{"title":"Fonè","description":"\u003cimg class=\"size-medium wp-image-236997 aligncenter\" src=\"https:\/\/media.nativedsd.com\/storage\/nativedsd.com\/wp-content\/uploads\/2023\/10\/06102003\/locandina-fone-anniversario-40-anni-300x239.jpeg\" alt=\"\" width=\"300\" height=\"239\"\u003e\r\n\r\nIn the world of classical and jazz music recording, for over thirtyfive years fonè has been using advanced techniques, aimed at re-creating the atmosphere of the original performance. Each new recording is the result of an enthusiastic encounter between the art of performance and the art of recording, and aims to reproduce the spirit with which works of the past were executed. One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on.\r\n\r\nThe recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the “Living Stereo” recordings.\r\n\r\nNo use is made of electronic manipulation or artificial correction of the signal, which while making sound easier to realise also render it unacceptably unnatural. With this method, the musical information can be transferred to the analogue standard (for Lp virgin vinyl 180gr. and 200gr.), to the digital standard DSD-SACD (for Super Audio CD) and to the new digital standard DSD-Signoricci (for the Signoricci CD and CD GOLD 24K).\r\n\r\nfonè uses for the analogue standard Nagra 4S, Studer C37 and J37 and Ampex ATR 102 machines; for the digital standard, in collaboration with Philips the latest DSD (Direct Stream Digital) technology, that has opened the doors to SACD. For all successive stages of elaboration and control where replay is required, highly sophisticated systems of musical recording are used.","products":[{"product_id":"sacd118-il-ouono-del-900","title":"IL ouono del '900","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eIn 1588 a dance treatise entitled “Traité Orchesographie” was published \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eby the Langres Cathedral canon Jehan Tabouret. In 1927 Peter Warlock, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ecomposer and esteemed musicologist and critic, took inspiration from \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eit to compose his famous Capriol Suite in six movements\/dances. This \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ecomposition maintains a pleasant and typically Anglo-Saxon nostalgicrustic \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003echaracter. The opening Basse-Danse is majestic and comprises \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethree melodies, repeated, harmonised and orchestrated in a different \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eway each time. Warlock composed the Pavane following the four vocal \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eparts proposed in Tabourot’s treatise.……\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738645377348,"sku":"SACD118-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738645410116,"sku":"SACD118-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308143190340,"sku":"SACD118-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD118.jpg?v=1790124708"},{"product_id":"sacd125-6-suites-for-solo-cello","title":"6 Suites for Solo Cello","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe most remarkable, unexpected, and surprising of the works that came to light in \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eKöthen, where Bach worked from December 1717 to April 1723, are those for violin \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eand cello that Johann Sebastian conceived without the support of any accompaniment, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eentrusted to either a figured bass or to a cymbal playing in alternating ‘concertante’ \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emanner. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe two collections – each comprising six compositions arranged to an overall \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003escheme presumably with the view to a printed edition – differ both in content and \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eform, but are in some ways complementary. The first collection to be compiled was \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eprobably the one with the works for unaccompanied violin, as would be attested by \u003c\/span\u003e\u003cspan lang=\"IT\"\u003eBaßo | accompagnato. | Libro Primo. | da | Joh: Seb: Bach. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e| ao. 1720. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThe work \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e(which has come down to us in six other copies made by different hands, one by Anna \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eMagdalena Bach) includes three sonatas and three suites (BWV 1001-1006). \u003c\/span\u003e\u003cspan lang=\"IT\"\u003eThe alternating \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003esuccession of sonatas and suites (the latter made up of a series of dances, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ein one case preceded by a prelude) should not however be seen as a succession of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003esix entirely autonomous and independent musical entities (even if Bach speaks of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eSei Solo\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e, typical of the editorial custom of the age), but rather as the presentation \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eof three couples of compositions of which the second term or member of the couple \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eis the continuation or corollary of the first; in other words, what we have is integral \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003esonatas, a suite of dances as it were, following a tradition that was by no means rare \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003efor the music of the time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738645606724,"sku":"SACD125-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738645639492,"sku":"SACD125-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308143845700,"sku":"SACD125-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD125_edb10918-4337-46cc-8383-28048ab60418.jpg?v=1790124749"},{"product_id":"sacd126-la-notte-the-night","title":"La Notte (The Night)","description":"\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  \u003co:revision\u003e0\u003c\/o:revision\u003e\n  \u003co:totaltime\u003e0\u003c\/o:totaltime\u003e\n  \u003co:pages\u003e1\u003c\/o:pages\u003e\n  \u003co:words\u003e148\u003c\/o:words\u003e\n  \u003co:characters\u003e818\u003c\/o:characters\u003e\n  \u003co:company\u003echannel\u003c\/o:company\u003e\n  \u003co:lines\u003e6\u003c\/o:lines\u003e\n  \u003co:paragraphs\u003e1\u003c\/o:paragraphs\u003e\n  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1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan class=\"hps\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003eA trumpet\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e, \u003cspan class=\"hps\"\u003ea guitar and a\u003c\/span\u003e \u003cspan class=\"hps\"\u003ebass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003eThe absence of the\u003c\/span\u003e \u003cspan class=\"hps\"\u003ebattery\u003c\/span\u003e \u003cspan class=\"hps\"\u003eimmediately brings to\u003c\/span\u003e \u003cspan class=\"hps\"\u003emind\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethe last\u003c\/span\u003e \u003cspan class=\"hps\"\u003eChet\u003c\/span\u003e \u003cspan class=\"hps\"\u003eBaker,\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea \u003c\/span\u003e\u003cspan class=\"hps\"\u003echamber\u003c\/span\u003e \u003cspan class=\"hps\"\u003esize\u003c\/span\u003e, intimate and \u003cspan class=\"hps\"\u003esensual. \u003c\/span\u003e\u003cspan class=\"hps\"\u003eThe music was\u003c\/span\u003e \u003cspan class=\"hps\"\u003e\"photographed\"\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein the wonderful\u003c\/span\u003e \u003cspan class=\"hps\"\u003eacoustics of the theater \u003c\/span\u003e\u003cspan class=\"hpsatn\"\u003e\"\u003c\/span\u003ePersius \u003cspan class=\"hps\"\u003eFlaccus\u003c\/span\u003e\" \u003cspan class=\"hps\"\u003eof Volterra\u003c\/span\u003e, waiting for \u003cspan class=\"hps\"\u003ethe bells\u003c\/span\u003e \u003cspan class=\"hps\"\u003eof the five \u003c\/span\u003e\u003cspan class=\"hps\"\u003eceased,\u003c\/span\u003e \u003cspan class=\"hps\"\u003eor\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethat the thunder\u003c\/span\u003e \u003cspan class=\"hps\"\u003eof a storm\u003c\/span\u003e \u003cspan class=\"hps\"\u003eat the end of\u003c\/span\u003e \u003cspan class=\"hps\"\u003esummer\u003c\/span\u003e \u003cspan class=\"hps\"\u003esubsides\u003c\/span\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003eA choice that\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehas put\u003c\/span\u003e \u003cspan class=\"hps\"\u003ethe musicians\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein direct relation to\u003c\/span\u003e \u003cspan class=\"hps\"\u003etheir essence simple\u003c\/span\u003e, highlighting \u003cspan class=\"hps\"\u003ethe strength and\u003c\/span\u003e \u003cspan class=\"hps\"\u003efragility.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cem\u003e\u003cspan class=\"hps\"\u003eThis\u003c\/span\u003e \u003cspan class=\"hps\"\u003erecording technique\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehas opened up\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea\u003c\/span\u003e \u003cspan class=\"hps\"\u003ewindow to the future\u003c\/span\u003e, \u003cspan class=\"hps\"\u003ewe returned\u003c\/span\u003e \u003cspan class=\"hps\"\u003eback decades\u003c\/span\u003e, as often \u003cspan class=\"hps\"\u003ehappens when you \u003c\/span\u003e\u003cspan class=\"hps\"\u003elooking for something\u003c\/span\u003e \u003cspan class=\"hps\"\u003eand\u003c\/span\u003e \u003cspan class=\"hps\"\u003efind it\u003c\/span\u003e \u003cspan class=\"hps\"\u003enecessary to look\u003c\/span\u003e \u003cspan class=\"hps\"\u003eto the past.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003e-- Enzo\u003c\/span\u003e \u003cspan class=\"hps\"\u003ePietropaoli\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cbr\u003e \u003cem\u003e\u003cspan class=\"hps\"\u003eThe result\u003c\/span\u003e \u003cspan class=\"hps\"\u003emanages to combine\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea\u003c\/span\u003e \u003cspan class=\"hps\"\u003ehighly accurate and\u003c\/span\u003e \u003cspan class=\"hps\"\u003enatural sound \u003c\/span\u003e\u003cspan class=\"hps\"\u003ewith human presence\u003c\/span\u003e, lively and \u003cspan class=\"hps\"\u003evivid\u003c\/span\u003e \u003cspan class=\"hps\"\u003emusicians.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cspan class=\"hps\"\u003e-- Battista\u003c\/span\u003e \u003cspan class=\"hps\"\u003eLena\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e\u003cem\u003e\u003cspan class=\"hps\"\u003eThe impression\u003c\/span\u003e \u003cspan class=\"hps\"\u003eis that you can\u003c\/span\u003e \u003cspan class=\"hps\"\u003eexpand with\u003c\/span\u003e \u003cspan class=\"hps\"\u003ea magnifying glass \u003c\/span\u003e\u003cspan class=\"hps\"\u003ethe sound image\u003c\/span\u003e \u003cspan class=\"hps\"\u003eto infinity\u003c\/span\u003e, discovering \u003cspan class=\"hps\"\u003eeach time\u003c\/span\u003e \u003cspan class=\"hps\"\u003enew \u003c\/span\u003e\u003cspan class=\"hps\"\u003edetails that\u003c\/span\u003e \u003cspan class=\"hps\"\u003eare always\u003c\/span\u003e \u003cspan class=\"hps\"\u003ein focus\u003c\/span\u003e.\u003c\/em\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"mso-bidi-font-size: 10.0pt; mso-ansi-language: EN;\"\u003e-- \u003cspan class=\"hps\"\u003eFulvio\u003c\/span\u003e \u003cspan class=\"hps\"\u003eSigurtà\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738645803332,"sku":"SACD126-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738645836100,"sku":"SACD126-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308144075076,"sku":"SACD126-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD126-1.jpg?v=1790124788"},{"product_id":"sacd134-sound-of-light-and-shadow","title":"Sound of Light and Shadow","description":"\u003cp\u003eI could write extensively about this album, describe the moments and circumstances that led me to compose these eleven pieces. I could explain the influences and motivations that drove me forward. But what is really significant is the fact that, for the past two years, each of these pieces has been like a page in a diary: written in one go and in a very personal way. Somewhere to pour my joys and disappointments, loves and friendships. I do hope that between the light and shadow of the notes, the listener might be able to live, at least partially, what I experienced while writing.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738646163780,"sku":"SACD134-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738646196548,"sku":"SACD134-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308146532676,"sku":"SACD134-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD134-1_3fd5c566-fb7f-4319-9c91-d404d43bd04f.jpg?v=1790124831"},{"product_id":"sacd135-i-could-write-a-book","title":"I Could Write A Book","description":"\u003cp\u003e \u003cspan lang=\"EN-GB\"\u003e“I have been wanting to record with Andrea Pozza for twenty years, so this was a great opportunity for me. In addition we recorded at home in Certaldo Alto so the atmosphere was very relaxed and friendly. I am look­ing forward to hearing how I sound without any effects - just the very good natural acoustics of the Castello.”\u003c\/span\u003e\u003cspan lang=\"IT\"\u003eScott Hamilton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eFew times in life one has the feeling to be in the right place at the right time. It happened to me in the cellar of Hotel Il Castello in Certaldo on the occasion of the recording of this album. To record with Scott Hamilton, one of my all time favourite musicians, in an extraordinary place with invaluable microphones skillfully maneuvered by Giulio Cesare Ricci, a real “guru” of hifi recording, enjoying the hospitality Alfred Kramer (and his snare drum and brushes in a couple of takes) and the amazing food at Il Castello - what do you think, isn’t that enough?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eAndrea Pozza\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738646524228,"sku":"SACD135-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738646556996,"sku":"SACD135-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch 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*\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThere could not be any greater challenge for a violinist than to master Johann Sebastian Bach’s sonatas and partitas for violin solo. Unequalled until today, they mean either a stumbling block or the violinist’s Olympus, depending on the interpreter’s skills. But it is not only the enormous technical difficulties that make Bach’s solo works a challenge par excellence. Of course, you also have to master the countless double stops, runs, arpeggios and chords. But it is the interpretation to be the greatest challenge…\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738647834948,"sku":"SACD061-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738647867716,"sku":"SACD061-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308158656836,"sku":"SACD061-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Artboard_4074ffae-b809-44bd-b656-67ec77c92580.png?v=1790442641"},{"product_id":"sacd068-easy-to-love-one-microphone-recording","title":"Easy To Love (One Microphone Recording)","description":"\u003cp\u003eEasy to Love is a most appropriate title for the recording debut of vocalist Kate McGarry. Right from the voice-bass intro on “My Heart Stood Still”, you know that this is to be no run-of-the-mill progam. An immediate reaction may be to notice the exceptional diction and enunciation and the distinctive phrasing that McGarry demonstrates. It's not surprising to learn that her greatest influences have been such unique stylists as Jon Hendricks, Betty Carter, and Mark Murphy, as well as the great lady of jazz vocals, Ella Fitzgerald.\u003c\/p\u003e\n\u003cp\u003eBorn in Cape Cod, MA, McGarry earned a bachelors degree in Afro-American Music and jazz at the University of Massachusetts in Amherst, where she also studied improvisation with the innovative saxophonist Archie Shepp. Singing was in her blood, and she began a professional career as soon as she graduated college, working local venues around Boston.Moving to California in 1988, she appeared at the Monterey Jazz Festival, backed by an AII-Star Band led by Hank Jones and Clark Terry.With a lot of encouragement from singer and vocal coach Sue Raney, McGarry gradually began showing up at some of the top Los Angeles nightspots. She also landed a singing spot in theWesley Snipes,movie “Money Men”, and can be heard on the soundtrack.\u003c\/p\u003e\n\u003cp\u003eKATE MC GARRY vocals\u003cbr\u003ePAUL KREIBICH drums\u003cbr\u003eKAREN HAMMACK piano\u003cbr\u003eERIC VON ESSEN - bass\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738648031556,"sku":"SACD068-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738648064324,"sku":"SACD068-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308160721220,"sku":"SACD068-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Easy-To-Love-No-Logo.png?v=1790442699"},{"product_id":"sacd069-fryderyck-chopin-filippini-campanella","title":"Fryderyck Chopin - Filippini , Campanella","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eFryderyk Chopin was without doubt virtually unique in the history of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eromantic music, and indeed in the entire panorama of music: throughout \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ehis brief life, the Polish composer wrote only music for the piano. Every \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003esingle piece in Chopin's musical legacy is dominated by the piano, the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eoverwhelming majority for piano solo, while a negligible number of pieces \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eunite the piano with the orchestra, the human voice or other instruments. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThere are two Concertos and four brief pieces for piano and orchestra, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003efewer than twenty melodies for piano and voice, and five chamber pieces \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eall with piano…\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738648359236,"sku":"SACD069-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738648392004,"sku":"SACD069-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308161999172,"sku":"SACD069-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD069.jpg?v=1790442762"},{"product_id":"sacd074-antonio-vivaldi","title":"Antonio Vivaldi","description":"\u003cp\u003eSixty years have passed since twelve young graduates, mainly from the Santa Cecilia Conservatory, got together to give voice to their passion. Thus was born a rarity of its time, a chamber group without a conductor. This apparent lack could have been their Achilles’ heel when the great Toscanini heard them, but their enthusiasm brought out the strong and affectionate words: “Bravi, bravissimi…( very good, excellent) music won’t die!” … from him. Time has passed quickly, yet the sound that travelled these decades still lights up the eyes of those who were participants in this extraordinary cavalcade as if it had lasted only a moment. For I Musici time hasn’t flown and paradoxically, the future is behind their shoulders as for the Aymara people. It turns the traditional western concept upside down and without giving it a lot of thought, creates a vortex of thought that makes its mark. Nowadays not one of the foundation members still forms part of the group but this isn’t the reason that the original spirit has been lost. \u003cbr\u003eOver the years the new elements were able to assimilate the impulse from the older members, similar to an incredible wave of energy that has always characterised I Musici’s concerts. They, in their turn transmitted it to the newer members. We could say that there’s a true and actual ‘DNA’ that has passed down from one generation to another. For some years I Musici have recorded for the Italian label of Fonè. This recording company has done quality and technologically avantgard work. They already have two discs to show from this collaboration. The present and third one is dedicated to celebrating I Musici’s sixtieth anniversary. This last one, more than the others surely, underlines the group’s beauty of sound and its expressive capacity. The style is fresh and modern but the warmth of the sound is traditional. The ability to unite the typically Italian expressive and melodic spirit, with a great interpretative quality that has won over many generations of listeners, is probably the secret to the group’s long and successful career. We hope that they continue to do this for many years yet to come. \u003cbr\u003eCongratulations, I Musici!\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738648621380,"sku":"SACD074-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738648654148,"sku":"SACD074-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308164096324,"sku":"SACD074-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD074.jpg?v=1790125181"},{"product_id":"sacd099-moonglow","title":"Moonglow","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eI first heard of Karen Knowles from an Australian audiophile friend who was visiting the April '92 Stereophile Show - “She's been the female lead-singer of “The Seekers” y'know, a major Aussie star in her own right...bigger than “Ben Hur”, y'know...and she's heard some of your Vital albums and she wants to record with you...seriously, y'know...”\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eDAT-dubs of previous records and newer demos duly arrived from Karen and we struck up a “phone and fax” relationship, based around her willigness to come all the way from “Down Under” to record with us in Chino, California.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eI felt that we owed her everything of the best; especially, we had to offer her a musical-director and arranger of the highest echelon: for me there could only be one choice: my longtime British partner Sam Sklair, currently residing in Johannesburg.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eEver enthusiastic about my ideas, Sam immediately agreed to hop on a plane, and arrived a week or so before Karen herself.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSam and I were totally taken with Karen; her gutsy, talented singing and calm-under-fire confidence during the sessions. The resulting combination of Australian, British, and Californian endeavors comes through on this album. Me? Pleased? More than that, I'm simply over the...whatsit?...moon? Yes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eDavid Manley, California, 1992\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eKaren Knowles - vocal\u003cbr\u003e\u003cspan lang=\"EN-GB\"\u003eFrank Crawford - piano, keyboards\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eBruce Bishop - acoustic guitar, dobro\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eJohn Leftwich – bass\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eDarek Oles – bass\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eJosh Sklair – electric \u0026amp; acoustic guitars\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eEfrain Toro – drums \u0026amp; percussion\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eBob Summers – trumpet \u0026amp; flugelhorn\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eLarry Klimas – saxophones (alto, tenor), alto flute\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eEveAnna Manley – baritone saxophone\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eSam Sklair – arranger, MD, clarinet\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eVickie Leigh, Bruce Bishop – backing vocals\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738648916292,"sku":"SACD099-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738648949060,"sku":"SACD099-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308164391236,"sku":"SACD099-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD099.jpg?v=1790125221"},{"product_id":"sacd107-sekou","title":"Sekou","description":"\u003cp\u003e“What? Mr. Bunch” neatly frames the question: how do you define Sekou Bunch as a musician? Obviously, he is an electric bass-player of extraordinary talent. To my ears it goes further than that: he is simply the best I’ve ever heard.\u003c\/p\u003e\n\u003cp\u003eNote particularly on “Catano”, “As A Matter Of Fact”, “Night On The Town” and “Pastels” that Sekou plays the Tenor-Bass melody with the pyrotechnical skill that will be admired by the most accomplished guitarists! Further yet the man writes some lovely tunes; and further still he is a cool, calm and collected musical director who never loses his head, even under the most musically trying circumstances. It is getting late at night (read early morning), some of the best are battling... but Sekou never misses a beat (or a solo-trick), never loses his smile of sheer musical enjoyment: he uplift and inspired everybody to give of their best and they respond... You hold the results of their collective talents in your hands now.\u003c\/p\u003e\n\u003cp\u003eSekou molded his repertoire around some of the most interesting (and diverse) players around California and demonstrated a whole palette of sound-colors in his arrangements. So those are my impressions and experiences with Sekou Bunch. Trumpeter Tom Browne chose Sekou for his gold album “Funkin’ for Jamaica” (and as co-writer on the hit single “Thighs High”). Anita Baker selected Sekou for her Platinum album “Givin’ You The Best That I Got”. He has toured the world with Melba Moore, Tom Browne, Phyllis Hyman, Dave Grusin, Jocylyn Brown, Freddie Hubbard, Dayton, Randy Crawford, Bernard Wright, George Duke, Anita Baker and Sheena Easton... All in all we’re in pretty good company in choosing Sekou Bunch for our Vital label.\u003c\/p\u003e\n\u003cp\u003eDavid Manley California, 1991\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738649178436,"sku":"SACD107-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738649211204,"sku":"SACD107-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308166029636,"sku":"SACD107-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD107.jpg?v=1790125263"},{"product_id":"sacd130-natural-jazz-recordings","title":"Natural Jazz Recordings","description":"\u003cem\u003e\u003cstrong\u003eNatural Jazz Recordings\u003c\/strong\u003e\u003c\/em\u003e is a 10 track sampler of the Best Live Jazz Recordings made \u003cstrong\u003eDirect to 2 Track Analog Tape\u003c\/strong\u003e by audio designer, producer and recording engineer \u003cstrong\u003eDavid Manley\u003c\/strong\u003e of VTL. 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If we believe that recording means portraying truth by following objective, absolute criteria, then we have completely missed the point. \u003c\/em\u003e\r\n\r\n\u003cem\u003eWhen I record, I follow all my senses, which means not only what I hear, but more importantly the feelings that come into the soul and to the heart. For me, placing the microphones is something of a sacred ritual, almost a mystic art. I have to find, and I know that it exist and is waiting to be found, that pocket-handkerchief sized space of air where the whole atmosphere can be felt. I measure the dimension with eyes and ears, I evaluate the materials, and, as an instrument-maker would, I ‘tune’ some gigantic structure like a church, a theatre or a music salon. And if the public are present, so much the better! Like an extraordinary acoustic trap, the bodies and the faces of hundreds of people make the sound more linear. If I could, I would record the bodies! And after, two, three, four microphones higher, lower, to the right, no, to the left... each time the conditions change and everything has to be discovered again, even the “emotion center”.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe microphones are eventually exactly there where they should be; I must be aware of everything, the beautiful women, the musicians, their state of mind, and remind myself of the flavor of the occasion... and then, draw everything together at that “center”. Reality on its own does not exist, it only exists in our own feelings. In truth, I record my own feelings, Fonè is my gift to music and to all music lovers.\" \u003c\/em\u003e\r\n\r\n\u003cstrong\u003eAlan Yoshida - Guitar\u003c\/strong\u003e\r\n\u003cstrong\u003eBennie Maupin - Flute \u0026amp; Saxophones\u003c\/strong\u003e\r\n\u003cstrong\u003eBill Summers - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eBob Summers - Trumpet \u0026amp; Flugelhorn\u003c\/strong\u003e\r\n\u003cstrong\u003eBobby Rodriguez - Trumpet\u003c\/strong\u003e\r\n\u003cstrong\u003eBruce Bishop - Guitar, Acoustic Guitar \u0026amp; Backing Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eDavid Garfield - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eEfrain Toro - Drums \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eEveAnna Manley - Baritone Saxophone\u003c\/strong\u003e\r\n\u003cstrong\u003eFelicidad - Background Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eFrank Crawford - Piano, Organ \u0026amp; Keyboards\u003c\/strong\u003e\r\n\u003cstrong\u003eJack Le Compte - Drums\u003c\/strong\u003e\r\n\u003cstrong\u003eJosh Sklair - Electric \u0026amp; Acoustic Guitars\u003c\/strong\u003e\r\n\u003cstrong\u003eKaren Briggs - Violin\u003c\/strong\u003e\r\n\u003cstrong\u003eKaren Knowles - Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eKate McGarry - Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eLarry Klimas - Tenor Sax, Soprano Sax \u0026amp; Flute\u003c\/strong\u003e\r\n\u003cstrong\u003eLouis Verdieu - Vocals \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eLuis Conte - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eMarina Bambino - Percussion \u0026amp; Background Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eMike Turre - Saxophone \u0026amp; Flute \u003c\/strong\u003e\r\n\u003cstrong\u003eMunyungo Jackson - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eNengue Hernandez - Vocals \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eNick Smith - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eOscar Brashear - Trumpet\u003c\/strong\u003e\r\n\u003cstrong\u003eRon Ross - Bass\u003c\/strong\u003e\r\n\u003cstrong\u003eRuss Henry - Drums\u003c\/strong\u003e\r\n\u003cstrong\u003eSam Sklar - Clarinet, Arranger \u0026amp; Musical Director \u003c\/strong\u003e\r\n\u003cstrong\u003eSekou Bunch - Tenor Bass\u003c\/strong\u003e\r\n\u003cstrong\u003eVickie Leigh - Vocals \u0026amp; Backing Vocals\u003c\/strong\u003e\r\n\u003cp class=\"p3\"\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738649669956,"sku":"SACD130-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738649702724,"sku":"SACD130-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308166226244,"sku":"SACD130-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Natural-Jazz-Recordings-SACD130-No-Logo-500x500-1.jpg?v=1790442983"},{"product_id":"sacd132-incontri","title":"Incontri","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eIn the world of classical music recording, fonè has for almost thirty years been \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eusing advanced techniques, aimed at re-creating the atmosphere of the original \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eperformance. Each new recording is the result of an enthusiastic encounter \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ebetween the art of performance and the art of recording and aims to reproduce \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethe spirit with which works of the past were executed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eOne basic feature, which determines the difference between fonè and other record \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ecompanies, is the recording of performances in their natural spaces, which \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eis in the places where they were originally presented. 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For the digital standard, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ein collaboration with Philips the latest DSD (Direct Stream Digital) technology.\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eFor all successive stages of elaboration and control where the replay is required, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ehighly sophisticated systems of musical recording are used.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738649932100,"sku":"SACD132-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738649964868,"sku":"SACD132-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308166390084,"sku":"SACD132-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD132.jpg?v=1790125348"},{"product_id":"sacd062-dal-rigoletto-riduzione-per-quartetto-darchi-di-amelchiori-quartetto-in-mi-minore","title":"Dal \"Rigoletto\" riduzione per quartetto d'archi di A.Melchiori - Quartetto in Mi Minore","description":"\u003cp\u003eThe panorama of 18th century Italian instrumental music is less arid than one thinks. This is true, at least as far as string quartets are concerned. Cherubini composed six, Donizetti nineteen, Bazzini (Puccini’s teacher at the Milan Conservatory) wrote six and, during the last thirty years of the century, Busoni produced two, Verdi one and even Puccini composed various pieces, including a recently ‘reviewed’ Quartet. However in the majority of cases, there are pieces that can be traced to the composers’ student years and, as such are rather scholastic. At the same time they do show the completeness of preparation that the young composers underwent, imposed by their respective teachers, who encouraged the study of chamber music literature of the classical Viennese period, even though many were attracted to melodrama. The lack of instrumental technique that they are sometimes criticised for even today, seems to be commonplace because the comparison with German contemporary composers is misleading as these came from a completely different tradition. Antonio Melchiori’s (1827-1897) captivating transcription for string quartet from Rigoletto, that we hear on this CD, indirectly but concretely confirms the value of Verdi’s training where, as revealed in the Quartet in E minor, he also uses counterpoint.\u003cbr\u003eThe arrangement for a solo instrument, particularly the piano, or for a chamber ensemble, from the most famous operatic scores, was routine procedure in the 19th century. This contributed to the popularity and therefore its extended use. Liszt’s paraphrases for the piano by Bellini, Donizetti, Verdi (including Rigoletto), Wagner etc and Muzio Clementi’s transcriptions for piano, flute, violin and cello of Mozart’s last six symphonies are further evidence. Melchiori was also active in transcribing many of Verdi’s works – Aroldo, Masked Ball, Traviata, Trovatore and especially Rigoletto – for solo flute or violin as well as string quartet, sometimes substituting the second violin with flute. Guided by a fine musical taste and a well developed instrumental technique, Melchiori selected more significant moments from Rigoletto, conferring on these a chamber quality that Verdi would call the most suited, when the scene on stage is aided by the dramatic and psychological quality of the moment.The distribution of the orchestral and vocal parts is always done well, especially where the timbre is concerned. In the Prelude, expertly interpreted by La Scala Quartet, the arrangement of the quartet harmony accentuates the original darkness of the motive of the curse. Another success is the instrumental rendition of “Questa o quella per me pari sono” (I\\2), where the Duke’s melody is given, not to the violin as one might have expected, but to the cello. As it unfolds, the ‘lightness’ of the sound seems to accentuate his fatuous character. Melchiori’s choice of the viola to represent Gilda’s heartbreaking expression of the deceitful meeting with that “giovine ..bello e fatale” (handsome and dangerous young man) is a refined one, while the accompaniment of the other three strings accentuates the expression of her suffering (II\\10).\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738659402052,"sku":"SACD062-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738659434820,"sku":"SACD062-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308192145732,"sku":"SACD062-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD062-1.jpg?v=1790126385"},{"product_id":"sacd063-serenata-italiana","title":"Serenata Italiana","description":"\u003cp class=\"p1\"\u003eCould a serenade of the 1900s possibly exist? Could two, apparently contradictory terms, be compatible? (They were accepted as such for a long period). How does one reconcile the expression of a selected poetic and musical form which was the favourite vehicle of an amorous relationship (that we often see as cloying), with the longing for renewal, for technology, with the magnificent and progressive destiny of the beginning of the 20th century? This is the riddle that I Musici tried to answer with the Serenata italiana (Italian serenade). The work takes us on a listening course covering a temporal arc from the end of the 1800s to the 1960s. Arturo Toscanini was the mentor who shaded the protagonists’ lives in various ways. First and foremost was his enthusiastic approval of the group I Musici, which in 1952, had just got started. The great conductor’s presence frequently hovered between the biographical and the artistic vicissitudes of the composers chosen to represent the Italian instrumental background. Toscanini conducted three movements of the Intermezzi goldoniani (1901-1905) by Marco Enrico Bossi (Salo’, 1861 - during the crossing from New York to Le Havre, 1925) on 8th April 1905 in the Teatro Comunale in Bologna, while the first performance in its entirety was heard only in 1910. These Intermezzi dedicated to Wilhelm Weber by the composer, also refer to literary influences in the texts, not so much by Carlo Goldoni, but by 18th century Venetian culture itself. The work consists of a suite of dances in six movements which follow the baroque tradition, revised and yet effective and, because of their difficulty, rarely heard. The composition is a jewel that refers to the 18th century nachtmusik tradition. It is in suite form with marches at the opening and at the end of the Prelude and Minuetto but it freely interprets the characteristics of antique dances, the courtly tidiness (Gagliarda and Coprifuoco), going on to yearn for the orderly precision of the 19th century salon (Serenatina) or the severe contrapuntal structure (Burlesca). The connection to the title is rather transient since the intermezzo form is probably only a leftover of the 1700s theatre tradition (connection to Pergolesi is obvius) that saw the overbearing emergence and affirmation of the comic forms, not dissimilar to what happened particularly to the tools Goldoni uses in comic theatre. Almost all of the composers represented on the CD (except Puccini) refer to dances, which characterises and unites them. This doesn’t seem strange to us since, from the point of view of the traditional instrumental development, they had a fundamental role and were an important predecessor for the birth of the musical tradition that freed itself from the heaviness and conditioning of vocal music. Even in Respighi’s case (Bologna, 1879 – Roma, 1936), the past relives through the connection to the court dances of the 16th century tradition and also in this case we are looking at an assent that is not by chance. His interest in Gregorian chant and his love for Monteverdi was known. The interest in antique arias was part of a rather complex project, seeing that the third suite on the CD, composed in 1931, follows the first from 1917 and the second from 1923.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738659598660,"sku":"SACD063-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738659631428,"sku":"SACD063-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308197093700,"sku":"SACD063-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD063-1.jpg?v=1790126429"},{"product_id":"sacd065-le-quattro-stagioni-the-four-seasons","title":"Le Quattro Stagioni (The Four Seasons)","description":"\u003cp\u003eVivaldi’s Four Seasons are amongst his most innovative and extraordinary compositions. Today’s public knows the work but the “Red Priest’s” contemporaries were immediately captivated by it as well. The originality of these Concertos is that much more surprising because they dutifully follow the usual pattern: division into three movements of Fast – Slow – Fast with alternating “tuttis” and “solos” as Giuseppe Torelli used.\u003c\/p\u003e\n\u003cp\u003eThe Four Seasons in its entirety corresponds with the first four of the twelve Concertos Il cimento dell’armonia e dell’inventione op. VIII (Amsterdam, Le Cene, 1725). Here l’inventione that incites and is one with l’armonia, meaning that the Four Seasons were composed according to the rules, heads the four indicative sonnets, one for each season and printed at the beginning of each respective concerto. The unusual creativity lies in the correspondence between poetry and music or rather in the translation into sound of the natural images evoked in the programmed Sonnets.\u003c\/p\u003e\n\u003cp\u003eBeing an impresario and productive playwright, it was natural for Vivaldi to combine these skills. The Sonnets are anonymous - although we won’t exclude the possibility that Vivaldi wrote or adapted them himself – and have capital letters (A, B, C, …) inserted on the left of the text near the corresponding verse in various points of the score. For the benefit of performers less inclined to poetry, he often adds a programmatic title or instructions about interpreting the text that the music is describing. For instance, immediately in the first movement of Spring, “birdsong” or, at the top of Largo, in integrating the triplet, subtitles like “the sleeping goatherd” corresponds with the violin soloist’s lullaby.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738660090180,"sku":"SACD065-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738660122948,"sku":"SACD065-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308197486916,"sku":"SACD065-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD065-1.jpg?v=1790126471"},{"product_id":"sacd066-concerts-and-follies-in-pergolesis-time-300th-anniversary-of-his-birth","title":"Concerts and Follies in Pergolesi's Time (300th Anniversary of His Birth)","description":"\u003cp class=\"p1\"\u003eThe intention of I Musici’s latest production is to celebrate the 300th anniversary of Giovanni Battista Pergolesi. The musical journey starts with a tribute to Francesco Geminiani, outstanding exponent together with Locatelli and Somis from Corelli’s school. The Concerto Grosso No. 12 “La Follia” from the sonata op. 5 no. 12 by Arcangelo Corelli for strings and harpsichord (a theme and variations), reminds us of the brightness of an exciting virtuosity that he took abroad, especially to London. There the Italian master became famous as he fed the tradition of great violinists gifted with capabilities and techniques of the time. We can’t however, leave out Corelli, foremost protagonist of the sonata, concerto and the baroque violin. His collections of instrumental music from 1681 came into their own as compositions of value in the following century, a period that imposed the Italian musical theatre tradition not only throughout Europe but beyond. Pergolesi, whose surname was originally Draghi, descendant from the family Pergola, thus “Pergolesi”, was deeply attached to Naples.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHe studied at the Conservatorio dei Poveri di Gesu’ Cristo, where his violin teacher was first Domenico de Matteis then Durante. One may call all his works Neapolitan. It isn’t by chance that his compositions are fundamentally connected to the musical theatre, particularly the buffa (comic) form, which Pergolesi mastered - an example being the significant and very noted La Serva padrona and, altogether different, the Stabat Mater. It also isn’t coincidental that the best contributions of the period were from musicians and composers who had made a study of the violin, the instrument which best imitated the human voice, that for everyone was the supreme ideal. I Musici in their faithful way, have chosen to pay homage to the celebrated composer by presenting rarely played compositions, therefore not much known on the concert platform. The Concerto per violino, archi e basso continuo in B flat major features in the Pergolesi catalogue as one of the few instrumental works (in fact there are only five) but which is undoubtedly attributed to him. From the outset we are immediately introduced to music typical of the baroque sound which however, reveals a lyrical character of the instrument that gives a foretaste of the development of Italian instrumental music that was later to predominate. A discussion of the solo concerto of the 18th century, inevitably brings to mind Antonio Vivaldi, recognisable for his use of formal and stylistic characteristics starting with the classical structure in three movements. He was a giant in his time by the abundance of his writing (he wrote 480 concertos alone), as well as by representing the Venetian school which was famous throughout the world. Contrary to Pergolesi, Vivaldi’s compositions are more articulate and centred mostly around the instrumental form.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eI Musici selected the Concerto per due violoncelli, archi e continuo RV 531 in G minor and the Concerto per violino, archi e continuo “Grosso Mogul” RV 208 in D major. The second, as noted, struck Bach especially because of the violin’s cadenza and it should have indicated ‘India’ in the title as was customary at that time. Mogul was the great Islamic dynasty that dominated India from the 3rd century to the beginning of the 18th and obviously fired the imagination. Concerts and Follies in G. B. Pergolesi’s time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738660254020,"sku":"SACD066-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738660286788,"sku":"SACD066-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308197880132,"sku":"SACD066-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD066.jpg?v=1790444496"},{"product_id":"sacd129-30-years-in-classical-music","title":"30 Years In Classical Music","description":"\u003cp class=\"p1\"\u003eIn the world of classical music recording, Fonè has for almost thirty years been using advanced techniques, aimed at re-creating the atmosphere of the original performance. Each new recording is the result of an enthusiastic encounter between the art of performance and the art of recording and aims to reproduce the spirit with which works of the past were executed. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOne basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, which is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very impor\u003cspan class=\"s1\"\u003etant \u003c\/span\u003ehistory: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the “Living Stereo” recordings. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNo use is made of electronic manipulation or artificial correction of the sig\u003cspan class=\"s1\"\u003enal, \u003c\/span\u003ewhich while making sound easier to realize also render it unacceptably unnatural. With this method, the musical 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unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" 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priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-outline-level: 1; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-GB\"\u003eThe pieces from this disc come mainly from two collections: th 12th century “Troparium de Catania” conserved in the National Library of Madrid (ms. 19421) transcribed by David Hiley, and the “Corpus of Sicilian Folk Music” (Palermo, 1957) wich contains pieces collected directly from the peaple by Alberto Favara about a century ago. The use of these sources guarantees a good assortment of contexts, ranging from the religious to the lay, from the cultured to the polular tradition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738720088388,"sku":"SACD001-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738720121156,"sku":"SACD001-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308353003844,"sku":"SACD001-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD001-1.jpg?v=1790130646"},{"product_id":"sacd006-invito-allopera","title":"Invito all'Opera","description":"\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  \u003co:revision\u003e0\u003c\/o:revision\u003e\n  \u003co:totaltime\u003e0\u003c\/o:totaltime\u003e\n  \u003co:pages\u003e1\u003c\/o:pages\u003e\n  \u003co:words\u003e61\u003c\/o:words\u003e\n  \u003co:characters\u003e336\u003c\/o:characters\u003e\n  \u003co:company\u003echannel\u003c\/o:company\u003e\n  \u003co:lines\u003e2\u003c\/o:lines\u003e\n  \u003co:paragraphs\u003e1\u003c\/o:paragraphs\u003e\n  \u003co:characterswithspaces\u003e396\u003c\/o:characterswithspaces\u003e\n  \u003co:version\u003e14.0\u003c\/o:version\u003e\n \u003c\/o:documentproperties\u003e\n \u003co:officedocumentsettings\u003e\n  \u003co:pixelsperinch\u003e96\u003c\/o:pixelsperinch\u003e\n  \u003co:targetscreensize\u003e800x600\u003c\/o:targetscreensize\u003e\n \u003c\/o:officedocumentsettings\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003cw:worddocument\u003e\n  \u003cw:view\u003eNormal\u003c\/w:view\u003e\n  \u003cw:zoom\u003e0\u003c\/w:zoom\u003e\n  \u003cw:trackmoves\u003e\u003c\/w:trackmoves\u003e\n  \u003cw:trackformatting\u003e\u003c\/w:trackformatting\u003e\n  \u003cw:hyphenationzone\u003e21\u003c\/w:hyphenationzone\u003e\n  \u003cw:punctuationkerning\u003e\u003c\/w:punctuationkerning\u003e\n  \u003cw:validateagainstschemas\u003e\u003c\/w:validateagainstschemas\u003e\n  \u003cw:saveifxmlinvalid\u003efalse\u003c\/w:saveifxmlinvalid\u003e\n  \u003cw:ignoremixedcontent\u003efalse\u003c\/w:ignoremixedcontent\u003e\n  \u003cw:alwaysshowplaceholdertext\u003efalse\u003c\/w:alwaysshowplaceholdertext\u003e\n  \u003cw:donotpromoteqf\u003e\u003c\/w:donotpromoteqf\u003e\n  \u003cw:lidthemeother\u003eEN-US\u003c\/w:lidthemeother\u003e\n  \u003cw:lidthemeasian\u003eJA\u003c\/w:lidthemeasian\u003e\n  \u003cw:lidthemecomplexscript\u003eX-NONE\u003c\/w:lidthemecomplexscript\u003e\n  \u003cw:compatibility\u003e\n   \u003cw:breakwrappedtables\u003e\u003c\/w:breakwrappedtables\u003e\n   \u003cw:snaptogridincell\u003e\u003c\/w:snaptogridincell\u003e\n   \u003cw:wraptextwithpunct\u003e\u003c\/w:wraptextwithpunct\u003e\n   \u003cw:useasianbreakrules\u003e\u003c\/w:useasianbreakrules\u003e\n   \u003cw:dontgrowautofit\u003e\u003c\/w:dontgrowautofit\u003e\n   \u003cw:splitpgbreakandparamark\u003e\u003c\/w:splitpgbreakandparamark\u003e\n   \u003cw:enableopentypekerning\u003e\u003c\/w:enableopentypekerning\u003e\n   \u003cw:dontflipmirrorindents\u003e\u003c\/w:dontflipmirrorindents\u003e\n   \u003cw:overridetablestylehps\u003e\u003c\/w:overridetablestylehps\u003e\n  \u003c\/w:compatibility\u003e\n  \u003cm:mathpr\u003e\n   \u003cm:mathfont m:val=\"Cambria Math\"\u003e\u003c\/m:mathfont\u003e\n   \u003cm:brkbin m:val=\"before\"\u003e\u003c\/m:brkbin\u003e\n   \u003cm:brkbinsub m:val=\"--\"\u003e\u003c\/m:brkbinsub\u003e\n   \u003cm:smallfrac m:val=\"off\"\u003e\u003c\/m:smallfrac\u003e\n   \u003cm:dispdef\u003e\u003c\/m:dispdef\u003e\n   \u003cm:lmargin m:val=\"0\"\u003e\u003c\/m:lmargin\u003e\n   \u003cm:rmargin m:val=\"0\"\u003e\u003c\/m:rmargin\u003e\n   \u003cm:defjc m:val=\"centerGroup\"\u003e\u003c\/m:defjc\u003e\n   \u003cm:wrapindent m:val=\"1440\"\u003e\u003c\/m:wrapindent\u003e\n   \u003cm:intlim m:val=\"subSup\"\u003e\u003c\/m:intlim\u003e\n   \u003cm:narylim m:val=\"undOvr\"\u003e\u003c\/m:narylim\u003e\n  \u003c\/m:mathpr\u003e\u003c\/w:worddocument\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003cw:latentstyles deflockedstate=\"false\" defunhidewhenused=\"true\" defsemihidden=\"true\" defqformat=\"false\" defpriority=\"99\" latentstylecount=\"276\"\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Normal\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"heading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"35\" qformat=\"true\" name=\"caption\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"59\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Table Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Placeholder Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" 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They are the only ones we know, as three previous similar sonatas were destroyed by the composer himself. Brahms wrote these three masterpieces during three happy and fruitful summer holidays which he spent away from the city, inspired by the mountain scenery.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738720645444,"sku":"SACD008-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738720678212,"sku":"SACD008-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308354871620,"sku":"SACD008-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD008-1.jpg?v=1790130734"},{"product_id":"sacd009-something-to-remember","title":"Something to Remember","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eSOMETHING TO REMEMBER was created by chance during one of the many \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ejazz festivals spread all over the world, exactly at the Gaume Jazz Festival. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eOn that night, 3 soloists happened to meet, sat down and went back, with their\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ememory and heart, to the best songs which had marked significantly their artistic and \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ehuman experience.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738721136964,"sku":"SACD009-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738721169732,"sku":"SACD009-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308356018500,"sku":"SACD009-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD009-1.jpg?v=1790130780"},{"product_id":"sacd010-just-for-a-while","title":"Just For A While","description":"\u003cp\u003eGaby Cole – Vocals\u003cbr\u003eMarco Pezzenati – Piano\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738721268036,"sku":"SACD010-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738721300804,"sku":"SACD010-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308360671556,"sku":"SACD010-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD010-1.jpg?v=1790130822"},{"product_id":"sacd011-esoteric-audiophile-trip","title":"Esoteric Audiophile Trip","description":"","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738721694020,"sku":"SACD011-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738721726788,"sku":"SACD011-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308363260228,"sku":"SACD011-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD011-1.jpg?v=1790130864"},{"product_id":"sacd002-vir-dei-benedictus","title":"Vir Dei Benedictus","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe laus perennis that the monks every day in their psalmody offer to the Lord, is adorned with \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ehymns, antiphons and responsories; all chants drawn from the ancient gregorian repertory. 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qformat=\"true\" name=\"caption\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"59\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Table Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Placeholder Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  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3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eFritz Kreisler must be reckoned amongst the most amazing musical phenomena of the last hundred years. A child prodigy, he started his studies at the Vienna Conservatoire when he was seven, completing them at the age of twelve. When he was fourteen he toured the USA with Moritz Rosenthal (Listz’s last great pupil)….\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738722152772,"sku":"SACD003-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738722185540,"sku":"SACD003-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308367651140,"sku":"SACD003-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD003-1.jpg?v=1790130947"},{"product_id":"sacd096-works-for-violin-of-bernstein-penderecki","title":"Works for Violin of  Bernstein, Penderecki","description":"\u003cp\u003eThe Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s “Symposium”) is a five-movement concerto written by Leonard Bernstein in 1954 and first performed at La Fenice in Venice by Isaac Stern and Igor Stravinski.\u003c\/p\u003e\n\u003cp\u003ePENDERECKI: CONCERTO FOR VIOLIN\u003c\/p\u003e\n\u003cp\u003eKrzysztof Penderecki composed his Concerto for Violin and orchestra between 1974 and 1976; the work was first performed on 27th April 1977 by the violinist Isaac Stern, accompanied by the Basle Symphony Orchestra conducted by Moshe Atzmon. This is Penderecki's second composition for Violin and orchestra. The Capriccio, composed in 1966 both in its spirit and in the demands it makes on marked virtuosity in performance calls to mind models in Paganini's style.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738722447684,"sku":"SACD096-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738722480452,"sku":"SACD096-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308368240964,"sku":"SACD096-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD096-1.jpg?v=1790130991"},{"product_id":"sacd136-live-at-alcatraz","title":"Live At Alcatraz","description":"\u003cp\u003eLive Ad Alcatrez by guitarist Fausto Mesolella was recorded live on August 25, 2013 at the Free University of Alcatraz in Santa Cristina di Gubbio, Italy. \u003c\/p\u003e\n\u003cp\u003eFausto Mesolella is an Italian guitarist, composer, and arranger. Since 1986, Mesolella has been part of the Piccola Orchestra Avion Travel. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusicians: \u003c\/strong\u003e\u003cbr\u003eFausto Mesolella, guitar, loop pedal guitar \u003cbr\u003eFerdinando Ghidelli, pedal steel guitar \u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738722775364,"sku":"SACD136-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738722808132,"sku":"SACD136-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308370927940,"sku":"SACD136-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD136-1.jpg?v=1790131037"},{"product_id":"sacd140-who-cares","title":"Who Cares?","description":"Who Cares? is the latest album from Jazz Saxophone player Scott Hamilton. Here he is joined by pianist Andrea Pozza and drummer Alfred Kramer as they play some wonderful classics including Alregin, Old Devil Moon, Don't Worry 'Bout Me, and All of Me. Recorded Live to Stereo DSD 64 by Giulio Cesare Ricci in Fone's famed Natural Sound technique.\r\n\r\nPianist Andrea Pozza says\u003cem\u003e \"Few times in life one has the feeling to be in the right place at the right time. \u003c\/em\u003e\u003cem\u003eIt happened to me in the cellar of Hotel Il Castello in Certaldo on the occasion of the recording of this album. \u003c\/em\u003e\r\n\r\n\u003cem\u003eTo record with Scott Hamilton, one of my all-time favorite musicians, in an extraordinary place with invaluable microphones skillfully maneuvered by Giulio Cesare Ricci, a real “guru” of hifi recording, enjoying the hospitality Alfred Kramer (and his snare drum and brushes in a couple of takes) and the amazing food at Il Castello - what do you think, isn’t that enough?\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eScott Hamilton - Saxophone\u003c\/strong\u003e\r\n\u003cstrong\u003eAndrea Pozza - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eAlfred Kramer - Drums\u003c\/strong\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738723070276,"sku":"SACD140-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738723103044,"sku":"SACD140-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308373582148,"sku":"SACD140-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD140-1.jpg?v=1790131079"},{"product_id":"sacd029-emotions","title":"Emotions","description":"\u003cp class=\"p1\"\u003eThe aim of my work, exhausting and passionate, has always been that of bringing to the final support the maximum possible quality, all the times closer to the original master, in order to recreate with the different listening systems, the emotion that we feel when the “REAL” music is in front of us. After 25 years from the birth of the CD, I do believe that much more can be done to achieve this objectiveThe Signoricci cd is my contribution and is part of my evolution relatively to the digital domain, with the use of the DSD technology. I have developed this system to realize thePCMlayer fromDSD, the Signoricci cd has a quality enhancement of 20% with respect to the conventional CD, this is a strong incitement to continue on this path. The same technology is also used for theCD layer of the SACD. In synthesis, the Signoricci cd contains more details, more information; you can appreciate a more realistic sound environment, more correct tone colors, amore detailed reconstruction of the sound scene.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738731622724,"sku":"SACD029-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738731655492,"sku":"SACD029-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308381348164,"sku":"SACD029-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD029-1.jpg?v=1790131291"},{"product_id":"sacd040-salvatore-accardo-vesuvio-1727","title":"Salvatore Accardo - Vesuvio 1727","description":"\u003cp\u003eThe collection \"The Arches of the Palazzo Comunale \" of Cremona has been enriched by a third violin made by Antonio Stradivari ,one of the most valuable pieces of violin making World : \" The Vesuvius in 1727 \". Purchased by a British governor which also took him to India , the Vesuvius came into possession of the violinist Jan Hambourg , who kept it until his death (1947 ) giving rise to a popular trio with his brothers Mark ( pianist ) and Boris ( cellist ) . The heirs sold it to the Spanish violinist Antonio Brosa , teacher Lauricella , then passed to the student around 1968. Born in London to a family of Sicilian origin , Master Remo Lauricella was usually return every year in Italy and was a regular stop in Cremona , where he found himself the \" Charles IX \" by Andrea Amati , the instrument that had got to play during his career for twelve years , from 1935 to 1947. In late summer 1978,the Master Lauricella stayed in CremonaOn his return to London in October of the same year, he wrote a letter to then Mayor Emilio Zanoni with which ensured to have confirmed his will tohis will to donate at death, the city of Cremona the Stradivari \" Vesuvius in 1727 \" .\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738733785412,"sku":"SACD040-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738733818180,"sku":"SACD040-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308383052100,"sku":"SACD040-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD040-1.jpg?v=1790131336"},{"product_id":"sacd057-vivaldi-il-canto-dallo-strumento-alla-voce","title":"Vivaldi: Il Canto, Dallo Strumento alla Voce","description":"\u003cpre id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Vertaling\" data-fulltext=\"\"\u003eOf the two Vivaldi Gloria stored in the first volume of the Sacred Works of the collection of the Jordan National Library of Turin , in D major, this is undoubtedly the most significant and must be registered with the Creed , the Magnificat and the Stabat Mater in the group of the best compositions the Venetian musician ...\u003c\/pre\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738734833988,"sku":"SACD057-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738734866756,"sku":"SACD057-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308383412548,"sku":"SACD057-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD057-1.jpg?v=1790131377"},{"product_id":"sacd148-rimsky-korsakov-sheherazade-noseda-version-1","title":"Rimsky-Korsakov: Shéhérazade - Noseda (Version #1)","description":"Scheherazade Imaginative orchestrator and supreme colorist, Rimsky-Korsakov, he started the symphonic suite Scheherazade in the summer of 1888, spent in the quiet of a remote village of propitious remote district of Luga, at the time when he had just completed the orchestration of Prince Igor Borodin left unfinished by his friend and colleague, who died the year before. Probably it was the seductive exoticism of that excellent score to fertilise theatrical creativity of the Russian composer. The superb symphonic - it goes without saying - draws inspiration from the tales of the Arabian Nights penetrated in European culture long ago thanks to the fortunate French Galland, according to a taste for exoticism that went spreading exponentially in music but also in painting and more generally in the western custom of the last twenty years the 800 and the first of the new century.\r\n\r\nHere is the link to \u003ca href=\"https:\/\/fonerecords.nativedsd.com\/albums\/SACD193-korsakov-sheherazade-noseda\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ea special version of this same recording\u003c\/a\u003e, both versions are available with a 25% discount when purchased together \u003ca href=\"https:\/\/www.nativedsd.com\/product\/rimsky-korsakov-sheherazade-noseda-version-1-2\/\"\u003evia this bundle\u003c\/a\u003e.","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738891465028,"sku":"SACD148-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738891497796,"sku":"SACD148-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308601254212,"sku":"SACD148-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD148.jpg?v=1790135984"},{"product_id":"sacd2045-stradivari-il-cremonese","title":"Stradivari - Il Cremonese","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe most extraordinary nucleus of the Stradivari Museum is represented by the tools \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ewhich Antonio Stradivari used to realize his unique masterpieces. These include \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003enumerous forms, starting basis for the manufacture of an instrument, which were used to \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emodel the ribs and subsequently seal them to the top, bottom and corner-blocks. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThe forms, usually in walnut and maple, are sometimes accompanied by sets of models in \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ewood or paper, such as, for example, the ones used for the manufacture of the alto \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eMedicean viola or the tenor Medicean viola, the ones used for the making of a violino \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003epiccolo, or those used to realize the 1727 twelve string viola d’amore.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eWhen designing his instruments Antonio Stradivari proceeded with extreme \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emeticulousness. Once an instrument had been completed in each of its parts, the set of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emodels that had been used for its realization was marked with a letter of the alphabet, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ecollected and stored up in paper sheet.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThe forms for violin exhibited are arranged in chronological order. The first two forms, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eundated, belong to the period in which Stradivari’s violins showed a clear legacy of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eNiccolò Amati’s typical style. Simone Ferdinando Sacconi allocated them to the period \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ebefore 1689. The three successive forms, always according to Sacconi, are also allocated \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eto the period prior to 1689 and they recall the phase following the so called Amati \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eproduction.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThe remaining forms used by Stradivari in the course of his long activity of violin making \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ebelong to the years of maturity. These are all dated, with the only exception of the one that \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eStradivari used to make, along with many other famous violins, the 1715 Cremonese ex \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eJoachim, which is now in the collection “The strings of the Palazzo Comunale of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eCremona”. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eOnly three forms for viola are exhibited at the Stradivari Museum: the first one was used \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003efor the manufacture of the alto viola of 1672; the second one was used for the alto viola of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethe 4 October 1690; the third one for the tenor viola also dated 4 October 1690. As far as \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ebassetti and cellos are concerned, no original forms have unfortunately reached us \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003etogether with the other precious material which is now exhibited\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738891825476,"sku":"SACD2045-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738891858244,"sku":"SACD2045-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738891891012,"sku":"SACD2045-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738891923780,"sku":"SACD2045-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738891956548,"sku":"SACD2045-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308603318596,"sku":"SACD2045-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334865133892,"sku":"SACD2045S1417","price":28.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD2045.jpg?v=1790136028"},{"product_id":"sacd072-vojcan-lazarevitch-suzanne-husson","title":"Vojcan Lazarevitch - Suzanne Husson","description":"\u003cp class=\"p1\"\u003eK.Szymanowski is considered one the most prominent Polish composers after Chopin, whose influence Szymanowski himself always emphasized. A multitalented personality, he was a pianist, poet and writer. He was also a renowned teacher, director and reformer of the Warsaw Conservatory of Music. He toured Vienna, Germany, Italy, North Africa, France and the USA, travels which influenced his compositions. He died of tuberculosis at the age of 55 in Lausanne, where a bronze bust of the great man has recently been inaugurated. The Sonata for Violin and Piano op. 9 was composed in 1905 and first performed in 1909 by friends of the composer, Pawel Kochanski and Arthur Rubinstein. Written in Szymanowski’s « first period », it is lyrical and romantic in its first two movements, energetic and impetuous in the third. It allows musicians to express a whole range of emotions as well as technical ability.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738892710212,"sku":"SACD072-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738892742980,"sku":"SACD072-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308606398788,"sku":"SACD072-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD072.jpg?v=1790136124"},{"product_id":"sacd9822-la-primavera-damore","title":"La Primavera d'Amore","description":"\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  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*\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN\"\u003eGerard Zuchetto is a researcher in the field of medieval lyric poetry of the troubadours. It is both a composer and author, specializing in the interpretation of the songs of Occitan troubadours twelfth and thirteenth centuries.\u003cbr\u003e Biography\u003cbr\u003e Since his first recordings in 1985, is a research and new personal updates trobar art. The trobar invention relates Trobadors and school, poets, musicians, creators of the courtly lyric. It 'a symbol of refinement and artistic expression, is a melting pot of experiences and encounters with musicians of today who pay homage to the fabulous inventors yesterday. Knowledge trobar enriched with all the creation of music, conoissensa saber and offers his deep voice from the land of the troubadours in his crib, Occitan. Words invention lyrics and melodies to sing his many accents langue d'oc and such instruments: oud, citole, guiterne, dulcimer, violin strings, rebec or organistrum\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738904604996,"sku":"SACD9822-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738904637764,"sku":"SACD9822-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738904670532,"sku":"SACD9822-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738904703300,"sku":"SACD9822-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738904736068,"sku":"SACD9822-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch 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*\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eConcerto for cello and orchestra n. 1 in C major (Hob.VIIb:1)\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"IT\"\u003eI. Moderato II. Adagio III. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eAllegro molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThis concerto in C major was composed between 1761 and 1761 when Haydn was the chapel \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emaster to the Princes Esterhazy. Haydn may have written it for his friend, the cellist Joseph \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eFranz Weigl (born in Bavaria 19.3.1740 died in Vienna 25.1.1820) who with Haydn’s backing \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eand support joined the orchestra in 1761.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eConcerto for cello and orchestra n. 2 in D major (Hob. \u003c\/span\u003e\u003cspan lang=\"IT\"\u003eVIIb:2)\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"IT\"\u003eI. Allegro moderato II Adagio III. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eRondo. Allegro\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eTwenty years have passed since the first concerto composed by Haydn. But these are other \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003etimes, with other forms and tastes. The musical trends of the time have undergone a radical \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003echange. The Baroque is dead. Classicism has gained a great deal of ground but at the same time \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eit is also characterised by a certain shallowness.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738958278980,"sku":"SACD3002-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738958311748,"sku":"SACD3002-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308746121540,"sku":"SACD3002-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD3002-1.jpg?v=1790139768"},{"product_id":"sacd3004-duo-clavier","title":"Duo Clavier","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe recording offers four different collections of four-handed piano pieces by French \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ecomposers, some very famous, such as Ma mere l’oye by Maurice Ravel better known in the later orchestral version of 1912 destined for the ballet, as well as other rarely performed works yet worthy of being present among the greatest successes of their creators such as Jeux d’enfants by Georges Bizet and the Dolly suite by Gabriel Fauré. The recording features a very particular treasure such as the Petite suite by Claude Debussy in which the twenty-six-year-old author unveils the qualities of his future inimitable musical language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eJeux d’enfants, composed in 1871, marks the complete maturation of Bizet in his piano production. It is not so much influenced by the historical Sonata, perhaps renewed in the Lisztian cycle, nor does it achieve the “transcendental” keyboard virtuosity which dominated the European music scene of the time, but tries, rather, in true transalpine spirit to express the simple miniaturistic image characterized by rapid movements always preserved by a precise and intransigent formal intention. However, Jeux d’enfants takes us to a very private and domestic circle, familiar, to use another word, in which pure and unrepeatable juvenile emotions are the main protagonists; the same emotions (it is important to remember) that moved Robert Schumann in his Kinderszenen of 1838 and that transpired in various instances of the rich Shubert messe conceived for four-hands. No cheap sentimentalism but a constant and pursued autonomy of the sound which appears willing to confirm in realistic direction giving the titles to the singles “jeux”: Reverie, Impromptu, Berceuse, Scherzo, Fantaisie, Marche, Rondino, Esquisse, Nocturne, Caprice, Duo, Galop. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eMelodic fantasy and harmonic invention, rhythmical connotations and timbre refinement alter­nate in the sequence of passages, in the refined and almost ironic march Trompette et tambour as in the Les Quatre coins contrapuntal cues; in the Saute-mouton dynamic tricks as well as in the thematic fragments originating by simple crushes in Bulles de Savon; in the simple and refined graces of Colin-Maillard, ending with the emotional tones of Le Bal that appears to \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eenjoy more of a bright and decorated piano technique than the mere representation of the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eleading binary dance. A masterpiece, Jeux d’enfants, that anticipates some traces of the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e“impressionistic” language that will be part of Preludes by Debussy, or the Clartè, another \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003etypical French virtue, containing as a consequence different successes by Ravel. For sure, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eaccording to the text by Winton Dean on the author of Carmen, as it is the precursor of the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eothers three suites featured in this recording. Those suites are “somehow debtor, although none has the freshness and the perfection of the original by Bizet”. \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738958573892,"sku":"SACD3004-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738958606660,"sku":"SACD3004-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308753559876,"sku":"SACD3004-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD3004.jpg?v=1790139810"},{"product_id":"sacd3001-trip","title":"Trip","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThe aim of my work, exhausting and passionate, has always been that of bringing to the final support \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethe maximum possible quality, all the times closer to the original master, in order to recreate with the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003edifferent listening systems, the emotion that we feel when the “REAL” music is in front of us. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eAfter 25 \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eyears from the birth of the CD, I do believe that much more can be done to achieve this objective. 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He performed the music of Paganini for the soundtrack of the 1989 film Kinski Paganini. 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He gave his first professional recital at the age of 13 performing Paganini's Capricci. In 1956 Accardo won the Geneva Competition and in 1958 became the first prize winner of the Paganini Competition in Genoa.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHe has recorded Paganini's 24 Caprices (re-recorded in 1999) for solo violin and was the first to record all six of the Paganini Violin Concertos. He has an extensive discography of almost 50 recordings on Philips, DG, EMI, Sony Classical, Foné, Dynamic, and Warner-Fonit. Notably, he has recorded an album of classical and contemporary works in 1995 on Paganini's Guarneri del Gesù 1742 violin, the \"Canon\".\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAccardo founded the Accardo Quartet in 1992 and he was one of the founders of the Walter Stauffer Academy in 1986. He founded the Settimane Musicali Internazionali in Naples and the Cremona String Festival in 1971, and in 1996, he re-founded the Orchestra da Camera Italiana (O.C.I.), whose members are the best pupils of the Walter Stauffer Academy. He performed the music of Paganini for the soundtrack of the 1989 film Kinski Paganini. 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When you hear it you will understand why The Pink Panther and Friends is \u003cstrong\u003eone of the top-selling Fone DSD releases in the NativeDSD Music catalog.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eScott Hamilton, Saxophone\u003c\/strong\u003e\r\n\u003cstrong\u003ePaolo Birro, Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eAlfred Kramer, Drums\u003c\/strong\u003e\r\n\u003cstrong\u003ePeo Alfonsi, Guitar\u003c\/strong\u003e\r\n\u003cstrong\u003eSalvatore Maiore, Contrabass\u003c\/strong\u003e\r\n\u003cstrong\u003eRiccardo Zegna, Fortepiano\u003c\/strong\u003e\r\n\u003cstrong\u003eGiulio Casati, Trombone\u003c\/strong\u003e\r\n\u003cstrong\u003eEleonora Bianchini, Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eFausto Mesolella, Guitar\u003c\/strong\u003e\r\n\u003cstrong\u003eEnzo Pietropaoli, Contrabass\u003c\/strong\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739041050948,"sku":"SACD154-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739041083716,"sku":"SACD154-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308857598276,"sku":"SACD154-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/SACD154-1.jpg?v=1790475420"},{"product_id":"goldcd073-suzanne-husson-piano","title":"Suzanne Husson - Piano","description":"\u003cp class=\"p1\"\u003eA productive composer (he wrote over a thousand pieces), Astor Piazzolla is most famous for his revolutionary « tango nuevo », blending traditional tango, folk and classical music with jazz. He was born in Mar del Plata (Argentina) on 11th March 1921. Both his parents were Italian immigrants who moved to New York in search of better opportunities. Of his difficult youth, Piazzolla remembers « … hanging out rather than attending school, listening to jazz at the door of the Cotton Club, I was both too young and too poor to be admitted. My musical world revolved around jazz (from Duke Ellington to Cab Calloway) and my father’s old gramophone recordings of Carlos Gardel’s nostalgic tangos. When I was 9, my father gave me a bandoneon and I had lessons with a teacher who taught classical music. »\u003cbr\u003eAged 16, Piazzolla settled in Buenos Aires and learned piano and harmony with a young professor called … Alberto Ginastera. In the 1950s, Piazzolla met Nadia Boulanger in Paris who advised him not to focus on « scholarly » music but on his own intuitive brand of tango with classical and jazz forms. Thus, in 1955, he first set up an octet, then formed the quintet which became world-famous. Throughout his most successful career, he associated with artists such as Argentinian author Luis Borges, Italian violinist Salvatore Accardo and jazz sax-player Jerry Mulligan. Composed in 1987, the 3 preludes are perhaps his best-known work for piano, presenting three different aspects of tango. The second one, Flora’s game, is a Milonga, a dance from which tango is derived. Both melodious and virtuous, it is technically demanding. 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m:val=\"off\"\u003e\u003c\/m:smallfrac\u003e\n   \u003cm:dispdef\u003e\u003c\/m:dispdef\u003e\n   \u003cm:lmargin m:val=\"0\"\u003e\u003c\/m:lmargin\u003e\n   \u003cm:rmargin m:val=\"0\"\u003e\u003c\/m:rmargin\u003e\n   \u003cm:defjc m:val=\"centerGroup\"\u003e\u003c\/m:defjc\u003e\n   \u003cm:wrapindent m:val=\"1440\"\u003e\u003c\/m:wrapindent\u003e\n   \u003cm:intlim m:val=\"subSup\"\u003e\u003c\/m:intlim\u003e\n   \u003cm:narylim m:val=\"undOvr\"\u003e\u003c\/m:narylim\u003e\n  \u003c\/m:mathpr\u003e\u003c\/w:worddocument\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003cw:latentstyles deflockedstate=\"false\" defunhidewhenused=\"true\" defsemihidden=\"true\" defqformat=\"false\" defpriority=\"99\" latentstylecount=\"276\"\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Normal\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"heading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"35\" qformat=\"true\" name=\"caption\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"59\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Table Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Placeholder Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  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Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739041935684,"sku":"GOLDCD082-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739041968452,"sku":"GOLDCD082-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308858777924,"sku":"GOLDCD082-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/GOLDCD082.jpg?v=1790475543"},{"product_id":"goldcd064-test-cd","title":"Test CD","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eA truly audiophile CD, in our views, should.\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ea) posses the very best performance of the music of its kind;\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eb) be manufactured by the most meticulous and advanced process so that the integrity of the original \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003erecording is maintained. The Fonè compact discs in the “Reference Gold 24K” series, have been produced \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003efollowing in the strictest way the below standards: the titles in the range have been selected from \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethe Fonè catalogue for their artistical and musical value and for the superior recording quality. And trying \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e“to perfect the best”, are now issued on a 24K Gold support. These are more in details some of the \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003edistinctive features of the “Reference Gold”: \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eGold metallization\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eResearch has revealed that among all types of metallization (e.g. aluminium, super aluminium, anodized \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003egold-colour aluminium) 24 Karat Gold bears the most impressive specifications in terms of uniformity of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003emetal deposition, reflectivity and the least number of visible pin holes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eZero Bler\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eThe word “Bler” is the short form of “Block Error Rate”. According to the “Red Book” specifications of \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ePhilips on the standard quality of production of a compact disc, a stamper that contains not more than \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e200 “Blers” is still within tolerance. In a ideal situation, zero Bler is the ultimate quality and can, in principle, \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ebe achievable by today’s technology. In the Fonè, “Reference Gold” range we reject any stamper \u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003ethat has Blers higher than 50!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  \u003co:revision\u003e0\u003c\/o:revision\u003e\n  \u003co:totaltime\u003e0\u003c\/o:totaltime\u003e\n  \u003co:pages\u003e1\u003c\/o:pages\u003e\n  \u003co:words\u003e221\u003c\/o:words\u003e\n  \u003co:characters\u003e1218\u003c\/o:characters\u003e\n  \u003co:company\u003echannel\u003c\/o:company\u003e\n  \u003co:lines\u003e10\u003c\/o:lines\u003e\n  \u003co:paragraphs\u003e2\u003c\/o:paragraphs\u003e\n  \u003co:characterswithspaces\u003e1437\u003c\/o:characterswithspaces\u003e\n  \u003co:version\u003e14.0\u003c\/o:version\u003e\n \u003c\/o:documentproperties\u003e\n \u003co:officedocumentsettings\u003e\n  \u003co:pixelsperinch\u003e96\u003c\/o:pixelsperinch\u003e\n  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locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 6\"\u003e\u003c\/w:lsdexception\u003e\n  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List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 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My music is a chamber music that comes from the tango... well, there are a lot of ways to define it. If I were a composer ofcontemporary music, I couldn’t use tango for making the music I make. I can goto a poly-rhythm, to bitonal or tritonal chords, but I can’t go beyond, because I must keep some swing, some sense of rhythm at the base. Then, in the ‘upper’, I adorn it with music. My“audacity”isin the harmony, in the rhythms, in the counter-tempi, in the beautiful counterpoint that two or three instruments can make... And you don’t always have to make it tonal, you can goto atonality also. 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