{"title":"myrios classics","description":"\u003cp\u003eThe idea of producing records by accepting hardly any compromise, and to work with artists that think alike, is what I always headed for. As a freelancing recording producer and engineer, I often witnessed situations where pressure by executive people resulted in a counterproductive working environment. But a recording situation is something very special for the artist. This is where to concentrate on his or her talent and to set a milestone, a benchmark that characterizes the artistry of his musical sense at a given point in his life and that will be respected – in the best case – for decades.\r\nBut the more the crisis foreshadowed the music business, expected sales figures of the better days, now totally unrealistic, stood on the foreground and weighted heavily on executives and artists, even before the first bar of music had been recorded. Some of these artists ‘survived’ somehow the years of the music crisis under the cover of a major company that became extremely cautious regarding repertoire and production costs. As a result, recording sessions were planned without an appropriate time for preparation, but a rather tight schedule. Recording demanding pieces in a timeslot of only two days in the middle of a world tour? No problem! Meanwhile, key persons the musicians trusted in and with whom they built a close relationship throughout the years, were fired. Literally with every phone call, another representative came into the game. Some artists fell below a given line in an Excel sheet and were simply kicked by their company, no matter what their part of our musical heritage represents today. Maybe because they didn't meet the sales expectations or because they just became \"too old\" to represent the image of a label that is always desperately seeking for new, fresh and innocent faces.\r\nThanks God times changed, and some of the bigger companies learned their lessons and re-established a great home for artists. Some maybe didn't up to date. However, this crisis gave smaller labels a big chance to grow and establish. I am proud that myrios classics is considered being one of these labels, both, by artists and listeners. And I feel very honored that so many serious musicians trust in our work.\r\n\r\nYours,\r\nStephan Cahen\u003c\/p\u003e","products":[{"product_id":"myr012-an-die-geliebte","title":"An die Geliebte","description":"\u003cp\u003eIn the Romantic era, thousands of songs and poems emerged from the wellspring of unre- quited love. At first glance, the tracklist on this album might seem like a simple collection of my favourite songs on that subject. Actually I’ve been fine-honing this compilation for quite some time, and so intensely that now I almost feel as if the result was something I composed myself. In planning my first solo lied album, I found this extremely important. I wanted to ex- press so much more than the narrow confines of a great Romantic cycle such as Die schöne Mül- lerin or Dichterliebe could have permitted.\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eWhile studying in Freiburg, one day I came across a miniature score of Beethoven’s “Dis- tant Beloved”. I immediately went out and also bought his “Letters to the Immortal Beloved”, where the Titan opens up his very soul. In my opinion, those letters are probably the key el- ement in helping us grasp what the “Distant Beloved” song cycle is about. Until then I had imagined Beethoven as a harsh, bitter man. Now, in his letters, I was flabbergasted to find him expressing himself in such impatient, en- thusiastic, love-besotted terms. The “Distant Beloved” cycle was published in early 1816. It is special for two reasons: it is the only song cycle Beethoven ever wrote, and it represents the first through-composed song cycle in music history. With this in mind, it almost made me nervous to discover a series of songs by Weber that hardly anyone knew, written practically in parallel with Beethoven’s song cycle. I thought it would be fascinating to place the two works side by side. Weber’s tongue-in-cheek title The Four Tempera- ments On the Loss of the Beloved is not the only element suggesting that the cycle should be included in a programme such as this one; I also find it great fun to slip again and again into the different roles these songs contain.\u003cbr\u003e \u003cbr\u003eJulian Prégardien\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"myrios classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739018408260,"sku":"MYR012-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739018441028,"sku":"MYR012-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739018473796,"sku":"MYR012-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739018506564,"sku":"MYR012-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739018539332,"sku":"MYR012-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308834038084,"sku":"MYR012-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335805706564,"sku":"MYR012S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR012-1.jpg?v=1790470787"},{"product_id":"myr018-schubertiade","title":"Schubertiade","description":"\u003cp\u003eFor music-lovers, “Schubertiade” has become a winged word that evokes recitals featuring Romantic Lieder and chamber music. That was already the case on a December evening in 1826. The law student Franz Hartmann, originally from Wurzburg, wrote in his Vienna diary: „I went to Spaun’s, where a truly great Schubertiade took place! The list of guests was quite impressive: the Arnets, the Witteczeks, the Kurzrocks, the Pomps, the mother-in-law of state chancellery clerk Witteczek, then Frau Watteroth, Betty Wanderer, Kuppelwieser the painter and his wife, Grillparzer, Schober, Schwind, Mayrhofer along with his landlord Huber, then the tall Huber as well, Derffel, Bauernfeld, Gahy (who splendidly played piano four hands with Schubert), Vogl (who sang almost 30 wonderful songs), Baron Schlechta and a number of Imperial court clerks and secretaries were all present. Finding myself in a particularly agitated mood, I was almost moved to tears by the trio in the 5th March, which invariably reminds me of my dear, dear mother. After the music was over, we all enjoyed splendid conversation, then we danced.”Quite early on, a circle of art-loving friends had gathered around Franz Schubert, the former Vienna boarding pupil and trained schoolteacher who – unlike his father and his brother – had chosen to flee the daily pedagogical grind and its inevitable disenchantments under the Austrian Restauration to find his vocation as a freelance musician. \u003c\/p\u003e\n\n\n\n\u003cp\u003eThe first person to coin the term “Schubertiade” for musical soirées was his friend Franz von Schober. In 1817, Schober had introduced the timid, modest composer to an artistic nature entirely different from his own: the singer Johann Michael Vogl, 24 years his senior. Tall, with a resounding, projecting, self-assured voice, Vogl left the Vienna Court Opera in November 1822 to devote himself entirely to Schubertian artsong, accompanied by none other than the composer himself. “The way he sings and I accompany him, those moments when we seem to merge and become one, are something new and undreamt-of”, Schubert wrote from Salzburg on 12 September 1825 to his brother Ferdinand. Such magical moments of congenial musicmaking must have occurred quite often at the Vienna Schubertiades, those private soirées for their circle of friends. A convivial aesthetic experience was desired by all, but it wasn’t the only reason they congregated. A Schubertiade also offered these citizens the chance to withdraw, in private, from the zealous, restrictive surveillance of the Metternich regime. With artistic means they could express their unease vis-à-vis the State’s chilling, authori- tarian apparatus while taking less risks – resorting to parables from Antiquity and painting emotional landscapes that seemed to be merely personal at first glance.\u003c\/p\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\n\n\n\nhttps:\/\/www.youtube.com\/watch?v=Lv-W2c1PJt8","brand":"myrios classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739018604868,"sku":"MYR018-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739018637636,"sku":"MYR018-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739018670404,"sku":"MYR018-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739018703172,"sku":"MYR018-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739018735940,"sku":"MYR018-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308834070852,"sku":"MYR018-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335805870404,"sku":"MYR018S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR018-1.jpg?v=1790470846"},{"product_id":"myr014-romance-oubliee","title":"Romance oubliée","description":"\u003cp class=\"p1\"\u003e With this album I have fulfilled my long-held dream of recording a collection of beautiful Romantic miniatures: many of the pieces featured here are largely unknown, and they amply exploit the viola’s melancholy facets and moods. This dream has become a reality for me partly due to Paul Hindemith – in fact, thanks to having intensely studied Hindemith’s oeuvre.\u003c\/p\u003e","brand":"myrios classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739049439556,"sku":"MYR014-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739049472324,"sku":"MYR014-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739049505092,"sku":"MYR014-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739049537860,"sku":"MYR014-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739049570628,"sku":"MYR014-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308868018500,"sku":"MYR014-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335888609604,"sku":"MYR014S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR014-1.jpg?v=1790476943"},{"product_id":"myr003-tabea-zimmermann-solo-i","title":"Tabea Zimmermann: Solo I","description":"\u003cp class=\"p1\"\u003eWhen Max Reger and his chamber music are mentioned, music lovers immediately think of compositions for organ, lieder or the great piano variations. The fact that over the course of many years the composer created at regular intervals a considerable number of compositions for solo strings remains an insider tip. This was a genre which was considered relatively unimportant by the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury and was therefore forgotten.\u003cbr\u003eAt the young age of 26, in 1899, Reger started working with the baroque genre for the first time and created Four Sonatas for Solo Violin op. 42. Six years later followed the Seven Sonatas for Solo Violin op. 91, about which the composer wrote to the Heidelberg musical director Philipp Wolfram on the 5\u003cspan class=\"s1\"\u003eth \u003c\/span\u003eSeptember 1905, “I am well – how the violin players are, however, I don’t know!” Once again, between 1909 and 1912, Reger devoted himself to this type of chamber music and composed Preludes and Fugues for Solo Violin op. 117.\u003c\/p\u003e","brand":"myrios classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739051274564,"sku":"MYR003-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739051307332,"sku":"MYR003-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739051340100,"sku":"MYR003-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739051372868,"sku":"MYR003-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739051405636,"sku":"MYR003-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308871164228,"sku":"MYR003-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335892672836,"sku":"MYR003S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR003-1.jpg?v=1790477461"},{"product_id":"myr004-sonatas-for-viola-and-piano","title":"Sonatas for Viola and Piano","description":"\u003cp\u003e“And when I had that one little whiff of success that I‘ve had in my life, with the Viola Sonata, the rumor went around, I hear, that I hadn‘t written the stuff myself, that somebody had done it for me. And I even got one or two little bits of press clippings saying that it was impossible, that I couldn‘t have written it myself. And the funniest of all was that I had a clipping once which said that I didn‘t exist, there wasn‘t any such person as Rebecca Clarke, that it was a pseudonym for Ernest Bloch!”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis was Rebecca Clarke speaking 1976 in an radio interview about her 1919 Sonata for Viola and Piano. Clarke had submitted it to the competition sponsored by Elizabeth Sprague Coolidge, as part of her annual chamber music festival held in Pittsfield, Massachusetts. The competition was organized with anonymous submissions, and 73 composers submitted entries for viola and piano, the instrumentation chosen for that year.\u003c\/p\u003e","brand":"myrios classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739051536708,"sku":"MYR004-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739051569476,"sku":"MYR004-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739051602244,"sku":"MYR004-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739051635012,"sku":"MYR004-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739051667780,"sku":"MYR004-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308871786820,"sku":"MYR004-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335893131588,"sku":"MYR004S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR004-1.jpg?v=1790477523"},{"product_id":"myr008-sonatas-for-viola-and-piano-vol-2","title":"Sonatas for Viola and Piano Vol. 2","description":"\u003cp class=\"p1\"\u003e Three sonatas, truly late works, all written during the Final years of their composers’ lives. Three sonatas, all originally composed for an instrument other than the viola. Three sonatas which embrace almost the whole of the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003e century.\u003c\/p\u003e","brand":"myrios classics","offers":[{"title":"DSD 64 \/ 5ch Surround","offer_id":56739051733316,"sku":"MYR008-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739051766084,"sku":"MYR008-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739051798852,"sku":"MYR008-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739051831620,"sku":"MYR008-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739051864388,"sku":"MYR008-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57308871917892,"sku":"MYR008-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335893524804,"sku":"MYR008S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR008.jpg?v=1790477581"},{"product_id":"myr019-transcendental-etudes","title":"Transcendental Etudes","description":"\u003cp class=\"p1\"\u003e It’s very much been a personal journey. For a pianist, the Transcendental Etudes  cycle is one of the most towering mountain peaks of the literature. I was inspired by one of Ferruccio Busoni’s aphorisms, that “Bach is the alpha and Liszt is the omega of piano playing”. And Liszt definitely is the omega: almost without exaggeration, everything in modern piano writing – starting with the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003e century piano technique, and beyond – was invented by Liszt in the decades that he was busy with the Transcendental Etudes . There’s something very touching about the fact that he came up with the musical material of these pieces when he was a 15 year-old boy. Those first, 1826 versions of the Etudes are very advanced for a 15 year-old, but in another way also rather naive. In 1837 comes the nearly unplayable, incredibly virtuosic second version, but even though they have been technically transformed, the pieces stick with the same musical material – the themes, the basic shapes – of the first version. And finally comes the 1852 version, the picture of these pieces in Liszt’s adulthood: whatever might have been overwrought in the second version is now streamlined and really perfected, and that is the version I’ve recorded. So the pieces are already a journey in that sense – and it’s a huge journey for me as a pianist to experience the challenges in the Etudes firsthand so to say, while internalizing them\u003c\/p\u003e","brand":"myrios classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739080339780,"sku":"MYR019-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739080372548,"sku":"MYR019-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739080405316,"sku":"MYR019-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739080438084,"sku":"MYR019-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739080470852,"sku":"MYR019-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308983394628,"sku":"MYR019-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57335924359492,"sku":"MYR019S1417","price":32.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Etudes-No-Logo-MYR019_0333ca90-26ce-4705-8b5e-27bd6d2057f2.jpg?v=1790483732"},{"product_id":"myr023-shostakovich-and-tsintsadze-cello-concertos-of-1966","title":"Shostakovich and Tsintsadze - Cello Concertos of 1966","description":"\u003cp\u003eWe are in the year 1966, in the Soviet Union. While Shostakovich is enjoying the success of the world première of his Second Cello Concerto, the Georgian composer Sulkhan Tsintsadze is putting the finishing touches on his own new work. In their respective concertos, these two composers draw their own psychogram: a sombre landscape intermittently illuminated by rays of light, brightened up with a few prudent dabs of colour here and there.\u003c\/p\u003e\n\u003cp\u003eGerman shooting star cellist Maximilian Hornung releases his first album on the myrios classics label. Born 1986 in Augsburg, Hornung studied with David Geringas, Thomas Grossenbacher and Eldar Issakadze, to whom he dedicated the album. It was Issakadze who introduced him to the fascinating music of Sulkhan Tsintsadze, one of the most celebrated composers of Georgia.\u003c\/p\u003e\n\u003cp\u003eThe musical link of Tsintsadze’s Second Cello Concerto to the late work of his Soviet colleague and contemporary, Dmitri Shostakovich is at the core of this gloomy, yet enchanting album. The Deutsches Symphonie-Orchester Berlin under the baton of the latvian conductor Andris Poga provides perfect musical partnership. The disc, recorded in DXD Stereo and Multichannel and available in Stereo and Multichannel DSD 256, DSD 128, DSD 64, and DXD at the NativeDSD Music store, sound, comes in a beautiful PocketPac with a 40-pages booklet that includes an introduction to the works by the Shostakovich biographer and cellist Elizabeth Wilson, who, as a student of Mstislav Rostropovich, attended the premiere performance of Shostakovich’s Second Cello Concerto in Moscow 1966.\u003c\/p\u003e\n\nhttps:\/\/www.youtube.com\/watch?v=5-rF8Bmpf2A","brand":"myrios classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739292119364,"sku":"MYR023-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56739292152132,"sku":"MYR023-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56739292184900,"sku":"MYR023-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56739292217668,"sku":"MYR023-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739292250436,"sku":"MYR023-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739292283204,"sku":"MYR023-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56739292315972,"sku":"MYR023-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56739292348740,"sku":"MYR023-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 5ch Surround","offer_id":56739292381508,"sku":"MYR023-19","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56739292414276,"sku":"MYR023-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56739292447044,"sku":"MYR023-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57310459593028,"sku":"MYR023-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337762152772,"sku":"MYR023S1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337762185540,"sku":"MYR023S1517","price":34.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57337762218308,"sku":"MYR023S1617","price":38.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/MYR023-1.jpg?v=1790525103"},{"product_id":"myr021-brahms-string-quartet-no-3-in-b-flat-major-op-67-and-piano-quintet-in-f-minor-op-34","title":"Brahms - String Quartet No. 3 in B flat major, Op. 67 and Piano Quintet in F minor, Op. 34","description":"\u003cp\u003eKirill Gerstein (born 23 October 1979) is a Russian-American pianist. He is the sixth recipient of the Gilmore Artist Award. An American citizen since 2003, Gerstein divides his time between the United States and Germany and is currently a professor of piano at the Musikhochschule Stuttgart.\u003c\/p\u003e\n\u003cp\u003eAfter decades of playing together, the members of the Hagen Quartet are at the apex of their interpretative careers. Tonal and rhythmic coordination is totally effortless. The “baton passing”, from one instrument to the next, is impossibly smooth. The four members of the ensemble truly play like a single organism. At the same time, they still share with their listeners a tremendous pleasure of exploring together all the corners of the repertoire. Together with Kirill Gerstein, they are a genius couple.\u003c\/p\u003e\n\u003cp\u003eThe Hagen Quartet performs on instruments made by Antonio Stradivari, known as the \"Paganini\" Quartet, generously on loan from the Nippon Music Foundation. 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