{"title":"Easter Music","description":"\u003ch3 style=\"text-align: center\"\u003eThese albums are currently 25% Off to celebrate the Easter Holiday!\u003c\/h3\u003e\r\n\u003cp style=\"text-align: center\"\u003eDiscount is applied automatically at checkout.\r\nOffer valid through Monday, April 6th 2026 end of day CET.\r\n\u003cem\u003eExclusions apply.\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"20804-death-devotion","title":"Death \u0026 Devotion","description":"\u003cp\u003eDeath and Devotion Cantatas by Tunder, Weckmann, Buxtehude, and Ritter It is a remarkable fact that the most expressive and original vocal church music composed in Northern Germany during the latter half of the seventeenth century was the work not of cantors, but of organists. Some of this is due to the exceptional status which had been achieved by organists in cities like Hamburg and Lbeck in the course of the century; they had become both virtuosi par excellence, and at the same time learned composers. The foundation had been laid by the teachings of Jan Pieterszoon Sweelinck (1562-1621), who had brought an entire generation of North German organists to this exalted level. But at the same time as this generation, typified by Jacob Praetorius, Heinrich Scheidemann, Melchior Schildt, and others, concentrated primarily on the organ as a medium for performance and composition, their students, in turn, took things a step further. They assembled a group (usually a small one) of singers and instrumentalists around the organ for the performance of refined, erudite vocal music, strongly inspired by concertante church music from Italy. Freed from the confines of liturgical requirements, they therefore chose texts, both Latin and German, which offered numerous opportunities for expressive composition: specially chosen excerpts from the Bible (strikingly often those dealing with suffering and death) and devotional texts, many of which were strongly mystic or pietistic in tone. The most important member of this second generation was Dietrich Buxtehude (1637-1707), who was most probably a student of Scheidemann, and who succeeded Franz Tunder in the post of organist at the Marienkirche of Lbeck from 1668 until his death. His surviving compositions include not only a large quantity of organ and harpsichord works, but also a number of string sonatas and some 120 cantatas. The enormous range of texts, compositional techniques, and settings - from intimate solo cantatas to large-scale works - suggests that he enjoyed a good deal of artistic freedom. \u003cbr\u003e\u003cbr\u003eA good example of this is provided by Buxtehudes setting, BuxWV 38, of the Psalm text Herr, wenn ich nur dich habe [Lord, when I have but Thee] (Psalm 73, verse 25-26), a beloved funerary text in seventeenth-century Germany, usually set as a solemn motet. In contrast, Buxtehudes setting is a fashionable, graceful Ciacona, with a repeated six-note bass motive - a compositional technique which originated in Italian secular music. Above this unchanging bass line, the soprano engages in lively exchanges with the two violins, including much word-painting, e.g. the swaying triplets at meines Herzens Trost (the comfort of my heart). This Ciacona was written in the 1670s; in contrast, the Dialogus inter Christum et fidelem animam, Wo ist doch mein Freund geblieben? [Where for is my friend departed] (BuxWV 111) is a late work of the 1690s. This dialogue between Christ and the faithful soul, sung respectively by bass and soprano, is based on a paraphrase of a familiar text from the Song of Songs, referring to the lost beloved (Christ in this context). The text is strophic, but Buxtehude only sets the beginning, the monologue of the searching soul, as a song with uncomplicated alternation between the soprano, accompanied only by the continuo, and the strings. After the Beloved has been found, a freely composed dialogue arises between the two voices, an operatic love duet which is crowned by the ecstatic 6\/8 meter of the conclusion So lieben die Seele und Jesus zusammenSie brennen und stehen in lieblichen Flammen. [Thus the Soul and Christ mingle their loveThey live and burn in the flames of love]. O Gottes Stadt [O city of God] (Bux WV 87) is also based on a strophic song text, in this case drawn from the Himmlische Lieder of 1642 by Johann Rist, a poet who was both a familiar figure in organist circles in Hamburg as well as a friend to Buxtehudes presumed teacher, Scheidemann. Buxtehude uses only the first and last verses of Rists song text, which speaks of longing for the eternal heavenly Jerusalem. Rists text is made to order for a simple strophic aria (and in the 1642 collection, it is indeed set in this way by the Hamburg violinist Johann Schop), but it has inspired Buxtehude to compose a compelling, broadly proportioned concertante version in which the strings function as an emotional sounding board for the soprano another example of freely written organists music. The first verse is set as an expansive sarabande with strikingly realistic illustration of the believers sighs. The second verse begins in a hesitant, searching four quarter time, and Buxtehude also lets the words break off (wenn ich aus diesem Leben) [when from this life I]. But he returns to the ecstatic, dancing 3\/4 meter, and the reason can be found in the continuation of the text (zu dir spring in dein Reich hinein) [leap up to Thy glorious kingdom]. The works climax comes with the elaborate setting of the rejoicing Zion with showy coloratura writing for the soprano. Buxtehude must have drawn much inspiration from the music of Franz Tunder (1614-1667), his predecessor in the office of Lbeck organist. Tunder was in close contact with the Sweelinck-based school of Hamburg organists. Buxtehude married Tunders daughter and in this way became the direct heir to his music. \u003cbr\u003e\u003cbr\u003eTunders compositions, of which disappointingly few have survived, are distinguished by their unusual richness of harmony and polyphonic writing. An Wasserflen Babylon [By the waters of Babylon], a much-loved chorale in North German organists circles, was composed by Tunder as a type of polyphonic motet for soprano (taking the chorale melody) and five stringed instruments. Tunder set the first lines of this hymn, known as the Lament of Zion very expressively, culminating in the chromaticism of the line da weinten wir [there we wept]. From this point onwards, the setting relaxes into a more homophonic, simpler idiom for the remaining lines of the hymn. Far different is Tunders Ach Herr, la deine lieben Engelein [O lord, let Thy dear angels] - a text which is widely known from the closing chorale of Bachs St. John Passion. This is the third verse of Martin Schallings 1571 hymn Herzlich lieb hab ich dich, o Herr [Great is my love for Thee, o Lord]; the chorale melody usually associated with it is completely missing here, however. Instead, Tunder, like his son-in-law Buxtehude some years later in O Gottes Stadt, has written a concertante aria on the text. After a speaking sinfonia, the soprano sings the first half of the text in continuous dialogue with the strings; the last line, ruhen bis am jngsten Tage [to rest until the final day] is then illustrated in a static instrumental interlude. The change of affect afterwards, with Alsdenn vom Tode erwecke michin ewiger Freud [so then Thou shalt awaken me from death.in eternal joy], in rapid triple time, could not be greater. Tunder made a close study of the vocal church music composed by Monteverdi and his successors, as can be clearly seen in the German composers reworking of a motet by Giovanni Rovetta. But Tunders other Latin settings also draw their inspiration from the south, as is surely the case for O Jesu dulcissime, a solo motet for bass on a seventeenth-century devotional text. Matthias Weckmann (1616\/9-1674) a student of both Heinrich Schtz and Jacob Praetorius, and organist at the Hamburg St. Jacobi from 1655, also wrote unmistakeable organists music. In 1663, Hamburg suffered a serious epidemic of the plague, which killed many citizens including several of the most important musicians, among them Scheidemann and the city cantor, Thomas Selle. This catastrophe inspired the large-scale dialogue Wie liegt die Stadt so wste [How the city doth lie desolate], completed by Weckmann on October 14th 1663. Here again we have an unmistakably liberated composer at work: the verses from the Lamentations of Jeremiah have been carefully selected and reshuffled in such a way as to allow them to be set as a soprano-bass dialogue. With the exception of the closing segment, the voices only sing separately: the soprano assumes the role of narrator, and symbolizes the mourning widow at the opening of the piece, whereas the bass takes the part of the somber, sinful prophet himself. The structure of the dialogue is underlined instrumentally by the sopranos accompaniment being limited to the continuo, while the bass is accompanied by the full string ensemble. This basic contrast, as well as the inspired alternation of recitative and aria styles from segment to segment, has produced a poignant setting of this Old Testament prophecy of doom. Particularly impressive are the desolate opening, the sighing Ciacona for bass, Man hrets wohl [Well dost thou hear] (because of the Italianate technique, just as in Buxtehude accompanied only by two violins and continuo), and the closing segment: here the two voices join together in a compelling cry for help (Ach Herr, siehe an mein Elend) [Ah Lord, behold Thou my wretchedness]. \u003cbr\u003e\u003cbr\u003eThe organist Christian Ritter (1645\/8-1717\/25) was of Saxon origin and probably received his education in Dresden as a student of Schtz and other teachers. Later he worked alternately in Stockholm, Dresden, and Hamburg. His 22 surviving vocal works are of high quality and diversity - yet another example of organists music. Both in Stockholm and Dresden he attained the rank of assistant leader of court music. Cantatas, particularly those by Buxtehude and other North German composers, were familiar and beloved in the Swedish capital, while in Dresden, after the death of Schtz, the Italian style ruled the day. O amantissime sponse Jesu, a Latin devotional text, has the rhythmic power and vocal refinement (particularly in the recitatives) of the best Italian church music of the period, but the heavy five-part string accompaniment and the innovative dissonance of the harmonies are both unmistakably North German - nowhere as clearly as in the tension-filled opening, where the soprano declaims the motto of this cantata, surrounded by rich harmonies. The score, preserved in the Berlin library, was already published in a modern edition at the beginning of the 20th century, and in 1959 in the Netherlands, a famous, widely distributed recording of the piece was made by the singer Aafje Heynis, conducted by Anthon van der Horst - who was for more than 30 years the artistic director of The Netherlands Bach Society. Pieter Dirksen, 2003 Translation: David Shapero\u003c\/p\u003e\n\nhttps:\/\/www.youtube.com\/watch?v=K-cQ3aTROWs","brand":"Channel Classics","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738297053508,"sku":"20804-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738297086276,"sku":"20804-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738297119044,"sku":"20804-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738297151812,"sku":"20804-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738297184580,"sku":"20804-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738297217348,"sku":"20804-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57307773993284,"sku":"20804-3","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334320988484,"sku":"20804S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334321021252,"sku":"20804S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334321054020,"sku":"20804S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/20804-14.jpg?v=1790114391"},{"product_id":"23506-mahler-symphony-no-2-in-c-minor-resurrection","title":"Mahler: Symphony No. 2 in C-Minor \"Resurrection\"","description":"\u003cstrong\u003eIvan Fischer\u003c\/strong\u003e conducts the \u003cstrong\u003eBudapest Festival Orchestra\u003c\/strong\u003e in this Stereo and 5 Channel Surround Sound DSD edition of \u003cstrong\u003eMahler Symphony No. 2 'Resurrection'\u003c\/strong\u003e.  This is a gigantic work of enormous proportions, extreme contrasts, and a score that surpasses even his First Symphony from two years earlier. Ten horns, eight trumpets, two harps, organ, five percussionists, two vocal soloists (soprano and alto), as well as a large mixed chorus, fill the podium. And behind all this, invisible, is a 'Fernorchester' (distant orchestra) as a symbol of 'the resurrection'.\r\n\r\nThe work lasts for some 80 to 85 minutes, twice as long as Brahms's Fourth or the Franck and D' Indy symphonies of the same period. And relative to a Haydn or Mozart symphony, there is a tripling in size. Only Bruckner approaches it in the length department with his Fifth and Eighth, each lasting about 75 minutes.\r\n\r\nBut then Mahler, in this symphony, is dealing with the themes of life, death, and resurrection, and he took whatever space he felt that he needed. There is a strangely sharp contrast between the untroubled key of C major and the dark and turbulent contents of the work. It has been suggested that the theme of life, death, and resurrection was borne in on Mahler on the occasion of the funeral of the great conductor Hans von Bülow in 1894.\r\n\r\nIn any case, the words of Klopstock that were read on that occasion are the same ones that Mahler used that year for the apotheosis (last movement) of his Second Symphony: “Aufersteh'n, ja aufersteh'n wirst du, mein Staub, nach kurzer Ruh unsterblich Leben wird der dich rief gegeben.” (Thou shalt arise, yes, arise, my dust, after a brief slumber, thou shalt be called to immortal life). And Mahler expanded the text further with his own words: “O glaube, mein Herz. Es geht dir nichts verloren. Dein ist was du gesehnt. Dein, was du geliebt, was du gestritten. O glaube: Du wardst nicht umsonst geboren. Hast nicht umsonst gelebt, gelitten.” (O have faith, my heart. Nothing shall be lost to thee. What thou hast longed for is thine. Thine remains, what thou hast loved, what thou hast battled for. O have faith: thou wast not born for nothing. Thou hast not suffered in vain.)\r\n\r\n\u003cstrong\u003eIvan Fischer, Conductor\u003c\/strong\u003e\r\n\u003cstrong\u003eBudapest Festival Orchestra\u003c\/strong\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738309210436,"sku":"23506-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738309243204,"sku":"23506-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738309275972,"sku":"23506-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738309308740,"sku":"23506-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738309341508,"sku":"23506-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738309374276,"sku":"23506-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56738309407044,"sku":"23506-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738309439812,"sku":"23506-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56738309472580,"sku":"23506-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57307780088132,"sku":"23506-3","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334329573700,"sku":"23506S1417","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334329606468,"sku":"23506S69","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334329639236,"sku":"23506S710","price":28.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Mahler-2-23506-No-Logo.jpg?v=1790114973"},{"product_id":"31309-bach-st-john-passion","title":"Bach - St. John Passion","description":"\u003cp\u003e This issue of the St. John Passion is also a special event in the world of music, because a choice has been made for Bachs very earliest version of this work (1724) in a reconstruction by musicologist Dr. Pieter Dirksen. The Netherlands Bach Society performs the work in a small-scale scoring with ten singers and eleven instrumentalists, no distinction being made between choristers and soloists. According to the most recent research, this scoring constitutes a very close approximation of the ensemble with which Bach gave the first performance of the St. John Passion. Bachs St. John Passion is less well known to some than his St. Matthew Passion: unjustly so, in many peoples opinion. Judge for yourself, as you treat both your ears and eyes to this performance of the Netherlands Bach Society...\u003c\/p\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738550743364,"sku":"31309-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738550776132,"sku":"31309-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738550808900,"sku":"31309-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738550841668,"sku":"31309-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738550874436,"sku":"31309-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307827732804,"sku":"31309-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334411493700,"sku":"31309S1417","price":31.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334411526468,"sku":"31309S69","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334411559236,"sku":"31309S710","price":28.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/31309-1.jpg?v=1790117638"},{"product_id":"32511-bach-st-matthew-passion","title":"Bach: St. Matthew Passion","description":"Bach's St Matthew Passion is always described as a double-choir composition for two choirs and two orchestras. Two large ensembles play in dialogue, and the score presents a symmetrical structure. The scoring of the two groups of singers and players is identical, and each ensemble has four soloists for the arias. On the stage one often sees two equal groups of singers, and an orchestra likewise divided exactly into two. The Evangelist and Jesus are often the only exceptions to this impressive symmetry.\r\n\r\nThere are reasons enough, however, to look at the score in another way. Firstly, there is the Bible story itself, which is told entirely in Coro I (Bach speaks of Coro, by which he means all the singers and players of one ensemble, not just the choir). In his score, Bach even distinguishes the Evangelist's part in Coro I by writing it in red ink. The role of Coro II, besides its contribution to the cries of the crowd in the story and to the chorales, is limited to delivering commentary.\r\n\r\nIn the organization of the score as well there are considerable distinctions: almost all the important arias are to be found in Coro I - and there are twice as many as in Coro II - and the composition technique reveals major differences. In contrast to the great wealth of instrumental solos in Coro I, the writing for Coro II is much simpler: the instruments often double other parts, and instrumental solos are entirely absent. The score gives a strong impression of hierarchy, rather than equality or symmetry.\r\n\r\n\u003cstrong\u003eThe Netherlands Bach Society\u003c\/strong\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738570502468,"sku":"32511-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738570535236,"sku":"32511-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738570568004,"sku":"32511-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738570600772,"sku":"32511-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307874853188,"sku":"32511-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334446752068,"sku":"32511S1417","price":37.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334446784836,"sku":"32511S69","price":33.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/32511-1.jpg?v=1790118987"},{"product_id":"24006-membra-jesu-nostri","title":"Membra Jesu Nostri","description":"\u003cp\u003eThis cycle, which is clearly not intended for liturgical use and dedicated to his friend Gustav Dben, must indubitably be seen as an expression of Buxtehude's own religious experience and personal devotion. In fact, we know unusually little about this great musician; no personal letters or anecdotes have survived. His music speaks to us all the more powerfully - especially the Membra Jesu Nostri, with its highly personal combination of introverted expressivity, deliberately simple declamation (here and there it can even be called naive), and great harmonic richness. No matter how alien the content of the medieval Latin text may be to our 21st-century sensibilities, it nevertheless inspired Buxtehude to produce a visionary setting, in a vivid cycle of compositions which still go straight to our hearts. Pieter Dirksen (from liner notes)\u003c\/p\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738571649348,"sku":"24006-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738571682116,"sku":"24006-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738571714884,"sku":"24006-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738571747652,"sku":"24006-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738571780420,"sku":"24006-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738571813188,"sku":"24006-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57307877736772,"sku":"24006-3","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334448292164,"sku":"24006S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334448324932,"sku":"24006S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334448357700,"sku":"24006S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/24006-1.jpg?v=1790119117"},{"product_id":"807555di-passion-resurrection-music-inspired-by-holy-week","title":"Passion \u0026 Resurrection -  Music inspired by Holy Week","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eT\u003c\/span\u003ehis programme presents settings of texts inspired by the events of Holy Week and Easter. Two settings of the poem Woefully arrayed provide a particular focal point, one by the early renaissance English composer William Cornysh (1465-1523), and the other a recent setting written for Stile Antico by John McCabe (b.1939). The remaining music presents a crosssection of Renaissance composers from England and the European continent, taking us from Jesus’ triumphal entry into Jerusalem on Palm Sunday, through Maundy Thursday and the Last Supper, the Crucifixion on Good Friday to the resurrection on Easter day. Stylistically, a particularly interesting comparison can be made between the English pieces presented here and those from the continent. While it was one Englishman (John Dunstaple) who, in the 1420s and 30s had laid the foundations of the Renaissance style on both sides of the Channel, by the end of the fifteenth century English music had developed a strikingly individual voice; this insularity was largely to remain until the early 17\u003cspan class=\"s2\"\u003eth \u003c\/span\u003ecentury, in spite of an unmistakable ‘drip-feed’ of continental influences. This is in marked contrast to the constant cross-fertilization seen amongst composers on the European mainland during this period. This fact can be attributed largely to the fact that, for obvious geographical reasons, English composers were comparatively less-travelled than their continental counterparts, many of whom spent time working in at least two different countries. In sixteenth-century England, political and religious upheaval also had a large part to play in the development of new styles.\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"DSD 64 \/ 5ch Surround","offer_id":56738638823748,"sku":"807555DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738638856516,"sku":"807555DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738638889284,"sku":"807555DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738638922052,"sku":"807555DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738638954820,"sku":"807555DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57308108652868,"sku":"807555DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579495236,"sku":"807555DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579528004,"sku":"807555DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579560772,"sku":"807555DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807555DI-1.jpg?v=1790124040"},{"product_id":"cc72519-1-parsifal-1","title":"Parsifal-1","description":"\u003cp\u003ePhilosopher Ernst Bloch once referred to the ‘Bühnenweihfestspiel’ or consecrational stage festival Parsifal as ‘a metaphysical adagio’. In these few words he summed up the story line and the musical purport of Wagner’s last opera – that is, if such a thing is at all possible in his operas, because as a composer Wagner was never at a loss for words when it came to bandying about statements artistic and non-artistic about the world in general and the universe in particular. Wagner’s musical theatre revolves around fundamental questions of human existence. Tristan und Isolde is about an all-consuming love, but also about the implications of the longing for love and the death wish. The work is about defining an identity through love and the loss of that identity through that same love. Der Ring des Nibelungen is about the incompatibility of love and the pursuit of power; it is also an in-depth exploration of the question of whether man has a free will, and it is about the eternal cycle of destruction and renewal which holds mankind captive on this earth. Parsifal is about all of the above and much, much more. Wagner himself defined the theme of his swan song as ‘Das gro.e Leid des Lebens’, the great suffering of life.\u003cbr\u003eEverything he still wanted to say at the end of his life about life, love, sex, psychology, politics, society, nature, art, Christianity, Buddhism, Judaism and anti-Semitism was mixed together in a grail chalice (poisonous, according to some) to form a ‘metaphysical adagio’ of four hours of consecrational musical drama. Consecrational in the literal meaning of the word. Wagner’s own name for the genre, ‘Bu?hnenweihfestspiel’ means a consecrational stage festival. The plot of Parsifal refers implicitly and explicitly to Christianity and religious rites. Indeed, it was one of Wagner’s many ambitions to replace European Christianity by his own ritual art.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738654323012,"sku":"CC72519-1-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738654355780,"sku":"CC72519-1-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738654388548,"sku":"CC72519-1-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738654421316,"sku":"CC72519-1-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738654454084,"sku":"CC72519-1-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308175565124,"sku":"CC72519-1-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334601613636,"sku":"CC72519-1S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334601646404,"sku":"CC72519-1S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334601679172,"sku":"CC72519-1S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72519-1-1.jpg?v=1790125768"},{"product_id":"cc72519-2-parsifal-2","title":"Parsifal-2","description":"\u003cp\u003ePhilosopher Ernst Bloch once referred to the ‘Bühnenweihfestspiel’ or consecrational stage festival Parsifal as ‘a metaphysical adagio’. In these few words he summed up the story line and the musical purport of Wagner’s last opera – that is, if such a thing is at all possible in his operas, because as a composer Wagner was never at a loss for words when it came to bandying about statements artistic and non-artistic about the world in general and the universe in particular. Wagner’s musical theatre revolves around fundamental questions of human existence. Tristan und Isolde is about an all-consuming love, but also about the implications of the longing for love and the death wish. The work is about defining an identity through love and the loss of that identity through that same love. Der Ring des Nibelungen is about the incompatibility of love and the pursuit of power; it is also an in-depth exploration of the question of whether man has a free will, and it is about the eternal cycle of destruction and renewal which holds mankind captive on this earth. Parsifal is about all of the above and much, much more. Wagner himself defined the theme of his swan song as ‘Das gro.e Leid des Lebens’, the great suffering of life.\u003cbr\u003eEverything he still wanted to say at the end of his life about life, love, sex, psychology, politics, society, nature, art, Christianity, Buddhism, Judaism and anti-Semitism was mixed together in a grail chalice (poisonous, according to some) to form a ‘metaphysical adagio’ of four hours of consecrational musical drama. Consecrational in the literal meaning of the word. Wagner’s own name for the genre, ‘Bu?hnenweihfestspiel’ means a consecrational stage festival. The plot of Parsifal refers implicitly and explicitly to Christianity and religious rites. Indeed, it was one of Wagner’s many ambitions to replace European Christianity by his own ritual art.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738654683460,"sku":"CC72519-2-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738654716228,"sku":"CC72519-2-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738654748996,"sku":"CC72519-2-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738654781764,"sku":"CC72519-2-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738654814532,"sku":"CC72519-2-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308175761732,"sku":"CC72519-2-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334602072388,"sku":"CC72519-2S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334602105156,"sku":"CC72519-2S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334602137924,"sku":"CC72519-2S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72519-2-1.jpg?v=1790125812"},{"product_id":"cc72357-matthaus-passion","title":"Mätthaus-Passion","description":"\u003cp class=\"p1\"\u003eSigiswald Kuijken is intimately acquainted with the St. Matthew Passion. His fascination with the work was inspired back in the 1950s by a number of traditional performances. Kuijken has performed the passion around the world with his ensemble La Petite Bande. Twenty years ago, La Petite Bande (with Kuijken as leader and Gustav Leonhardt as conductor) released its first recording of the passion. The performance had soloists, a chamber choir and an instrumental ensemble adapted to the setting. Kuijken’s views on performance practice in the piece have since evolved radically. Groundbreaking musicological work in recent decades has brought him to performing the passion with a drastically reduced ensemble and no conductor. There is no “choir” in the usual sense of the word; the choir is composed of just the soloists without additional singers. And a lone soprano replaces the boys’ choir. Opinion on this approach has been and remains divided. But Kuijken certainly had his reasons for making the changes.\u003cbr\u003eTo what do we owe the St. Matthew Passion even today usually being performed by immense choirs and orchestras? “For that we have to look back to the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury. It was then that Felix Mendelssohn became so enthralled with the music of Bach that he wanted to perform, among other things, the St. Matthew Passion. Theatricalism and grandiose forces fit perfectly with the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury Romantic spirit. Composers at the time did nothing so gladly as arranging Bach’s music and adapting it to their personal taste. Later, even Arnold Schoenberg ventured into Bach’s music. He arranged a number of Bach’s organ works for large orchestra; he was convinced that this was the ideal way to ensure that they would survive in the 20\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738676539716,"sku":"CC72357-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738676572484,"sku":"CC72357-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738676605252,"sku":"CC72357-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738676638020,"sku":"CC72357-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308227961156,"sku":"CC72357-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334611050820,"sku":"CC72357S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334611083588,"sku":"CC72357S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72357.jpg?v=1790127076"},{"product_id":"cc72545-johannes-passion","title":"Johannes-Passion","description":"\u003cp class=\"p1\"\u003eLet’s start with a simple question : which version have you recorded? Hmm, this is actually a rather complex question. During Bach’s lifetime there were four different performances, each time with new modifications, some in response to the circumstances at the time, others influenced by which musicians and instruments he then had at his disposal. However Bach experimented to the greatest degree with the second version, dating from 1725: for instance, he used a different opening chorus (which was later to become the closing chorus of the first part of the St Matthew Passion, a work yet to be composed at this stage) and a couple of other arias near the end of the work. For the later performances he reverted to his first version from 1724, albeit with some differences in instrumentation. For instance, in the final version he includes a bassono grosso, but no one knows for certain which instrument he had in mind; possibly a 16-foot bassoon, i.e. a contrabassoon, a veritable chimney pot two metres in length. However, he scored this instrument in combination with the delicate sound of the lute and two violas d’amore, of all things! I cannot believe that Bach would opt for such an instrument in this passage; an 8-foot bassoon is more likely and the term bassono grosso probably indicates this more modern type of instrument rather than the earlier dulcian, although the latter had not totally fallen out of fashion at the time. However, I would not venture a definite opinion as to what bassono grosso means in this context. So we did not use this instrument: this was yet another reason to stick with the first version, since it raises fewer uncertain issues. Nevertheless, there are still various grey areas involved. Even prior to the first performance, before making the individual orchestral parts, Bach began to write out the score in fine calligraphy, a task he did not complete; and this score deviates in some aspects from the orchestral material used in the actual performance. The process of determining the most probable historical truth continues to have elements reminiscent of a detective novel; anyway, it will never be possible to clarify certain details. At any rate, we opted for the first version that everyone performs.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738687648068,"sku":"CC72545-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738687680836,"sku":"CC72545-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738687713604,"sku":"CC72545-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738687746372,"sku":"CC72545-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738687779140,"sku":"CC72545-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5.1ch Surround","offer_id":56738687811908,"sku":"CC72545-40","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308250997060,"sku":"CC72545-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618620228,"sku":"CC72545S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618652996,"sku":"CC72545S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618685764,"sku":"CC72545S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72545.jpg?v=1790127674"},{"product_id":"gdcd058-celebration-in-brass","title":"Celebration In Brass","description":"\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003e\u003cstrong\u003eGabriel V Brass Ensemble\u003c\/strong\u003e presents \u003cem\u003e\u003cstrong\u003eCelebration in Brass\u003c\/strong\u003e\u003c\/em\u003e, an inspiring collection of fanfares, beloved hymns, and masterworks arranged for brass by twentieth-century composers. \u003cstrong\u003eAvailable in Stereo and 5 Channel Surround Sound DSD at NativeDSD. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003eMusic-lovers will appreciate the rich interpretations of beloved hymns by James Curnow, William Mac Davis, Jack Stamp, and Steve Sherrill. Exciting fanfares for Easter and Pentecost introduce Gregorian chant themes to the world of brass, creating a solemn and stunning atmosphere for worship. Original works by David Marlatt and John Stevens, and an arrangement of the Benedictus from Karl Jenkins’ “The Armed Man: A Mass for Peace”, complete this program.\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003eGabriel V Brass Ensemble dedicates itself to upholding a standard of excellence in music for worship, and to inspiring future generations of musicians. For this recording, the ensemble coordinated with the talented young members of the award-winning Spirit of America Winter Percussion Ensemble. The joy of their work together resonates throughout this program recorded in the stunning acoustics of Mechanics Hall, Worcester, Massachusetts.\u003c\/p\u003e\r\n\u003cstrong\u003eGabriel V Brass Ensemble\u003c\/strong\u003e","brand":"Gloriae Dei Cantores Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738783199556,"sku":"GDCD058-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738783232324,"sku":"GDCD058-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738783265092,"sku":"GDCD058-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738783297860,"sku":"GDCD058-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738783330628,"sku":"GDCD058-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308415820100,"sku":"GDCD058-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698574148,"sku":"GDCD058S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698606916,"sku":"GDCD058S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698639684,"sku":"GDCD058S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Celebration-In-Brass-No-Logo.jpg?v=1790451633"},{"product_id":"lwc1077-pasketid","title":"Pasketid","description":"\u003cp class=\"p1\"\u003eApart from the great classical works written for Easter, there are few Easter albums on the market – seen at least in relation to Christmas recordings. There are probably many reasons for this: Easter in Norway means skiing and lunching on oranges and the dream of sunshine in the mountains, while Advent and Christmas are a time for domestic pursuits indoors. Christmas music is meant to create a Christmas mood; Easter music seldom puts us in the mood for Easter. The themes of Easter are so much more dramatic that many may not wish to be absorbed with this story; for while Christmas portrays the birth of a little child, Easter conveys so many more moods and feelings: from awe, festivity, and hope, via humiliation, disappointment, betrayal, anguish, and death, to victory, boundless jubilation, and stunning good tidings.\u003c\/p\u003e","brand":"Lawo Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738798076228,"sku":"LWC1077-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738798108996,"sku":"LWC1077-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738798141764,"sku":"LWC1077-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738798174532,"sku":"LWC1077-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738798207300,"sku":"LWC1077-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738798240068,"sku":"LWC1077-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56738798272836,"sku":"LWC1077-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56738798305604,"sku":"LWC1077-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56738798338372,"sku":"LWC1077-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308444655940,"sku":"LWC1077-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706667844,"sku":"LWC1077S1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706700612,"sku":"LWC1077S1517","price":34.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706733380,"sku":"LWC1077S69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706766148,"sku":"LWC1077S710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1077-1.jpg?v=1790132750"},{"product_id":"cc72671-macmillan-st-luke-passion","title":"MacMillan -  St Luke Passion","description":"\u003cp class=\"p1\"\u003eFollowing his sensational St John Passion (2007), the St Luke Passion is the second passion to be completed by the Scottish composer James MacMillan. MacMillan’s attachment to the story of the Passion stems directly from his deep-rooted Roman Catholic faith. The list of his works contains a range of vocal compositions that deal with the crucifixion and death of Jesus Christ: from his music theatre work Visitatio Sepulchri for choir and chamber ensemble (1993) and the cantata Seven Last Words from the Cross (1993) to the Tenebrae Responsories (2006) for eight-part a cappella choir. He regularly draws inspiration from the story of the Passion, even in his purely instrumental works. In the Fourteen Little Pictures for piano trio (1997), the composer’s starting point is the fourteen Stations of the Cross of Jesus. And the first two parts of his orchestral triptych Triduum, The World’s Ransoming and the Cello Concerto (1996), contain melodic material derived from the Gregorian liturgy for Maundy Thursday and Good Friday. This catalogue backs up MacMillan’s comment in The Times newspaper to the effect that he regards the Crucifixion and Resurrection as ‘the most important days in the history of the world’. This was part of an interview in 2009, with the telling headline ‘My art is shaped by my faith’. 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semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Closing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Signature\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Message Header\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Salutation\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Date\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text First Indent\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text First Indent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Note Heading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Block Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Hyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"FollowedHyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Document Map\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Plain Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"E-mail Signature\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Top of Form\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Bottom of Form\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Normal (Web)\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Acronym\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Address\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Cite\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Code\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Definition\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Keyboard\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Preformatted\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Sample\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Typewriter\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Variable\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Normal Table\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"annotation subject\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"No List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Contemporary\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Elegant\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Professional\"\u003e\u003c\/w:lsdexception\u003e\n  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semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Theme\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" name=\"Placeholder Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium 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3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 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name=\"Grid Table 6 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" 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unhidewhenused=\"true\" name=\"Mention\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Smart Hyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Hashtag\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Unresolved Mention\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Smart Link\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e\u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\n table.MsoNormalTable\n\t{mso-style-name:\"Table Normal\";\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0in 5.4pt 0in 5.4pt;\n\tmso-para-margin:0in;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Cambria\",serif;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;}\n\u003c\/style\u003e\n\u003c![endif]--\u003e\u003c\/p\u003e\n\u003cp\u003eConsortivm Vocale Oslo's album Exadiam Eum has been widely praised as one of the best recorded albums of Gregorian chants.  Reviewers have praised this recording for capturing the excellent acoustics of Ringsaker Church, the exceptional singers and the top flight sound quality achieved by 2L's Morten Lindberg.\u003c\/p\u003e\n\u003cp\u003e2L says \u003cem\u003e\"Gregorian chant, in its all-embracing spirituality and poetry, appeals to the deeper levels of the human heart. Monks in the Middle Ages composed and performed this music as an integrated part of their daily occupation with Sacred Scripture. Throughout the centuries Gregorian chant has enriched and deepened the liturgy of the \u003c\/em\u003echurch,\u003cem\u003e and has been a source of inspiration in every period of European music history. Under the leadership of Alexander M. \u003c\/em\u003eSchweitzer\u003cem\u003e Consortium Vocale presents chants from the five Sundays of Lent, Palm Sunday and Good Friday, recorded in the medieval church at Ringsaker in Norway.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"2L","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739292709188,"sku":"2L043-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739292741956,"sku":"2L043-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739292774724,"sku":"2L043-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739292807492,"sku":"2L043-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739292840260,"sku":"2L043-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739292873028,"sku":"2L043-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739292905796,"sku":"2L043-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56739292938564,"sku":"2L043-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56739292971332,"sku":"2L043-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739293004100,"sku":"2L043-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56739293036868,"sku":"2L043-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57310459953476,"sku":"2L043-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337763397956,"sku":"2L043S1417","price":27.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337763430724,"sku":"2L043S1517","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337763463492,"sku":"2L043S1617","price":33.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337763496260,"sku":"2L043S69","price":29.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337763529028,"sku":"2L043S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/2L043-2.jpg?v=1790525231"},{"product_id":"rco18008-wagner-parsifal-and-bruckner-symphony-no-9","title":"Wagner Parsifal and Bruckner Symphony No. 9","description":"\u003cp\u003e\u003cimg style=\"height: auto; max-width: 100%; vertical-align: middle; border: 0px; color: #333333; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/www.nativedsd.com\/media\/uploads\/xScreenshot_2019-05-29_at_10.30_.03_.png.pagespeed.ic.ZWw2GTD1Qu.png\" alt=\"DSD 512 Exclusive\" width=\"253\" height=\"65\" data-pagespeed-url-hash=\"1955107810\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe last works of Richard Wagner and Anton Bruckner are imbued with a remarkable spirituality, as if the two composers, both of whom were around the age of seventy when they wrote them, were distancing themselves once and for all from the earthly realm. It is difficult to imagine that either could have written anything else after these compositions, despite the fact that Wagner had planned to compose a number of symphonies after completing Parsifal and that Bruckner died even before completing his Ninth Symphony. Even on the day of his death, he had worked on the final movement.\u003c\/p\u003e\n\u003cp\u003eAdmittedly, both had built a deep relationship with the concept of eternity earlier in their careers. Bayreuth, where Wagner had built his own opera house, was the center of a cult the likes of which no composer before him had inspired and which lives on to this very day. Similarly, Bruckner’s symphonies are suffused with the sacred. In these sprawling orchestral structures, the individual is an insignificant creature, one who is at the mercy of divine omnipotence. This is why performances of these compositions are for many concertgoers something akin to a religious experience, and a daunting challenge for conductor and orchestra alike.\u003c\/p\u003e\n\u003cp\u003eJust as Bruckner’s name is inextricably linked with the symphonic genre, Wagner’s is shorthand for that of the music drama. Wagner himself avoided the term ‘opera’ to emphasize his own exclusive, extended conception of the genre. He was, after all, the ultimate Romantic genius who had revolutionary sympathies and who was averse to authority, was philosophically well versed, reckless in his spending, bold in love, very outspoken in his opinions on fellow artists and an avowed anti-Semite. Music theatre was the perfect outlet for his soaring ambitions and groundbreaking views.\u003c\/p\u003e","brand":"Concertgebouworkest Live","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739316597060,"sku":"RCO18008-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739316629828,"sku":"RCO18008-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739316662596,"sku":"RCO18008-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739316695364,"sku":"RCO18008-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739316728132,"sku":"RCO18008-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739316760900,"sku":"RCO18008-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739316793668,"sku":"RCO18008-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56739316826436,"sku":"RCO18008-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56739316859204,"sku":"RCO18008-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739316891972,"sku":"RCO18008-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739316924740,"sku":"RCO18008-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56739316957508,"sku":"RCO18008-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57310482202948,"sku":"RCO18008-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337867108676,"sku":"RCO18008S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337867141444,"sku":"RCO18008S1517","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337867174212,"sku":"RCO18008S1617","price":34.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/RCO18008-1_9aa87e80-6c21-4095-9bc2-eec866f44c0a.jpg?v=1790528956"},{"product_id":"am200010-5-parts-from-missa-electronica-paschalis","title":"5 Parts From 'Missa Electronica Paschalis'","description":"\u003cp\u003eSelected extracts from \"Missa Electronica Paschalis\" for theremin, voices, organ and electronics. While this composition is not primarily intended for use as part of a church service, it might be used in this way. The Ex Oriente Lux vocal ensemble featuring soloists Anastasia Bondareva and Dmitry Maximenko, Marianna Vysotskaya (organ), Olesya Rostovskaya (theremin). The sounds of nature and virtual synthesizers have been added electronically.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroductory note by Russia’s foremost Catholic liturgist, P. Sakharov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e«O truly blessed night,\u003cbr\u003eworthy alone to know the time and hour\u003cbr\u003ewhen Christ rose from the underworld!\u003c\/p\u003e\n\u003cp\u003eThis is the night\u003cbr\u003eof which it is written:\u003cbr\u003eThe night shall be as bright as day,\u003cbr\u003edazzling is the night for me,\u003cbr\u003eand full of gladness…»\u003c\/p\u003e\n\u003cp\u003eIn both the Roman Catholic and Orthodox Church traditions, Easter Night prayers, known in the Western tradition as the Easter Vigil, is the pinnacle of the Church calendar and the most important liturgy of the year.\u003c\/p\u003e\n\u003cp\u003eOlesya Rostovskaya’s musical cycle, Missa Electronica Paschalis (Electronic Easter Mass) draws on the texts of the Roman Catholic Easter Vigil Mass, some of which are in Latin and others in Russian translation. However, although based exclusively on the liturgical texts of Catholic Easter prayers, Missa Electronica Paschalis is not primarily intended for use within a Church service but is, rather, a purely concert piece as traditionally almost half of the Easter Vigil Mass is conducted without accompaniment, whether by organ or other instruments. But Rostovskaya’s music has no such limitation and includes human voices, the traditional organ of Western church music and the electronic theremin. These are further supplemented by the sounds of nature which, despite their apparent incongruity, are absolutely logical in this setting.\u003c\/p\u003e\n\u003cp\u003eThe Catholic Easter Vigil commences with a lengthy series of readings from the Bible starting with the first verses of the Book of Genesis describing the Creation. Why should this be so? It is because the Resurrection of Christ initiates a new era of the creation of the world and of Man. How did the first Creation begin? God said, “Let there be light.” and there was light. For this reason the Easter Night prayers commence with the Liturgy of Light symbolising the beginning of a new creation in Christ. 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Vasily Petrenko is one of the most significant and galvanizing musicians alive. He is one of the most acclaimed classical recording artists alive and has won numerous accolades for his recordings of Russian repertoire, including two Gramophone awards. With the Oslo Philharmonic, he has recorded Shostakovich and Szymanowski concertos, Romeo and Juliet by Prokofiev, as well as two major cycles of orchestral works by Alexander Scriabin and Richard Strauss respectively.\u003c\/p\u003e\n\u003cp\u003eThis new recording of Rimsky-Korsakov with the Oslo Philharmonic continues their journey together and is sure to generate critical acclaim. Previous Strauss recordings were selected as \"Editor's Choice\" by Gramophone Magazine and were universally critically acclaimed: Gramophone Magazine: \"There's no lack of excitement or, where needed, bombast, and the Osloers' sound at full throttle is thrilling, their playing superb.\" The Sunday Times: \"As Petrenko's tenure in Oslo begins to wind down, he revels in the standards of orchestral virtuosity he has attained with this excellent band in two Strauss tone poems that challenge all-instrumental departments...the Osloers shine brilliantly.\"\u003c\/p\u003e\n\u003cp\u003eIt was Nikolay Rimsky-Korsakov's older brother, Voin, who first put ideas of travel, ships, and the sea into the would-be composer's head. The young Nikolay had never set foot aboard a boat but Voin's evocative letters home from the Far East, where he was stationed in the Imperial Russian Navy proved more than sufficient. In 1856, he enrolled as a naval cadet and completed six years of training.\u003c\/p\u003e\n\u003cp\u003eBarely a year into his studies at the naval academy, the young Nikolay saw his first opera. Soon he heard symphonies by Beethoven and Mendelssohn and encountered a piece by his senior Mikhail Glinka, Jota Aragonesa. Even before he embarked on a three-year voyage around the world aboard a clipper, Rimsky knew he wanted to be a composer, not a seaman. Afterward, having sailed into some of the great ports of the world, he returned home happy never to leave Russia again the only journeys Rimsky wanted to make were musical.\u003c\/p\u003e","brand":"Lawo Classics","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739355984196,"sku":"LWC1198-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739356016964,"sku":"LWC1198-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739356049732,"sku":"LWC1198-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739356082500,"sku":"LWC1198-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739356115268,"sku":"LWC1198-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739356148036,"sku":"LWC1198-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311007801668,"sku":"LWC1198-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1198-3-3.jpg?v=1790536650"},{"product_id":"sacd012-the-passion-of-jesus-christ-la-passione-di-gesu-cristo","title":"The Passion of Jesus Christ (La Passione di Gesù Cristo)","description":"La Passione di Gesù Cristo (The Passion of Jesus Christ) is a double album in Stereo DSD 64. It was produced and recorded by Giulio Cesare Ricci at Minoritenkirche, Minoritenplatz in Vienna in May 2000. The album is a live recording made in the church where Antonio Salieri was buried. The choice of this location was dictated by its wonderful acoustics which allowed Fone to obtain an exceptional recording of this music.\r\n\r\nLa Passione di Gesù Cristo (The Passion of Jesus Christ) is an oratorio written by Pietro Metastasio poet, dramatist, librettist considered the reformer of Italian melodrama. The oratorio represents a detachment from the settings of the passion stories present in the Gospel, towards a more theatrical style.\r\n\r\nThe four central roles are those of S. Pietro, St. Giovanni, Maria Maddalena e Giuseppe d’ Arimatea who answer Pietro’s questions about the crucifixion. The content is spiritual motivated by the solid tradition of oratorial executions that took place in the imperial chapel during the period of Lent and Holy Week.\r\n\r\nTo enhance the Minoritenkirche acoustics, Giulio Cesare Ricci used the original Neumann U47 and M49 tube microphones, advanced microphone pre-amplifiers from Nagra, the Nagra 4 Analog Tape Recorder with line, microphone and supply cables designed by Signor Ricci. The Original Analog Master was transferred from the Nagra 4s Analog Recorder directly to Stereo DSD 64. With this recording, Giulio Cesare Ricci wanted the listener to live a unique experience: it is as if he were sitting on an armchair positioned in the ideal position of the Minoritenkirche.\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial;font: initial;background: initial;background-blend-mode: initial;border: initial;border-radius: initial;border-collapse: initial;caption-side: initial;clear: initial;columns: initial;column-fill: initial;column-rule: initial;column-span: initial;cursor: initial;flex: initial;flex-flow: initial;float: initial;height: 0px;letter-spacing: initial;margin: initial;max-height: initial;max-width: initial;min-height: initial;min-width: initial;overflow: initial;padding: initial;text-align: initial;text-decoration: initial;text-indent: initial;text-transform: initial;vertical-align: initial;border-spacing: initial;width: initial\"\u003e\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739443540292,"sku":"SACD012-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739443573060,"sku":"SACD012-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311066194244,"sku":"SACD012-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD012.jpg?v=1790096059"},{"product_id":"lwc1235-herman-vogt-light-shall-shine","title":"Herman Vogt: Light Shall Shine","description":"On the album “\u003cem\u003eLight Shall Shine\u003c\/em\u003e” organist Anders Eidsten Dahl performs three works of Herman Vogt on the magnificent Carsten Lund organ in Bragernes Church. The release is the result of a collaboration over more than ten years between the performer and the composer. The music spans a wide palette in its tonal language, everything from simple and naivist music to complex polyphony.\r\n\r\nVogt says himself about the music: \u003cem\u003e“Working together with Anders has resulted in a very personal and inner-directed music and represents in large part a spiritual journey for me as composer.”\u003c\/em\u003e The musical expression ranges from an inner, contemplative stillness to eruptive bursts of raw power, in many ways the church organ presented in all its symphonic breadth. Eidsten Dahl’s playing expresses the music’s true essence while allowing its power and vitality free rein.\r\n\r\nThe works are presented here in reverse chronological order. The most recent of them — “\u003cem\u003eLight Shall Shine Out of Darkness\u003c\/em\u003e” from 2020 — is a wide-ranging composition in five movements, while the two earlier works — “\u003cem\u003eRé-sur-Ré…exit\u003c\/em\u003e” from 2016, and “\u003cem\u003eThe Marvel of Turin\u003c\/em\u003e” from 2012 — are individual one-movement pieces. All the works are based on Christian ideas and phenomena. The thematic content embraces central elements of Jesus’s teachings and Christian tradition, apocryphal texts, German Passion literature, Jesus’s resurrection, and something as concrete as a Christian relic.\r\n\r\nThis recording has been made possible with support from Arts Council Norway and the Norwegian Society of Composers.\r\n\r\n\u003cstrong\u003eAnders Eidsten Dahl - Organist\u003c\/strong\u003e","brand":"Lawo Classics","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739576840516,"sku":"LWC1235-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739576873284,"sku":"LWC1235-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739576906052,"sku":"LWC1235-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739576938820,"sku":"LWC1235-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739576971588,"sku":"LWC1235-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739577004356,"sku":"LWC1235-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338956054852,"sku":"LWC1235-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1235.jpg?v=1778486414"},{"product_id":"hres2220-the-story-of-jesus-pure-dsd","title":"The Story Of Jesus [Pure DSD]","description":"The Story Of Jesus is a Solo Piano recording by Gabor Benda on Hunnia Records, recorded and available in Stereo Pure DSD 256. It comes along a rich booklet full of photos and explainers. Pianist Gábor Benda follows the substantive nature of things that Bach followed and tell stories to modern humankind in a traditional way through an up-to-date language.\r\n\r\n\u003cstrong\u003eThis is a Pure DSD 256 Stereo album. It is available in its original recorded format of Stereo DSD 256 as well as other DSD bit rates created in the DSD Domain from the Stereo DSD 256 master. It is a DSD Exclusive, Not Available on SACD release.\u003c\/strong\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" first time i was touched by the story of jesus in my early childhood elementary school at about age six. remember we had a wise elderly and very elegant bible class teacher. she spoke five languages often read to us from foreign books not only translating but simplifying themes as well. somehow always able connect these different tales through his teachings deeds. once during event played j.s. bach prelude c minor terrible stage fright after all whole watching it public performance. teacher really humble piano playing said that keys like walked on water. told me is most important composer music history closest person god jesus. moment understood this young our cultural existence based upon literature fine arts everything connected him. became favourite composer. way melodies polyphonous leads develop compositions never- ending energy moves nature leaves grow trees die again an infinitive circle time-lapse video recording. imitates eternal cycle life being triggered irresistible outside force. essential moving force wanted represent music. imitate follow substantive things followed tell stories modern humankind traditional up-to-date language. data-sheets-userformat=\"{\" christ:=\"\"\u003eGabor Benda tells us \u003cem\u003e\"The first time I was touched by the story of Jesus was in my early childhood in elementary school at about the age of six. I remember we had a wise, elderly and very elegant Bible class teacher. She spoke about five languages and often read to us from foreign books, not only translating but simplifying themes as well. Somehow, she was always able to connect these different books, these different tales to Jesus; through his teachings and deeds. \u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cem\u003eOnce, during a school event I played J.S. Bach’s Prelude in C minor (BWV 999). I had a terrible stage fright, after all the whole school was watching, and it was my first public performance. My teacher was really touched by my humble piano playing and said that I played the keys like Jesus walked on water. She told me that Bach is the most important composer in music history and the closest person to God, the closest person to Jesus. At that moment somehow, I understood at this very young age that our whole cultural existence is based upon the existence of Jesus Christ: music, literature, fine arts; everything is connected to him.\u003c\/em\u003e\r\n\r\n\u003cem\u003eFrom that moment J.S. Bach became my favorite composer. The way his melodies, his polyphonous leads develop in his compositions is like a never-ending energy that moves nature; as the leaves grow on trees and die and grow again in an infinitive circle in a time-lapse video recording. His music imitates the whole eternal cycle of life that is being triggered by an irresistible outside force. \u003c\/em\u003e\r\n\r\n\u003cem\u003eThis is the essential moving force I wanted to represent in my music. Not to imitate Bach but to follow the substantive nature of things that Bach followed and tell stories to modern humankind in a traditional way through an up-to-date language.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"\u003eGábor Benda, Piano\u003c\/span\u003e\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739622388036,"sku":"HRES2220-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739622420804,"sku":"HRES2220-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739622453572,"sku":"HRES2220-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739622486340,"sku":"HRES2220-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739622519108,"sku":"HRES2220-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339125924164,"sku":"HRES2220-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2220.jpg?v=1778487688"},{"product_id":"ptc5186987-la-passione-haydn-mozart-beethoven","title":"La Passione: Haydn, Mozart \u0026 Beethoven","description":"\u003ch3\u003ePassionate Vocal and Symphonic Music from the Classical Era\u003c\/h3\u003e\r\n\u003cstrong\u003eAkademie für Alte Musik Berlin\u003c\/strong\u003e returns to Pentatone together with soprano \u003cstrong\u003eChristina Landshamer\u003c\/strong\u003e, presenting \u003cem\u003eLa Passione\u003c\/em\u003e, a collection of dazzling concert arias on love, longing and loss by \u003cstrong\u003eMozart\u003c\/strong\u003e, \u003cstrong\u003eBeethoven\u003c\/strong\u003e and \u003cstrong\u003eHaydn\u003c\/strong\u003e, paired with the latter’s “La Passione” Symphony. Ranging from pastoral simplicity to exuberant outrage, the program offers some of the finest vocal writing around 1800, including some of Beethoven’s rare and little-known excursions to Italian bravura opera, as well as one of the most dramatic and expressive symphonies of the eighteenth-century.\r\n\r\nThe Akademie für Alte Musik is generally seen as one of the best period-instruments ensembles of today, and has a substantial Pentatone discography, including Cantata with Bejun Mehta (2018), \u003ca href=\"https:\/\/www.nativedsd.com\/product\/concerti-grossi-op-6-and-op-3-bundle\/\"\u003eHandel’s Concerti grossi op. 6\u003c\/a\u003e (released in 2019 and 2020). Telemann’s Miriways (2020), Handel’s Messiah (2020) and Haydn’s L’isola disabitata (2021). Christina Landshamer featured as Marzelline on Beethoven’s Fidelio (2021).\r\n\r\n\u003cstrong\u003eThis album is exclusively available at NativeDSD in Stereo DSD 512, DSD 256, DSD 128, DSD 64 and DXD. It is also available in Stereo 24\/192 FLAC and 24\/96 FLAC. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eChristina Landshamer, Soprano\u003c\/strong\u003e\r\n\u003cstrong\u003eAkademie für Alte Musik Berlin\u003c\/strong\u003e\r\n\u003cstrong\u003eBernhard Forck, Concertmaster\u003c\/strong\u003e","brand":"Pentatone","offers":[{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739686908228,"sku":"PTC5186987-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739686940996,"sku":"PTC5186987-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739686973764,"sku":"PTC5186987-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739687006532,"sku":"PTC5186987-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739687039300,"sku":"PTC5186987-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739687072068,"sku":"PTC5186987-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":57339180712260,"sku":"PTC5186987-21","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/PTC5186987.jpg?v=1778489913"},{"product_id":"ptc5187019-rachmaninoff-all-night-vigil","title":"Rachmaninoff: All-Night Vigil","description":"\u003ch3\u003eChoral Light Emanating from the Darkness\u003c\/h3\u003e\r\n\u003cstrong\u003eThe\u003c\/strong\u003e \u003cstrong\u003eClarion Choir\u003c\/strong\u003e and its Artistic Director \u003cstrong\u003eSteven Fox\u003c\/strong\u003e make their Pentatone debut with a recording of \u003cstrong\u003eSergei Rachmaninoff’s\u003c\/strong\u003e choral masterpiece, the \u003cem\u003eAll-Night Vigil\u003c\/em\u003e, demonstrating their exceptional proficiency in Russian repertoire. The All-Night Vigil is an evening service that gradually moves towards daybreak, symbolizing the Resurrection of Christ. This message of light and hope emanating from the darkness is both universal and very topical in the troubled world we find ourselves in. On this recording, many of the movements are preceded by the original Kiev and Znameny chants on which Rachmaninoff based his composition, adding another layer to this mesmerizing piece.\r\n\r\nSteven Fox is the Artistic Director of the New York-based Clarion Choir since 2006. Generally considered as one of the most exceptional US choirs, their recordings of Russian choral repertoire have received multiple Grammy nominations.\r\n\r\n\u003cstrong\u003eThis album is available in Stereo DSD 512, DSD 256, DSD 128, DSD 64, DXD, 24\/192 FLAC and 24\/96 FLAC. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eThe Clarion Choir\u003c\/strong\u003e\r\n\u003cstrong\u003eSteven Fox, Artistic Director\u003c\/strong\u003e","brand":"Pentatone","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739687366980,"sku":"PTC5187019-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739687399748,"sku":"PTC5187019-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739687432516,"sku":"PTC5187019-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739687465284,"sku":"PTC5187019-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739687498052,"sku":"PTC5187019-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739687530820,"sku":"PTC5187019-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57339180777796,"sku":"PTC5187019-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/PTC5187019.jpg?v=1778489928"},{"product_id":"ptc5187053-a-mothers-tears-pergolesi-stabat-mater-vivaldi-nisi-dominus","title":"A Mother's Tears - Pergolesi: Stabat Mater \u0026 Vivaldi: Nisi Dominus","description":"\u003cstrong\u003eProfound and Deeply Relatable Interpretation of Two Baroque Masterworks\u003c\/strong\u003e\r\n\r\n\u003cspan data-contrast=\"auto\"\u003e\u003cstrong\u003ePRJCT Amsterdam\u003c\/strong\u003e and its artistic director \u003cstrong\u003eMaarten Engeltjes\u003c\/strong\u003e present \u003cem\u003e\u003cstrong\u003eA Mother's Tears\u003c\/strong\u003e\u003c\/em\u003e with two of the greatest vocal works of the baroque era: Pergolesi’s \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eStabat Mater\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e and Vivaldi’s \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eNisi Dominus\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e.\u003c\/span\u003e\r\n\r\nThe album is \u003cstrong\u003eExclusively Available at NativeDSD in Stereo DSD 512, DSD 256, DSD 128, DSD 64 and DXD\u003c\/strong\u003e\r\n\r\nView the entire in-depth interview \u003cspan style=\"color: #ff9900;\"\u003e\u003ca style=\"color: #ff9900;\" href=\"https:\/\/www.nativedsd.com\/news\/countertenor-maarten-engeltjes-speaks-about-a-mothers-tears-stabat-mater\/\"\u003eHERE\u003c\/a\u003e\u003c\/span\u003e.\r\n\r\n\u003cspan data-contrast=\"auto\"\u003eWhile Vivaldi’s virtuosic piece contemplates the helplessness of people when God does not support their efforts, Pergolesi’s portrait of the weeping Mary at the Cross embodies what the “nameless” parents of a deceased child go through. In the \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eStabat Mater\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e,\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eEngeltjes’s counter-tenor blends together seamlessly and soothingly with \u003cstrong\u003eShira Patchornik\u003c\/strong\u003e’s soprano voice, resulting in an interpretation that is both profound and deeply relatable.     \u003c\/span\u003e\u003cspan data-ccp-props=\"{\"\u003e \u003c\/span\u003e\r\n\r\n\u003cspan data-contrast=\"auto\"\u003ePRJCT Amsterdam is a young, innovative baroque ensemble centered around counter-tenor Maarten Engeltjes, and founded in 2017. Engeltjes is one of the most sought-after countertenors of today, working with several of the most esteemed early music groups and conductors. After having won multiple major baroque competitions, soprano Shira Patchornik is quickly establishing herself as an important singer on the opera and concert stage. All artists make their Pentatone debut. \u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eMaarten Engeltjes - Music Director, Conductor, Counter-Tenor\u003c\/strong\u003e\r\n\u003cstrong\u003eShira Patchornik, Soprano\u003c\/strong\u003e\r\n\u003cstrong\u003ePRJCT Amsterdam\u003c\/strong\u003e","brand":"Pentatone","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740357603652,"sku":"PTC5187053-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740357636420,"sku":"PTC5187053-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740357669188,"sku":"PTC5187053-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740357701956,"sku":"PTC5187053-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740357734724,"sku":"PTC5187053-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740357767492,"sku":"PTC5187053-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57342577934660,"sku":"PTC5187053-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/5187053.jpg?v=1790620994"},{"product_id":"e248hr-johann-sebastian-bach-chorales","title":"Johann Sebastian Bach: Chorales","description":"Organist \u003cstrong\u003eJavier Jiménez\u003c\/strong\u003e bring us his personal selection of Bach “Chorales” on this album from \u003cstrong\u003eHR Recordings\u003c\/strong\u003e. 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