests influences. i entered world jazz very late its history exuberant improvising whereas is much more familiar earlier forms. played early american folk indonesian music. we seem be mesmerized by harmonic language hymns no particular reason. are drawn bittersweet melody harmony find pieces quality them lovely will get into deeply moment which then shimmers throughout think my may melancholy overall. question different sounds our training backgrounds although at time met also became involved musical projects were influenced cecil taylor all coming out aacm bag artists group keith jarrett chick corea etc. air. improvisors us sort two-handed approach la cecil. being introduced messiaen john cage many contemporary hearing connections between those musics. unlike however single-note from various life. implies these stylistic impressionism debussy or pared-down elegance satie varying moods flow personal shared artistic statement. data-sheets-userformat=\"{\" it:=\"\" replied:=\"\"\u003e\u003cstrong\u003eWayne Horvitz, Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eRobin Holcomb, 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class=\"row\"\u003e\r\n\u003cdiv class=\"item_dump2 item_descr\"\u003e\r\n\r\nThe songs on \u003cem\u003e\u003cstrong\u003eSigurd Lie: Songs, Vol. 2\u003c\/strong\u003e\u003c\/em\u003e performed by pianist \u003cstrong\u003eNils Anders Mortensen \u003c\/strong\u003eand Mezzo-Soprano \u003cstrong\u003eMarianne Beate Kielland \u003c\/strong\u003econtinues the chronological list from volume 1.\r\n\r\nThe album begins with the remarkably special cycle \u003cem\u003eWartburg\u003c\/em\u003e, encompassing an enormous range of singing pathos. The text by Theodor Caspari has to do with Wartburg Castle, with its sweeping history. Martin Luther sought refuge there from May 1521 to March 1522. Saint Elisabeth of Thuringia resided there from 1211 to 1228, Johann Wolfgang von Goethe visited the castle several times, and, notably, the famous “minstrel contest” at the castle was an inspiration for Wagner when he composed his opera \u003cem\u003eTannhäuser\u003c\/em\u003e. So it is not so unusual that Theodor Caspari was also inspired by the castle’s history and reputation when he wrote his \u003cem\u003eWartburg\u003c\/em\u003e texts.\r\n\r\nAfter \u003cem\u003eWartburg\u003c\/em\u003e come the last of Sigurd Lie’s published texts: \u003cem\u003eSange Sub Rosa\u003c\/em\u003e, \u003cem\u003eSol-Laug\u003c\/em\u003e and \u003cem\u003eSidste Sange\u003c\/em\u003e. They are followed by songs found as manuscripts and later published in the book \u003cem\u003eSanger \u003c\/em\u003e(\u003cem\u003eSongs\u003c\/em\u003e) from 1999. Here it is interesting to see that Sigurd Lie also tried his hand at \u003cem\u003eHaugtussa\u003c\/em\u003e songs, and we find them in a National Romantic vein that is seldom seen elsewhere. The remaining unpublished songs we have recorded are much the same as Lie’s other compositions. The album closes with two strophic songs: \u003cem\u003eStaren\u003c\/em\u003e and \u003cem\u003eDet er et gammelt Kvæde\u003c\/em\u003e.\r\n\r\nSigurd Lie was a central composer in his time, although he had a short life. With the two releases of his \u003cem\u003eSongs\u003c\/em\u003e we get an insight into why he was predicted to become the new, great, Norwegian composer after Edvard Grieg. Unfortunately, he did not live long enough to experience it, but here we can at least enjoy his broad compositional pen in around 75 songs, spread over the two releases.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eNils Anders Mortensen, Piano\u003c\/strong\u003e\u003cstrong\u003e\r\nMarianne Beate Kielland, Mezzo-Soprano\u003c\/strong\u003e\u003cstrong\u003e\r\n\u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Lawo Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740244128068,"sku":"LWC1274-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740244160836,"sku":"LWC1274-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740244193604,"sku":"LWC1274-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740244226372,"sku":"LWC1274-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740244259140,"sku":"LWC1274-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740244291908,"sku":"LWC1274-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 32 Bit \/ 2ch Stereo","offer_id":56740244324676,"sku":"LWC1274-35","price":28.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340074099012,"sku":"LWC1274-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1274.jpg?v=1790591354"},{"product_id":"lwc1259-fire-walker","title":"Fire Walker","description":"\u003cstrong\u003e\u003ci\u003eFire Walker\u003c\/i\u003e\u003c\/strong\u003e is \u003cstrong\u003eMarion Walker\u003c\/strong\u003e's debut album, and the first album in \u003ci\u003eThe Elements\u003c\/i\u003e series, as part of Lawo Classics' ongoing collaboration with Kristiansand Symphony Orchestra's alternating solo oboist.\r\n\r\n\u003cstrong\u003eThe album is Exclusively Available at NativeDSD in Stereo DSD 512, DSD 256, DSD 128, DSD 64 and the recorded format and bit rate of Stereo DXD.\u003c\/strong\u003e\r\n\r\nIn an important role on this album, she has brought with her the award-winning violinist\u003cstrong\u003e Sara Övinge\u003c\/strong\u003e, former concertmaster of Den Norske Opera \u0026amp; Ballett, who leads the strings in the quintet and quartet on this album. Participating musicians are violist Anders Rensvik, clarinetist Ingvill Hafskjold, cellist Gunnar Hauge and double bassist Marius Flatby.\r\n\r\n\u003cstrong\u003eQuintet, Op. 39\u003c\/strong\u003e\r\nProkofiev's chamber music output is relatively modest—a handful of sonatas, two string quartets, an overture of Hebrew themes for clarinet, string quartet and piano, as well as this quintet for oboe, clarinet, violin, viola and bass.\r\n\r\nThe quintet, with its peculiar instrumentation and its tonal and rhythmic playfulness— described by some as “successfully circusy”—is a prime example of Prokofiev as an ironist and humorist, a superb craftsman who elegantly juggles his material and produces surprisingly sonorous, tonal and rhythmic kaleidoscopes. The work is one of his most radical, but the crassness of the elements is placated by the lightness of the form—like a kind of polite insolence.\r\n\r\n\u003cstrong\u003e\u003cem\u003eBælþræk, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003eQuartet for Oboe, Violin, Viola and Cello (2016)\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e \/ Bælsiþ, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003eConcerto for Oboe and Sinfonietta (2018)\u003c\/strong\u003e\r\nHumour has long been a central ingredient in Jon Øivind Ness's music, ever since he put his perilous life as a cat owner to music in the trombone concerto \u003cem\u003eDangerous Kitten\u003c\/em\u003e (1997). In recent years, his music has transformed significantly, from the complex irony of the 90s, via the almost—to quote the composer himself—romantic fervor of the mid-00s, to a microtonally oriented musical language and occasionally ascetic expression in the last 10 years or so.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eMarion Walker, Oboe\u003c\/strong\u003e\r\n\u003cstrong\u003eEnsemble Ernst\u003c\/strong\u003e","brand":"Lawo Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740245078340,"sku":"LWC1259-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740245111108,"sku":"LWC1259-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740245143876,"sku":"LWC1259-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740245176644,"sku":"LWC1259-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740245209412,"sku":"LWC1259-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740245242180,"sku":"LWC1259-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340076130628,"sku":"LWC1259-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1259.jpg?v=1790591415"},{"product_id":"alpha3806-beethoven-symphonies-ouvertures-vol-6","title":"Beethoven Symphonies \u0026 Ouvertures Vol. 6","description":"\u003cstrong\u003eA truly inspiring time travel during the re-mastering process of these legendary performances!\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003e\u003cem\u003eBeethoven Symphonies \u0026amp; Ouvertures Vol. 6\u003c\/em\u003e\u003c\/strong\u003e is an extraordinary one and it was rewarded with multiple accolades in the international press.\r\n\r\nThe level of historical insight and dedication of \u003cstrong\u003eAnima Eterna Brugge\u003c\/strong\u003e and their leader \u003cstrong\u003eJos van Immerseel\u003c\/strong\u003e, regarding informed playing on period instruments, is really remarkable.\r\n\r\nHaving the privilege to artistically produce and record their performances was an honor and the results are wonderful and rather unique. The original High Resolution versions have been kept secret far too long and are really hidden gems to be enjoyed now by many.\r\n\u003cblockquote\u003e\n\u003cem\u003eAfter retrieving the files from the archive, I decided to have another go on the mixes, now 16 years later with the progressive insight and acquired tools over the years for this stunning high resolution. \u003c\/em\u003e\u003cem\u003eIt was a tremendous pleasure to find the true hidden gems within these tracks and I am thrilled to finally share those with the world.\u003c\/em\u003e\r\n- \u003cem\u003eBert van der Wolf, Oude Avenhuis, 2023\u003c\/em\u003e\n\u003c\/blockquote\u003e\r\nVisit \u003ca href=\"https:\/\/spiritofturtle.com\/collections\/downloads\/products\/beethoven-complete-symphonies-vol-1-download\"\u003eSpirit of Turtle\u003c\/a\u003e for even more formats of this album.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eAnima Eterna Brugge\u003c\/strong\u003e\r\n\u003cstrong\u003eJos van Immerseel, Conductor\u003c\/strong\u003e","brand":"Alpha Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740247142724,"sku":"ALPHA3806-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740247175492,"sku":"ALPHA3806-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740247208260,"sku":"ALPHA3806-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740247241028,"sku":"ALPHA3806-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740247273796,"sku":"ALPHA3806-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740247306564,"sku":"ALPHA3806-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5.1ch Surround","offer_id":56740247339332,"sku":"ALPHA3806-36","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5.1ch Surround","offer_id":56740247372100,"sku":"ALPHA3806-39","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5.1ch Surround","offer_id":56740247404868,"sku":"ALPHA3806-43","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5.1ch Surround","offer_id":56740247437636,"sku":"ALPHA3806-44","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ Auro3D","offer_id":56740247470404,"sku":"ALPHA3806-61","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340083536196,"sku":"ALPHA3806-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340083568964,"sku":"ALPHA3806S1443","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340083601732,"sku":"ALPHA3806S1543","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5.1ch Surround","offer_id":57340083634500,"sku":"ALPHA3806S1639","price":34.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/ALPHA3806.jpg?v=1790591610"},{"product_id":"hres2311-brahms-the-complete-sonatas-for-violin-and-piano-alla-zingarese-pure-dsd","title":"Brahms: The Complete Sonatas For Violin and Piano - 'alla zingarese' [Pure DSD]","description":"\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" have a nice evening with love since we invited you all to an imaginary living room for house concert at home like set the tone little. in few minutes welcome are salon end of century. this is what were talking there piano factories budapest and vienna second half everywhere concerts homes bourgeoisie. so invite such which happen be recording. it going old-fashioned record. not vinyl pressed record but transparent century can put on old players. do player j bal good ladies gentlemen. yes course i prefer listen music that rather than cd really take who else has raise your hand uhh... audience. because one don use much mostly everything online now. records charm. charm intimacy lot music. why very happy here us. these works mean think pinnacle performing arts when whisper something sensitive way tuned other just him now moment. important thoughts remain score. should perfect sterile could realised salons. salons was no concert-like performance level imagine. sociability missing today society. get together then little chat. brahms those whom dedicated great fans musicians he played nothing else. exactly barnabas imagined his would ever performed hall size. gypsy factor freedom imaginative thinking perhaps most represented by hungarian musicians. injected into art or ravel go about artists inspired freedom. kind phrasing almost impossible write down musician audience feel comfortable way. despite being serious composers world sense depths composed real germanic still extraordinary amount influence works. thought sonatas might show better others dare able to. cimbalom. only them also example famous clarinet quartet cimbalom imitations written string clarinet. well coincidence quite instrument orchestra there. wanted say didn before break between each sonata as did before. fact after major even shorter us move next pieces. wish mobile phones pleasant break. data-sheets-userformat=\"{\" kelemen:=\"\" verbally:=\"\" about:=\"\" poll:=\"\"\u003eBarnabás Kelemen: \"Have a nice evening, with love! Since we've invited you all to an imaginary living room for a house concert at home, we'd like to set the tone a little. In a few minutes, to welcome you verbally: we are at an imaginary salon concert at the end of the 19th century. This is what we were talking about: there were 150 piano factories in Budapest and 6-700 in Vienna in the second half of the 19th century. And everywhere there were concerts like this in the homes of the bourgeoisie. So we invite you to such a concert, which we happen to be recording. It's going to be an old-fashioned record. Not a vinyl pressed record, but a transparent record for the 21st century, which can be put on old players. Do you have a record player, János?\"\u003c\/span\u003e\r\n\r\nJános Balázs: \"Good evening ladies and gentlemen. Yes, of course! And I prefer to listen to music on that rather than CD, but I'd really like to take a poll: Who else has a CD player? Raise your hand! Uhh... This is a good audience. Because I have one, but I don't use it much, because we mostly use everything online now. But vinyl records have a charm. And this charm, this intimacy is in a lot of music. And that's why we're very happy to be here and to have you with us. Because these works mean a lot to us. Because I think that the pinnacle of the performing arts is when we can whisper something in a sensitive way, tuned to the music, tuned to the other, just for him, just now, just in that moment. It is very, very important that these thoughts do not remain in the score. And it should not just be perfect and sterile perfect, but it should have something in it that could really be realised in the salons. Because in the salons there was no concert-like performance on the level that we imagine.\r\nThere was a sociability that I think is very much missing in today's society. To get together, think, listen to the music and then have a little chat. And Brahms and those to whom we dedicated the evening were great fans of salon musicians and he played a lot in salons. There was nothing else. That's exactly what Barnabas and I were talking about: I don't think Brahms could have imagined that his music would ever be performed in a hall of this size.\"\r\n\r\nJános Balázs: \"Yes, this gypsy music was a very important factor, I think, in the 19th century and the 20th century. Because that freedom, that imaginative thinking, that was perhaps most represented by Gypsy musicians and Hungarian Gypsy musicians. This is what was injected into the art of Brahms or Ravel, but I could go on and on about the artists who were inspired by this freedom. And the kind of phrasing that is almost impossible to write down in music, but the musician and the audience feel comfortable when it is played that way. And Brahms, despite being one of the most serious composers in the world in the sense that he has very, very great depths, and he composed real Germanic music, there is still an extraordinary amount of freedom and this Hungarian gypsy music influence in his works. Barnabas and I thought that in the sonatas we might show this a little better than others dare or are able to.\"\r\n\r\nBarnabás Kelemen: \"He was inspired by the cimbalom. Not only in works that have piano in them, but also, for example, in his famous Clarinet Quartet, there are a lot of cimbalom imitations that were written just for string quartet and clarinet. Well, it's no coincidence that the clarinet is also quite an important instrument for the gypsy orchestra there. What I wanted to say, which I didn't say before, is that we would have a break between each sonata, as we did before. In fact, after this sonata in A major, we could have an even shorter break for all of us to move on to the next pieces. So we wish you and your mobile phones a very pleasant break.\"\r\n\r\n\u003chr\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" have a nice evening with love since we invited you all to an imaginary living room for house concert at home like set the tone little. in few minutes welcome are salon end of century. this is what were talking there piano factories budapest and vienna second half everywhere concerts homes bourgeoisie. so invite such which happen be recording. it going old-fashioned record. not vinyl pressed record but transparent century can put on old players. do player j bal good ladies gentlemen. yes course i prefer listen music that rather than cd really take who else has raise your hand uhh... audience. because one don use much mostly everything online now. records charm. charm intimacy lot music. why very happy here us. these works mean think pinnacle performing arts when whisper something sensitive way tuned other just him now moment. important thoughts remain score. should perfect sterile could realised salons. salons was no concert-like performance level imagine. sociability missing today society. get together then little chat. brahms those whom dedicated great fans musicians he played nothing else. exactly barnabas imagined his would ever performed hall size. gypsy factor freedom imaginative thinking perhaps most represented by hungarian musicians. injected into art or ravel go about artists inspired freedom. kind phrasing almost impossible write down musician audience feel comfortable way. despite being serious composers world sense depths composed real germanic still extraordinary amount influence works. thought sonatas might show better others dare able to. cimbalom. only them also example famous clarinet quartet cimbalom imitations written string clarinet. well coincidence quite instrument orchestra there. wanted say didn before break between each sonata as did before. fact after major even shorter us move next pieces. wish mobile phones pleasant break. data-sheets-userformat=\"{\" kelemen:=\"\" verbally:=\"\" about:=\"\" poll:=\"\"\u003e\u003cstrong\u003eBarnabás Kelemen\u003c\/strong\u003e - 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As their name implies, their essence lies in forging connections—connections not only among themselves through the medium of chamber music but also with their audience. Central to their artistic mission is a profound commitment to engaging with the pressing social issues of our time, a dedication to responding to the realities that surround us, and a desire to fuse these elements into their music in a contemporary and thought-provoking manner. While their roots are firmly planted in the classical music tradition, they fearlessly embrace other genres and incorporate elements of broader artistic expression into their repertoire. They like to use brave and form-breaking tools, they are driven by a constant strong desire to create new forms and new sound worlds individually and together.\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" connectrio we can hear three performers with completely different characters. as their name implies essence lies in forging connections not only among themselves through the medium of chamber music but also audience. central to artistic mission is a profound commitment engaging pressing social issues our time dedication responding realities that surround us and desire fuse these elements into ina contemporary thought-provoking manner. while roots are firmly planted classical tradition they fearlessly embrace other genres incorporate broader expression repertoire. like use brave form-breaking tools driven by constant strong create new forms sound worlds individually together. group was founded dominika mar valverde veronika t-potzner. first project who born premiered at budapest spring festival recognized award encore program international organization jeunesses musicales. received enthusiasm public press. later on premiere luminosity great solti hall would consolidate unique identity. have performed m v fesztiv marg places ceu f szab ervin k glass lumen others. appeared articles or interviews kult papageno fidelio jazzy radio manna fm classic radio. charismatic pastiche staged large open atrium gave them space stretch out walk audience well used formidable skills separated spoken dramatic texts striking numbers. ivanoff data-sheets-userformat=\"{\"\u003eThis group was founded in 2022 by Dominika Ács, María Valverde and Veronika T-Potzner. Their first project, “for who was not born”, premiered at the Budapest Spring Festival, was recognized with the “Best project” award in the Encore Program of the International Organization of Jeunesses Musicales. Also, received with enthusiasm by public and press. Later on, the premiere of Luminosity in the great Solti Hall would consolidate their unique artistic identity. They have performed at the Művészetek Völgye Fesztivál and Margófeszt, also in places like CEU, Fővárosi Szabó Ervin Könyvtár, Glass Hall in Müpa, Lumen and others. They have appeared in articles or interviews in Kultúra.hu, Papageno, Fidelio, Jazzy Radio, Manna FM 98.6 or Classic Radio. \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" connectrio we can hear three performers with completely different characters. as their name implies essence lies in forging connections not only among themselves through the medium of chamber music but also audience. central to artistic mission is a profound commitment engaging pressing social issues our time dedication responding realities that surround us and desire fuse these elements into ina contemporary thought-provoking manner. while roots are firmly planted classical tradition they fearlessly embrace other genres incorporate broader expression repertoire. like use brave form-breaking tools driven by constant strong create new forms sound worlds individually together. group was founded dominika mar valverde veronika t-potzner. first project who born premiered at budapest spring festival recognized award encore program international organization jeunesses musicales. received enthusiasm public press. later on premiere luminosity great solti hall would consolidate unique identity. have performed m v fesztiv marg places ceu f szab ervin k glass lumen others. appeared articles or interviews kult papageno fidelio jazzy radio manna fm classic radio. charismatic pastiche staged large open atrium gave them space stretch out walk audience well used formidable skills separated spoken dramatic texts striking numbers. ivanoff data-sheets-userformat=\"{\"\u003e\u003cem\u003e“Their charismatic pastiche staged in a large open atrium that gave them space to stretch out and walk into the audience as well, used their formidable skills in a program (…) separated by spoken dramatic texts and striking instrumental numbers.”\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eConnecTrio\u003c\/strong\u003e\r\nDominika Ács - Flute \u0026amp; Vocals\r\nMaría Valverde - Steinway D Model Piano \u0026amp; Vocals\r\nVeronika T-Potzner - Percussion\r\n\r\n\u003cstrong\u003eGuest Musician\u003c\/strong\u003e\r\nGergely Kiss - Cello (Track 11)","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740249731396,"sku":"HRES2322-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740249764164,"sku":"HRES2322-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740249796932,"sku":"HRES2322-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740249829700,"sku":"HRES2322-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740249862468,"sku":"HRES2322-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":57340090155332,"sku":"HRES2322-21","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2322.jpg?v=1790591800"},{"product_id":"2xhdre1234-smile","title":"Smile","description":"\u003cstrong\u003e2xHD\u003c\/strong\u003e and \u003cstrong\u003eResonance Records\u003c\/strong\u003e present the Stereo DSD release of \u003cstrong\u003e\u003cem\u003eSmile\u003c\/em\u003e\u003c\/strong\u003e, the first album by one of the most promising young Jazz Singers to emerge in years: Tawanda Suessbrich-Joaquim, known simply as \u003cstrong\u003eTawanda\u003c\/strong\u003e.\r\n\r\n\u003cstrong\u003eExclusively available in Stereo DSD 512, DSD 256 and DSD 64 at NativeDSD. \u003c\/strong\u003e\r\n\r\nThe Los Angeles-based vocalist, 26, sings in a cloudless alto with a crystalline shimmer, effortless but unfussy jazz feeling, immaculate musicianship, and a maturity that few of her contemporaries possess. In June of 2021, Tawanda tied for first place with Gabrielle Cavassa in the 9th Annual Sarah Vaughan International Jazz Vocal Competition, held in Newark, New Jersey. (The competition was originally slated to be held in 2020 but delayed due to Covid.\r\n\r\nThe winner of the 10th annual competition was also announced in 2021). Her performance — judged by a panel that included singers Carmen Lundy and Vanessa Rubin and bassist Christian McBride — was all the more impressive given that Tawanda had performed her first full show just a year before.\r\n\r\nSmile was produced by Resonance Records founder and president George Klabin. Resonance is renowned both for its deluxe reissues of previously unreleased gems by Bill Evans, Wes Montgomery, John Coltrane, Stan Getz, and other greats; and for its new recordings by an impeccably chosen array of veterans and newcomers.\r\n\r\nOn Smile, Tawanda gives even the most time-honored standards a freshness that makes them sound new. 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Just for the second movement of the \u003cem\u003eSonatina\u003c\/em\u003e by Joseph Horovitz this album is worth it.\u003c\/span\u003e\r\n\r\n\u003cstrong\u003eExclusively Available in Stereo DSD 512, DSD 256, DSD 128 and DSD 64 at NativeDSD thanks to our signature \u003cspan style=\"color: #ff9900;\"\u003e\u003ca class=\"in-cell-link\" style=\"color: #ff9900;\" href=\"https:\/\/www.nativedsd.com\/product-tag\/higher-rate-program\/\" target=\"_blank\" rel=\"noopener\"\u003eHigher Rates Program\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" of england is a selection the best xx century english clarinet music. programme opens with beautiful piece by clarence raybould wistful shepherd just for second movement joseph horovitz this album worth it. such truly and inspired melancholic poetic melody represent sound british representative pieces composers as malcolm arnold ralph vaughan williams john ireland gerald finzi horowitz. no better d could perform jonathan parking sebastian stanley. data-sheets-userformat=\"{\"\u003eSuch a truly beautiful and inspired melancholic and poetic melody represent the “English sound” of 20th century British music. Representative pieces for the clarinet by composers like Malcolm Arnold, Ralph Vaughan Williams, John Ireland, Gerald Finzi and Joseph Horowitz. No better duo could perform this program as \u003cstrong\u003eJonathan Parking\u003c\/strong\u003e and \u003cstrong\u003eSebastian Stanley\u003c\/strong\u003e.\u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" of england is a selection the best xx century english clarinet music. programme opens with beautiful piece by clarence raybould wistful shepherd just for second movement joseph horovitz this album worth it. such truly and inspired melancholic poetic melody represent sound british representative pieces composers as malcolm arnold ralph vaughan williams john ireland gerald finzi horowitz. no better d could perform jonathan parking sebastian stanley. data-sheets-userformat=\"{\"\u003e\u003cstrong\u003eJonathan Parking, Clarinet\u003c\/strong\u003e\u003cstrong\u003e\r\nSebastian Stanley, Piano\u003c\/strong\u003e\u003cstrong\u003e\r\n\u003c\/strong\u003e\u003c\/span\u003e","brand":"HR Recordings","offers":[{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":56740259791172,"sku":"E237HR-3","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56740259823940,"sku":"E237HR-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740259856708,"sku":"E237HR-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740259889476,"sku":"E237HR-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740259922244,"sku":"E237HR-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740259955012,"sku":"E237HR-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":57340256584004,"sku":"E237HR-22","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/E237HR.jpg?v=1790592739"},{"product_id":"ptc5187109-plucked-bach-ii","title":"Plucked Bach II","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\nMandolinist \u003cstrong\u003eAlon Sariel\u003c\/strong\u003e continues his series of Bach transcriptions with\u003cem\u003e \u003cstrong\u003ePlucked Bach II\u003c\/strong\u003e\u003c\/em\u003e.\r\n\r\n\u003cstrong\u003eThe album is\u003c\/strong\u003e \u003cstrong\u003eExclusively Available in Stereo DSD 512, DSD 256, DSD 128 and DSD 64 at NativeDSD thanks to our signature \u003cspan style=\"color: #ff9900;\"\u003e\u003ca class=\"in-cell-link\" style=\"color: #ff9900;\" href=\"https:\/\/www.nativedsd.com\/product-tag\/higher-rate-program\/\" target=\"_blank\" rel=\"noopener\"\u003eHigher Rates Program\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\r\n\r\nOn this new recording, Alon Sariel performs Bach works for the lute, organ and violin – all performed on ‘only’ two types of mandolins. By offering a distinctive and groundbreaking interpretation of his own transcriptions and arrangements, Sariel manages to breathe new life into some very well-known works by Johann Sebastian Bach.\r\n\r\nThe iconoclast \u003cem\u003eToccata and Fugue in D Minor\u003c\/em\u003e (BWV 565) for the organ receives a contemplative and intimate character on the mandolin. Excerpts of the \u003cem\u003eLute Suite \u003c\/em\u003e(BWV 998) and the\u003cem\u003e Violin Partita No. 3 in E Major\u003c\/em\u003e (BWV 1006) are drawn in a whole new palette of colors. For Bach’s Violin Sonata No. 2 in A Minor (BWV 1003), Alon Sariel shows the incredible suitability of the mandolin for Bach’s music. And as an encore, you will hear his rendition of Ysaÿe’s dazzling Obsession.\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\nAlon Sariel is one of today’s most versatile performers, known as a multi-instrumentalist in the realm of plucked strings with a growing reputation as a fascinating Bach interpreter.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eAlon Sariel, Mandolin\u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Pentatone","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740260446532,"sku":"PTC5187109-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740260479300,"sku":"PTC5187109-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740260512068,"sku":"PTC5187109-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740260544836,"sku":"PTC5187109-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740260577604,"sku":"PTC5187109-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740260610372,"sku":"PTC5187109-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57340258091332,"sku":"PTC5187109-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/PTC5187109.jpg?v=1790592811"},{"product_id":"sglsa15432-nu-turn","title":"Nu-Turn","description":"\u003cblockquote\u003eOn his uniquely prepared grand piano, \u003cem\u003e\u003cstrong\u003eDelbecq\u003c\/strong\u003e\u003c\/em\u003e spins lyrical, modernist jazz improvisations over the polyrhythms of African percussion.\r\n- \u003cem\u003eMark Werlin\u003c\/em\u003e\n\u003c\/blockquote\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eBenoît Delbecq\u003c\/strong\u003e is a uniquely gifted French pianist and keyboardist who has created a unique body of work using ideas and techniques from contemporary classical (Cage, Ligeti, Nancarrow), jazz, Pygmy polyphony, European improv and other sources.\r\n\r\nHe prepares the piano with various materials such as eraser bits and carved wooden twigs, and improvises on short, overlapping vamps and patterns; the result is a complex, spacious sound that hardly seems to be emanating from a single instrument.\r\n\r\nOn Nu-turn Delbecq stretches out solo on a Steinway D in 8 astonishing structured improvisations; the final, 12-minute composition is a computer-created ambient “remix” that completely transforms the solo material.\r\n\r\nRecorded in a small concert hall directly to 6 Channel Surround Sound DSD (the sixth channel is an optional height channel), the piano sound is remarkably realistic, and the music beguiling in its rhythmic-melodic-timbral meldings. Dexterous, brainy, evanescent and strangely moving, Nu-turn will intrigue audiophiles ready for new experiences and appeal to fans of new music beyond category.\r\n\r\n\u003cem\u003eTechnical Notes\u003c\/em\u003e: the piano was recorded and mixed in six full-bandwidth DSD channels. A single microphone pointing at the ceiling of the hall and located in the middle of the surround microphone array captured ceiling reflections. Realism is enhanced when this height information is played back correctly, using the .1 channel normally assigned the LFE or subwoofer task. Tracks 1-8 were mixed for 4, 5 or 6 channel playback (the centre channel is optional). Track 9 was mixed for 6-channel playback: the original sounds underwent extensive computer processing and electronic manipulation at 24\/44.1 and were panned within a 5-plus-height matrix in the mix, finally converted back to DSD. The multi-channel mix of tracks 1-8 represents what a listener sitting in the hall close to the piano would hear; the stereo mix reverses the left-right stereo image, relocating the listener to the performer's bench.\r\n\u003cblockquote\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\" fascinating reflection of the art a musician who is particularly exacting and creative touch concision phrases that often develop within framework repeating rhythmic cells which they open to new worlds whole universe sound delbecq deploys in course these nine pieces. paint portrait an artist essentially preoccupied with form but whose investigations have nothing dry or formalist about them. on contrary gently provoke listener be as rigorous pianist it context demand lasting pleasure emerges one repeated hearings only intensify. thierry quenum piano magazine kind disc you play over again if ear for sonic adventure unfettered imagination. hard singular voice conception instantly recognizable way he blends asian sonorities derived from indonesian gamelan music rock-based rhythms melodic sense draws equally jazz classical avant-gardes. access array percussive timbres ranging bell-like clangorously metallic then left-hand pattern those altered notes all while building elaborate structures unmodified keys his right. ostinato lines give intense obsessive air undermined by freedom effect dreamlike charged qualities amplified extreme nu-turn final track white alexander varty georgia straight something oddly vibrant beno solo performances interwoven tapestry focused improvisation african trance impressionism modern most abstract sort elements make up this come together eleven-minute closer has moments pointed polyrhythmic pointillism outright dark brooding finally gradual evolution toward peaceful still somewhat edgy resolution trip. nils jacobson allaboutjazz.com poetry lunar. manner mathematical mineral reverie achieves vital. seldom happens purely contemplative abstraction joined lyricism more touching not giving off its savor immediately secretly calling us itself made palpable there nocturnal choreography beautiful enigma escapes gravity. alex dutilh jazzman laterite invertible counterpoint making two pianos are playing at once wound-up like ancient player other conventional model producing cadenzas. ne dit pas regarder la lune plucked tones midway between dampened action wooden flippers old tabletop hockey game. beat snakes through piece tinkling right-handed arise creating strange primitivism almost stumbled yoruba ceremony being performed bunch toy instruments. contrast atmospheric title features passing overall impression blizzard falling so many snowflakes always legato low frequency never sharp staccato. ken waxman jazzweekly.com been avatars prepared decade now released album. well worth long wait strikingly well-defined recording featuring immaculate steinway d piano. throughout album affinity folk vividly evident driftwood preparations suggest indigenous percussion string instruments paul bley-derived floating pulse constantly dovetail another. accentuates exotic mysterious past tempered settings. propelled cool attack lingers incense pungent overwhelming. excellent become familiar distinctive pianists international scene. bill shoemaker times played both natural state placing carved twigs different wood species materials under strings range sounds produces composition than instrument work back forth unexpected among fuels improvisations creates surprise moods induce dream-states. use time rhythm space exact unpredictable enhance emotional warmth music. commentators cited immediate musical influences founders contemporary-classical such ligeti. true enough contemporary own antecedents. exist reference cds touch-sensitive piano-rolls concert saint-saens scriabin even debussy musicians era when classicists were expected improvise compositions unique pianism lies direct lineage masters furthermore matches their originality emotionalism improvisational integrity albeit starkly futuristic sound. laurence svirchev coda characterized selective preparation certain chasteness narrow generic idiomatic constraints unhurried development transitions consistent audible sometimes oblique inner logic. odd twists routes preserve exploration discovery. julian cowley wire data-sheets-userformat=\"{\"\u003e…there’s something oddly vibrant about Benoît Delbecq’s solo piano performances, an interwoven tapestry of focused improvisation, African rhythms, trance music, impressionism, and modern classical music of the most abstract sort … All the elements that make up this interwoven whole come together in the eleven-minute closer, ‘Into White’ … It has moments of pointed polyrhythmic pointillism, outright dark brooding, and finally a gradual evolution toward peaceful (yet still somewhat edgy) resolution … quite a trip.”\r\n— \u003cem\u003eNils Jacobson\u003c\/em\u003e, \u003cem\u003eAllAboutJazz.com\u003c\/em\u003e\r\n\u003c\/span\u003e\u003c\/blockquote\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eBenoît Delbecq, Piano\u003c\/strong\u003e","brand":"Songlines Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740261364036,"sku":"SGLSA15432-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740261396804,"sku":"SGLSA15432-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740261429572,"sku":"SGLSA15432-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740261462340,"sku":"SGLSA15432-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740261495108,"sku":"SGLSA15432-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch 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Marked by enormous contrast, the voice and piano accompaniment are superbly treated.\r\n\r\nSome songs exhibit exotic influences (Arab), at times mysterious and at others romantic. 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It shows us his essential characteristics, his concerns, and the solutions he has adopted throughout the more than twenty years covered by this volume (1997-2018). Along with Rosado's duo partners on the album.\r\n\r\n\u003cstrong\u003eThis album is exclusively available in Stereo DSD 512, DSD 256, DSD 128 \u0026amp; DSD 64 at NativeDSD thanks to our signature \u003cspan style=\"color: #ff9900;\"\u003e\u003ca class=\"in-cell-link\" style=\"color: #ff9900;\" href=\"https:\/\/www.nativedsd.com\/product-tag\/higher-rate-program\/\" target=\"_blank\" rel=\"noopener\"\u003eHigher Rates Program\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\r\n\u003cp class=\"p1\"\u003eThe technical and expressive maturity of works such as the \u003ci\u003eFantasía \u003c\/i\u003efor clarinet is surprising -to say the least-: a language already formed, solid and unambiguous, which allows him to move towards less explored fields in later works.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eFrom there, the approach to extended techniques becomes more fluid in the \u003ci\u003eSonata \u003c\/i\u003efor flute and piano, polymetric games in \u003ci\u003eSplendens \u003c\/i\u003eor the search for new articulations and timbral fusions in \u003ci\u003eVariations\u003c\/i\u003e, which increase Torres’ expressive palette.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eAll of them serve as testing grounds - what work is not? - for the progressive filtering towards \u003ci\u003eSilentum Amoris \u003c\/i\u003e(2018): a music without artifice, in search of the essential, suppressing all excess; expressive, vocal, dramatic at times and poetic from the root.\u003c\/p\u003e\r\nWe have before us a set of pieces whose listening takes us through one of the most admired voices of our music and that can suppose the base of what, shortly, we can consider as the Spanish school of composition. 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XX and XXI signed by André Caplet, Paul Hindemith, Orlando Bass, Vincent David and Luis Naón. 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