{"title":"Hunnia Records Special","description":"\u003ch2 style=\"text-align: center\"\u003e25% Off Hunnia Records entire catalogue\u003c\/h2\u003e\r\n\r\n\u003chr\u003e\r\n\u003cp style=\"text-align: center\"\u003e*Offer valid on all singles, albums, EPs, double albums or triple albums.\r\n*Valid through Friday, July 05 end of day Central European Time.\r\n*Discount will be applied automatically at checkout.\u003c\/p\u003e","products":[{"product_id":"mrc1901-js-bach-goldberg-variations-pure-dsd","title":"J.S. Bach: Goldberg Variations [Pure DSD]","description":"This is a Direct to Stereo DSD 256 recording of Bach's Goldberg Variations performed by pianist Laszlo Borberly from Hunnia Records. The album was also recorded to Analog Tape and is available in Vinyl LP format from NativeDSD in addition to DSD Downloads.\r\n\r\nGoldberg Variations is a \u003cstrong\u003ePure DSD\u003c\/strong\u003e release at NativeDSD.  It is available in Stereo DSD 64, DSD 128, DSD 256, and DSD 512. The DSD 64, DSD 128, and DSD 512 editions of the album were created by NativeDSD Mastering Engineer Tom Caulfield using Signalyst’s HQ Player Pro 4 Mastering Software.\r\n\r\nForkel, the author of the first significant Bach monograph, tells the story of the origin of the composition. According to him, the great Johann Sebastian was commissioned by a certain Count Keyserlinck to compose the Goldberg Variations. The Count suffered from insomnia, therefore he asked the composer whom he had known from earlier to compose some music which his court harpsichordist, Johann Gottlieb Goldberg, could play for him from time to time in the tormenting hours of the night. Bach believed that a series of variations would best suit the purpose so that Goldberg could play different movements each night. Keyserlinck received the score and paid an appreciable sum for the work, handing over a golden plate with a hundred double Louis d’or.\r\n\r\nThe 27th variation continues the method only partially: it is a canon on the ninth but there are only two parts. Variation 30 is a Quodlibet of well-known folksongs instead of the expected canon on the tenth. Variations 4, 7, 10, and some others are character pieces (No. 7 is a gigue, No.10 is a fugato, but No. 16, the French overture, also belongs to this group), others (from Variation 5) are virtuoso pieces utilizing the technical possibilities of the two-manual harpsichord and are difficult to play on the piano, since the two hands always cross owing to the lack of the other manual. It remains an unanswered question of how Goldberg could cope with the task. Because, even if not at the age of 15, he played these movements for the sleepless Count at some time.\r\n\r\n\u003cstrong\u003eLaszlo Borberly - Piano\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739321479492,"sku":"MRC1901-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739321512260,"sku":"MRC1901-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739321545028,"sku":"MRC1901-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739321577796,"sku":"MRC1901-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739321610564,"sku":"MRC1901-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57310486036804,"sku":"MRC1901-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MRC1901-La--szlo---Borbe--ly-----J.S.-Bach-Goldberg-Variationen.jpg?v=1790529836"},{"product_id":"mrc2004-1-catalogue-doiseaux-catalog-of-birds-i-puredsd","title":"Catalogue d'oiseaux (Catalog of Birds) (I) (PureDSD)","description":"\u003ch2\u003eCatalog of Birds\u003c\/h2\u003e\r\nCatalogue d'oiseaux (Catalog of Birds) is a work composed for piano solo by Olivier Messiaen. It features thirteen pieces, written between October 1956 and September 1958. It is devoted to the composer's love of birds and dedicated to his second wife Yvonne Loriod.\r\n\r\nMy Reel Club brings this work to NativeDSD Music in a 3-album set featuring pianist Laszlo Borbely.  Due to the length of the works, NativeDSD is bringing the album to our listeners in 3 parts.\r\n\r\nOlivier Messiaen’s piano cycle, Catalogue d'oiseaux (Catalog of Birds), besides being one of the monumental creations of modern music, is one of the greatest 'cathedrals' among works ever composed for the piano (or any keyboard instrument).\r\n\r\nFor a pianist like me, the interpretation of such a complex masterwork is a special event. It is an extreme undertaking in the mental, spiritual, and physical sense alike. The structural complexity of the work, however, never becomes disturbing, considering that the 'complexity' of this music results in the continuous extension of the horizon in the listener, who then becomes part of a sounding coordinate system himself. This complexity is a flash of Order, where Time itself, similarly to Salvador Dalí’s melting clocks, expands.\r\n\r\n'Tout est vrai (Everything is real)' we read in the author’s preface to the first recording of this work. Messiaen, who collected the song of birds from all corners of the world, notated them in the minutest possible detail in his works as literal quotations. For him, this was the only possible way compatible with his religious conviction, and 'Tout est vrai' symbolically means that it is not he but God who is the creator of his works. The composer can only be the means, a medium. I can only write about this work with the greatest admiration. It has transformed my identity as a pianist and this transformation is going on to this day. My first meeting with Messiaen turned my whole life away from its earlier direction in the blink of an eye. The reason may be that Messiaen knows what only the truly greatest know: that each element of his music builds up an individual dimension, a sounding, colorful aura around the given notes, similarly to the haloes in Italian Renaissance paintings which almost 'tip out' of the plane of the canvas.\r\n\r\nMessiaen often chooses 'impalpable' as a performance direction. It is no accident; in his works, we enter the visible and tangible transcendent through the intangibility of the invisible. We are faced here with something which is seemingly incompatible with our existence.\r\n\r\nThis recording is dedicated to the memory of my mother.\r\n\r\nLászló Borbély\r\nPianist\r\n\r\nIn an interview with the composer, published on 15th February 1958 in Figaro LListeriae Messiaen stated that birdsong in his music serves the same role as folk music in Béla Bartók’s art. Bartók differentiates three levels of artistic employment of peasant music in his 1931 essay, 'The Influence of Peasant Music on Modern Music'. The highest level, according to Bartók, is when 'neither peasant melodies nor imitations of peasant melodies can be found in his music, but it is pervaded by the atmosphere of peasant music.\r\n\r\nIn this case, we may say, he has completely absorbed the idiom of peasant music which has become his musical mother tongue. He masters it as completely as a poet masters his mother tongue.' Just as folk music became the mother tongue for Bartók, Messiaen’s musical mother tongue was the song of birds.\r\n\r\nGergely Fazekas\r\nMusic Historian\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=PgHyWjM5m78","brand":"Hunnia Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739371319620,"sku":"MRC2004-1-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739371352388,"sku":"MRC2004-1-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739371385156,"sku":"MRC2004-1-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739371417924,"sku":"MRC2004-1-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739371450692,"sku":"MRC2004-1-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739371483460,"sku":"MRC2004-1-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311027495236,"sku":"MRC2004-1-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MRC2004-La--szlo---Borbe--ly-----Messiaen-Catalogue-doiseaux.jpg?v=1790539327"},{"product_id":"mrc2004-2-catalogue-doiseaux-catalog-of-birds-ii-puredsd","title":"Catalogue d'oiseaux (Catalog of Birds) (II) (PureDSD)","description":"\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eCatalogue d'oiseaux (Catalog of Birds) is a work composed for piano solo by Olivier Messiaen. It features thirteen pieces, written between October 1956 and September 1958. It is devoted to the composer's love of birds and dedicated to his second wife Yvonne Loriod.\u003c\/span\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eMy Reel Club brings this work to NativeDSD Music in a 3-album set featuring pianist Laszlo Borbely.  Due to the length of the works, NativeDSD is bringing the album to our listeners in 3 parts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eOlivier Messiaen’s piano cycle, Catalogue d'oiseaux (Catalogue of Birds), besides being one of the monumental creations of modern music, is one of the greatest 'cathedrals' among works ever composed for the piano (or any keyboard instrument).\u003cbr\u003e\u003cbr\u003eFor a pianist like me, the interpretation of such a complex masterwork is a special event. It is an extreme undertaking in the mental, spiritual, and physical sense alike. The structural complexity of the work, however, never becomes disturbing, considering that the 'complexity' of this music results in the continuous extension of the horizon in the listener, who then becomes part of a sounding coordinate system himself. This complexity is a flash of Order, where Time itself, similarly to Salvador Dalí’s melting clocks, expands.\u003cbr\u003e\u003cbr\u003e'Tout est vrai (Everything is real)' we read in the author’s preface to the first recording of this work. Messiaen, who collected the song of birds from all corners of the world, notated them in the minutest possible detail in his works as literal quotations. For him, this was the only possible way compatible with his religious conviction, and 'Tout est vrai' symbolically means that it is not he but God who is the creator of his works. The composer can only be the means, a medium. I can only write about this work with the greatest admiration. It has transformed my identity as a pianist and this transformation is going on to this day. My first meeting with Messiaen turned my whole life away from its earlier direction in the blink of an eye. The reason may be that Messiaen knows what only the truly greatest know: that each element of his music builds up an individual dimension, a sounding, colorful aura around the given notes, similarly to the haloes in Italian Renaissance paintings which almost 'tip out' of the plane of the canvas.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cem\u003eMessiaen often chooses 'impalpable' as a performance direction. It is no accident; in his works, we enter the visible and tangible transcendent through the intangibility of the invisible. We are faced here with something which is seemingly incompatible with our existence.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cem\u003eThis recording is dedicated to the memory of my mother.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eLászló Borbély\u003cbr\u003ePianist\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn an interview with the composer, published on 15th February 1958 in Figaro Littéraire, Messiaen stated that birdsong in his music serves the same role as folk music in Béla Bartók’s art. Bartók differentiates three levels of artistic employment of peasant music in his 1931 essay, 'The Influence of Peasant Music on Modern Music'. The highest level, according to Bartók, is when 'neither peasant melodies nor imitations of peasant melodies can be found in his music, but it is pervaded by the atmosphere of peasant music. In this case, we may say, he has completely absorbed the idiom of peasant music which has become his musical mother tongue. He masters it as completely as a poet masters his mother tongue.' Just as folk music became the mother tongue for Bartók, Messiaen’s musical mother tongue was the song of birds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eGergely Fazekas\u003cbr\u003eMusic Historian\u003c\/span\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739371548996,"sku":"MRC2004-2-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739371581764,"sku":"MRC2004-2-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739371614532,"sku":"MRC2004-2-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739371647300,"sku":"MRC2004-2-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739371680068,"sku":"MRC2004-2-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739371712836,"sku":"MRC2004-2-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311027593540,"sku":"MRC2004-2-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MRC2004-La--szlo---Borbe--ly-----Messiaen-Catalogue-doiseaux-1.jpg?v=1790539386"},{"product_id":"mrc2004-3-catalogue-doiseaux-catalog-of-birds-iii-puredsd","title":"Catalogue d'oiseaux (Catalog of Birds) (III) (PureDSD)","description":"\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eCatalogue d'oiseaux (Catalog of Birds) is a work composed for piano solo by Olivier Messiaen. It features thirteen pieces, written between October 1956 and September 1958. It is devoted to the composer's love of birds and dedicated to his second wife Yvonne Loriod.\u003c\/span\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eMy Reel Club brings this work to NativeDSD Music in a 3-album set featuring pianist Laszlo Borbely.  Due to the length of the works, NativeDSD is bringing the album to our listeners in 3 parts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003eOlivier Messiaen’s piano cycle, Catalogue d'oiseaux (Catalogue of Birds), besides being one of the monumental creations of modern music, is one of the greatest 'cathedrals' among works ever composed for the piano (or any keyboard instrument).\u003cbr\u003e\u003cbr\u003eFor a pianist like me, the interpretation of such a complex masterwork is a special event. It is an extreme undertaking in the mental, spiritual, and physical sense alike. The structural complexity of the work, however, never becomes disturbing, considering that the 'complexity' of this music results in the continuous extension of the horizon in the listener, who then becomes part of a sounding coordinate system himself. This complexity is a flash of Order, where Time itself, similarly to Salvador Dalí’s melting clocks, expands.\u003cbr\u003e\u003cbr\u003e'Tout est vrai (Everything is real)' we read in the author’s preface to the first recording of this work. Messiaen, who collected the song of birds from all corners of the world, notated them in the minutest possible detail in his works as literal quotations. For him, this was the only possible way compatible with his religious conviction, and 'Tout est vrai' symbolically means that it is not he but God who is the creator of his works. The composer can only be the means, a medium. I can only write about this work with the greatest admiration. It has transformed my identity as a pianist and this transformation is going on to this day. My first meeting with Messiaen turned my whole life away from its earlier direction in the blink of an eye. The reason may be that Messiaen knows what only the truly greatest know: that each element of his music builds up an individual dimension, a sounding, colorful aura around the given notes, similarly to the haloes in Italian Renaissance paintings which almost 'tip out' of the plane of the canvas.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cem\u003eMessiaen often chooses 'impalpable' as a performance direction. It is no accident; in his works, we enter the visible and tangible transcendent through the intangibility of the invisible. We are faced here with something which is seemingly incompatible with our existence.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis recording is dedicated to the memory of my mother.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eLászló Borbély\u003cbr\u003ePianist\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn an interview with the composer, published on 15th February 1958 in Figaro Littéraire, Messiaen stated that birdsong in his music serves the same role as folk music in Béla Bartók’s art. Bartók differentiates three levels of artistic employment of peasant music in his 1931 essay, 'The Influence of Peasant Music on Modern Music'. The highest level, according to Bartók, is when 'neither peasant melodies nor imitations of peasant melodies can be found in his music, but it is pervaded by the atmosphere of peasant music. In this case, we may say, he has completely absorbed the idiom of peasant music which has become his musical mother tongue. He masters it as completely as a poet masters his mother tongue.' Just as folk music became the mother tongue for Bartók, Messiaen’s musical mother tongue was the song of birds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eGergely Fazekas\u003cbr\u003eMusic Historian\u003c\/span\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\" can only write about this work with the greatest admiration. it has transformed my identity as a pianist and transformation is going on to day. first meeting messiaen turned whole life away from its earlier direction in blink of an eye. reason may be that knows what truly know: each element his music builds up individual dimension sounding colourful aura around given notes similarly haloes italian renaissance paintings which almost out plane canvas. often chooses performance direction. no accident works we enter visible tangible transcendent through intangibility invisible. are faced here something seemingly incompatible our existence. recording dedicated memory mother. borb interview composer published february figaro litt stated birdsong serves same role folk b bart art. differentiates three levels artistic employment peasant essay influence modern highest level according when melodies nor imitations found but pervaded by atmosphere music. case say he completely absorbed idiom become musical mother tongue. masters poet just became tongue for was song birds. fazekas historian data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739371811140,"sku":"MRC2004-3-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739371843908,"sku":"MRC2004-3-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739371876676,"sku":"MRC2004-3-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739371909444,"sku":"MRC2004-3-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739371942212,"sku":"MRC2004-3-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739371974980,"sku":"MRC2004-3-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311027659076,"sku":"MRC2004-3-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MRC2004-La--szlo---Borbe--ly-----Messiaen-Catalogue-doiseaux-1_b3867b16-ab0b-442a-9947-bfa05450ff1e.jpg?v=1790539447"},{"product_id":"mrc2017-when-down-puredsd","title":"When Down (PureDSD)","description":"\u003cp\u003eMy Reel Club Hunnia Records returns to Native DSD with their newest release, a contemporary Jazz album titled When Down.  It features Istvan Grencso (Woodwinds, Saxophone), Barnabas Dukay (Piano - Klavins Una Corda M189), Aurel Hollo (Percussion), and Adriana Kalafszky (Soprano).\u003cbr\u003e\u003cbr\u003eBarnabas Dukay plays a Una Corda M189 piano from Klavins Pianos on the album.  It is one of only 5 pianos of its kind that will ever be built.  The piano features One String Per Note (una corda principle), Open Body Design (no cabinet), Double-Layered Soundboard of selected, solid mountain spruce, rib-less, Active Soundboard Surface of 1,748 m2, Tone Modulator (various metal Strips), Steel Frame, 88-Key Range (A2 to C5) and Lowest Bass String of 1,418 mm. The M189 is 189cm high (206cm with legs and wheels), 220cm wide, 70cm deep (100cm with legs and wheels), and weighs 550 kg.\u003c\/p\u003e\n\u003cp\u003e\"How far do we have to go to find music? Nothing that is industrial or passionate, not a supplement, production, or commissioned work, nothing that simply matches stylistic conventions, nothing resulting from a lack of will ...but simply to leave behind our compulsion to meet expectations; to enter the inexhaustible realm of sounds. To plunge into indescribable tonal colors, forgetting matters of methodology, system, and schooling - flashy fashions, the zeitgeist ... As if we were floating on the silky surface of a lake, arms wide open, letting ourselves to be carried to unknown, unexplored spaces, into the unexpected, at times the surprising realm of possibilities opened up by unrehearsed forms. Into the mysteries of irretrievable moments and musical situations.\u003c\/p\u003e\n\u003cp\u003eI am grateful to God for letting me share this exciting and spontaneous creative process with such unique musicians as Barnabás Dukay, Aurél Holló, and (last but not least) Adriána Kalafszky. I am thankful that they accepted my invitation to this project. Their personalities and musical preparation have been essential for the conception and creation of this musical fabric.\u003c\/p\u003e\n\u003cp\u003eDear lover of music, dear listener! We invite you to witness and delve into this selection of recordings from a nearly three-hour creative session.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- István Grencsó\u003c\/strong\u003e, saxophone\u003c\/p\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739375841604,"sku":"MRC2017-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739375874372,"sku":"MRC2017-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739375907140,"sku":"MRC2017-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739375939908,"sku":"MRC2017-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739375972676,"sku":"MRC2017-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":57311030640964,"sku":"MRC2017-15","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MRC2017-GDHK-----22When-Down...22.jpg?v=1790539967"},{"product_id":"hres2007-leclair-sonatas-for-two-violins-volume-1","title":"Leclair: Sonatas for Two Violins, Volume 1","description":"Sonatas for Two Violins, Volume 1 features violinists Barnabas Kelemen and Katalin Kokas performing the music of Jean-Marie Leclair on period violins from 1698 and 1742. Hunnia Records calls the album \"A Tribute to the Murdered Genius\".\r\n\r\nThis is a Stereo 384kHz very high bit rate PCM recording made at the Holy Trinity Church in Velemér, Őrség, Hungary on June 7-14, 2020 using the Hapi Analog to Digital Converter from Merging Technologies. The album was produced by Zsuzsa Dvorak (recording) and Robert Zoltan Hunka (album). It is available in Stereo DSD (up to DSD 512) and DXD.\r\n\r\nViolinists Barnabas Kelemen and Katalin Kokas, a husband and wife duo, share some of their thoughts about this unique album:\r\n\r\nKatalin Kokas: Leclair was a French violinist but worked as a dance master for a long time in Italy as well. In his waistcoat pocket, he always carried a small violin, which he took out when he wanted to show the music and the rhythm to his dancers. He started playing the violin seriously when he was around 18. Still, he became one of the greatest violin virtuosos of his age and established the French violin school. And we feel his virtuosity very much because we must play some extremely complicated parts.  He is the only composer who was murdered. His wife was said to be involved in the case. We play from her manuscript - from its replica, to be more precise. Her handwriting is exciting for us.\r\n\r\nBarnabás Kelemen: Since we are husband and wife as well, it's a weird thing to know that she might have murdered her husband and that the murder was motivated by jealousy. Or she had him murdered by someone else. The composer had an affair with the gardener and his wife was not too happy about this. Leclair's body was found in the garden with his belongings around him, the whole thing seemed like the outcome of a ritual. This is how poor Leclair's life ended.\r\n\r\nKatalin Kokas: Considering our instruments, we found a solution which is a compromise in a way, but we like it very much. For the bottom three strings of our ‘modernized’ violins we use gut strings with silver spinning. By the early 18th century such strings had already been in use. And our instruments and our ears appreciated the 437 Hz tuning the most.\r\n\r\nBarnabás Kelemen: In addition to the gut strings, the bow is also important. Compared to today's bows, we must form the sounds with it in a very different way, and in many aspects, it works differently as well. Kati has a replica of a 17th century Baroque bow, I have one from the early 18th century, so these bows fully match what was used back then.\r\n\r\nKatalin Kokas: This church in Velemér was built five centuries before Leclair's birth, so his sonatas would have been like science fiction at the time of the construction of the church.\r\n\r\n\u003cstrong\u003eBarnabas Kelemen\u003c\/strong\u003e\r\nViolin: Joseph Guarnerius ‘del Gesu’, Cremona 1742\r\n(Hungarian state collection)\r\nBow: copy of an early 18th Century bow\r\nmade by László Lakatos - Budapest\r\n\r\n\u003cstrong\u003eKatalin Kokas\u003c\/strong\u003e\r\nViolin: Carlo Giuseppe Testore, Milano 1698\r\n(Hungarian state collection)\r\nBow: copy of a 17th century Baroque bow\r\nmade by Basil de Visser - Amsterdam","brand":"Hunnia Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739418243396,"sku":"HRES2007-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739418276164,"sku":"HRES2007-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739418308932,"sku":"HRES2007-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739418341700,"sku":"HRES2007-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739418374468,"sku":"HRES2007-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739418407236,"sku":"HRES2007-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311053611332,"sku":"HRES2007-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2007.jpg?v=1790541816"},{"product_id":"hres2013-a-courteous-invitation-to-an-uninhabited-anabatic-prism","title":"A Courteous Invitation To An Uninhabited Anabatic Prism","description":"Inspired by non-European traditional music, non-tempered tuning systems, psychedelic ritual performances and the legendary Jon Hassell's Fourth World music, \u003cstrong\u003eDecolonize Your Mind Society\u003c\/strong\u003e was founded by \u003cstrong\u003eBalint Szabo Gosheven\u003c\/strong\u003e as a natural continuation of his creative focus and work.\r\n\r\nThe band has an absolutely unique sounding thanks to the special instruments they use like the \u003cem\u003eglissonic\u003c\/em\u003e wind instrument or the \u003cem\u003erefretted just intonation guitar\u003c\/em\u003e, not to mention the retunable analog synthesizer that further expands their amazing musical planet.\r\n\r\nJust intonation music needs new approaches, new instruments and their effort on their debut seems quite extraordinary. The band recorded the material during three days at Supersize Recording Studio in Budapest and came out with this funny, unique, crazy sounding and uplifting music.\r\n\r\nDespite the current apocalyptic state of the world they tried to celebrate life through the sheer joy of playing together and they would like to present these extremely colorful tunes to the public as a reminder that there is always a bright side of this amazing magical universe.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eBálint Szabó - Refretted Just Intonation Guitar \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eAndrás Halmos - Drums \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eErnő Hock - Double Bass \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eMáté Pozsár - Synth, Una Corda \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eDániel Váczi - Glissonic \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eJános Ávéd - Saxophone \u0026amp; Vocals\u003c\/strong\u003e\r\n\r\nhttps:\/\/youtu.be\/c400lIUn-h0?si=G0dIlgbk5u0-cdXq","brand":"Hunnia Records","offers":[{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56739424338244,"sku":"HRES2013-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739424371012,"sku":"HRES2013-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739424403780,"sku":"HRES2013-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739424436548,"sku":"HRES2013-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739424469316,"sku":"HRES2013-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739424502084,"sku":"HRES2013-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739424534852,"sku":"HRES2013-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739424567620,"sku":"HRES2013-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57311056789828,"sku":"HRES2013-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2013.jpg?v=1790542826"},{"product_id":"hres2020-lineaments-i","title":"Lineaments I.","description":"\u003ch3\u003eGet 25% OFF with the \u003cspan style=\"color: #33cccc;\"\u003e\u003ca style=\"color: #33cccc;\" href=\"https:\/\/www.nativedsd.com\/product\/lineaments-i-ii-dsd-bundle\/\"\u003eLineaments I. \u0026amp; II. [DSD Bundle]\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\r\nIn Lineaments 1, electronic music composer Ákos Nagy explores the merger of acoustic instruments with electronic music. He sees the album as a \"Mission Impossible\" challenge where \u003cem\u003e\"an acoustic medium can become an electronic medium and vice versa\".\u003c\/em\u003e\r\n\r\nJoining Nagy in this exploration is a quartet of musicians. Including Zsuzsanna Aba Nagy, Roland Szentpali, Zsolt Szabo and Robert Mandel. They explore how Akos's music creates its own world where each note has a story, equally familiar and at the same time completely alien.\r\n\r\nJanos Bali says \u003cem\u003e\"I listen to the misty world of the record in an eddying sequence: a selection of pieces by my friend Ákos Nagy, a lunch eater, protester, cable to cable plugger, runner of many kilometers on city asphalt, one head higher than me and even talks twice as much as I do.\u003c\/em\u003e\r\n\r\n\u003cem\u003eI’ve heard these pieces before, not even once, in fact, I’ve played along some of them at once without knowing that a piece is what’s behind the improvisation. But are these pieces? I do not remember. Where are the boundaries? Are there any? Or do we just imagine? Hugely magnified granular synthesis: everything fades in from somewhere and fades out somehow. Like the Saints in the Medieval Clock Tower of Prague, out of the shadows and back into the shadows: but what are they doing in the back from which they vaguely appear? And do they really come every hour? They may not even come anymore.\"\u003c\/em\u003e\r\n\r\nAkos Nagy tells us about the recording process in Stereo DSD 256 \u003cem\u003e\"It was important to keep these nuances and even try to highlight them. Adjustments from time to time were being made how much we were pushing the preamps to increase harmonics. We had to change and adjust some mixing decisions made beforehand. It also seemed logical to have some sort of separation within elements, leaving room for fine tuning in the mixing stage. Therefore, we grouped instruments together and did a separate pass for each group. This way we had 6-7 takes of each piece.\u003c\/em\u003e\r\n\r\n\u003cem\u003eHaving all those different microphones and preamps meant that at the mixing stage, EQ-ing could be done mostly by adjusting the balance of each mic since they all sound a bit different. The mixing was mostly about automating volumes for each individual mic and instrument group as a whole, enhance or balance out the dynamics and tone. Our final step before delivery was a subtle mastering where we applied a mild glue compression with the SSL G Series Bus compressor and a tiny amount of EQ to introduce some \"air\" to the top end.\u003c\/em\u003e\r\n\r\n\u003cem\u003eWe wish you all a happy and deep listening experience.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003e\u003cb\u003eÁkos Nagy\u003c\/b\u003e - Composer, Electronics \u003c\/strong\u003e\r\n\u003cstrong\u003eZsuzsanna Aba Nagy - Harp\u003c\/strong\u003e\r\n\u003cstrong\u003eRoland Szentpali - Serpent\u003c\/strong\u003e\r\n\u003cstrong\u003eZsolt Szabo - Viola de Gamba\u003c\/strong\u003e\r\n\u003cstrong\u003eRobert Mandel - Hurdy Gurdy\r\nIstván Rimóczi – Percussions, Objects\r\n\u003c\/strong\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: initial; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: initial; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739440460100,"sku":"HRES2020-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739440492868,"sku":"HRES2020-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739440525636,"sku":"HRES2020-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739440558404,"sku":"HRES2020-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739440591172,"sku":"HRES2020-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57311064916292,"sku":"HRES2020-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2020.jpg?v=1790545783"},{"product_id":"hres2106-live-acoustic-session-pure-dsd","title":"Live Acoustic Session [Pure DSD]","description":"\u003ch3\u003e\u003cstrong\u003e2021 NativeDSD Album of the Year Nominee - Blues\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cstrong\u003eLive Blues Recording in Pure DSD – All DSD Bit Rates Created in DSD Domain from the Live DSD 256 Stereo Recording, No DXD or PCM Processing\u003c\/strong\u003e\r\n\u003cstrong\u003eExclusively Available at NativeDSD.com\u003c\/strong\u003e\r\n\r\nLive Acoustic Session is a special treat for fans of the Blues. Acoustic Guitarist and Blues Singer Little G Weevil has recorded a Live Acoustic Session of Blues classics with Hunnia Records. The session was recorded Live to Stereo DSD 256. You’re going to really enjoy this release.\r\n\r\n\u003cspan data-sheets-value=\"{\" g weevil a highly esteemed member of the worldwide blues community. he is solo winner foundation international challenge in and has been nominated for usa music award blast independent award. released seven internationally acclaimed albums toured across globe. his travels shared stage with legendary musicians such as johnny winter neville brothers terry evans john popper lee oskar anson funderburgh rockets sam myers denise lasalle otis taylor big jack johnson lonnie shields lurrie bell willie king ian siegal many more. data-sheets-userformat=\"{\"\u003eLittle G Weevil is a highly esteemed member of the worldwide blues community. He is the solo winner of the Blues Foundation`s International Blues Challenge in 2013. He has been nominated for USA Blues Music Award, Blues Blast Music Award and USA Independent Blues Award. He released seven internationally acclaimed albums. In addition to touring around the globe.\u003c\/span\u003e\r\n\r\nDuring his travels he shared the stage with legendary musicians. The list includes Johnny Winter, the Neville Brothers, Terry Evans, John Popper, Lee Oskar, Anson Funderburgh and the Rockets with Sam Myers, Denise Lasalle, Otis Taylor, Big Jack Johnson, Lonnie Shields, Lurrie Bell, Willie King, Ian Siegal and many more.\r\n\u003ch3\u003ePure DSD\u003c\/h3\u003e\r\nFor this release, NativeDSD Mastering Engineer Tom Caulfield has teamed with Hunnia Records to take the album’s original DSD 256 Stereo recording and then each DSD bit rate is individually remodulated.  This results in a separate DSD bit rate in an individual pass using the Signalyst HQ Player Pro 4 mastering tools. Bringing NativeDSD listeners an exclusive bonus – this wonderful album in Pure DSD!\r\n\u003ch3\u003eA Fun Fact\u003c\/h3\u003e\r\nHere's a Fun Fact. The album cover photo of this new album on the Hunnia Records label was taken by Senior NativeDSD Reviewer Bill Dodd. So, the Bill Dodd mentioned in the album’s credits is our own Bill Dodd!\r\n\r\n\u003cstrong\u003eLittle G Weevil - Acoustic Guitar and Vocals\u003c\/strong\u003e\r\n\r\n \r\n\r\nhttps:\/\/youtu.be\/u2rOMVvwbWM\r\n\r\n \r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739463856452,"sku":"HRES2106-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739463889220,"sku":"HRES2106-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739463921988,"sku":"HRES2106-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739463954756,"sku":"HRES2106-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739463987524,"sku":"HRES2106-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338651214148,"sku":"HRES2106-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2106.jpg?v=1778482973"},{"product_id":"hres2107-born-for-passion-virtuoso-hungarian-symphonic-music-pure-dsd","title":"Born For Passion: Virtuoso Hungarian Symphonic Music [Pure DSD]","description":"\u003cspan data-sheets-value=\"{\" for passion virtuoso hungarian symphonic music in many other eastern european countries the century saw an increase need a stronger national and cultural identity hungary. was this time period that born which basic material provided by of gipsy musicians century. based partly on verbunkos recruiting folklore style=\"\" gypsy source inspiration almost every composer. most outstanding composers era franz liszt actually austrian-german cosmopolitan but his art deeds he clearly declared himself hungarian. also one fathers romantic thinking music. poems depicting ideals emotions images musical themes are various characters derived from single thought with practice laid down important foundation stones composition. pr is remains epochal works until today casting as its programme suggests struggles life faustian sense conflicts creative work into another aspect why significant through logic piece simple makes effortless organic journey to apotheosis key ideas romanticism... data-sheets-userformat=\"{\"\u003eBorn For Passion marks the return of the Budafok Dohnanyi Orchestra conducted by Gabor Hollerung to NativeDSD Music. It follows their earlier album Sound Of Movies. Both are Stereo DSD 256 recordings from Hunnia Records that are available at the NativeDSD Music store.\u003c\/span\u003e\r\n\r\nThe album is a \u003cstrong\u003ePure DSD\u003c\/strong\u003e release at NativeDSD.  It is available in Stereo DSD 64, DSD 128, DSD 256, and DSD 512. The DSD 64, DSD 128, and DSD 512 editions of the album were created by NativeDSD Mastering Engineer Tom Caulfield using Signalyst’s HQ Player Pro 4 Mastering Software.\r\n\r\n\u003cspan data-sheets-value=\"{\" for passion virtuoso hungarian symphonic music in many other eastern european countries the century saw an increase need a stronger national and cultural identity hungary. was this time period that born which basic material provided by of gipsy musicians century. based partly on verbunkos recruiting folklore style=\"\" gypsy source inspiration almost every composer. most outstanding composers era franz liszt actually austrian-german cosmopolitan but his art deeds he clearly declared himself hungarian. also one fathers romantic thinking music. poems depicting ideals emotions images musical themes are various characters derived from single thought with practice laid down important foundation stones composition. pr is remains epochal works until today casting as its programme suggests struggles life faustian sense conflicts creative work into another aspect why significant through logic piece simple makes effortless organic journey to apotheosis key ideas romanticism... data-sheets-userformat=\"{\"\u003eLike in many other Eastern European countries, the 19th century saw an increase in the need for a stronger national and cultural identity in Hungary. \u003c\/span\u003e\u003cspan data-sheets-value=\"{\" for passion virtuoso hungarian symphonic music in many other eastern european countries the century saw an increase need a stronger national and cultural identity hungary. was this time period that born which basic material provided by of gipsy musicians century. based partly on verbunkos recruiting folklore style=\"\" gypsy source inspiration almost every composer. most outstanding composers era franz liszt actually austrian-german cosmopolitan but his art deeds he clearly declared himself hungarian. also one fathers romantic thinking music. poems depicting ideals emotions images musical themes are various characters derived from single thought with practice laid down important foundation stones composition. pr is remains epochal works until today casting as its programme suggests struggles life faustian sense conflicts creative work into another aspect why significant through logic piece simple makes effortless organic journey to apotheosis key ideas romanticism... data-sheets-userformat=\"{\"\u003eIt was in this period that Hungarian national music was born, for which the basic material was provided by the “bands” of gipsy musicians of the century. Based partly on verbunkos (19th century recruiting music in folklore style) and partly on gypsy music, this folklore was a source of inspiration for every European composer.\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" for passion virtuoso hungarian symphonic music in many other eastern european countries the century saw an increase need a stronger national and cultural identity hungary. was this time period that born which basic material provided by of gipsy musicians century. based partly on verbunkos recruiting folklore style=\"\" gypsy source inspiration almost every composer. most outstanding composers era franz liszt actually austrian-german cosmopolitan but his art deeds he clearly declared himself hungarian. also one fathers romantic thinking music. poems depicting ideals emotions images musical themes are various characters derived from single thought with practice laid down important foundation stones composition. pr is remains epochal works until today casting as its programme suggests struggles life faustian sense conflicts creative work into another aspect why significant through logic piece simple makes effortless organic journey to apotheosis key ideas romanticism... data-sheets-userformat=\"{\"\u003eOne of the most outstanding composers of the era, Franz Liszt was an Austrian-German cosmopolitan, but in his art and deeds he clearly declared himself Hungarian. He was also one of the fathers of Romantic thinking in music. In his symphonic poems depicting ideals, emotions, and images, musical themes are various musical characters derived from a single musical thought - with this practice he laid down one of the most important foundation stones of 19th century composition.\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" for passion virtuoso hungarian symphonic music in many other eastern european countries the century saw an increase need a stronger national and cultural identity hungary. was this time period that born which basic material provided by of gipsy musicians century. based partly on verbunkos recruiting folklore style=\"\" gypsy source inspiration almost every composer. most outstanding composers era franz liszt actually austrian-german cosmopolitan but his art deeds he clearly declared himself hungarian. also one fathers romantic thinking music. poems depicting ideals emotions images musical themes are various characters derived from single thought with practice laid down important foundation stones composition. pr is remains epochal works until today casting as its programme suggests struggles life faustian sense conflicts creative work into another aspect why significant through logic piece simple makes effortless organic journey to apotheosis key ideas romanticism... data-sheets-userformat=\"{\"\u003eLes Préludes is and remains one of Liszt’s epochal works until today, casting, as its program suggests, the struggles of life and, in a Faustian sense, the conflicts of creative work into music. Another aspect why this work of Liszt’s is significant is that through the musical logic of the piece the simple musical thought makes an effortless, organic journey to apotheosis, one of the key ideas of Romanticism.\u003c\/span\u003e\r\n\u003cdiv\u003e\n\u003cstrong\u003eBudafok Dohnanyi Orchestra\u003c\/strong\u003e\r\n\u003cstrong\u003eConducted by Gabor Hollerung\u003c\/strong\u003e\n\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"ms-editor-squiggler\" style=\"color: initial; font: initial; background: initial; background-blend-mode: initial; border: initial; border-radius: initial; border-collapse: initial; caption-side: initial; clear: initial; columns: initial; column-fill: initial; column-rule: initial; column-span: initial; cursor: initial; flex: initial; flex-flow: initial; float: initial; height: 0px; letter-spacing: initial; margin: initial; max-height: initial; max-width: initial; min-height: initial; min-width: initial; overflow: initial; padding: initial; text-align: initial; text-decoration: initial; text-indent: initial; text-transform: initial; vertical-align: initial; border-spacing: initial; width: initial;\"\u003e\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739467231556,"sku":"HRES2107-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739467264324,"sku":"HRES2107-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739467297092,"sku":"HRES2107-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739467329860,"sku":"HRES2107-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739467362628,"sku":"HRES2107-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739467395396,"sku":"HRES2107-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338659471684,"sku":"HRES2107-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2107.jpg?v=1778483137"},{"product_id":"hres2119-songs-of-sorrow-and-consolation-late-piano-pieces-by-franz-liszt-pure-dsd","title":"Songs of Sorrow and Consolation: Late Piano Pieces by Franz Liszt [Pure DSD]","description":"Pianist László Borbély returns to NativeDSD with his 5th DSD release. Songs of Sorrow and Consolation feature his performances of Late Piano Pieces composed by Franz Liszt on a Steinway \u0026amp; Sons Model D Grand Piano.\r\n\r\nThe new album from Hunnia Records is a \u003cstrong\u003ePure DSD\u003c\/strong\u003e release. It was recorded Live in Stereo DSD 256 at SuperSize Recording Studios in Hungary. The album is available at the recorded DSD 256 bit rate as well as Stereo DSD 512, DSD 128 and DSD 64 created in the DSD domain by Tom Caulfield at the NativeDSD Mastering Lab using the Signalyst HQ Player 4 Pro mastering tools.\r\n\r\n\u003cspan data-sheets-value=\"{\" purpose of this compilation cannot be much more than giving an insight into the subversive world that liszt last works represent. we listen to these must look inwards continuously their transcendental nature is only revealed if let ourselves surrounded by almost otherworldly silence. juxtaposed interact in a peculiar unrepeatable manner which unique each listening. therefore does not follow any kind chronological order. selection sperheaded mephisto-walzer no.3 whose very beginning already shocking. man artist prominent figure salons celebrated personality his time great romantic composer starts work with such harsh assertive dare say blasphemous chords although may sound strange even after repeated listening it stems from puritanical simplicity characteristic all late works. tone piece seemingly contradicting symphonic might one number poems prepared for orchestra. spirit prophetic. laconic strictly focused on essence... data-sheets-userformat=\"{\"\u003eHunnia Records says \u003cem\u003e\"The purpose of this compilation cannot be much more than giving an insight into the subversive world that Liszt's last works represent. \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eAs we listen to these works, we must look inwards continuously; their transcendental nature is only revealed if we let ourselves be surrounded by this almost otherworldly silence.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe juxtaposed works interact in a peculiar, unrepeatable manner, which is unique to each listening. The compilation therefore does not follow (and cannot follow) any chronological order.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe selection is spearheaded by the Mephisto-Walzer No.3 (1883), whose very beginning is already shocking. The Man of the World, the Artist, the prominent figure of salons, the celebrated personality of his time, the great romantic composer starts his work with such harsh, assertive, dare we say, blasphemous chords?\u003c\/em\u003e\r\n\r\n\u003cem\u003eAlthough this may sound strange, even after repeated listening, it stems from the puritanical simplicity that is a characteristic of all his late works. The tone of the piece (only seemingly contradicting this) is symphonic; it might even be one of several symphonic poems not prepared for an orchestra. The spirit of the work is almost prophetic. In it, Liszt is very laconic, strictly focused on the essence.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eLászló Borbély - Pianist\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739539812676,"sku":"HRES2119-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739539845444,"sku":"HRES2119-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739539878212,"sku":"HRES2119-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739539910980,"sku":"HRES2119-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739539943748,"sku":"HRES2119-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338793099588,"sku":"HRES2119-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2119.jpg?v=1778485285"},{"product_id":"hres2129-tabbis-pure-dsd","title":"Tabbis [Pure DSD]","description":"Tabbis is a new DSD Avant-Garde and Electroacoustic album from Attila Gyarfas and Balint Bolcso on the Hunnia Records label. The album is a \u003cstrong\u003ePure DSD\u003c\/strong\u003e 256 release that was recorded Live to Stereo DSD 256 at SuperSize Recording Studio, Hungary on August 16, 2021 using the Hapi Analog to Digital Converter from Merging Technologies.\r\n\r\nAttila Gyarfas and Balint Bolcso tell us \u003cem\u003e\"Tabbis is an homage to Mihály Babits, one of the most influential Hungarian poets of the first half of the 20th century. We chose nine of his poems that resonated with us the most and we used them as sources of inspiration while recording the improvisations presented on this record. Our primary goal was not to find means to recreate the mood or to communicate the essence of these writings, but to treat these poems as additional influences besides the usual factors like our current state of mind, the presence of the audience or the acoustics and the lighting conditions of the room that we perform in.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe text of the poem Húnyt szemmel... is partly presented in the tracks Sue Lent My MHz and Mule Zest Hymn, and warped fragments of words taken from Sárga lobogó can be heard in the piece entitled Solar Goo Bag. The only improvisation on this album that has been recorded with a predetermined length is Seek Its Red, which features a synthesizer that was programmed to follow the pitch and rhythm of Babits’s voice on an early recording of his poem Esti kérdés, in which his unique approach to reciting becomes obvious.\u003c\/em\u003e\r\n\r\n\u003cem\u003eWe were sure that the titles of the improvisations had to be connected to the titles of the poems, however, we also felt it would have been too direct of a reference to use the same words since the link between the music and the texts is rather loose and abstract. Therefore, we decided to search for anagrams in English based on the letters of the original Hungarian titles, creating a new layer of playful secondary meanings.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eAttila Gyarfas - Drum Set, Gong Synth, Coron DS-7\u003c\/strong\u003e\r\n\u003cstrong\u003eBalint Bolcso - Electronics\u003c\/strong\u003e\r\n\r\n[embed]https:\/\/www.youtube.com\/watch?v=eJ2y2hgp6K0[\/embed]","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739551674692,"sku":"HRES2129-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739551707460,"sku":"HRES2129-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739551740228,"sku":"HRES2129-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739551772996,"sku":"HRES2129-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739551805764,"sku":"HRES2129-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":57338886521156,"sku":"HRES2129-21","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2129.jpg?v=1778485704"},{"product_id":"hres2108-pictures-pure-dsd","title":"Pictures [Pure DSD]","description":"\u003cspan data-sheets-value=\"{\" pictures pictorial power of music has been an important effect in classical compositions from the renaissance period and it gained increasing importance profane dramatic musical genres like opera oratorio. one its best-known examples are vivaldi four seasons which evokes a series images listener even without actual knowledge sonnets was inspired by. absolute concertos pieces for chamber etc. process is expressed exclusively by basic means change tonality alternation tension solution. could only preserve purity until appearance symphonic poem on stage romanticism put thinking foreground verbalizable ideas. at exhibition obviously needs little explanation. composer characterising skills unrivalled colourfulness expressive compared to his predecessors french german romanticism. this composition highlights most purpose mechanism mirror emotions generated music. being ingenious master he creates imaginary with great mastery that visitors soul own same time. thoughts reactions born mind embodied transformations famous promenade theme. striking features piece originally composed piano many write orchestral arrangement before after ravel. ravel instrumentation considered undoubtedly best all because there not any self-aimed moment everything serves arrangement. mussorgsky other masterpiece night bare mountain also regarded as kind milestone. hand significant example romantic forecasts birth brand new film gogol drama st john night. work festivity light interwoven chasing evil darkness. thus connected witches sabbath scene quite unusual us. menacing sound under ground gives us goose bumps dance dead folkish electrifying devil solemn bloodcurdling black mass celebrated satan interrupted bells heralding break dawn. writes friend about used gather talk scandal wait their chief satan. arrival form circle around throne giant goat seated himself they glorify him. when reached enough rage thanks glorification sign begin then picks out who have taken fancy. way i did it. character my russian original. tone ardent chaotic. wrote st. very quickly directly into full score rough drafts finishing twelve days thank god. something seething within me simply didn know what happening me. stravinsky firebird despite modernity may be peak late points revolutionary direction genre ballet modern trend related name sergei pavlovich diaghilev played seminal role that. opposed highly refined abstract code system movement elementally. sees rebirth primaeval restores genuine natural relationship body. brilliantly depicts various layers emotional content story mystical sorcery through gentleness femininity infernal vice. end glorified apotheoses theme achieved such unexpectedly simple humbles almost entire era. suite version intended concert podium presents totality magical knowing detail. selection album completed three movements prokofiev feature lieutenant kij movie itself minor history however emblematic beside alexander nevsky. composers today arranged material fine taste. offer chain strongly movements. neo-classicism. particular connection obvious. characteristic presumably referring figure appears every yet different atmosphere each situation. certain grotesque touch clearly where non-exsistent first cherished abandoned machine bureaucracy. hollerung data-sheets-userformat=\"{\" i.e.:=\"\" genre:=\"\" piece:=\"\"\u003ePictures is the third \u003cstrong\u003ePure DSD\u003c\/strong\u003e 256 Stereo release from Hunnia Records featuring the Budafok Dohnanyi Orchestra conducted by Gabor Hollerung. It follows the earlier albums Sound Of Movies and Born For Passion: Virtuoso Hungarian Symphonic Music, also available in Pure DSD 256 Stereo at NativeDSD. \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" pictures pictorial power of music has been an important effect in classical compositions from the renaissance period and it gained increasing importance profane dramatic musical genres like opera oratorio. one its best-known examples are vivaldi four seasons which evokes a series images listener even without actual knowledge sonnets was inspired by. absolute concertos pieces for chamber etc. process is expressed exclusively by basic means change tonality alternation tension solution. could only preserve purity until appearance symphonic poem on stage romanticism put thinking foreground verbalizable ideas. at exhibition obviously needs little explanation. composer characterising skills unrivalled colourfulness expressive compared to his predecessors french german romanticism. this composition highlights most purpose mechanism mirror emotions generated music. being ingenious master he creates imaginary with great mastery that visitors soul own same time. thoughts reactions born mind embodied transformations famous promenade theme. striking features piece originally composed piano many write orchestral arrangement before after ravel. ravel instrumentation considered undoubtedly best all because there not any self-aimed moment everything serves arrangement. mussorgsky other masterpiece night bare mountain also regarded as kind milestone. hand significant example romantic forecasts birth brand new film gogol drama st john night. work festivity light interwoven chasing evil darkness. thus connected witches sabbath scene quite unusual us. menacing sound under ground gives us goose bumps dance dead folkish electrifying devil solemn bloodcurdling black mass celebrated satan interrupted bells heralding break dawn. writes friend about used gather talk scandal wait their chief satan. arrival form circle around throne giant goat seated himself they glorify him. when reached enough rage thanks glorification sign begin then picks out who have taken fancy. way i did it. character my russian original. tone ardent chaotic. wrote st. very quickly directly into full score rough drafts finishing twelve days thank god. something seething within me simply didn know what happening me. stravinsky firebird despite modernity may be peak late points revolutionary direction genre ballet modern trend related name sergei pavlovich diaghilev played seminal role that. opposed highly refined abstract code system movement elementally. sees rebirth primaeval restores genuine natural relationship body. brilliantly depicts various layers emotional content story mystical sorcery through gentleness femininity infernal vice. end glorified apotheoses theme achieved such unexpectedly simple humbles almost entire era. suite version intended concert podium presents totality magical knowing detail. selection album completed three movements prokofiev feature lieutenant kij movie itself minor history however emblematic beside alexander nevsky. composers today arranged material fine taste. offer chain strongly movements. neo-classicism. particular connection obvious. characteristic presumably referring figure appears every yet different atmosphere each situation. certain grotesque touch clearly where non-exsistent first cherished abandoned machine bureaucracy. hollerung data-sheets-userformat=\"{\" i.e.:=\"\" genre:=\"\" piece:=\"\"\u003eConductor Gabor Hollerung tells us \"\u003cem\u003eThe pictorial power of music has had an important effect in classical compositions from the Renaissance period, and it gained increasing importance in profane and dramatic musical genres like opera and oratorio. One of its best-known examples is Vivaldi’s Four Seasons, which evokes a series of images in the listener even without the actual knowledge of the sonnets the music was inspired by.\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cem\u003eIn absolute music genres (symphonies, concertos, pieces for chamber music etc.), the musical process is expressed exclusively by basic musical means, like change in tonality, the alternation of tension and solution. It could only preserve its absolute musical purity until the appearance of the symphonic poem on the stage of Romanticism, which put pictorial thinking in the foreground of its verbalizable ideas.\u003c\/em\u003e\r\n\r\n\u003cem\u003eMussorgsky’s Pictures at the Exhibition obviously need little explanation. The composer’s characterizing skills are unrivalled in colorfulness and expressive power, compared to his predecessors in French and German Romanticism. This composition highlights the most important purpose and mechanism of pictorial thinking i.e.: it is a mirror of the emotions generated in the listener by music. Being an ingenious master of stage genres, he creates an imaginary stage with great mastery that is the stage of the exhibition visitors’ soul and of his own at the same time. The thoughts, images, reactions born in the visitors’ mind are embodied by transformations of the famous promenade theme. The striking symphonic features of the piece originally composed for piano inspired many to write an orchestral arrangement even before and after Ravel. Ravel’s instrumentation is considered undoubtedly the best of all because there is not any self-aimed moment in it, everything serves the pictorial musical thinking in his arrangement.\u003c\/em\u003e\r\n\r\n\u003cem\u003eMussorgsky’s other famous masterpiece: Night on the Bare Mountain is also regarded as a kind of milestone. On the one hand, it is the most significant example of Romantic pictorial music, on the other it forecasts the birth of a brand-new musical genre: film music.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThis composition was inspired by Gogol’s drama St John’s Night. In Mussorgsky’s work, the festivity of light is interwoven with the chasing of evil and darkness. Thus, St John’s night is connected to a witches’ sabbath scene – that is quite unusual for us. The menacing sound from under the ground gives us goose bumps, the dance of the dead is folkish and electrifying, the appearance of the Devil is solemn and bloodcurdling, the black mass celebrated by Satan is interrupted by the sound of bells heralding the break of dawn.\u003c\/em\u003e\r\n\r\n\u003cem\u003eStravinsky’s Firebird - despite all its modernity - may be regarded as the peak of Russian late Romanticism. The composition points to a revolutionary new direction in the genre of ballet music. Obviously, the modern ballet trend related to the name of Sergei Pavlovich Diaghilev played a seminal role in that. As opposed to classical ballet with its highly refined, abstract code system, in this new ballet trend music and movement are connected elementally. Modern dance sees the rebirth of the primaeval and restores the genuine and natural relationship of movement and body.\u003c\/em\u003e\r\n\r\n\u003cem\u003eStravinsky brilliantly depicts the various layers and the emotional content of the story from mystical sorcery, through the gentleness of femininity to infernal vice. At the end of the piece, the glorified apotheoses of the Firebird theme is achieved through such unexpectedly simple and natural means that humbles the entire Romantic era. The 1919 suite version of the ballet was intended for the concert podium, and it presents us with the totality of magical images and emotions without knowing the entire story in detail.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe selection of pictures in this album is completed with three movements from Prokofiev’s suite from his music composed to the feature film Lieutenant Kijé. The movie itself is of minor importance in film history, the music composed to it however is an emblematic example of modern film music, besides his other work Alexander Nevsky. Prokofiev like -many film music composers today – arranged the material into concert suite with a very fine taste. This suite, like the other three compositions on this album, offers us a chain of strongly characterizing, pictorial movements. Prokofiev is regarded at the most significant composer of Neo-Classicism. In this work, his connection to Romantic musical thinking is obvious. The same characteristic theme – referring to the figure of Lieutenant Kijé – appears in every movement, yet it creates a different atmosphere in each situation. The composition has a certain grotesque touch, which is clearly related to the story where the non-existent character of Lieutenant Kijé is first cherished then abandoned by the machine of bureaucracy.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eBudafok Dohnanyi Orchestra\u003c\/strong\u003e\r\n\u003cstrong\u003eGábor Hollerung, Conductor\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739552395588,"sku":"HRES2108-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739552428356,"sku":"HRES2108-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739552461124,"sku":"HRES2108-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739552493892,"sku":"HRES2108-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739552526660,"sku":"HRES2108-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338899792196,"sku":"HRES2108-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2108.jpg?v=1778485748"},{"product_id":"hres2121-j-s-bach-die-kunst-der-fuge-bwv-1080-pure-dsd","title":"J. S. Bach: Die Kunst der Fuge, BWV 1080 [Pure DSD]","description":"Pianist László Borbély releases his 6th album at the NativeDSD Store. The album is a \u003cstrong\u003ePure DSD 256\u003c\/strong\u003e Stereo recording of Bach’s Die Kunst der Fuge. It is exclusively available in Pure DSD 512, DSD 256, DSD 128, and DSD 64 at NativeDSD.\r\n\r\nBorbely says \u003cem\u003e\"Why am I attracted to such ‘insurmountable peaks’ as Bach’s Die Kunst der Fuge? I have always been captivated by researching complex musical structures and the regularities of music as language. Working on such a monumental and searchingly demanding work is challenging for me primarily because it is at this level that I can confront my own limits, my own “finiteness”. It becomes evident here that we, humans, can only aim at Perfection but will never be able to achieve it. This is the reason I never feel that my interpretation is “ready”. I would even abhor the idea. Why? Because one’s approach to a work will never be and can never be final. Bach’s music is also a continually forming, changing, infinite “game”, renewing itself again and again. Bach placed musical variability into divine invariability.\u003c\/em\u003e\r\n\r\n\u003cem\u003eBach’s Die Kunst der Fuge is a testament, which poses several unanswerable (or only partially answerable) questions in its incompleteness, and, in other aspects, giving ever-present research tasks for musicians who take on the challenge. The work is the perfection of the genre and construction of the fugue (meaning ‘running’ or ‘flight’ in Latin), Bach’s technical and structural faculties attaining their peak of complexity. Bach intended the work for the Leipzig Corresponding Society of the Musical Sciences, founded by his former pupil, Lorenz Christoph Mizler. He was a member of this body from 1747. Members were obliged to send a work each year to society and Bach wished to fulfil his obligation with this cycle in 1749. The time of composition of the work, however, is unclear, several signs pointing at Bach’s working on it from the early 1740s. It first appeared in print one year after Bach’s death, in 1751.\" \u003c\/em\u003e\r\n\r\n\u003cstrong\u003eLászló Borbély, Pianist\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739552624964,"sku":"HRES2121-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739552657732,"sku":"HRES2121-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739552690500,"sku":"HRES2121-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739552723268,"sku":"HRES2121-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739552756036,"sku":"HRES2121-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338914013508,"sku":"HRES2121-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2121.jpg?v=1778485762"},{"product_id":"hres2127-su-water-pure-dsd","title":"Su (Water) [Pure DSD]","description":"Arif Erdem Ocak is a Turkish percussion guitarist and songwriter, who connects centuries-old Turkish melodies with modern percussion-style guitar playing. Arif likes to use nature names and elements for his album titles. On this album he uses \"\u003cem\u003eSu\u003c\/em\u003e\" which means: Water. In his culture and many other cultures water represents life, plentifulness, divine gift.\r\n\r\nWith his storytelling and melodic guitar tunes that lean into folk, he intimately unfolds personal narratives and universal topics such as (after) life, spirituality, virtue, and our common humanity. His songs, melodies, and lyrics cover a gamut of emotions, sometimes a mellow contemplation, sometimes overwhelmingly raw or sometimes melodramatic. Arif creates heartfelt hypnotic songs that get under your skin and takes the audience a journey of reflection, silence, and mind fullness.\r\n\r\nArif recorded his second solo album with his new guitar, made by Szontágh Dániel (Serum Guitars) for Arif's percussive guitar technique. Ece Dede is the name of the guitar, which means: \"\u003cem\u003eThe queen of deers\u003c\/em\u003e\" and Arif's angles (Mom, sisters, and nieces) names first letters.\r\n\r\n\u003cem\u003eSu\u003c\/em\u003e was recorded Live to Stereo DSD 256 at SuperSize Recording Studio on April 13, 2021 using the Hapi Analog to Digital Converter from Merging Technologies.  This is a \u003cstrong\u003ePure DSD\u003c\/strong\u003e 256 release exclusively available in DSD from NativeDSD Music.\r\n\r\n\u003cstrong\u003eArif Erdem Ocak - Percussive Guitar, Vocals\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739553116484,"sku":"HRES2127-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739553149252,"sku":"HRES2127-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739553182020,"sku":"HRES2127-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739553214788,"sku":"HRES2127-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739553247556,"sku":"HRES2127-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338932756804,"sku":"HRES2127-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2127.jpg?v=1778485775"},{"product_id":"hres2202-the-way-pure-dsd","title":"The Way [Pure DSD]","description":"\u003cem\u003e“Creative and caring awareness catapults you closer to God. The basis of inner power is the reflective self-awareness that follows the paths of encounters, knowing that the goal is the road itself and that the bridge, in spite of all, connects. The story is simple: If your cradle is not rocked in a state of collapse, if you dream, you have the means, the opportunities, being aware of different societies, personalities, and mythologies you can joyfully create your “brand of love”, your inner essence. Sublimation, diversification, comma, dot, finitude, humility, pulsation. The missing words.”\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eVeni\u003c\/strong\u003e\r\nVeronika Szasz - Vocals, Electronics\r\nIstvan Bata - Bass Guitar, Analog Synthesizer, Electronics, Soprano Saxophone, Flute\r\nAgoston Dobozy - Piano (Track 13)\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=6B_N_ojmtmE","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739561963844,"sku":"HRES2202-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739561996612,"sku":"HRES2202-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739562029380,"sku":"HRES2202-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739562062148,"sku":"HRES2202-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739562094916,"sku":"HRES2202-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57338938294596,"sku":"HRES2202-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2202.jpg?v=1778486002"},{"product_id":"hres2213-music-for-flute-and-piano-pure-dsd","title":"Music For Flute And Piano [Pure DSD]","description":"With his 6th Pure DSD 256 Stereo release at NativeDSD Music, pianist Laszlo Borbely is joined by flutist Szabolcs Szilágyi. Their new album features compositions for piano and flute by Kodaly, Prokofiev, Liebermann and Kernis.\r\n\r\n\u003cstrong\u003eThis is a Pure DSD recording, which was recorded in Stereo DSD 256 and is being offered in its original format exclusively at NativeDSD.\u003c\/strong\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" is the first time in a climber life that they ask themselves if are ready to conquer highest peak world and when does moment come he actually sets out it no longer wishes leave his footprints as runner-up on path trodden by others but chooses much more difficult untrodden alone. so pushing own limits. driven challenge curiosity joy of discovery into unknown... performer often preoccupied similar thoughts. particular whether necessary or even right follow conventions beaten track recording music for example can claim show listener lives knows best with all its beauty countless oddities risks should let territory strange individual dimension audience may not have known existed until now one neither familiar from safe distance concert podium nor be reproduced experience listening at home. dare personal enough because point. nowadays carefully crafted gives illusion believed flawless care fundamentally designed cater perfectionism audience. kind therefore needed breathe recording. intention making this record was create most natural realistically transcendent material possible capable speaking works album their authors closely related than might think. composition each two eastern european geniuses prokofiev contemporary american composers kernis genre easily paired. liebermann sonatas strong dramatic elements also significant without exaggeration landmark compositions flute repertoire. startling eclecticism inimitable mood swings imprints deeply undulating tradition. work draws tradition naturalistic direct means predecessor there few extreme works. both demand witchcraft virtuosity instrumentalists. lyrical written same beginning end last century display universal musicality merely enriching repertoire instrument presenting truth right. kod adagio originally violin piano very frequently played piece good reason what exciting adapted heard new despite fact transcriber mark sparks did add take single note original. an interesting parallel orchestra followed somewhat later adaptation. makes quite clear these transcriptions were intended enrich mentioned above created particularities instrumentation. szil data-sheets-userformat=\"{\" simply:=\"\"\u003eSzabolcs Szilágyi says \u003cem\u003e\"When is the first time in a climber's life that they ask themselves if they are ready to conquer the highest peak in the world? And when does the moment come when he actually sets out to conquer it? When he no longer wishes to leave his footprints as a runner-up on the path trodden by others, but chooses the much more difficult path, the untrodden path, alone. And he does so by pushing his own limits. Driven by the challenge, the curiosity, the joy of discovery into the unknown...\u003c\/em\u003e\r\n\u003cem\u003eThe performer is often preoccupied by similar thoughts.\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" is the first time in a climber life that they ask themselves if are ready to conquer highest peak world and when does moment come he actually sets out it no longer wishes leave his footprints as runner-up on path trodden by others but chooses much more difficult untrodden alone. so pushing own limits. driven challenge curiosity joy of discovery into unknown... performer often preoccupied similar thoughts. particular whether necessary or even right follow conventions beaten track recording music for example can claim show listener lives knows best with all its beauty countless oddities risks should let territory strange individual dimension audience may not have known existed until now one neither familiar from safe distance concert podium nor be reproduced experience listening at home. dare personal enough because point. nowadays carefully crafted gives illusion believed flawless care fundamentally designed cater perfectionism audience. kind therefore needed breathe recording. intention making this record was create most natural realistically transcendent material possible capable speaking works album their authors closely related than might think. composition each two eastern european geniuses prokofiev contemporary american composers kernis genre easily paired. liebermann sonatas strong dramatic elements also significant without exaggeration landmark compositions flute repertoire. startling eclecticism inimitable mood swings imprints deeply undulating tradition. work draws tradition naturalistic direct means predecessor there few extreme works. both demand witchcraft virtuosity instrumentalists. lyrical written same beginning end last century display universal musicality merely enriching repertoire instrument presenting truth right. kod adagio originally violin piano very frequently played piece good reason what exciting adapted heard new despite fact transcriber mark sparks did add take single note original. an interesting parallel orchestra followed somewhat later adaptation. makes quite clear these transcriptions were intended enrich mentioned above created particularities instrumentation. szil data-sheets-userformat=\"{\" simply:=\"\"\u003e\u003cem\u003eIn particular, whether it is necessary, or even right, to follow conventions (the beaten track) when recording music, for example, or whether the performer can claim the right to show the listener the world he lives in, the world he knows best, with all its beauty and its countless oddities, even risks? Should he let the listener into his own territory, that is, into a strange and individual dimension that the audience may not have known existed until now? One that is neither familiar to the listener from the safe distance of the concert podium, nor can it be reproduced by the experience of listening to music at home. More simply: does the performer dare to be personal enough? Because that's the point. Nowadays, a carefully crafted recording gives the listener the illusion of a world believed to be flawless, a care that is fundamentally designed to cater to the perfectionism of the audience. A 'different' kind of care is therefore needed, one that can breathe life into even a recording.\"\u003c\/em\u003e\r\n\u003c\/span\u003e\r\n\r\n\u003cstrong\u003eSzabolcs Szilágyi - Flute\r\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"\u003eLászló Borbély - Piano\u003c\/span\u003e\u003c\/strong\u003e\r\n\r\n ","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739610460484,"sku":"HRES2213-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739610493252,"sku":"HRES2213-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739610526020,"sku":"HRES2213-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739610558788,"sku":"HRES2213-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739610591556,"sku":"HRES2213-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339121008964,"sku":"HRES2213-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2213.jpg?v=1778487439"},{"product_id":"hres2220-the-story-of-jesus-pure-dsd","title":"The Story Of Jesus [Pure DSD]","description":"The Story Of Jesus is a Solo Piano recording by Gabor Benda on Hunnia Records, recorded and available in Stereo Pure DSD 256. It comes along a rich booklet full of photos and explainers. Pianist Gábor Benda follows the substantive nature of things that Bach followed and tell stories to modern humankind in a traditional way through an up-to-date language.\r\n\r\n\u003cstrong\u003eThis is a Pure DSD 256 Stereo album. It is available in its original recorded format of Stereo DSD 256 as well as other DSD bit rates created in the DSD Domain from the Stereo DSD 256 master. It is a DSD Exclusive, Not Available on SACD release.\u003c\/strong\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" first time i was touched by the story of jesus in my early childhood elementary school at about age six. remember we had a wise elderly and very elegant bible class teacher. she spoke five languages often read to us from foreign books not only translating but simplifying themes as well. somehow always able connect these different tales through his teachings deeds. once during event played j.s. bach prelude c minor terrible stage fright after all whole watching it public performance. teacher really humble piano playing said that keys like walked on water. told me is most important composer music history closest person god jesus. moment understood this young our cultural existence based upon literature fine arts everything connected him. became favourite composer. way melodies polyphonous leads develop compositions never- ending energy moves nature leaves grow trees die again an infinitive circle time-lapse video recording. imitates eternal cycle life being triggered irresistible outside force. essential moving force wanted represent music. imitate follow substantive things followed tell stories modern humankind traditional up-to-date language. data-sheets-userformat=\"{\" christ:=\"\"\u003eGabor Benda tells us \u003cem\u003e\"The first time I was touched by the story of Jesus was in my early childhood in elementary school at about the age of six. I remember we had a wise, elderly and very elegant Bible class teacher. She spoke about five languages and often read to us from foreign books, not only translating but simplifying themes as well. Somehow, she was always able to connect these different books, these different tales to Jesus; through his teachings and deeds. \u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cem\u003eOnce, during a school event I played J.S. Bach’s Prelude in C minor (BWV 999). I had a terrible stage fright, after all the whole school was watching, and it was my first public performance. My teacher was really touched by my humble piano playing and said that I played the keys like Jesus walked on water. She told me that Bach is the most important composer in music history and the closest person to God, the closest person to Jesus. At that moment somehow, I understood at this very young age that our whole cultural existence is based upon the existence of Jesus Christ: music, literature, fine arts; everything is connected to him.\u003c\/em\u003e\r\n\r\n\u003cem\u003eFrom that moment J.S. Bach became my favorite composer. The way his melodies, his polyphonous leads develop in his compositions is like a never-ending energy that moves nature; as the leaves grow on trees and die and grow again in an infinitive circle in a time-lapse video recording. His music imitates the whole eternal cycle of life that is being triggered by an irresistible outside force. \u003c\/em\u003e\r\n\r\n\u003cem\u003eThis is the essential moving force I wanted to represent in my music. Not to imitate Bach but to follow the substantive nature of things that Bach followed and tell stories to modern humankind in a traditional way through an up-to-date language.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"\u003eGábor Benda, Piano\u003c\/span\u003e\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739622388036,"sku":"HRES2220-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739622420804,"sku":"HRES2220-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739622453572,"sku":"HRES2220-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739622486340,"sku":"HRES2220-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739622519108,"sku":"HRES2220-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339125924164,"sku":"HRES2220-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2220.jpg?v=1778487688"},{"product_id":"hres2221-bartok-piano-concerto-no-1-pure-dsd-dsd-ep","title":"Bartók: Piano Concerto No. 1 [Pure DSD] [DSD EP]","description":"In his 7th Pure DSD 256 Stereo album at NativeDSD, pianist Laszlo Borbely is joined by the Savaria Symphony Orchestra conducted by Janos Kovacs in a performance of Bartok's Piano Concerto No. 1\r\n\r\nThis new album from Hunnia is a Pure DSD 256 recording, \u003cstrong\u003eavailable in Pure Stereo DSD 256 plus DSD 512, DSD 128 and DSD 64 exclusively at NativeDSD\u003c\/strong\u003e. It is a DSD Exclusive, Not Available on SACD release.\r\n\r\n\u003cspan data-sheets-value=\"{\" bart a pianist b piano concertos are central reserve of power. they works that have been worth their weight in the stool for nearly forty years. these essential building blocks speak composer thus this music is an almost impossible undertaking. but why should i far more knowledgeable people than done it. what difficulty perhaps primarily because his case or greatest ever categories all tend to dissipate. trademark. if you like. trademark feeds on hungarianism roots fixed idea brotherhood peoples and silence universe. play ultimately realise our own smallness. superabundance enhances artist day again again. it vision so always forcefully insistently tears first laborious step towards excellence...out me. particularly difficult. learning from him goldmine. be grateful must. owe debt gratitude everyone who has stood by me endeavour. borb data-sheets-userformat=\"{\"\u003eLaszlo Borbely tells us\u003cem\u003e\u003cb\u003e \"\u003c\/b\u003eFor a pianist, Béla Bartók’s piano concertos are a central reserve of power. They are works that have been worth their weight in the piano stool for nearly forty years. These works are essential building blocks of ‘pianism’. To speak of Bartók, the composer (and thus this music), is an almost impossible undertaking. But why should I? Far more knowledgeable people than I have done it. What is the difficulty? Perhaps primarily because in his case, ‘great’, or ‘one of the greatest’, ‘greatest ever’,... categories all tend to dissipate. \u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" bart a pianist b piano concertos are central reserve of power. they works that have been worth their weight in the stool for nearly forty years. these essential building blocks speak composer thus this music is an almost impossible undertaking. but why should i far more knowledgeable people than done it. what difficulty perhaps primarily because his case or greatest ever categories all tend to dissipate. trademark. if you like. trademark feeds on hungarianism roots fixed idea brotherhood peoples and silence universe. play ultimately realise our own smallness. superabundance enhances artist day again again. it vision so always forcefully insistently tears first laborious step towards excellence...out me. particularly difficult. learning from him goldmine. be grateful must. owe debt gratitude everyone who has stood by me endeavour. borb data-sheets-userformat=\"{\"\u003e\u003cem\u003eBartók is a trademark. Hungaricum, if you like. A trademark that feeds on his Hungarianism, his roots, the fixed idea of the brotherhood of peoples and the silence of the universe. To play Bartók is ultimately to realize our own smallness. This is the superabundance that enhances an artist's day, again and again. It is this 'biblical' vision, so to speak, that always – and ever more forcefully and insistently – tears the first laborious step towards excellence...out of me.\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" bart a pianist b piano concertos are central reserve of power. they works that have been worth their weight in the stool for nearly forty years. these essential building blocks speak composer thus this music is an almost impossible undertaking. but why should i far more knowledgeable people than done it. what difficulty perhaps primarily because his case or greatest ever categories all tend to dissipate. trademark. if you like. trademark feeds on hungarianism roots fixed idea brotherhood peoples and silence universe. play ultimately realise our own smallness. superabundance enhances artist day again again. it vision so always forcefully insistently tears first laborious step towards excellence...out me. particularly difficult. learning from him goldmine. be grateful must. owe debt gratitude everyone who has stood by me endeavour. borb data-sheets-userformat=\"{\"\u003e\u003cem\u003ePlaying Bartók is particularly difficult. Learning from him is a goldmine. To be grateful to him is a must. \u003c\/em\u003e\u003cem\u003eI owe a debt of gratitude to everyone who has stood by me in this endeavor.\" \u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cstrong\u003eLaszlo Borbely - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eSavaria Symphony Orchestra\u003c\/strong\u003e\r\n\u003cstrong\u003eJanos Kovacs - Conductor\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739633496388,"sku":"HRES2221-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739633529156,"sku":"HRES2221-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739633561924,"sku":"HRES2221-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739633594692,"sku":"HRES2221-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739633627460,"sku":"HRES2221-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339129102660,"sku":"HRES2221-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2221.jpg?v=1778488002"},{"product_id":"hres2120-reflections-on-beauty-pure-dsd","title":"Reflections on Beauty [Pure DSD]","description":"The piano pieces featured in this recording reflect in different ways on the question: “What is beautiful?” They answer the question by laying hold to the forces of our mind and soul and restructuring them in a peculiar, unexpected manner.\r\n\r\nWhen listening to \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, we immediately ask: is it possible for beauty to be expressed so simply? With just a few notes played in succession? The composer who wrote perhaps the most structurally dense and complex music ever created, is able to produce something moving and pleasing by combining a few notes that are technically easy to play. The beauty of simplicity is not simple to interpret; it can be an extraordinary test of strength for the performer and a source of pleasure for the listener who can receive the music in a variety of states of mind.\r\n\r\nThis is a \u003cstrong\u003ePure DSD 256 Stereo\u003c\/strong\u003e release. Recorded to Stereo DSD 256, it is made available in other DSD bit rates created in the DSD Domain using the Signalyst HQ Player 4 Pro mastering tools by NativeDSD Mastering Engineer Tom Caulfield. \u003cstrong\u003eThis album is available exclusively in Pure DSD at NativeDSD.\u003c\/strong\u003e It is not available on SACD.\r\n\r\nThe album is another in the series of Hunnia Records releases that feature the revolutionary Bogányi B-292 Piano (also known as the \"Bat Piano\"). A first in the history of grand piano building – is constructed with a fully composite structure including a patented carbon fiber soundboard and action and recently the Carbon Core center plate, which helps reduce the total weight by 200 kgs (440 lbs), rendering the piano much more reliable and stable.\r\n\r\nThe Bogányi Piano shape and soundboard, combined with the technical innovations, results in a uniquely refined sound. Every note played is refreshingly clear and distinct. This is a piano rethought, reassessed and reinterpreted from the perspective of the classical piano. The astonishing design created by Hungarian designer Péter Üveges equips the piano with merely two legs instead of the traditional three. The design is not only beautiful to the eye but also to the ear, helping to propel more sound towards the audience. The unique design also turns the piano into a piece of functional art and design. As spectacular architectural developments have revolutionized the structure of performing arts centers and concert halls alike, this new approach to piano design may well enrich the tradition of instrument making.\r\n\r\n\u003cimg class=\"alignnone wp-image-200772\" src=\"https:\/\/www.nativedsd.com\/app\/uploads\/2022\/09\/piano-2-300x287.jpg\" alt=\"\" width=\"301\" height=\"288\"\u003e\u003cimg class=\"alignnone wp-image-200774\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" src=\"https:\/\/www.nativedsd.com\/app\/uploads\/2022\/09\/piano1-1-300x300.jpg\" alt=\"\" width=\"288\" height=\"288\"\u003e\r\n\r\n\u003cstrong\u003e3 Earlier Bogányi Albums\u003c\/strong\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2232-piano-sonata-no-29-op106-hammerklavier-bagatelle-no-25-in-a-minor-fr-elise\/\"\u003ePiano Sonata No. 29, Op.106. Hammerklavier, Bagatelle No. 25 in A minor, Für Elise (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2226-schumann-kinderszenen-op15-fantasie-in-c-op17\/\"\u003eSchumann: Kinderszenen Op.15., Fantasie in C, Op.17. (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2233-johann-sebastian-bach\/\"\u003eJohann Sebastian Bach (Pure DSD)\u003c\/a\u003e\r\n\r\n\u003cstrong\u003eSergei Rachmaninoff\u003c\/strong\u003e’s work is an exploration of the sadness inherent in the key of C sharp minor. The prelude, as it unfolds, gives a singular aesthetic quality to this particular mood, which is never thought of as beautiful. The fast middle section seems to be in a hurry to go somewhere, but in the end, has nowhere to go. Perhaps it is a meditation on one’s fate.\r\n\r\nThe works of \u003cstrong\u003eFranz Liszt\u003c\/strong\u003e and \u003cstrong\u003eFrédéric Chopin\u003c\/strong\u003e express the inexpressible depths of the soul and lay bare the most personal emotions. Liszt’s poetry is astonishing, and Chopin’s lyricism captivating. Bach has no lyricism in this sense, but his childlike simplicity is just as appealing and certainly as beautiful. \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e and \u003cstrong\u003eClaude Debussy\u003c\/strong\u003e reflect on the mysterious light of the moon with music of the same title but composed from different perspectives. Debussy appeals to our senses, echoing the play of lights, evoking the mysterious sounds, sensations and perceptions of the night. Beethoven’s sonata is the music of introspection, contemplation, reflection. In Für Elise, he expresses the sadness of unrequited love, but the soft, pulsating, lighter tones of the middle section are the sound of insight and wise resignation. Beethoven reflects on the sadness and beauty of hope abandoned, Rachmaninoff on the beauty of sadness. These pieces, familiar to music-loving audiences, are different forms of reflection on beauty, revealing the hidden musical patterns that impress upon us the eternal uniqueness of music.\r\n\r\n\u003cstrong\u003eGergely Bogányi - Piano\r\n\u003c\/strong\u003e\u003cstrong\u003eMisi Boros - Piano\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739634839876,"sku":"HRES2120-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739634872644,"sku":"HRES2120-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739634905412,"sku":"HRES2120-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739634938180,"sku":"HRES2120-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739634970948,"sku":"HRES2120-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339129790788,"sku":"HRES2120-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2120.jpg?v=1778488058"},{"product_id":"hres2218-schubert-piano-sonata-d-960-impromptus-d-899-no-2-no-3-pure-dsd","title":"Schubert Piano Sonata D. 960, Impromptus D. 899 - No. 2, No. 3 [Pure DSD]","description":"\u003cspan data-sheets-value=\"{\" schubert was born two hundred and twenty-five years ago. along with beethoven he counts as one of the founders romanticism most influential composers all time. according to nietzsche had largest share inherited musical wealth. spent it a free hand kind heart so that for few centuries musicians will continue nibble at his ideas inspirations. in works we find store unused inventions greatness others lie making use those inventions. human all- too-human part ii. trans. paul v. cohn began studies age six wrote first piano fantasy string quartet by fourteen seventeen composed symphonies masses songs. song gretchen am spinnrade spinning wheel inspired goethe faust dates from this period. eighteen completed nos operas sonatas nearly known own time primarily songwriter later large orchestra chamber also met great success. three d were written last composer life are today considered some important repertoire. their individual unmistakably original style=\"\" is manifested cyclical construction tonal universe reminiscent compactness music. contents construct exist world testifying both origins purpose unique structural constellation cognitive-conscious world. music comes very depths soul. sonata on september premiered himself vienna days died less than months afterwards november. published anton diabelli ten dedicated admirer robert schuman. boros jolan orban janos data-sheets-userformat=\"{\"\u003e\u003cstrong\u003eFranz Schubert\u003c\/strong\u003e (1797-1828) was born two hundred and twenty-five years ago. Along with Beethoven, he counts as one of the founders of Romanticism and one of the most influential composers of all time. According to Nietzsche, Schubert had \"the largest share of inherited musical wealth. He spent it with a free hand and a kind heart, so that for a few centuries musicians will continue to nibble at his ideas and inspirations. In his works we find a store of unused inventions; the greatness of others will lie in making use of those inventions.\" (Friedrich Nietzsche, Human, All- Too-Human, Part II. trans. Paul V. Cohn)\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" schubert was born two hundred and twenty-five years ago. along with beethoven he counts as one of the founders romanticism most influential composers all time. according to nietzsche had largest share inherited musical wealth. spent it a free hand kind heart so that for few centuries musicians will continue nibble at his ideas inspirations. in works we find store unused inventions greatness others lie making use those inventions. human all- too-human part ii. trans. paul v. cohn began studies age six wrote first piano fantasy string quartet by fourteen seventeen composed symphonies masses songs. song gretchen am spinnrade spinning wheel inspired goethe faust dates from this period. eighteen completed nos operas sonatas nearly known own time primarily songwriter later large orchestra chamber also met great success. three d were written last composer life are today considered some important repertoire. their individual unmistakably original style=\"\" is manifested cyclical construction tonal universe reminiscent compactness music. contents construct exist world testifying both origins purpose unique structural constellation cognitive-conscious world. music comes very depths soul. sonata on september premiered himself vienna days died less than months afterwards november. published anton diabelli ten dedicated admirer robert schuman. boros jolan orban janos data-sheets-userformat=\"{\"\u003eSchubert’s three piano sonatas (19-21), D 958, 959 and 960, were written in the last years of the composer’s life and are today considered some of the most important works in the piano repertoire. Their individual, unmistakably original style is manifested in their cyclical construction and in a tonal universe reminiscent of the compactness of chamber music. The musical contents construct and exist in their own world, testifying both to their own origins and purpose and to the unique structural constellation of the cognitive-conscious world. This music comes from the very depths of the human soul.\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" schubert was born two hundred and twenty-five years ago. along with beethoven he counts as one of the founders romanticism most influential composers all time. according to nietzsche had largest share inherited musical wealth. spent it a free hand kind heart so that for few centuries musicians will continue nibble at his ideas inspirations. in works we find store unused inventions greatness others lie making use those inventions. human all- too-human part ii. trans. paul v. cohn began studies age six wrote first piano fantasy string quartet by fourteen seventeen composed symphonies masses songs. song gretchen am spinnrade spinning wheel inspired goethe faust dates from this period. eighteen completed nos operas sonatas nearly known own time primarily songwriter later large orchestra chamber also met great success. three d were written last composer life are today considered some important repertoire. their individual unmistakably original style=\"\" is manifested cyclical construction tonal universe reminiscent compactness music. contents construct exist world testifying both origins purpose unique structural constellation cognitive-conscious world. music comes very depths soul. sonata on september premiered himself vienna days died less than months afterwards november. published anton diabelli ten dedicated admirer robert schuman. boros jolan orban janos data-sheets-userformat=\"{\"\u003eHe completed the Sonata in D 960 on 26 September 1828, premiered it himself in Vienna a few days later, and died less than two months afterwards, on November 19th. The three sonatas were published by Anton Diabelli ten years later, in 1838, dedicated to Schubert's admirer Robert Schuman.\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" schubert was born two hundred and twenty-five years ago. along with beethoven he counts as one of the founders romanticism most influential composers all time. according to nietzsche had largest share inherited musical wealth. spent it a free hand kind heart so that for few centuries musicians will continue nibble at his ideas inspirations. in works we find store unused inventions greatness others lie making use those inventions. human all- too-human part ii. trans. paul v. cohn began studies age six wrote first piano fantasy string quartet by fourteen seventeen composed symphonies masses songs. song gretchen am spinnrade spinning wheel inspired goethe faust dates from this period. eighteen completed nos operas sonatas nearly known own time primarily songwriter later large orchestra chamber also met great success. three d were written last composer life are today considered some important repertoire. their individual unmistakably original style=\"\" is manifested cyclical construction tonal universe reminiscent compactness music. contents construct exist world testifying both origins purpose unique structural constellation cognitive-conscious world. music comes very depths soul. sonata on september premiered himself vienna days died less than months afterwards november. published anton diabelli ten dedicated admirer robert schuman. boros jolan orban janos data-sheets-userformat=\"{\"\u003eThis is a \u003cstrong\u003ePure DSD 256 Stereo\u003c\/strong\u003e release. Recorded to Stereo DSD 256, it is made available in other DSD bit rates created in the DSD Domain using the Signalyst HQ Player 4 Pro mastering tools by NativeDSD Mastering Engineer Tom Caulfield. \u003cstrong\u003eThis album is available exclusively in Pure DSD at NativeDSD.\u003c\/strong\u003e It is not available on SACD.\u003c\/span\u003e\r\n\r\nThe album is another in the series of Hunnia Records releases that feature the revolutionary Bogányi B-292 Piano – a first in the history of grand piano building – is constructed with a fully composite structure including a patented carbon fiber soundboard and action and recently the Carbon Core center plate, which helps reduce the total weight by 200 kgs (440 lbs), rendering the piano much more reliable and stable. The Bogányi Piano shape and soundboard, combined with the technical innovations, results in a uniquely refined sound. Every note played is refreshingly clear and distinct. This is a piano rethought, reassessed and reinterpreted from the perspective of the classical piano. The astonishing design created by Hungarian designer Péter Üveges equips the piano with merely two legs instead of the traditional three. The design is not only beautiful to the eye but also to the ear, helping to propel more sound towards the audience. The unique design also turns the piano into a piece of functional art and design. As spectacular architectural developments have revolutionized the structure of performing arts centers and concert halls alike, this new approach to piano design may well enrich the tradition of instrument making.\r\n\r\n\u003cstrong\u003eMisi Boros - Piano \u003c\/strong\u003e(Bogányi B-292 Grand Piano)","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739635200324,"sku":"HRES2218-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739635233092,"sku":"HRES2218-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739635265860,"sku":"HRES2218-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739635298628,"sku":"HRES2218-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739635331396,"sku":"HRES2218-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339129856324,"sku":"HRES2218-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2218.jpg?v=1778488067"},{"product_id":"hres2227-dont-let-samba-die-pure-dsd","title":"Don't Let Samba Die [Pure DSD]","description":"This is a \u003cstrong\u003ePure DSD 256 Stereo\u003c\/strong\u003e release. Recorded to Stereo DSD 256, it is made available in other DSD bit rates created in the DSD Domain using the Signalyst HQ Player 4 Pro mastering tools by NativeDSD Mastering Engineer Tom Caulfield. \u003cstrong\u003eThis album is available exclusively in Pure DSD at NativeDSD.\u003c\/strong\u003e It is not available on SACD.\r\n\r\n\u003cspan data-sheets-value=\"{\" i truly believe that everything in life happens at the right time. when it has to happen. is how view my acquaintance with david. moved back budapest from lisbon started feel more and miss sing need have music heal myself maybe later others as well. took me years make this decision because never had enough confidence. felt like am not good always measured against other singers . just saw them much better than me. remember moment decided can wait any longer texted david who was recommended by a friend of mine. sent him long message introduce explained professional singer. hoped he suggest student but his answer tomorrow let give try course terribly nervous we met very first even sure will be able sing. feeling passed after song played. great were playing one together time ago. our friendship musical journey started. could exactly some support get confidence enough. thankful for such huge gift find someone whom you play your favourite songs simply joy bring. think secret. there nothing forced. are only those what both love enjoy. something about brasilian samba describe words. it. why didn these before. used go through on many things under skin. know still learn lot wondering if really happening audience makes trust awake dream doing wanted do greatest musician ever met. already blessed been invited last year two new album trio imagine gonna chance record whole full songs. thank hunnia records film productions us album. grandmother smiling heaven. alekszandrovna data-sheets-userformat=\"{\" just:=\"\"\u003eI truly believe that everything in life happens at the right time. When it has to happen. That is how I view my acquaintance with David. When I moved back to Budapest from Lisbon I started to feel more and more that I missed singing, and I need to have music in my life to heal myself and maybe later to heal others as well. It took me years to make this decision because I never had enough confidence. I felt like I was not good enough and always measured myself against other singers. I just saw them as much better than me. I remember the moment when I decided that I can not wait any longer and I texted David who was recommended to me by a friend of mine. I sent him a long message to introduce myself and explained that I am not a professional singer. I hoped he could suggest a student of his but his answer was just: “Call me tomorrow and let’s give it a try!”. Of course, I was terribly nervous when we met for the very first time. I was not even sure that I would be able to sing. But this feeling passed right after the first song we played. It was just great and we were playing one more and one more just like we were playing together for a long time. That is how our friendship and musical journey started. He could feel exactly from the very first time that I needed some support to get my confidence and believe that I am good enough. I can never thank him enough.\u003c\/span\u003e\r\n\r\nIt is such a huge gift from life to find someone with whom you can play your favourite songs simply for the joy that music can bring. I think this is our secret. That there is nothing forced. We are playing only those songs what we both love and enjoy. There is something about Brazilian samba that I can not describe in words. You need to feel it. That is why I am sure that it was a good decision that I didn’t try to sing these songs before. I used to go through on many things in my life to get this music under my skin. Of course, I know that I still have to learn a lot and I am still wondering if it is really happening with me but David and the audience makes me trust that I am awake and it is not just a dream that I am doing what I always wanted to do with one of the greatest musicians I ever met. I was already feeling blessed when I was invited last year to sing two songs on the new album of David's trio but I could never imagine that we would get the chance to record a whole album with full of Brazilian songs. Thank you David for believing in me and thank you to Hunnia Records \u0026amp; Film Productions for giving us the chance to record this new album.\r\nI feel that my grandmother is smiling from Heaven.\r\n\r\n\u003cstrong\u003eEva Alekszandrovna, Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eDavid Yengibarian, Accordian\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739636183364,"sku":"HRES2227-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739636216132,"sku":"HRES2227-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739636248900,"sku":"HRES2227-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739636281668,"sku":"HRES2227-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739636314436,"sku":"HRES2227-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339130282308,"sku":"HRES2227-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2227.jpg?v=1778488115"},{"product_id":"hres2229-bihar-pure-dsd","title":"Bihar [Pure DSD]","description":"This is a very special album. Time travelling to the past to hear samples from original Phonograph Cylinder recordings of \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e from 1909-1910. And the same tunes at \u003cstrong\u003ePure DSD 256\u003c\/strong\u003e recordings of the Attacca World Music Band from 2022.\r\n\r\nBéla Bartók worked tirelessly to collect and study the folk music of the surrounding peoples. He looked for ancient, old-style melodies: those that were the most typical of different ethnicities. He found these in peasant communities where, in the early 20th century, people still led a traditional form of life. He also examined how neighboring communities influenced each other's folk music. From 1909 to 1918 he collected nearly 3,500 Romanian instrumental and vocal melodies.\r\n\r\nThe music you will hear on Attacca World Music’s \u003cstrong\u003e\u003cem\u003eBihar\u003c\/em\u003e\u003c\/strong\u003e album uses this abundant collection as source material. Our musical interpretations were inspired by the instrumental and vocal melodies that Béla Bartók collected in Bihor county. The album also contains the arrangements of a few Hungarian folk melodies from Transylvanian Hungarians. Folksongs, a shared work by Béla Bartók and Zoltán Kodály, was originally published in 1923. The arrangements combine authentic folk music elements from the Carpathian Basin with our own world music sound.\r\n\r\n\u003cstrong\u003eThis is a Pure DSD 256 Stereo album. Available exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eAttacca World Music\u003c\/strong\u003e\r\nEszter Suranyi - Vocals\r\nLili Trager - Vocals\r\nVeronika Szekely - Violin\r\nDaniel Mester - Clarinet, Soprano Saxophone\r\nCsaba Hetessy - Piano, Keyboards\r\nTamas Gyanyi - Double Bass\r\nZoltan Bordas - Percussion\r\n\r\n\u003cstrong\u003eSpecial Guest\u003c\/strong\u003e\r\nKalman Balogh - Dulcimer","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739649945924,"sku":"HRES2229-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739649978692,"sku":"HRES2229-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739650011460,"sku":"HRES2229-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739650044228,"sku":"HRES2229-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739650076996,"sku":"HRES2229-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339144372548,"sku":"HRES2229-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2229.jpg?v=1778488571"},{"product_id":"hres2231-grosses-konzertsolo-pure-dsd","title":"Grosses Konzertsolo [Pure DSD]","description":"Grosses Konzertsolo is a new Stereo Pure DSD 256 release from pianist David Ball.  Báll used scores published by Editio Musica Budapest (Liszt) and G. Henle (Debussy) in selecting music for this album. It is \u003cstrong\u003eexclusively available at NativeDSD in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cem\u003eFerenc Liszt was so fascinated by Vincenzo Bellini's music, the melodiousness of his bel canto, that he wrote piano fantasies of three Bellini operas - La Sonnambula, Norma, and I Puritani. The premiere of Bellini's two-act opera Norma was in Milan in 1831, while the Réminiscences from Norma was composed around 1840-41, but unlike Liszt's compositional technique, Liszt wrote two years later that he had to insert cadenzas into the work. He had some reservations about Italian operas, mainly because of their weak dramaturgy, but as late as 1854, he praised Bellini's work, placing it above all of his other operas.\u003c\/em\u003e\r\n\r\n\u003cem\u003eLiszt composed the Grosses Konzertsolo in 1849-50 for a competition at the Conservatoire in Paris, dedicating it to the German pianist and composer Adolf Henselt. The piece proved so difficult that, according to August Göllerich's notes, Henselt himself considered it unplayable. Originally intended by Liszt as a purely virtuoso piece, he later inserted the Andante sostenuto middle section and the slow movement before the finale. The characteristic structure is also evident in the Sonata in B minor, written later in 1852-1853.\u003c\/em\u003e\r\n\r\n\u003cem\u003eIt is somewhat understandable that in the shadow of one of his greatest works the Grosses Konzertsolo has lost its importance, but its wholesale omission from the piano repertoire is totally unjustified and a serious error. Before 1856, a transcription for two pianos of the Grosses Konzertsolo was made under the title Concerto Pathétique.\u003c\/em\u003e\r\n\r\n\u003cem\u003eDebussy's piano preludes were published in two volumes, the first 12 in 1910 and the second 12 in 1913. They are miniature masterpieces of the period, written during one of the most exciting periods of 20th century music: reminiscent of the compositions of Schoenberg, Webern, Berg and Stravinsky.\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eDávid Báll, Piano\u003c\/strong\u003e\r\n\r\n \r\n\r\n ","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739654893892,"sku":"HRES2231-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739654926660,"sku":"HRES2231-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739654959428,"sku":"HRES2231-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739654992196,"sku":"HRES2231-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739655024964,"sku":"HRES2231-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":57339147878724,"sku":"HRES2231-21","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2231.jpg?v=1778488699"},{"product_id":"hres2234-whole-wide-world-pure-dsd","title":"Whole Wide World [Pure DSD]","description":"\u003cspan data-sheets-value=\"{\" the record i wanted to cover songs that had a special effect on me in recent years. folk will always be relevant their message is eternal. people feel roots through music identity mother tongue. world as well this material now looking for answers how it possible or perhaps worthwhile play ancient our modern musical context which we place them says lot about what song brings out of us moves affects us. makes interpretation truly personal. fantastic inner and shared journey. reflections often formulated together into each other words finally came common essence lesson. turned quite eclectic relied solely intuition when processing wide spectrum without borders. magyar data-sheets-userformat=\"{\" question:=\"\"\u003eFor the record, I wanted to cover songs that had a special effect on me in recent years. Folk songs will always be relevant, their message is eternal. People feel their roots through their folk music, their identity through their mother tongue. World music - as well as this material - is now looking for answers to the question: how is it possible, or perhaps worthwhile, to play ancient songs in our modern world? \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" the record i wanted to cover songs that had a special effect on me in recent years. folk will always be relevant their message is eternal. people feel roots through music identity mother tongue. world as well this material now looking for answers how it possible or perhaps worthwhile play ancient our modern musical context which we place them says lot about what song brings out of us moves affects us. makes interpretation truly personal. fantastic inner and shared journey. reflections often formulated together into each other words finally came common essence lesson. turned quite eclectic relied solely intuition when processing wide spectrum without borders. magyar data-sheets-userformat=\"{\" question:=\"\"\u003eThe musical context in which we place them says a lot about what a folk song brings out of us, how it moves us, how it affects us. This makes the interpretation truly personal. It is a fantastic inner and shared journey. \u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" the record i wanted to cover songs that had a special effect on me in recent years. folk will always be relevant their message is eternal. people feel roots through music identity mother tongue. world as well this material now looking for answers how it possible or perhaps worthwhile play ancient our modern musical context which we place them says lot about what song brings out of us moves affects us. makes interpretation truly personal. fantastic inner and shared journey. reflections often formulated together into each other words finally came common essence lesson. turned quite eclectic relied solely intuition when processing wide spectrum without borders. magyar data-sheets-userformat=\"{\" question:=\"\"\u003eThe musical reflections on the songs (which we often formulated together \"\u003cem\u003ecutting into each other's words\u003c\/em\u003e\") finally came together on the record into a common essence, a lesson. The record turned out to be quite eclectic, as we relied solely on our intuition when processing the songs, on a wide spectrum of music, without borders.\u003c\/span\u003e\r\n\r\n\u003cstrong\u003eThis is a Pure DSD 256 Stereo album. Available exclusively at NativeDSD in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eBori Magyar - Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eZoltán Mizsei - Keyboard, Electronics, Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eDániel Kardos - Guitar \u003c\/strong\u003e\r\n\u003cstrong\u003eBéla Ágoston - Woodwinds \u003c\/strong\u003e\r\n\u003cstrong\u003eÁbel Dénes - Double Bass \u003c\/strong\u003e\r\n\u003cstrong\u003eLászló Keönch Farkas - Percussion, Drums, Udu, Kalimba, Frame Drum\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739655418180,"sku":"HRES2234-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739655450948,"sku":"HRES2234-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739655483716,"sku":"HRES2234-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739655516484,"sku":"HRES2234-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739655549252,"sku":"HRES2234-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339148304708,"sku":"HRES2234-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2234.jpg?v=1778488728"},{"product_id":"hres2226-schumann-kinderszenen-op15-fantasie-in-c-op17-pure-dsd","title":"Schumann: Kinderszenen Op.15., Fantasie in C, Op.17. [Pure DSD]","description":"\u003cstrong\u003eOther Bogányi Albums\u003c\/strong\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2232-piano-sonata-no-29-op106-hammerklavier-bagatelle-no-25-in-a-minor-fr-elise\/\"\u003ePiano Sonata No. 29, Op.106. Hammerklavier, Bagatelle No. 25 in A minor, Für Elise (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2233-johann-sebastian-bach\/\"\u003eJohann Sebastian Bach (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2120-reflections-on-beauty\/\"\u003eReflections on Beauty (Pure DSD)\u003c\/a\u003e\r\n\r\n\u003cstrong\u003eThis is a Pure DSD 256 Stereo album. Available exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eSchumann\u003c\/strong\u003e's compositions are above all, mystical to me. This mystical musicality is combined with an unparalleled realism, which altogether gives this unique and special musical experience. It is precisely this double effect that is the strongest and most special feature of Schumann's music for me. I would say that both elements are present with extreme realism. For example, the C major chord of the last movement of the Fantasia in C major is for me the 'most C major' chord of all the C major chords, at once an extremely simple, basic C major chord, laid on in the most realistic way possible, but dizzyingly deep in terms of message and mystery. Obviously, with regard to the last chord, we hear the last note as unearthly as a result of the antecedents, yet a characteristic feature of Schumann's masterpieces is his ability to lift the soul into the spheres with even the simplest notes. One wonders, for example, what power lies behind the C major chord mentioned above that makes it so magical and unique, even though such a simple chord has been described countless times by many others.\u003c\/em\u003e\r\n\r\n\u003cem\u003eI sense a razor's edge of storytelling in these works. By this I mean that, as in a story read to young children, the language is very simple, all the words are in place, no more or less words (sounds) are used, the message is very clear and lucid, yet the story is extremely exciting and its depths are engaging for the adult, so in this sense we perceive this duality accurately. This type of concentration is characteristic of Schumann's works, which is why his art can be perceived as so individual.\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eGergely Bogányi (piano)\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739655680324,"sku":"HRES2226-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739655713092,"sku":"HRES2226-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739655745860,"sku":"HRES2226-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739655778628,"sku":"HRES2226-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739655811396,"sku":"HRES2226-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":57339148403012,"sku":"HRES2226-15","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2226.jpg?v=1778488741"},{"product_id":"hres2233-johann-sebastian-bach-pure-dsd","title":"Johann Sebastian Bach [Pure DSD]","description":"\u003cstrong\u003eOther Bogányi Albums\u003c\/strong\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2232-piano-sonata-no-29-op106-hammerklavier-bagatelle-no-25-in-a-minor-fr-elise\/\"\u003ePiano Sonata No. 29, Op.106. Hammerklavier, Bagatelle No. 25 in A minor, Für Elise (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2226-schumann-kinderszenen-op15-fantasie-in-c-op17\/\"\u003eSchumann: Kinderszenen Op.15., Fantasie in C, Op.17. (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2120-reflections-on-beauty\/\"\u003eReflections on Beauty (Pure DSD)\u003c\/a\u003e\r\n\r\n\u003cstrong\u003eJohann Sebastian Bach \u003c\/strong\u003eis a new DSD 256 Stereo recording\u003cstrong\u003e. \u003c\/strong\u003eIt features pianists \u003cstrong\u003eGergely Bogányi\u003c\/strong\u003e and\u003cstrong\u003e Misi Boros. This is a Pure DSD 256 Stereo album. Available exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\nI do not intend to evaluate the music of \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e in any form here. The basic situation for me in this respect is very simple: I have not been able to identify with any intellectual argumentation or analysis, for I have always had a feeling of incompleteness. No superlative seems sufficient to me. Regarding the tunes of Bach, the saying that music begins where the word ends is the truest one for me.\r\n\r\nI felt an inner attraction, an urge to be able to play his works that he had not essentially composed for piano. The main guiding principle in the concept of my transcriptions was to reproduce the original sounds as simply and clearly as possible. I did not strive for technical and acoustic virtuosity, nevertheless I found the performance of my own transcriptions a great challenge. Special congratulations and thanks to \u003cstrong\u003eMisi Boros\u003c\/strong\u003e for taking on one of my favorite and memorable transcriptions and for joining our collaborative recording with his usual thorough preparation, deep understanding and courage.\r\n\r\n\u003cstrong\u003eGergely Bogányi - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eMisi Boros - Piano\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739660529988,"sku":"HRES2233-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739660562756,"sku":"HRES2233-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739660595524,"sku":"HRES2233-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739660628292,"sku":"HRES2233-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739660661060,"sku":"HRES2233-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":57339151122756,"sku":"HRES2233-21","price":35.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2233.jpg?v=1778488911"},{"product_id":"hres2232-beethoven-piano-sonata-no-29-op106-hammerklavier-fur-elise-pure-dsd","title":"Beethoven: Piano Sonata No. 29, Op.106 Hammerklavier, Für Elise [Pure DSD]","description":"Beethoven: Piano Sonata No. 29 is pianist Gergely Boganyi's 4th Pure DSD 256 Stereo album at NativeDSD.  This Hunnia Records album \u003cstrong\u003eis a Pure DSD 256 Stereo album. Available exclusively at NativeDSD in its original recorded format of Pure DSD 256 Stereo, as well as Pure DSD Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\nBoganyi tells us \u003cem\u003e\"Ludwig van Beethoven's piano sonata \"Hammerklavier\", Op. 106, was for a long time extremely confusing to my musical intellect. It was as if this piece had been deliberately hidden, as if Mr Beethoven had premeditatedly wished to conceal in this piece an inscrutable enigma that would be debated by musical intellectuals for centuries, and these very different interpretations would have defended their truths irreconcilably, far apart from each other. He has left us a legacy of seemingly irreconcilable contradictions. \u003c\/em\u003e\u003cem\u003ePerhaps it was my fascination with unsolvable, or almost unsolvable, puzzles that inspired me to learn this particular, eccentric piece after all.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003e3 Earlier Bogányi Albums\r\n\u003c\/strong\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2226-schumann-kinderszenen-op15-fantasie-in-c-op17\/\"\u003eSchumann: Kinderszenen Op.15., Fantasie in C, Op.17. (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2233-johann-sebastian-bach\/\"\u003eJohann Sebastian Bach (Pure DSD)\u003c\/a\u003e\r\n\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2120-reflections-on-beauty\/\"\u003eReflections on Beauty (Pure DSD)\u003c\/a\u003e\u003cstrong\u003e\r\n\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eGergely Bogányi, Piano\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739660759364,"sku":"HRES2232-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739660792132,"sku":"HRES2232-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739660824900,"sku":"HRES2232-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739660857668,"sku":"HRES2232-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739660890436,"sku":"HRES2232-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339151319364,"sku":"HRES2232-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2232.jpg?v=1778488922"},{"product_id":"hres2237-richter-capriccio-dsd-single-pure-dsd","title":"Richter Capriccio [DSD Single] [Pure DSD]","description":"This is a new Pure DSD 256 Stereo Single from \u003cstrong\u003eGergely Bogányi \u003c\/strong\u003eperformed on the unique B-292 \"Bat Piano\".\r\n\r\n\u003cstrong\u003eAvailable exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Pure Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003e4 Gergely Bogányi Pure DSD 256 Albums\u003c\/strong\u003e\r\n\r\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2232-piano-sonata-no-29-op106-hammerklavier-bagatelle-no-25-in-a-minor-fr-elise\/\"\u003ePiano Sonata No. 29, Op.106. Hammerklavier, Bagatelle No. 25 in A minor, Für Elise (Pure DSD)\u003c\/a\u003e\u003c\/span\u003e\r\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2226-schumann-kinderszenen-op15-fantasie-in-c-op17\/\"\u003eSchumann: Kinderszenen Op.15., Fantasie in C, Op.17. (Pure DSD)\u003c\/a\u003e\u003c\/span\u003e\r\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2233-johann-sebastian-bach\/\"\u003eJohann Sebastian Bach (Pure DSD)\u003c\/a\u003e\u003c\/span\u003e\r\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2120-reflections-on-beauty\/\"\u003eReflections on Beauty (Pure DSD)\u003c\/a\u003e\u003c\/span\u003e\r\n\u003cdiv\u003e\r\n\r\n\u003cem\u003eThere are certainly strong connections between music and healing. The healing effects of good music have been felt and used by many throughout history, and in modern times there have been many studies and experiments to prove it. However, the link between the pharmaceutical industry and music needs some explanation. The Richter-Capriccio was inspired by the Hungarian pharmaceutical company founded by Gedeon Richter, and I composed this virtuoso piano piece for a celebration to mark the 150th birthday of the founder of this famous company.\u003c\/em\u003e\r\n\u003cem\u003eWhat kind of grip and connection points does a musician find in such an unusual task?\u003c\/em\u003e\r\n\r\n\u003cem\u003eFirst of all, the composition is to represent a celebration. Also, the piece needs to be short. Yet in this short duration, some important message should be delivered. The music begins with a short introduction that is attention-grabbing, somewhat modern in sound, impulsive and as if there were some Hungarian elements in the treatment of harmony and rhythm.\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eGergely Bogányi, Pianist \u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739662102852,"sku":"HRES2237-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739662135620,"sku":"HRES2237-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739662168388,"sku":"HRES2237-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739662201156,"sku":"HRES2237-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739662233924,"sku":"HRES2237-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339151679812,"sku":"HRES2237-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2237.jpg?v=1778489005"},{"product_id":"hres2239-leclair-sonatas-for-two-violins-volume-2","title":"Leclair: Sonatas for Two Violins, Volume 2","description":"\u003cdiv class=\"page\" title=\"Page 14\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\n\u003cem\u003eSonatas for Two Violins, Volume 2\u003c\/em\u003e is the second album of music composed by Jean-Marie Laclair and performed by the violin duo of Barnanas Kelemen and Katalin Kokas.  Their earlier album of violin duets is also available from NativeDSD Music.\r\n\r\nRecording Engineer Gabor Halasz tells us \u003cem\u003e\"The church in Velemér which became our home for a week, has great acoustics and is surrounded by a beautiful forest. This environment also inspired the process. Thanks to the high-end DPA microphones and the Merging Technologies Hapi Analog to Digital Converter, we were able to make a recording that reproduces the artists' play in every detail. I’m sure anyone who takes the time to get to know the recording will have a unique experience.\" \u003c\/em\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" the french corelli tuesday october first performance of scylla glaucus tragedy was given. words are by mr d and music leclair celebrated in all europe for his learned elaborate sonatas elegance violin playing. genius again made itself known composition opera. le mercure de france royal press reported this way about opera composer jean-marie at time premiere one best-known musicians even though he owed reputation primarily to virtuoso skills world stage also close heart. born lyon mentioned among members local ballet troupe age actively played from an early some years later participated wedding festivities turin both as a master violinist. it there where had taken classes with former student legendary arcangelo greatly influential violinist period giovanni battista somis worked under patronage wealthiest aristocrats paris got sonata collection published. fifteen have following description sonatas: appeared kind algebra capable rebuffing most courageous musicians. is not regarded greatest masters generations may several reasons quality composed does always play role given reception history but them certainly virtuosity performer. surely influenced fact that written academics who mainly focus on scores documents requires inspired spirited performers if possible more than contemporaries. could consider himself extremely fortunate get interpreted such outstanding violinists katalin kokas barnab kelemen. fazekas data-sheets-userformat=\"{\"\u003e\u003cem\u003e“On Tuesday, 4 October, the first performance of Scylla \u0026amp; Glaucus, tragedy, was given. The words are by Mr D'Albaret, and the music by Mr Leclair, celebrated in all of Europe for his learned and elaborate sonatas, and for the elegance of his violin playing. His genius again made itself known in the composition of his opera.”\u003c\/em\u003e Le Mercure de France, the royal press reported this way about the first performance of the first opera by the French composer, Jean-Marie Leclair (1697–1764). At the time of the premiere, in 1746, Leclair was one of the best-known French musicians, and even though he owed his reputation primarily to his virtuoso violin skills, the world of the stage was also close to his heart.\u003c\/span\u003e\r\n\r\nHe was born in Lyon and was mentioned among the members of the local ballet troupe at the age of 19. He also actively played the violin from an early age, and some years later, he participated in the royal wedding festivities in Turin both as a ballet master and as a violinist. It was there where he had first taken violin classes with a former student of the legendary Arcangelo Corelli, a greatly influential violinist of the period, Giovanni Battista Somis (1686– 1763). In 1723, Leclair worked under the patronage of one the wealthiest aristocrats of France in Paris, where he got his first sonata collection published. Fifteen years later, the Mercure de France have the following description of the sonatas: \"\u003cem\u003e[they] appeared at first a kind of algebra capable of rebuffing the most courageous musicians.”\u003c\/em\u003e\r\n\r\nWhy Leclair is not regarded as one of the greatest masters by later generations may have several reasons (the quality of the music composed does not always play a role in a given composer’s reception history), but one of them is certainly Leclair’s virtuosity as a performer. His reception was surely greatly influenced by the fact that music history is written by academics, who mainly focus on scores and documents, and Leclair’s music requires inspired and spirited performers, if possible, even more than most of his contemporaries. The composer could consider himself extremely fortunate that 250 years later his sonatas get interpreted by such outstanding violinists as Katalin Kokas and Barnabás Kelemen.\r\n\r\n\u003cstrong\u003eBarnabas Kelemen - Violin\u003c\/strong\u003e\r\n\u003cstrong\u003eKatalin Kokas - Violin\u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739666657604,"sku":"HRES2239-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739666690372,"sku":"HRES2239-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739666723140,"sku":"HRES2239-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739666755908,"sku":"HRES2239-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739666788676,"sku":"HRES2239-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739666821444,"sku":"HRES2239-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339154334020,"sku":"HRES2239-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2239.jpg?v=1778489212"},{"product_id":"hres2238-carmina-burana","title":"Carmina Burana","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\nNativeDSD is excited to bring you the amazing \u003cstrong\u003e\u003cem\u003eCarmina Burana\u003c\/em\u003e\u003c\/strong\u003e from Budapest with the \u003cstrong\u003eBudafok Dohnanyi Orchestra\u003c\/strong\u003e on Hunnia Records. It is their 4th album at NativeDSD and follows the earlier Pure DSD 256 Stereo releases \u003cstrong\u003ePictures\u003c\/strong\u003e, \u003cstrong\u003eBorn For Passion: Virtuoso Hungarian Symphonic Music\u003c\/strong\u003e and \u003cstrong\u003eSound of Movies\u003c\/strong\u003e.\r\n\r\nOur very own Engineer Tom Caulfield was at the session and helped record \u0026amp; balance the album before mastering it. The album features 56 recorded channels of audio. But there is more!\r\n\r\nOrff's Carmina Burana is one of the most popular works in music history. Orff brilliantly captured the elementality, playfulness, mischievousness and a kind of seductive vulgarity of these poems in the Benediktbeuern collection.\r\n\r\nOrff's rhythm-centered musical language was particularly suited to the setting of these poems, and the musical material, which is repeated three times in the strophicity of each movement, makes the listener a fan of the work almost at first hearing. Numerous images and recordings of sound and scenic productions preserve the work for posterity.\r\n\r\nThis recording is nothing more and nothing less than a real musical delight. The performing apparatus recorded Orff's work in an extraordinary setting - the renovated Royal Riding School in Buda - after many concerts.\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\nWe hope that listeners will also enjoy this recording.\r\n\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\n\u003cstrong\u003eBudafok Dohnányi Orchestra\u003c\/strong\u003e\r\n\u003cstrong\u003eBudapest Academic Choral Society\u003c\/strong\u003e\r\n\u003cstrong\u003eRita Rácz, Soprano\u003c\/strong\u003e\r\n\u003cstrong\u003eLúcia Megyesi-Schwartz, Soprano\u003c\/strong\u003e\r\n\u003cstrong\u003eIstván Horváth, Tenor\u003c\/strong\u003e\r\n\u003cstrong\u003eZsolt Haja, Baritone\u003c\/strong\u003e\r\n\u003cstrong\u003eGábor Hollerung, Conductor\u003c\/strong\u003e\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739670360388,"sku":"HRES2238-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739670393156,"sku":"HRES2238-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739670425924,"sku":"HRES2238-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739670458692,"sku":"HRES2238-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739670491460,"sku":"HRES2238-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739670524228,"sku":"HRES2238-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":57339155546436,"sku":"HRES2238-15","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2238.jpg?v=1778489350"},{"product_id":"hres22401-hidden-voices-mozart-piano-sonatas-volume-i-pure-dsd","title":"Hidden Voices - Mozart Piano Sonatas: Volume I [Pure DSD]","description":"\u003cdiv class=\"page\" title=\"Page 4\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\u003cdiv class=\"intercom-interblocks-paragraph intercom-interblocks-align-left\"\u003e\r\n\r\nThis album is available exclusively in 2-Channel Stereo DSD 512, 256, 128, 64 and DXD. \u003cstrong\u003eIt is not available on SACD. \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres22402b-hidden-voices-mozart-piano-sonatas-volume-ii\/\"\u003eVolume II available here.\u003c\/a\u003e\u003c\/strong\u003e \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres22403-hidden-voices-mozart-piano-sonatas-volume-iii\/\"\u003e Volume III available here.\u003c\/a\u003e Bundle all three volumes together with 25% off all, \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hidden-voices-mozart-piano-sonatas-volumes-i-ii-dsd-bundle\/\"\u003ehere\u003c\/a\u003e.\r\n\u003cblockquote\u003eHaving listened for over half a century to tens of thousands of recordings of Mozart’s music, be it piano music, string quartets, symphonies, operas, et al, I have been hugely energised by these recordings, not because they are so great, but because they are so terrible!\r\n\r\nThe subterranean - often chromatic voices in Mozart’s music reveal him demonstrably as a composer far greater than merely a gifted melodist, and this is why I have called this series of recordings of the complete Mozart Piano Sonatas - \u003cem\u003eHidden Voices\u003c\/em\u003e.\r\n\r\nAny ten fingers of almost any pianist can play these relatively simple notes, that however require an altogether different pianist to metamorphose them into music. Since experiencing Mozart primarily as a youngster playing my first sonatas and concertos, I immediately felt there were deeper layers than just the melodic oil slick floating at the surface, so have been steadfastly drilling down to the nub of Mozart’s music throughout my long career as a concert performer.\r\n\r\n\u003cstrong\u003e–Gil Sullivan, piano\u003c\/strong\u003e\n\u003c\/blockquote\u003e\r\n*Notes continued in \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres22402b-hidden-voices-mozart-piano-sonatas-volume-ii\/\"\u003e\u003cem\u003eVolume II\u003c\/em\u003e\u003c\/a\u003e\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739670917444,"sku":"HRES22401-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739670950212,"sku":"HRES22401-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739670982980,"sku":"HRES22401-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739671015748,"sku":"HRES22401-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739671048516,"sku":"HRES22401-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739671081284,"sku":"HRES22401-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":57339161542980,"sku":"HRES22401-15","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES22401.jpg?v=1778489375"},{"product_id":"hres22402b-hidden-voices-mozart-piano-sonatas-volume-ii-pure-dsd","title":"Hidden Voices - Mozart Piano Sonatas: Volume II [Pure DSD]","description":"Hidden Voices: Mozart Piano Sonatas, Volume II is a follow up to pianist Gil Sullivan's previous album of Mozart Piano Sonatas \u003cem\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres22401-hidden-voices-mozart-piano-sonatas-volume-i\/\"\u003eVolume I\u003c\/a\u003e\u003c\/em\u003e on Hunnia Records. \u003cstrong\u003eThis album is available Stereo DSD 512, DSD 256, DSD 128, DSD 64 and DXD only from NativeDSD.  It is a DSD Exclusive, Not Available on SACD release.\u003c\/strong\u003e\r\n\r\nGil Sullivan says \u003cem\u003e\"Not all great composers were great pianists, or indeed, performers at all, in that - due to pianistic limitations, they were often not the best interpreters of their own music. Haydn was an average pianist, and perhaps a better violinist, but certainly not a ‘performer’ of the same ilk as his close friend and contemporary – Mozart. Schumann could have been a great pianist, but irreparably damaged his hand in his early 20s, living vicariously through his pianist wife Clara, whilst Brahms was a great pianist in his youth, but hated practicing, so rarely performed in later life. During a performance of his 2nd Piano Concerto, Liszt (in the audience) said he preferred von Bülow’s playing of this concerto, as the composer apparently played fistfuls of wrong notes.\u003c\/em\u003e\r\n\r\n\u003cem\u003eSchubert was not a performer, though serviceably accompanied his own songs in small soirees known today as Schubertiads. Of his ‘Wanderer Fantasie’, he once declared – “Let the devil play that!”. Neither Tchaikovsky, Wagner, Berlioz, Bizet, Dvorak, Faure, Mahler, Debussy nor Ravel were performers, though Bruckner was apparently a great organist. Two important issues arise here; firstly, one can only ‘guesstimate’ what a performance of especially those 18th Century composers could be like. Secondly, approaching the 20th Century, we can see the composer\/performer was more and more a fast-dying breed.\u003c\/em\u003e\r\n\r\n\u003cem\u003eOf our list above, all were improvisors of sorts, but Mozart - arguably the greatest in history - stands beside perhaps only two, of whom legends abound of the prowess of Bach and Beethoven. Therefore, when listening to a performance of Mozart’s music, this improvisatory aspect should penetrate the very syntax and sinews of his music, and be a wholly inextricable, identifiable element. His astonishingly fertile imagination more than amply implies there should be so much more to performing his music than the routinely robotic and unstylistic readings we are generally served up today.\"\u003c\/em\u003e\r\n\r\n\u003cstrong\u003eGil Sullivan, Piano\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739678421316,"sku":"HRES22402B-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739678454084,"sku":"HRES22402B-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739678486852,"sku":"HRES22402B-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739678519620,"sku":"HRES22402B-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739678552388,"sku":"HRES22402B-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739678585156,"sku":"HRES22402B-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339177894212,"sku":"HRES22402B-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES22402B.jpg?v=1778489655"},{"product_id":"hres2302-mussorgsky-balogh-exhibitions","title":"Mussorgsky \u0026 Balogh: Exhibitions","description":"\u003ch3\u003eA Guided Tour of a Rearranged Exhibition\u003c\/h3\u003e\r\nMuch has been written about \u003cstrong\u003eMussorgsky's\u003c\/strong\u003e emblematic piano work \u003cstrong\u003ePictures At An Exhibition\u003c\/strong\u003e. Allow me here to offer listeners not a complex analysis, but rather my personal (sometimes poetic, but in any case very subjective) impressions. I do this also because in this case, not only Mussorgsky's works and those of the painter who inspired him, Viktor Hartmann, form the basis of our \"museum walk\", but also the reflections of \u003cstrong\u003eMáté Balogh\u003c\/strong\u003e. Six of his piano pieces are embedded in Mussorgsky's cycle and can be heard on this album, similar to the way in which the paintings in an exhibition interact with each other.\r\n\r\nBalogh's \u003cem\u003eDance of the Little Chicks\u003c\/em\u003e recalls Mussorgsky only at a distance, as it were, in its manner; here, short, hair-thin fragments of phrases flutter in the wind in completely unpredictable, improvisatory units of time. Here we see chicks wondering at the world. In the (often only implied) two-voice dialogue of the dramatic \u003cem\u003eSchmuÿle \u0026amp; Samuel Goldenberg\u003c\/em\u003e movement, the two arguing Jews are presented in a manner similar to Mussorgsky, yet here the conflict between the two men seems to be 'straightened' or 'frozen'.\r\n\r\n\u003cem\u003eThe Great News in the Catacombs\u003c\/em\u003e is an exciting tableau, a medley of different musical elements; the work begins with a material which is powerful and monolithic by itself, then its rhythm thins out and thickens in turn. We can also recall the essential chords of Mussorgsky's Catacombs, as Balogh's chordal couplets are also heard as if in an endless chordal distill. Three organums can also be heard again, forming a kind of refrain to the musical material. The epilogue of the work is almost reminiscent of Olivier Messiaen's birds, as it demands an enormous lightness and virtuosity from its performer.\r\n\r\nThe \u003cem\u003eBaba-Yaga at Bogatyr's Gate\u003c\/em\u003e evokes the final number of the Mussorgsky cycle both rhythmically and melodically. The more virtuosic material opposite the chords is distant-sounding, somewhat hidden, but in its energy it recalls the fiery momentum of the earlier Baba-Yaga movement. It only breaks out at the end of the movement, when the two materials melt into one another and flow like lava into the sonic depths.\r\n\r\n\u003cstrong\u003eThis album is available in Stereo DSD 512, DSD 256, DSD 128, DSD 64 and DXD exclusively at NativeDSD. It is not available on SACD.\u003c\/strong\u003e\r\n\r\n\u003cstrong\u003eLászló Borbély, Pianist \u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739680584004,"sku":"HRES2302-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739680616772,"sku":"HRES2302-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739680649540,"sku":"HRES2302-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739680682308,"sku":"HRES2302-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739680715076,"sku":"HRES2302-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739680747844,"sku":"HRES2302-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":57339178582340,"sku":"HRES2302-22","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2302.jpg?v=1778489730"},{"product_id":"hres1505-partita-no-2-in-d-minor-bwv-1004-sonata-no-3-in-c-major-bwv-1005","title":"Partita No. 2 in D Minor, BWV 1004, Sonata No. 3 in C Major, BWV 1005","description":"Dear Listener, please allow me to begin by telling you that this recording is the fruit of a most fortunate meeting. Throughout my musical career I have always firmly believed in the utmost importance of a perfect recording, that is, a perfect rendering of notes.\r\n\r\nAs you may well know the ultimate musical instrument of churches is the organ. Anybody, therefore, with the temerity to attempt a similar acoustic effect with a four-string instrument has no easy job, to say the least, which difficulty I truly felt during the recording.\r\n\r\nLet me also share a truly unmatched feeling with you. Namely, that, during the most intensive preparation of the recording and the most diligent readying on my part to be able to understand Bach’s works better and render them accordingly, I had the feeling that Bach is getting greater and greater whereas I am getting smaller and smaller. Still, it was a most uplifting and moving feeling to get that close to J. S. Bach. Last but not least I owe a heartfelt thank you to Wolfgang Hamberger for his selfless help lending me this invaluably special instrument to play at the recordings, without which such marvellous sounds and this fabulous recording would not have been possible (Guarneri del Gésu 1739). Wolfgang was one of my most talented students and the Music School of Munich where I taught for 15 years as a professor and head of department. His health problems prompted me to advise Wolfgang to go to Mittenwald and graduate as a musical instrument maker. Heeding my advice, he has become a worldwide leading expert on string instruments and has a flourishing business in Munich and all over the world.\r\n\r\n\u003cstrong\u003eErnő Sebestyén, Violin\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739702997316,"sku":"HRES1505-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739703030084,"sku":"HRES1505-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739703062852,"sku":"HRES1505-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739703095620,"sku":"HRES1505-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739703128388,"sku":"HRES1505-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739703161156,"sku":"HRES1505-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739703193924,"sku":"HRES1505-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339189920068,"sku":"HRES1505-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES1505.jpg?v=1778490182"},{"product_id":"hres1111-soul-alert","title":"Soul Alert","description":"The first thing to strike me while listening to the album \u003cstrong\u003eSoul Alert\u003c\/strong\u003e by \u003cstrong\u003eProgressive Rock\u003c\/strong\u003e group \u003cstrong\u003eSpecial Providence\u003c\/strong\u003e was the refined skill of the band. Although the often open-ended instrumentation takes several listens to warm up to, Special Providence hits a nice middle ground between technical showmanship and emotional energy.\r\n\r\nThink Dream Theater when they're not trying to level a small city with speed, and there's a good impression of what Special Providence is going for in their music. 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The Krinkle metal band's short-term goal is to kick ass, and their longer-term goal is to kick ass. The band was formed in 2011 when the members, who had been in several amateur bands, decided to... but who gives a shit. It's never the band's story that's interesting, it's the stories they tell, and this trio has plenty to tell.\r\n\r\nKrinkle have no past but they have a future, their raw, energetic, melodic rock songs are open to many genres, but what unites them is that they don't want to fit into any trend or taste, they come from deep and they sound big.\r\n\r\n\u003cem\u003e“Imagine a retired circus bear suffering from post-traumatic stress syndrome, weltering on the floor, haunted by visions of a pharisaical pelican as the mixture of laughter and whacky circus music of the past 15 years comes back to him. 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Yet the bleak, gloomy, melancholic pieces of the second volume in particular speak to me so deeply that I play them as part of my concerts quite often, and so I have chosen to record them first. Ways of performing the works of French impressionist composers vary widely, and this is especially true of the last third of the twentieth century and indeed our own time. In my view, all too often the artists' desire for self-expression occludes that of the composer almost entirely.\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cem\u003eHappily, recordings of luminaries such as Béla Bartók, Ernő Dohnányi, and Sergei Rachmaninoff playing their own music survive, and I have found myself going back to them because they offer much more than the opportunity to study the performing arts and recording practices of the time. For example, while Debussy’s notation is meticulous, the contrast between his restraint in pedal markings and the freedom of his performance is striking: He only asks for the use of the pedal – and for two measures only – in the first of the twelve Preludes that constitute the second volume. Of course, this relationship is endlessly complex and ultimately unfathomable, but that is not the point. Rather by examining it, we have the chance to see and hear the music afresh, challenge our assumptions, and reflect our respect for the composer’s own performance by choosing to cleave to their recording over their manuscript when there is a clear choice to be made. That is the approach I have taken in the interpretations I offer here.\u003c\/em\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" of claude debussy preludes form part the established piano repertoire and first volume in second are rarely heard their entirety. yet bleak gloomy melancholic pieces particular speak to me so deeply that i play them as my concerts quite often have chosen record first. performing works french impressionist composers vary widely this is especially true last third twentieth century indeed our own time. view all too artists desire for self-expression occludes composer almost entirely. recordings luminaries such b bart ern dohn sergei rachmaninoff playing music survive found myself going back because they offer much more than opportunity study arts recording practices example while notation meticulous contrast between his restraint pedal markings freedom performance he only asks use two measures twelve constitute volume. course relationship endlessly complex ultimately unfathomable but not point. rather by examining it we chance see hear afresh challenge assumptions reflect respect choosing cleave over manuscript when there a clear choice be made. approach taken interpretations here. unique beauty clarity infinite depth these has captivated many generations already hope will continue work began. dr. ioanna tsakiropoulo data-sheets-userformat=\"{\" striking:=\"\" editor:=\"\"\u003e\u003cem\u003eThe unique beauty, clarity, and infinite depth of these pieces has captivated so many generations already – and I hope that this recording of his music will continue the work that Debussy began.\"\r\n\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\nFeatured in blog post \u003ca href=\"https:\/\/www.nativedsd.com\/dsd-reviews\/notes-on-recent-finds-no-9-endless-bounty-from-nativedsd\/\"\u003e\u003cem\u003e\u003cstrong\u003eNotes on Recent Finds, No. 9 – Endless Bounty from NativeDSD\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e by music reviewer Rushton Paul.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" of claude debussy preludes form part the established piano repertoire and first volume in second are rarely heard their entirety. yet bleak gloomy melancholic pieces particular speak to me so deeply that i play them as my concerts quite often have chosen record first. performing works french impressionist composers vary widely this is especially true last third twentieth century indeed our own time. view all too artists desire for self-expression occludes composer almost entirely. recordings luminaries such b bart ern dohn sergei rachmaninoff playing music survive found myself going back because they offer much more than opportunity study arts recording practices example while notation meticulous contrast between his restraint pedal markings freedom performance he only asks use two measures twelve constitute volume. course relationship endlessly complex ultimately unfathomable but not point. rather by examining it we chance see hear afresh challenge assumptions reflect respect choosing cleave over manuscript when there a clear choice be made. approach taken interpretations here. unique beauty clarity infinite depth these has captivated many generations already hope will continue work began. dr. ioanna tsakiropoulo data-sheets-userformat=\"{\" striking:=\"\" editor:=\"\"\u003e\u003cstrong\u003eDávid Báll, Pianist\u003c\/strong\u003e\u003c\/span\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740012949828,"sku":"HRES2309-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740012982596,"sku":"HRES2309-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740013015364,"sku":"HRES2309-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740013048132,"sku":"HRES2309-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740013080900,"sku":"HRES2309-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339289731396,"sku":"HRES2309-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2309.jpg?v=1778491437"},{"product_id":"hres1810-toprak","title":"Toprak","description":"\u003cem\u003e\u003cstrong\u003eToprak\u003c\/strong\u003e\u003c\/em\u003e features the talents of \u003cstrong\u003eArif Erdem Ocak. \u003c\/strong\u003eHe is an astonishing Turkish guitarist and one of the founders of the popular Turkish band, \u003cstrong\u003eSeksendört\u003c\/strong\u003e. He has been a quintessential member of Budapest’s music scene for years.\r\n\r\nThis solo album features songs written by Ocak. He combines centuries-old Turkish music with a modern, percussion-style guitar playing. With his storytelling and melodic guitar tunes that lean into folk, he intimately unfolds personal narratives and universal topics such as (after) life, spirituality, virtue and our common humanity.\r\n\r\nHis songs, melodies, and lyrics cover a gamut of emotions; sometimes a mellow contemplation, sometimes overwhelmingly raw or sometimes melodramatic. Arif creates heartfelt hypnotic songs that get under your skin and takes the audience on a journey of reflection, silence and mind-fullness.\r\n\r\n\u003chr\u003e\r\n\r\nFeatured in blog post \u003ca href=\"https:\/\/www.nativedsd.com\/dsd-reviews\/notes-on-recent-finds-no-9-endless-bounty-from-nativedsd\/\"\u003e\u003cem\u003e\u003cstrong\u003eNotes on Recent Finds, No. 9 – Endless Bounty from NativeDSD\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e by music reviewer Rushton Paul.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eArif Erdem Ocak - Percussion, Guitar \u0026amp; Vocals\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740016226628,"sku":"HRES1810-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740016259396,"sku":"HRES1810-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740016292164,"sku":"HRES1810-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740016324932,"sku":"HRES1810-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740016357700,"sku":"HRES1810-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740016390468,"sku":"HRES1810-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740016423236,"sku":"HRES1810-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV  88.2 kHz \/ 2ch Stereo","offer_id":56740016456004,"sku":"HRES1810-72","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339292811588,"sku":"HRES1810-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES1810.jpg?v=1778491472"},{"product_id":"hres1806-sonaris","title":"Sonaris","description":"Two words. \"Nada Brahma\" - the world is sound. Sound is God. Two words, but not only words defined as an attempt to describe something you cannot otherwise perceive. It's the chronoglyph of time in a constant flow of sequential rhythm.\r\n\r\nLike in a mantra, a hidden code is unlocked and manifests itself in whatever you pronounce. Pulse is omnipresent in the act of self- preservation itself. Two words. The syllables of background radiation, the blueprint of everyday banalities, like tiny stickers on the wall.\r\n\r\nLike future memories. Like you left the coffee on the table. Two words: coffee, table. Whatever you say. Just the same.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eZoltán Lantos - 5-String Acoustic \u0026amp; Electric Violin, Resonant String Violin \u0026amp; Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eÁron Tálas - Piano, Fender Rhodes, Moog and Nord Keyboards\u003c\/strong\u003e\r\n\u003cstrong\u003eTibor Fonay - Acoustic Bass \u0026amp; Bass Guitar\u003c\/strong\u003e\r\n\u003cstrong\u003eLászló Csízi - Drums\u003c\/strong\u003e\r\n\u003cstrong\u003eAndrew J - Turntable \u0026amp; Live Electronics\u003c\/strong\u003e\r\n\u003cstrong\u003eVeronika Harcsa - Vocals (Tracks 4, 6, 7)\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740027433284,"sku":"HRES1806-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740027466052,"sku":"HRES1806-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740027498820,"sku":"HRES1806-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740027531588,"sku":"HRES1806-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740027564356,"sku":"HRES1806-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740027597124,"sku":"HRES1806-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740027629892,"sku":"HRES1806-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV  88.2 kHz \/ 2ch Stereo","offer_id":56740027662660,"sku":"HRES1806-72","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339311227204,"sku":"HRES1806-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES1806.jpg?v=1778491623"},{"product_id":"hres2241-a-second-invitation-to-an-uninterrupted-katabatic-lens","title":"A Second Invitation To An Uninterrupted Katabatic Lens","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\r\n\u003cdiv class=\"section\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eA Second Invitation To An Uninterrupted Katabatic Lens\u003c\/strong\u003e \u003c\/em\u003eis the second and certainly irrefutable invitation to the inimitable artistic world of \u003cstrong\u003eDecolonise Your Mind Society\u003c\/strong\u003e an exceptional Hungarian band. Following the path on after their widely acclaimed debut Anabatic Prism, the geography and climate has somewhat changed: the playfulness and colorfulness of higher overtones central to Anabatic Prism fall apart and a massive gate instantly opens up to a down-to-earthiness nowhere else to be found. The album follows the group's first release at NativeDSD - a \u003cstrong\u003ePure DSD 256 Stereo\u003c\/strong\u003e album titled \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2017-anabatic-prism-live\/\"\u003e\u003cem\u003e\u003cstrong\u003eA Courteous Invitation To An Uninhabited Anabatic Prism\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e.\r\n\r\nIs it an ancient human culture excavated in the soil or rather a fearless survival attempt in a possible near future? Whatever the answer is, as we walk through these immense and diverse landscapes invoked by the record's stunning compositions featuring different \"equal divisions of the octave\" tunings and complex meters, one can be sure that this unknown planet seems real and tangible, fierce and muddy, corporeal and with an unattainable antigravitational urge to leave weightiness behind.\r\n\r\nOur ears are enchanted by the catchy melodies while they indelibly come back to us over and over again... We are simply hooked on them.\r\n\r\nGraphic designer Csenge Csató's cover art offers a suitably illuminated welcome to listeners who take up the latest invitation from these upliftingly off-kilter Hungarian musicians led by guitarist, composer and instrument builder \u003cstrong\u003eBálint Szabó\u003c\/strong\u003e. Mysterious figures climb from their subterranean homes, and move through a lustrously colored landscape, where fried eggs are dotted inexplicably among gigantic plants. A huge serpent emerges from soil in which dinosaur bones are embedded. Strange angular birds flutter overhead. Scaly mountain peaks resemble the caps of psilocybin mushrooms. Cató is providing an orientation, or disorientation, as she did for the group's debut release, \u003ca href=\"https:\/\/www.nativedsd.com\/product\/hres2017-anabatic-prism-live\/\"\u003e\u003cem\u003e\u003cstrong\u003eA Courteous Invitation To An Uninhabited Anabatic Prism\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/a\u003e The music, like the imagery, skews what is familiar, tilting addictive riffs and infectiously simple melodies to a harmonically oblique angle where a surreal title, such as \"How I Learnt To Fly In A Dove's Dream\", seems entirely reasonable. Unconventional tunings and insistent grooves steer the ear beyond routine horizons, and perform hallucinatory tricks.\r\n\r\n\u003cstrong\u003eDecolonise Your Mind Society\u003c\/strong\u003e are metrically astute, but they avoid unnecessary complication and superfluous flourishes. Their departures from orthodox temperament are often startling, yet consistently purposeful. The world heard through their music's lens may seem warped in relation to Eurocentric norms, but it never sounds arcane or frivolously decorative. Emphasis during their previous outing fell on ascent (anabasis) towards the light and ecstatic jangle of higher overtones. Here Szabó and his fellow explorers undertake their descent (katabasis), at times moving with dirge-like slowness, but mostly clinging to the funky chop and churn of embodied trance music. In his review of their debut in The Wire 441, Daniel Spicer provided a wide-ranging catalogue of other musics brought to mind by the group's choice of tunings and global sensibility. On this sequel, Decolonize Your Mind Society are moving persuasively through their own exhilarating territory. \u003cem\u003e- Julian Cowley\r\n\u003c\/em\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eDecolonise Your Mind Society\u003c\/strong\u003e\r\nErnő Hock - Fretless Bass Guitar \u0026amp; Vocals\r\nGergő Kováts - Saxophone \u0026amp; Vocals\r\nÁron Porteleki - Drums \u0026amp; Vocals\r\nMáté Pozsár - Synth \u0026amp; Vocals\r\nBálint Szabó - Just Intonation Guitar, Fretless Guitar \u0026amp; Vocals\r\nDániel Váczi - Glissotar \u0026amp; Vocals\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=rnvaTabK-r8\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Hunnia Records","offers":[{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56740041883972,"sku":"HRES2241-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740041916740,"sku":"HRES2241-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740041949508,"sku":"HRES2241-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740041982276,"sku":"HRES2241-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740042015044,"sku":"HRES2241-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740042047812,"sku":"HRES2241-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740042080580,"sku":"HRES2241-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740042113348,"sku":"HRES2241-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339333509444,"sku":"HRES2241-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2241.jpg?v=1778491795"},{"product_id":"hres1613-my-infinity","title":"My Infinity","description":"Garland is a string that binds us, connects to eternal circulation, provides a means for prayer, a road toward salvation. \u003cstrong\u003eThe Garland Band\u003c\/strong\u003e’s debut album titled \u003cem\u003e\u003cstrong\u003eMy Infinity\u003c\/strong\u003e\u003c\/em\u003e was launched live on the November 23, 2016. Outstanding percussionist \u003cstrong\u003eRhani Krija\u003c\/strong\u003e joined the band and has worked with, among others, \u003cstrong\u003eSting\u003c\/strong\u003e and the \u003cstrong\u003eDominic Miller Band\u003c\/strong\u003e.\r\n\r\nThe founder, composer and producer of the formation is \u003cstrong\u003eFerenc Honyecz\u003c\/strong\u003e. The band’s compositions create a unique and singular world of music which is fundamentally based on harp and voice. He tells us \u003cem\u003e\"Every song can become a prayer and bring peace to the soul. The word 'Garland' arouses such thoughts in me. The formation is made up of musicians who believe in these thoughts and whose art is aimed at this direction. Their playing is very intuitive. I feel that we have a mission for people in the spirit of love and respect. We want to accomplish this mission with our music.\"\u003c\/em\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eThe Garland Band\u003c\/strong\u003e\r\nFerenc Honyecz - Harp \u0026amp; Bass\r\nSzabó Sarkadi Emese - Vocals\r\nRhani Krija - Percussion\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=HNEoSEmE1cU","brand":"Hunnia Records","offers":[{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56740042735940,"sku":"HRES1613-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740042768708,"sku":"HRES1613-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740042801476,"sku":"HRES1613-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740042834244,"sku":"HRES1613-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740042867012,"sku":"HRES1613-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740042899780,"sku":"HRES1613-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740042932548,"sku":"HRES1613-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740042965316,"sku":"HRES1613-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339337703748,"sku":"HRES1613-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES1613.jpg?v=1778491808"},{"product_id":"hres2312-1-js-bach-complete-flute-sonatas-volume-i","title":"J.S. Bach: Complete Flute Sonatas, Volume I","description":"\u003ch3\u003e\u003ca href=\"https:\/\/www.nativedsd.com\/product\/j-s-bach-complete-flute-sonatas-vols-1-2-dsd-bundle\/\"\u003eSave 25% on Volumes 1 \u0026amp; 2 with the DSD Bundle!\u003c\/a\u003e\u003c\/h3\u003e\r\n\u003cstrong\u003eBach's Flute Sonatas: A Journey into Profound Emotions\u003c\/strong\u003e\r\n\r\nBach's flute sonatas are a compelling testament to sensitive, penetrating, and soul-stirring music. Surprisingly, the four sonatas on this disc elude idyllic simplicity, prompting reflections on Bach's pursuit of perfection beyond what we may imagine. These flawless structures serve as a poignant reminder of our human finitude and imperfections, with Bach's music delving into the deepest spheres of the human psyche. The soaring, inducible phrases in the slow movement of the Sonata in C major resonate like stems of a plant reaching for the light, capturing listeners in an unending ascent towards illumination.\r\n\r\n\u003cstrong\u003eUnforgettable Expressions: Bach's Flute Sonata in E Minor\u003c\/strong\u003e\r\n\r\nThe Sonata in E Minor emerges as an unforgettable experience, with its opening movement's almost brutal phrasing leaving a lasting impact. Fiery, even movements intertwine as a counterpoint, further immersing audiences in Bach's profound exploration of human emotions. Shifting moods in the A major Sonata's outer movements and the 'heartbeats missing' in the slow movement foreshadow the rebellious structures of modernity, making this collection of sonatas an unparalleled expression of musical artistry.\r\n\r\n\u003cstrong\u003eBeyond Verbal Expression: Bach's Language of Music\u003c\/strong\u003e\r\n\r\nBach's flute sonatas transcend linguistic barriers, conveying profound content that words fail to capture fully. The pieces pose ultimate questions about humanity, inviting listeners to embark on an introspective journey. As Bach's language unfolds, it reveals evidence of a timeless era before the tumultuous events of Babel. These sonatas not only speak to us but also resonate with the essence of human existence, carrying an emotive weight that remains etched in the hearts of those who listen.\r\n\r\n\u003cstrong\u003eLászló Borbély, Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eSzabolcs Szilagyi, Flute\u003c\/strong\u003e\u003cspan data-sheets-value=\"{\" s. haynes custom gold flute platinum headjoint sons model d grand piano data-sheets-userformat=\"{\"\u003e\r\n\u003c\/span\u003e","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740063019332,"sku":"HRES2312_1-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740063052100,"sku":"HRES2312_1-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740063084868,"sku":"HRES2312_1-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 32 Bit \/ 2ch Stereo","offer_id":56740063117636,"sku":"HRES2312_1-35","price":28.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740063150404,"sku":"HRES2312_1-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740063183172,"sku":"HRES2312_1-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339355791684,"sku":"HRES2312_1-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2312-1.jpg?v=1778492060"},{"product_id":"hres1728-indian-hungarian-parallels","title":"Indian Hungarian Parallels","description":"Dil Mastana Group consists of performing artists belonging to the most notorious Rajasthani traditional music community, the Langas. Their melodies have preserved the ancient Indian musical tradition in its pure form. Their ancestors were professional musicians of the royal families and performed at weddings, childbirth celebrations and festivities. The repertoire displays the ornamented tunes of Rajasthani vocals in perfect musical harmony, accompanied by the echoing sound of “sindhi sarangi” and the rolling rhythm of tabla known from hindustani classical music.\r\n\r\nHistory Members of Dil Mastana are A-class artists whom with their numerous festival performances in India and worldwide are distinctive representatives of the rich Indian musical tradition. Members of the group: Bachu Khan, and , Idu Khan: are A-class artists, members of Musafir and Maharaja have given concerts world-wide for several years.The Manganiyar and Langa are both exclusively hereditary communities who make their livings as musical performers and genealogists for higher-caste patrons. Both groups are Muslim, but the Langa’s patrons are Muslim Sindhi Sipahis, whereas the Manganiyar’s patrons are mainly Hindus.\r\n\r\nManganiyars and Langas never intermarry with or teach their music to members of other Rajasthani communities. They speak of music being ‘in their blood’.\r\nTheir repertoires overlap—having experienced cross-fertilisation at the training camps instituted by the eminent folklorist Komal Kothari and on performance tours abroad, also first promoted by Komal Kothari. Another factor which possibly contributes to similarities in their music is the likelihood that they are both remnants of a group which were originally of the Dholi musician caste from which they appear to have emerged as late as the latter half of the nineteenth century.\r\n\r\n\u003cstrong\u003eMusical Instruments\u003c\/strong\u003e\r\nThe Langa’s main traditional instrument is the sindhi sarangi; Manganiyar’s is the kamaicha. Both are bowed stringed instruments with skin membrane sounding boards and many sympathetic strings. Both Langas and Manganiyars sing and play the dholak (double-headed barrel-drum), the kartal(wooded clappers), the morchan (jaws harp), and the ubiquitous harmonium.\r\n\r\nThe Langa’s main traditional instrument is the sindhi sarangi; Manganiyar’s is the kamaicha. Both are bowed stringed instruments with skin membrane sounding boards and many sympathetic strings. Both Langas and Manganiyars sing and play the dholak (double-headed barrel-drum), the kartal (wooded clappers), the morchan (jaws harp), and the ubiquitous harmonium.\r\n\r\n\u003cstrong\u003eDil Mastana Group\u003c\/strong\u003e","brand":"Hunnia Records","offers":[{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56740065280324,"sku":"HRES1728-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56740065313092,"sku":"HRES1728-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56740065345860,"sku":"HRES1728-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56740065378628,"sku":"HRES1728-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56740065411396,"sku":"HRES1728-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56740065444164,"sku":"HRES1728-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56740065476932,"sku":"HRES1728-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56740065509700,"sku":"HRES1728-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57339374043460,"sku":"HRES1728-3","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES1728.jpg?v=1778492090"}],"url":"https:\/\/www.nativedsd.com\/collections\/hunnia-records-special.oembed?page=2","provider":"NativeDSD Music","version":"1.0","type":"link"}