{"title":"Organ Music Special","description":"\u003ch3 style=\"text-align: center\"\u003eCheck out Rush Paul's latest review article for Positive Feedback, reviewing some of the \u003cspan style=\"color: #3366ff\"\u003e\u003ca style=\"color: #3366ff\" href=\"https:\/\/www.nativedsd.com\/dsd-reviews\/outstanding-organ-recordings-in-dsd256-and-dxd\/\"\u003ebest Organ music on NativeDSD\u003c\/a\u003e\u003c\/span\u003e!\u003c\/h3\u003e\r\n\u003ch2 style=\"text-align: center\"\u003eAll Organ Music now 35% OFF for Limited Time\u003c\/h2\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch4 style=\"text-align: center\"\u003e*Offer valid through Friday, June 06 2025 end of day PST.\r\n*Discount will be applied automatically at checkout\r\n*Available only on digital downloads, no physical products or Bundles.\u003c\/h4\u003e","products":[{"product_id":"18902-the-gentlemen-of-the-chapel-royal","title":"The Gentlemen of the Chapel Royal","description":"\u003cp\u003eThe first half of the sixteenth century followed a very turbulent course in all of Europe, and England, as well, went through troubled times.\u003c\/p\u003e\n\u003cp\u003eHenry VIII succeeded to the throne in 1509, and reigned for 38 years. In 1533 he founded the Anglican church, he married six times, waged wars, and even found a little time to do some composing. After his death in 1547, he was succeeded by Edward VI, who was followed in 1555, after the death of Mary, by Elizabeth I, Henry VIII's younger daughter.\u003c\/p\u003e\n\u003cp\u003eElizabeth had the task of bringing peace and stability to the country, and during her long reign, English music flourished as never before.\u003c\/p\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738286764356,"sku":"18902-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738286797124,"sku":"18902-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738286829892,"sku":"18902-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738286862660,"sku":"18902-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738286895428,"sku":"18902-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307737522500,"sku":"18902-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334316761412,"sku":"18902S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334316794180,"sku":"18902S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334316826948,"sku":"18902S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/18902-15.jpg?v=1790114051"},{"product_id":"20804-death-devotion","title":"Death \u0026 Devotion","description":"\u003cp\u003eDeath and Devotion Cantatas by Tunder, Weckmann, Buxtehude, and Ritter It is a remarkable fact that the most expressive and original vocal church music composed in Northern Germany during the latter half of the seventeenth century was the work not of cantors, but of organists. Some of this is due to the exceptional status which had been achieved by organists in cities like Hamburg and Lbeck in the course of the century; they had become both virtuosi par excellence, and at the same time learned composers. The foundation had been laid by the teachings of Jan Pieterszoon Sweelinck (1562-1621), who had brought an entire generation of North German organists to this exalted level. But at the same time as this generation, typified by Jacob Praetorius, Heinrich Scheidemann, Melchior Schildt, and others, concentrated primarily on the organ as a medium for performance and composition, their students, in turn, took things a step further. They assembled a group (usually a small one) of singers and instrumentalists around the organ for the performance of refined, erudite vocal music, strongly inspired by concertante church music from Italy. Freed from the confines of liturgical requirements, they therefore chose texts, both Latin and German, which offered numerous opportunities for expressive composition: specially chosen excerpts from the Bible (strikingly often those dealing with suffering and death) and devotional texts, many of which were strongly mystic or pietistic in tone. The most important member of this second generation was Dietrich Buxtehude (1637-1707), who was most probably a student of Scheidemann, and who succeeded Franz Tunder in the post of organist at the Marienkirche of Lbeck from 1668 until his death. His surviving compositions include not only a large quantity of organ and harpsichord works, but also a number of string sonatas and some 120 cantatas. The enormous range of texts, compositional techniques, and settings - from intimate solo cantatas to large-scale works - suggests that he enjoyed a good deal of artistic freedom. \u003cbr\u003e\u003cbr\u003eA good example of this is provided by Buxtehudes setting, BuxWV 38, of the Psalm text Herr, wenn ich nur dich habe [Lord, when I have but Thee] (Psalm 73, verse 25-26), a beloved funerary text in seventeenth-century Germany, usually set as a solemn motet. In contrast, Buxtehudes setting is a fashionable, graceful Ciacona, with a repeated six-note bass motive - a compositional technique which originated in Italian secular music. Above this unchanging bass line, the soprano engages in lively exchanges with the two violins, including much word-painting, e.g. the swaying triplets at meines Herzens Trost (the comfort of my heart). This Ciacona was written in the 1670s; in contrast, the Dialogus inter Christum et fidelem animam, Wo ist doch mein Freund geblieben? [Where for is my friend departed] (BuxWV 111) is a late work of the 1690s. This dialogue between Christ and the faithful soul, sung respectively by bass and soprano, is based on a paraphrase of a familiar text from the Song of Songs, referring to the lost beloved (Christ in this context). The text is strophic, but Buxtehude only sets the beginning, the monologue of the searching soul, as a song with uncomplicated alternation between the soprano, accompanied only by the continuo, and the strings. After the Beloved has been found, a freely composed dialogue arises between the two voices, an operatic love duet which is crowned by the ecstatic 6\/8 meter of the conclusion So lieben die Seele und Jesus zusammenSie brennen und stehen in lieblichen Flammen. [Thus the Soul and Christ mingle their loveThey live and burn in the flames of love]. O Gottes Stadt [O city of God] (Bux WV 87) is also based on a strophic song text, in this case drawn from the Himmlische Lieder of 1642 by Johann Rist, a poet who was both a familiar figure in organist circles in Hamburg as well as a friend to Buxtehudes presumed teacher, Scheidemann. Buxtehude uses only the first and last verses of Rists song text, which speaks of longing for the eternal heavenly Jerusalem. Rists text is made to order for a simple strophic aria (and in the 1642 collection, it is indeed set in this way by the Hamburg violinist Johann Schop), but it has inspired Buxtehude to compose a compelling, broadly proportioned concertante version in which the strings function as an emotional sounding board for the soprano another example of freely written organists music. The first verse is set as an expansive sarabande with strikingly realistic illustration of the believers sighs. The second verse begins in a hesitant, searching four quarter time, and Buxtehude also lets the words break off (wenn ich aus diesem Leben) [when from this life I]. But he returns to the ecstatic, dancing 3\/4 meter, and the reason can be found in the continuation of the text (zu dir spring in dein Reich hinein) [leap up to Thy glorious kingdom]. The works climax comes with the elaborate setting of the rejoicing Zion with showy coloratura writing for the soprano. Buxtehude must have drawn much inspiration from the music of Franz Tunder (1614-1667), his predecessor in the office of Lbeck organist. Tunder was in close contact with the Sweelinck-based school of Hamburg organists. Buxtehude married Tunders daughter and in this way became the direct heir to his music. \u003cbr\u003e\u003cbr\u003eTunders compositions, of which disappointingly few have survived, are distinguished by their unusual richness of harmony and polyphonic writing. An Wasserflen Babylon [By the waters of Babylon], a much-loved chorale in North German organists circles, was composed by Tunder as a type of polyphonic motet for soprano (taking the chorale melody) and five stringed instruments. Tunder set the first lines of this hymn, known as the Lament of Zion very expressively, culminating in the chromaticism of the line da weinten wir [there we wept]. From this point onwards, the setting relaxes into a more homophonic, simpler idiom for the remaining lines of the hymn. Far different is Tunders Ach Herr, la deine lieben Engelein [O lord, let Thy dear angels] - a text which is widely known from the closing chorale of Bachs St. John Passion. This is the third verse of Martin Schallings 1571 hymn Herzlich lieb hab ich dich, o Herr [Great is my love for Thee, o Lord]; the chorale melody usually associated with it is completely missing here, however. Instead, Tunder, like his son-in-law Buxtehude some years later in O Gottes Stadt, has written a concertante aria on the text. After a speaking sinfonia, the soprano sings the first half of the text in continuous dialogue with the strings; the last line, ruhen bis am jngsten Tage [to rest until the final day] is then illustrated in a static instrumental interlude. The change of affect afterwards, with Alsdenn vom Tode erwecke michin ewiger Freud [so then Thou shalt awaken me from death.in eternal joy], in rapid triple time, could not be greater. Tunder made a close study of the vocal church music composed by Monteverdi and his successors, as can be clearly seen in the German composers reworking of a motet by Giovanni Rovetta. But Tunders other Latin settings also draw their inspiration from the south, as is surely the case for O Jesu dulcissime, a solo motet for bass on a seventeenth-century devotional text. Matthias Weckmann (1616\/9-1674) a student of both Heinrich Schtz and Jacob Praetorius, and organist at the Hamburg St. Jacobi from 1655, also wrote unmistakeable organists music. In 1663, Hamburg suffered a serious epidemic of the plague, which killed many citizens including several of the most important musicians, among them Scheidemann and the city cantor, Thomas Selle. This catastrophe inspired the large-scale dialogue Wie liegt die Stadt so wste [How the city doth lie desolate], completed by Weckmann on October 14th 1663. Here again we have an unmistakably liberated composer at work: the verses from the Lamentations of Jeremiah have been carefully selected and reshuffled in such a way as to allow them to be set as a soprano-bass dialogue. With the exception of the closing segment, the voices only sing separately: the soprano assumes the role of narrator, and symbolizes the mourning widow at the opening of the piece, whereas the bass takes the part of the somber, sinful prophet himself. The structure of the dialogue is underlined instrumentally by the sopranos accompaniment being limited to the continuo, while the bass is accompanied by the full string ensemble. This basic contrast, as well as the inspired alternation of recitative and aria styles from segment to segment, has produced a poignant setting of this Old Testament prophecy of doom. Particularly impressive are the desolate opening, the sighing Ciacona for bass, Man hrets wohl [Well dost thou hear] (because of the Italianate technique, just as in Buxtehude accompanied only by two violins and continuo), and the closing segment: here the two voices join together in a compelling cry for help (Ach Herr, siehe an mein Elend) [Ah Lord, behold Thou my wretchedness]. \u003cbr\u003e\u003cbr\u003eThe organist Christian Ritter (1645\/8-1717\/25) was of Saxon origin and probably received his education in Dresden as a student of Schtz and other teachers. Later he worked alternately in Stockholm, Dresden, and Hamburg. His 22 surviving vocal works are of high quality and diversity - yet another example of organists music. Both in Stockholm and Dresden he attained the rank of assistant leader of court music. Cantatas, particularly those by Buxtehude and other North German composers, were familiar and beloved in the Swedish capital, while in Dresden, after the death of Schtz, the Italian style ruled the day. O amantissime sponse Jesu, a Latin devotional text, has the rhythmic power and vocal refinement (particularly in the recitatives) of the best Italian church music of the period, but the heavy five-part string accompaniment and the innovative dissonance of the harmonies are both unmistakably North German - nowhere as clearly as in the tension-filled opening, where the soprano declaims the motto of this cantata, surrounded by rich harmonies. The score, preserved in the Berlin library, was already published in a modern edition at the beginning of the 20th century, and in 1959 in the Netherlands, a famous, widely distributed recording of the piece was made by the singer Aafje Heynis, conducted by Anthon van der Horst - who was for more than 30 years the artistic director of The Netherlands Bach Society. Pieter Dirksen, 2003 Translation: David Shapero\u003c\/p\u003e\n\nhttps:\/\/www.youtube.com\/watch?v=K-cQ3aTROWs","brand":"Channel Classics","offers":[{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738297053508,"sku":"20804-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738297086276,"sku":"20804-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738297119044,"sku":"20804-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738297151812,"sku":"20804-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738297184580,"sku":"20804-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738297217348,"sku":"20804-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 192 kHz \/ 2ch Stereo","offer_id":57307773993284,"sku":"20804-3","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334320988484,"sku":"20804S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334321021252,"sku":"20804S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334321054020,"sku":"20804S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/20804-14.jpg?v=1790114391"},{"product_id":"22105-bolivian-baroque","title":"Bolivian Baroque","description":"\u003cp\u003eBaroque Music in the Jesuit Reducciones (Settlements) The study of the music in the South American archives has revolutionized our knowledge of the musical culture in the urban and missionary centres between the XVI and XVIII Centuries in the Americas. European, native South American and Creole (Spaniards born in South America) composers and musicians created a uniquely South American Renaissance and Baroque repertoire, comparable in its magnitude and originality to the musical innovations of the outstanding European musical centres of that time. To date two important collections of South American missionary music have been preserved. The first can be found in Concepcin, Bolivia, at the Library of the Vicariato Apostlico de Nuflo de Chvez.\u003c\/p\u003e\n\u003cp\u003eThis collection comes from the missionary churches of San Rafael and Santa Ana. The other, discovered and organised more recently, belongs to the collection of music manuscripts of the former Jesuit Mission of the Moxos Indians, in Bolivia. Copies of the latter were still being produced up to the 1990s. Several vocal works with accompaniment can be found in both collections, as well as a truly exceptional group of instrumental pieces within the Latin American repertoire, which usually consists only of a vocal and choral repertoire and not an instrumental one.\u003c\/p\u003e\n\u003cp\u003eAlthough a big part of the composition is of Indian authorship (with texts in native languages: Chiquitana, Baure, Moxa, Canichana, Guarani), the manuscripts include also six Masses of Giovanni Battista Bassani (1657-1716), two motets by Johann Joseph Ignaz Brentner (1689-1720) and 14 compositions by Domenico Zipolli (1688-1726), which have been used as models for the music teaching which was disseminated at the missions. Its value is unique and is the only means of clarifying our knowledge of the musical culture of the ancient missions in the Americas......\u003c\/p\u003e\n\nhttps:\/\/youtu.be\/_tkKKXiooOQ","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738304786756,"sku":"22105-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738304819524,"sku":"22105-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738304852292,"sku":"22105-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738304885060,"sku":"22105-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738304917828,"sku":"22105-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307778285892,"sku":"22105-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334325641540,"sku":"22105S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334325674308,"sku":"22105S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334325707076,"sku":"22105S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/22105-15.jpg?v=1790114653"},{"product_id":"22405-durufle-lux-aeterna","title":"Duruflè - Lux aeterna","description":"Maurice Duruflè Requiem Op. 9 (1947) dedicated to his father in memoriam. The Requiem is Maurice Duruflè greatest and most imposing work. He received the commission for it from his publisher while he was still at work on a Suite for organ.\r\n\r\nThe movements of this suite were based on Gregorian melodies and were ideally suited for further expansion and transformation into a Requiem Mass of respectable dimensions. The Requiem of Gabriel Faur undoubtedly served as a model for this work. The choice of texts is identical (largely consisting of portions of the Liturgia Defunctorum), but Durufl introduces a break between the Introit and Kyrie, and also between the Lux Aeterna and Libera me.\r\n\r\nThe result is a Requiem in nine movements, whereas with Faur there are no more than seven. ..... Messe cum Jubilo Op. 11 (1966) dedicated to his wife, Marie-Madeleine Durufl. Interest in Gregorian chant underwent a real renaissance during Durufls youth-- the activities at and surrounding the abbey of Saint Pierre de Solesmes played an essential part in this, but that is another story-- and this interest can be sensed, as it can in the Requiem, in the Messe cum Jubilo. The indication cum iubilo is the subtitle of the 9th Kyriale of the Mass ordinary as it can be found to this day in the Graduale Triplex (Solesmes 1979).\r\n\r\nIn contrast to the Requiem, the powerful melodic line of this mass is left unaltered in each of the five movements, in the sense that the harmony, which seems to spring effortlessly from the modal character of the melodic progression, is left completely to the orchestra or organ.\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=QaI4XJ-1M08","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738306130244,"sku":"22405-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738306163012,"sku":"22405-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738306195780,"sku":"22405-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738306228548,"sku":"22405-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738306261316,"sku":"22405-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56738306294084,"sku":"22405-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738306326852,"sku":"22405-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56738306359620,"sku":"22405-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307778679108,"sku":"22405-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334326853956,"sku":"22405S1417","price":27.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334326886724,"sku":"22405S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334326919492,"sku":"22405S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/22405-15.jpg?v=1790114743"},{"product_id":"24806-bolivian-baroque-vol-2","title":"Bolivian Baroque vol. 2","description":"The instrumental music repertory kept in the music archives of Chiquitos (Archivo Musical de Chiquitos) consist of two major collections: a) music for an instrumental ensemble; b) keyboard music. Each of these contains approximately 200 works of music (either fragmentary or complete works). It is difficult to maintain that such a large number of works was to be found in each of the Jesuit settlements. It is possible that the musical libraries of the guaran settlements were even larger. Since these documents have disappeared altogether, we can neither confirm nor deny their existence. On the other hand, in the archives of the missionary post in Moxos, where 4000 sheets of music are kept, the instrumental works do not exceed 20 and are generally fragments of sonatas, concertos and dances. No instrumental music has been found, not even fragments. In among the quartets, dances, partitas, concertos, symphonies and sonatas belonging to the music collection of Chiquitos, the latter, numbering approximately 110 compositions, are the best known. In most cases, the copyist left no details regarding the composer. The ones of which the composer is mentioned or recognized by the musicologists that have studied the music collection of Chiquitos, were written by Arcangelo Corelli, Antonio Vivaldi, Niccol Jommelli, Ignazio Balbi, Pietro Locatelli, Giovanni Battista Sammartini, Nicola Calandro and Domingo Poretti. Ten sonatas that were attributed to Arcangelo Corelli make him the most popular and prolific composer of instrumental music in the ancient Jesuit missionary posts. On the other hand, no instrumental music has ever been found that could prove beyond any doubt that the composer.","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738314977604,"sku":"24806-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738315010372,"sku":"24806-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738315043140,"sku":"24806-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738315075908,"sku":"24806-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738315108676,"sku":"24806-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307789164868,"sku":"24806-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334348906820,"sku":"24806S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334348939588,"sku":"24806S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334348972356,"sku":"24806S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/24806-2.jpg?v=1790427309"},{"product_id":"27308-beloved-beautiful","title":"Beloved \u0026 Beautiful","description":"\u003cp\u003eHundreds of years before the birth of Christ, a collection of love songs grew up. Under the title of the “Most beautiful of songs”, they found a home in the Old Testament-it was Martin Luther who first gave them the name of “Song of songs”-and since that time they have inspired and fascinated a vast number of theologians, mystics, philosophers, poets, painters, and, last but not least, composers. Particularly during the Baroque period, these poetic, sensual, vividly descriptive texts were set over and over again to music, and they inspired librettists to expand on the original texts. Some of the most beautiful settings of the Song of Songs were produced in Germany. One classic example is the motet for double chorus, Steh auf, meine Freundin (Arise, my beloved) (SWV 498) by Heinrich Schütz. It is among the few of his surviving compositions which have not been printed. 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We rediscover him next in Vienna, where he became acquainted with the work of prominent composers such as Valentini, Bertali, Ziani, and Schmelzer. After a short time spent wandering around Prague, Muffat entered the service of Salzburg archbishop Max Gandolph as court organist. Not only did this prince of the church adorn the cathedral of Salzburg, but he also brought the famed violinist Heinrich Ignaz Franz von Biber to his court. 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This time the majority of the CD was recorded in Holland (in both the Waalse Kerk in Amsterdam and the Doopsgezinde Kerk in Deventer) during Arakaendar Bolivia Choir’s first tour of Europe with Florilegium in 2008. In addition we have included a number of solo organ pieces from the Bolivian archives which James Johnstone recorded on the restored anonymous 18th century Blockwerk organ in the Mission Church of Santa Ana de Velasco. This is the first European recording on this remarkable instrument, its raw sound recorded here for posterity.The music on this volume differs considerably from the other two Channel Classics recordings (CCS 22105 \u0026amp; CCS 24806) as it mainly showcases Arakaendar Bolivia, the choir I set up in 2005. They continue to thrive and have shown tremendous commitment and determination in preparing this challenging and varied programme. We were delighted to be nominated by BBC Music Magazine for the best choir recording of 2008 for our last CD recording, as well as receiving our 5th Editor’s Choice from Gramophone magazine. I hope this new volume is received as warmly.As with our first two volumes we have an additional piece which has little to do with the archives in Bolivia. Instead this charming arrangement by Luis Craff of a popular Bolivian folk song Naranjitay (“little orange”) is offered as an encore with one of the tenors from the choir, Daniel Aguilar, accompanying the choir on his charango.\u003c\/p\u003e\n\nhttps:\/\/www.youtube.com\/watch?v=ZNeYBdGN7OQ","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738538914116,"sku":"28009-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738538946884,"sku":"28009-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738538979652,"sku":"28009-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738539012420,"sku":"28009-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738539045188,"sku":"28009-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307821637956,"sku":"28009-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334394782020,"sku":"28009S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334394814788,"sku":"28009S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334394847556,"sku":"28009S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/28009.jpg?v=1790116647"},{"product_id":"33412-vivaldi-la-cetra-12-violin-concertos-opus-9","title":"Vivaldi: La Cetra - 12 Violin Concertos, Opus 9","description":"\u003ch3\u003eRachel Podger Meets Holland Baroque\u003c\/h3\u003e\r\nIn September 1728, Vivaldi met the Habsburg Emperor Charles VI in or near Trieste, where the emperor was supervising the construction of a new harbor. 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This was certainly the case with Herbert Howells (1892-1983): he surmounted poverty and social rejection early on in life, struggled with debilitating illness, and personal and national tragedies, from the death of his son to both World Wars. In the vast choral repertoire of the twentieth century, the music of Howells stands apart, unmatched in its complexion of color and expressivity, and unfailing in its ability to move hearts. The work he left behind radiates his love for the craft, as stated in an interview with BBC Radio 3 (1967), “I love music as a man can love a woman . . . I have written really, to put it simply, the music I would like to write and for no other reason.” \u003c\/p\u003e","brand":"Gloriae Dei Cantores Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738597175620,"sku":"GDCD053-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738597208388,"sku":"GDCD053-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738597241156,"sku":"GDCD053-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738597273924,"sku":"GDCD053-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738597306692,"sku":"GDCD053-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307951366468,"sku":"GDCD053-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334515073348,"sku":"GDCD053S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334515106116,"sku":"GDCD053S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334515138884,"sku":"GDCD053S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/GDCD053.jpg?v=1790121213"},{"product_id":"907401di-arvo-part-da-pacem","title":"Arvo Pärt -  Da pacem","description":"\u003cp\u003eNine sacred pieces by Arvo Pärt including of his newest compositions, alongside works from earlier in his career. Pärt's longtime collaborator and biographer Paul Hillier leads the Estonian Philharmonic Chamber Choir and organist Christopher Browers-Broadbent in a third recording devoted to the Estonian composer.\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738604745028,"sku":"907401DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738604777796,"sku":"907401DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738604810564,"sku":"907401DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738604843332,"sku":"907401DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738604876100,"sku":"907401DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57307966865732,"sku":"907401DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334519759172,"sku":"907401DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334519791940,"sku":"907401DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334519824708,"sku":"907401DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/907401DI-1.jpg?v=1790121724"},{"product_id":"hmu907480-requiem-op9-quatre-motets","title":"Requiem Op.9, Quatre Motets","description":"\u003cp class=\"p1\"\u003eIn all his liturgical music, Duruflé’s profound religious faith is evident, most notably in the celebrated Requiem, op.9, completed in 1947. Originally scored for soloists, chorus, orchestra and organ, the work was transcribed for chorus and solo organ in 1948. The third version, for small orchestra, dates from 1961. Its first performance, on November 2, 1947, at Paris’s Salle Gaveau, was led by Roger Désormière, with the French Radio Choir, under the direction of Yvonne Gouverné, and soloists Hélène Bouvier and Camille Maurane.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Duruflé’s initial idea had been to compose a suite of organ pieces, each based on plainchant taken from the Mass for the Dead. Realizing his reluctance to detach the Latin text from the instrumental themes he had sketched, Duruflé transformed his design into a larger-scale work which became the Requiem. The text comprises nine of the sections forming the Mass for the Dead: Introit, Kyrie, Domine Jesu Christe, Sanctus, Pie Jesu, Agnus Dei, Lux Aeterna, Libera me, ending with the In Paradisum – the ultimate answer with which Faith allays all doubts: a depiction of the soul entering Paradise. To quote the composer:\u003c\/p\u003e\n\u003cp\u003e ‘The Requiem is entirely based on the Gregorian chant used in the Mass for the Dead. At times, the chant is incorporated unaltered and the orchestra intervenes only to accompany or to comment. At other times, it was from the Latin text alone that I took my inspiration, namely in the Domine Jesu Christe, Sanctus and Libera me. Throughout, I wished to be guided by the special shape of Gregorian melodies. As for the compositional form of each of the movements, it was suggested by the structure of the liturgy.... The organ is often used to give special emphasis to a line; it also represents a certain waning of Faith and Hope. The work is not meant as an ethereal paean to detachment from earthly cares; in its immutable form of a Christian prayer, the Requiem reflects man’s anguish as he contemplates the ultimate mystery of life and death. The music is at times dramatic or filled with a sense of resignation, hope or fear, mirroring the words of the Scriptures which form the liturgy. It aims to express the sentiments of a human being facing his or her terrifying, unfathomable or comforting fate.’\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738608578884,"sku":"HMU907480-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738608611652,"sku":"HMU907480-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738608644420,"sku":"HMU907480-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738608677188,"sku":"HMU907480-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738608709956,"sku":"HMU907480-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57307973058884,"sku":"HMU907480-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334522216772,"sku":"HMU907480S1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334522249540,"sku":"HMU907480S69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334522282308,"sku":"HMU907480S710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HMU907480.jpg?v=1790121973"},{"product_id":"807551di-christopher-gibbons-motets-anthems-fantasias-voluntaries","title":"Christopher Gibbons - Motets, anthems, fantasias \u0026 voluntaries","description":"\u003cp\u003eIt was about 15 years ago. As I was gently reading through the magnificent diary of Samuel Pepys, I noted again and again references to a great keyboard master ‘Mr.Gibbons’. I was fully aware of the music by Orlando Gibbons, whose music I had sung and known since the age of eight as a chorister at York Minster. The Gibbons of Pepys could not be Orlando, who died decades before the diary was written. Curiosity duly peaked, I quickly discovered that this famous midseventeenth century Gibbons was Christopher, Orlando’s son. Why, if he was indeed so feted in Pepys’s lifetime had I not come across his music? I was aware of his collaboration with Matthew Locke in the music written for Cupid and Death, but Christopher’s involvement was limited, emerging only in some short undistinguished dances – mostly surviving in only the treble and bass instrumental voices. As an organist and harpsichordist I was astonished that I had not ever heard or seen pieces by this man, especially as he had been one of the great line of Organists at Westminster Abbey, the first to be appointed in 1660 after the Restoration of the Monarchy. During the course of the next years I began digging for information and looking for scores. To my huge surprise there was practically nothing: one dissertation from 1963 and less than a handful of Fantasias for viols. Further rummaging after receipt of the dissertation fuelled ardour and increased my amazement: there was a large repertoire of music by this composer – anthems, fantasies, fantasy-suites and keyboard music. Was this music so uninteresting that it wasn’t worthy of attention? Was that the reason it lay undisturbed in Oxford and London libraries? Discovering Christopher Gibbons \u003cbr\u003eAbove: Christopher Gibbons, from an original painting in the Music School, Oxford I ordered microfilms of all of the music and discovered a mastercomposer of great personality and genius. I first put on a concert of his music in 1999 in Amsterdam and have been airing it ever since that time. It is extraordinary music of great emotional power, and there are real masterpieces\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738635448644,"sku":"807551DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738635481412,"sku":"807551DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738635514180,"sku":"807551DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738635546948,"sku":"807551DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738635579716,"sku":"807551DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308090401092,"sku":"807551DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334574809412,"sku":"807551DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334574842180,"sku":"807551DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334574874948,"sku":"807551DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807551DI.jpg?v=1790123833"},{"product_id":"807452di-toivo-tulev-songs","title":"Toivo Tulev: Songs","description":"\u003cp\u003eSongs. Around 2004-5, while Tulev was composer in residence with the EPCC, I proposed that he write an extended new work for us, and ventured to suggest that it might be a polychoral piece with various groups of singers and instruments distributed around the concert venue. The work he came up with certainly matched this idea, but it also exceeded my expectations in every way. The music was designed for the resonant, airy acoustics of the ‘Niguliste’ (St Nicholas church) where the premiere was to be held, and the performers are in fact spaced out in the form of a cross:\u003cbr\u003eThe text is a collage created by the composer from various sources: the Bible in both English (the King James version) and Latin translations (Neo Vulgata) of the Song of Songs; and two poems, Cantico espiritual (Spiritual Canticle) and Coplas del alma que pena por ver a Dios (Stanzas of the Soul that Suffers with Longing to See God), by St John of the Cross. Along with the original text in Spanish, selected passages of the English translation by Kieran Kavanaugh and Otilio Rodriguez are used.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese texts, expressing spiritual longing in the terminology of physical desire, seem perfect for the music – even though it may be odd to express it that way around. The words are in three languages – English, Latin and Spanish; says Tulev: ‘The overlapping of languages works like a commentary, re-interpreting the original. When we aren’t listening to our principal language the process of translating forms a kind of gap between the object and the new language, and this gap is filled with interpretation even while we are listening to it. The process of translation gives time for this and raises the activity above the normal.’\u003cbr\u003eThe small orchestra includes recorder and duduk (a Eurasian wind instrument somewhat akin to the oboe). The duduk’s longing quality is well suited to the poems, and the players improvise embellishments, drawing on the background that they share with the composer) in early music performance. The work, which is dedicated to the writer, was premiered in October 2005 as part of the NYYD (‘NEW’) festival. \u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738636857668,"sku":"807452DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738636890436,"sku":"807452DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738636923204,"sku":"807452DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738636955972,"sku":"807452DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738636988740,"sku":"807452DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308093514052,"sku":"807452DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334576677188,"sku":"807452DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334576709956,"sku":"807452DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334576742724,"sku":"807452DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807452DI-1.jpg?v=1790123914"},{"product_id":"807550di-bach-cantatas-arias","title":"Bach: Cantatas \u0026 Arias","description":"\u003cp\u003eThe Italian term ‘cantata’ was generally applied to pieces written for a single voice in the eighteenth century and Bach’s practice was no different; he used the term ‘concerto’ for most of his works with multiple voices (now also called ‘cantatas’). But, apart from the presence or absence of a chorus, the two types are otherwise similar, products of the same environment and designed for the same purpose; both consist of sequences of recitatives, arias and chorales. The arias are the most developed musical forms, each generally based on the opening instrumental ‘ritornello,’ which contains the musical seed for the entire movement, setting its tone and mood. The vocal part is woven into this pre-established sound world, perfectly capturing the sense of the individual as part of an overarching order. This is something central to Bach’s religious outlook but it is also relevant for other conceptions of the human condition. \u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738638430532,"sku":"807550DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738638463300,"sku":"807550DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738638496068,"sku":"807550DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738638528836,"sku":"807550DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738638561604,"sku":"807550DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308102295876,"sku":"807550DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579134788,"sku":"807550DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579167556,"sku":"807550DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334579200324,"sku":"807550DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807550DI-1.jpg?v=1790123997"},{"product_id":"807565di-the-christmas-story","title":"The Christmas Story","description":"\u003cp\u003eThe idea behind this recording was shaped by the English tradition of Nine Lessons and Carols. Like the story of Christmas itself, this tradition had humble beginnings. A thousand years ago, Cornwall (in the southwest of England) was joined to the Diocese of Devon under the Bishop of Exeter. It was only many centuries later – in 1877 – that it was finally given its own diocese once again, this time at Truro. A new cathedral was immediately planned, but while it was being built services had to be held in a temporary wooden building – often referred to as a ‘hut’, but large enough to hold 400 parishioners. This is where, on Christmas Eve 1880, the first service of ‘Nine Lessons and Carols’ was given and, unwittingly perhaps, a new tradition was created. \u003cbr\u003eThe service was designed by the Bishop of Truro, E. W. Benson. In the words of his son, the writer A. C. Benson: ‘My father arranged from ancient sources a little service for Christmas Eve – nine carols and nine tiny lessons, which were read by various officers of the Church, beginning with a chorister, and ending, through the different grades, with the Bishop.’ In 1918 the service was adopted at King’s College Cambridge by the Dean, Eric Milner-White. In 1928 it was first broadcast by the BBC and it has now become one of the fixtures of Christmas broadcasting around the world. \u003cbr\u003eI have lived in Denmark for nearly ten years. It is a country with a strong sense of tradition beneath the sophisticated veneer of its relaxed modernity, and this manifests itself strongly at the solstices. At midwinter the intense darkness, the crisp cold, and the Danes’ addiction to candlelight have made me nostalgic for the Christmas services of my youth. So with Ars Nova Copenhagen we started in 2008 to present our own version of the service – usually as a concert programme in churches rather than as part of the liturgy. It proved very popular and has become part of our annual season. Sometimes the singers give the readings (in Danish, naturally, though some of them have Swedish or Norwegian accents), and sometimes they are given by members of the community. All agree that the music gains an extra dimension by being folded into the spoken narrative, especially when the readings are shared among audience and performers alike. \u003cbr\u003eI then thought of making a recording that would include the readings. But in which language (or languages) should they be given? Rejecting the idea of a mixture of many languages (attractive to me, but perhaps not to all) I looked instead for pieces of music that would go some way towards filling out the narrative in a suitable fashion. The following synopsis is drawn from the readings that form part of our presentation. Those familiar with the King’s College tradition will notice close resemblances, but also differences – in the latter part especially. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"DSD 64 \/ 5ch Surround","offer_id":56738643214660,"sku":"807565DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738643247428,"sku":"807565DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738643280196,"sku":"807565DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738643312964,"sku":"807565DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738643345732,"sku":"807565DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57308135424324,"sku":"807565DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334585131332,"sku":"807565DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334585164100,"sku":"807565DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334585196868,"sku":"807565DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807565DI.jpg?v=1790124457"},{"product_id":"cobra0044-misa-criolla","title":"Misa Criolla","description":"\u003cp\u003eThis new recording of the ever so popular Misa Criolla was made to mark the fiftieth anniversary of it’s creation in 1964. It’s a sparkling, genuinely Latino version, reminiscent of the original recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn this vibrant new edition, Ramírez’ popular mass is embedded in 17th- and 18th-century vespers, villancicos and hymns, all examples of ‘spontaneous’ expressions of popular religion and folk culture. Ramírez’ composition indeed draws on an ancient tradition of popular devotion and isdeeply rooted in Latin America’s folk music. Surprisingly, no new recorded versions of any importance have seen the light since the early nineties of the last century. With their classical schooling, fed by roots in the musical tradition of Latin America, the musicians of Música Temprana are very well placed to fill this gap. \u003c\/p\u003e","brand":"Cobra Records","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738646720836,"sku":"COBRA0044-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738646753604,"sku":"COBRA0044-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738646786372,"sku":"COBRA0044-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738646819140,"sku":"COBRA0044-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738646851908,"sku":"COBRA0044-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Binaural","offer_id":56738646884676,"sku":"COBRA0044-24","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Binaural","offer_id":56738646917444,"sku":"COBRA0044-49","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Binaural","offer_id":56738646950212,"sku":"COBRA0044-50","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308150137156,"sku":"COBRA0044-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334591455556,"sku":"COBRA0044S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 2ch Binaural","offer_id":57334591488324,"sku":"COBRA0044S1424","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround \u0026 2ch Binaural","offer_id":57334591521092,"sku":"COBRA0044S141724","price":30.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334591553860,"sku":"COBRA0044S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334591586628,"sku":"COBRA0044S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/COBRA0044.jpg?v=1790124919"},{"product_id":"cc72140-concerti-grossi-opus-3","title":"Concerti Grossi Opus 3","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv title=\"Page 7\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn the first decades of the eighteenth century, London was one of the most important European music centres.\u003cbr\u003eThere was a rich courtly life as well as a great deal of music-making among the bourgeoisie. Just like Amsterdam, London was a hub of music pub- lishers and instrument builders. London’s musical life had a strong Italian orientation. It was mainly the Italian composers who were suc- cessful there, especially Arcangelo Corelli. Although his oeuvre is lim- ited to instrumental music and only has six opus numbers, his influence was considerable. For example, the London-based Italian Francesco Geminiani made orchestral arrange- ments of Corelli’s violin sonatas opus 5. Geminiani’s Concerti grossi opus\u003cbr\u003e1 and Corelli’s own Concerti grossi opus 6 were published in many differ- ent arrangements.\u003cbr\u003eBorn in Halle, Germany, composer George Frideric Handel started in his hometown as an organist, and settled more or less permanently in London in 1717. By then he already had a career in Italy, where he was very suc- cessful as a young composer and kept company with the likes of Alessandro and Domenico Scarlatti. Handel saw himself primarily as a composer of vocal music. He had written several operas, which had been performed to much acclaim in Italy and Germany. His first opera, Almira, which has Italian as well as German arias and recitatives, was premiered as early as 1705 in Hamburg. In Italy he learned a great deal about opera from Alessandro Scarlatti, and audiences in that country were wildly enthusiastic about his operas. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738650325316,"sku":"CC72140-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738650358084,"sku":"CC72140-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738650390852,"sku":"CC72140-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738650423620,"sku":"CC72140-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738650456388,"sku":"CC72140-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308167209284,"sku":"CC72140-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334595158340,"sku":"CC72140S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334595191108,"sku":"CC72140S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334595223876,"sku":"CC72140S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72140.jpg?v=1790125390"},{"product_id":"35214-recreation-for-the-soul","title":"Recreation for the Soul","description":"\u003cp\u003eBach’s ambition to compose a body of ‘well-regulated church music’ – liturgical music for the entire church calendar – produced a wealth of sacred cantatas. Around two hundred have survived, and are an eloquent expression of his opinion that ‘true music should be for the honour of God and the recreation of the soul’. That comment – made with respect to the art of realising a figured-bass (where harmony is indicated by numbers) – seems appropriate to this collection, since the choice of these glorious works was influenced by a consideration of number symbolism and other extra-musical devices. That this most cerebral music touches the emotions so keenly might seem a paradox, but as a performer, analysing the possible thinking behind Bach’s musical decisions brings the composer closer.\u003cbr\u003eBehind the unmatched contrapuntal intricacy of Bach’s music lie yet further layers of complexity, his compositional choices being prompted by the demands of symbolism of various kinds, rhetorical and numerological. Since ancient times, simple proportions had been understood to lie at the heart of musical sound. Mediaeval musicians, finding perfection in the Trinity, developed systems of notation accordingly, with the outcome that triple time was considered tempus perfectum; duple time imperfectum. Given that metre is such an evident characteristic of any music, and since triple time is something that – for us bipeds – will always be a dance, this central tenet of Christian doctrine had considerable (and possibly unintended) consequences for the character of sacred music. Bach, in addition to references to the Trinity (3 and its powers 9 and 27) and Christ’s age (33), also gave significance to numbers derived from his own name (BACH=14, 41=JSBACH, where A=1, B=2 etc.). Since composition apparently cost him comparatively little effort, ‘recreation’ for Bach’s soul seems to have lain in a delight in such convolutions; but whether as compositional spur, marks of devotion or for his private satisfaction, we can only speculate.\u003c\/p\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738657665348,"sku":"35214-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738657698116,"sku":"35214-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738657730884,"sku":"35214-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738657763652,"sku":"35214-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738657796420,"sku":"35214-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308184969540,"sku":"35214-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334605087044,"sku":"35214S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334605119812,"sku":"35214S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334605152580,"sku":"35214S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/35214_4078a499-4b7f-4e5e-952f-3b58b5e7e3f7.jpg?v=1790126160"},{"product_id":"36014-perla-barocca-early-italian-masterpieces","title":"Perla Barocca - early italian masterpieces","description":"\u003cp class=\"p1\"\u003eBy the mid-seventeenth century, musical composition had reached a point where invention had converged with technical mastery. Composers embraced a bass line lively with linearity, often entering into dialogue with the upper voices. Exploratory harmonic schemes were encompassed within larger unified tonalities. Through rhetorical structures, such as motive, imitation and sequence, composers instilled logic into their musical arguments. These characteristics, though rooted in vocal practice, were being cultivated for the first time in musical history for instrumentalists. In other words, the Baroque was born.\u003cbr\u003eThe featured composers showcase sublime examples of the early Italian Baroque. Some composers dominate the repertory; others have left behind only a handful of works. Here, they come together to convey the diverse musical landscape at such an excitingly rich and creative era. \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738661925188,"sku":"36014-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738661957956,"sku":"36014-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738661990724,"sku":"36014-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738662023492,"sku":"36014-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738662056260,"sku":"36014-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308210725188,"sku":"36014-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334608134468,"sku":"36014S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334608167236,"sku":"36014S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334608200004,"sku":"36014S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/36014-1.jpg?v=1790126737"},{"product_id":"cc72311-vespro-della-beata-vergine","title":"Vespro della Beata Vergine","description":"\u003cp class=\"p1\"\u003eMonteverdi’s “Vespro della Beata Vergine” was published in 1610, together with his “Missa in illo tempore”. This edition is his first important collection of music for the Catholic service. It is assumed that the composer hoped that this would help him to earn a position under the protective wings of the Church; and it payed off for him in 1613, the year in which he was named maestro di cappella of the San Marco Basilica in Venice. There is much uncertainty about how this “Vespro” came into being. In fact, this is a collection of various pieces which were most likely not conceived together with the goal of creating a self-contained unity; there are for example two Magnificat compositions in a row; of course only one of these should be chosen by the performer.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738663563588,"sku":"CC72311-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738663596356,"sku":"CC72311-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738663629124,"sku":"CC72311-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738663661892,"sku":"CC72311-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738663694660,"sku":"CC72311-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308216459588,"sku":"CC72311-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609183044,"sku":"CC72311S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609215812,"sku":"CC72311S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609248580,"sku":"CC72311S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72311.jpg?v=1790126823"},{"product_id":"cc72316-h-moll-messe","title":"h-Moll-Messe","description":"\u003cp\u003eThe performance of the B minor Mass by La Petite Bande\u003c\/p\u003e\n\u003cp\u003eIn the 1980s, Joshua Rifkin published his Preliminary Report on the workings and makeup of the “choir” in the vocal works of Johann Sebastian Bach. His conclusions (then provisional and to be further elaborated on) radically contradicted the practice of the time, which consisted in unreservedly assuming that by “choir” – indeed – Bach meant a vocal ensemble that has multiple singers per part, resulting in a more or less substantial number of performers. Before Rifkin, nobody had studied the sources with such seriousness from that standpoint or sought to envision the actual conditions Bach faced in his position as cantor. Rifkin’s findings, thus, were “sacrilegious.” Generally, he concluded, Bach used one singer per part in his cantatas, motets, passions, etc., so there was no “choir” in the modern sense of the word – consequently, the B minor Mass requires just eight vocalists (the Osanna is set for 2 choirs: 2 x 4 singers).\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738665201988,"sku":"CC72316-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738665234756,"sku":"CC72316-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738665267524,"sku":"CC72316-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738665300292,"sku":"CC72316-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738665333060,"sku":"CC72316-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308218065220,"sku":"CC72316-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609543492,"sku":"CC72316S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609576260,"sku":"CC72316S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334609609028,"sku":"CC72316S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72316.jpg?v=1790126864"},{"product_id":"cc72357-matthaus-passion","title":"Mätthaus-Passion","description":"\u003cp class=\"p1\"\u003eSigiswald Kuijken is intimately acquainted with the St. Matthew Passion. His fascination with the work was inspired back in the 1950s by a number of traditional performances. Kuijken has performed the passion around the world with his ensemble La Petite Bande. Twenty years ago, La Petite Bande (with Kuijken as leader and Gustav Leonhardt as conductor) released its first recording of the passion. The performance had soloists, a chamber choir and an instrumental ensemble adapted to the setting. Kuijken’s views on performance practice in the piece have since evolved radically. Groundbreaking musicological work in recent decades has brought him to performing the passion with a drastically reduced ensemble and no conductor. There is no “choir” in the usual sense of the word; the choir is composed of just the soloists without additional singers. And a lone soprano replaces the boys’ choir. Opinion on this approach has been and remains divided. But Kuijken certainly had his reasons for making the changes.\u003cbr\u003eTo what do we owe the St. Matthew Passion even today usually being performed by immense choirs and orchestras? “For that we have to look back to the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury. It was then that Felix Mendelssohn became so enthralled with the music of Bach that he wanted to perform, among other things, the St. Matthew Passion. Theatricalism and grandiose forces fit perfectly with the 19\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury Romantic spirit. Composers at the time did nothing so gladly as arranging Bach’s music and adapting it to their personal taste. Later, even Arnold Schoenberg ventured into Bach’s music. He arranged a number of Bach’s organ works for large orchestra; he was convinced that this was the ideal way to ensure that they would survive in the 20\u003cspan class=\"s1\"\u003eth \u003c\/span\u003ecentury.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738676539716,"sku":"CC72357-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738676572484,"sku":"CC72357-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738676605252,"sku":"CC72357-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738676638020,"sku":"CC72357-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":57308227961156,"sku":"CC72357-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334611050820,"sku":"CC72357S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334611083588,"sku":"CC72357S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72357.jpg?v=1790127076"},{"product_id":"cc72389-concertos-for-oboe-strings-basso-continuo","title":"Concertos for Oboe, Strings \u0026 Basso Continuo","description":"\u003cp class=\"p1\"\u003eIn Vivaldi’s oeuvre, there is only one composition of which we are totally certain it was written for Pelegrina. Above the manuscript of the Sonata for oboe, violin, chalumeau and organ, RV 779, Vivaldi wrote the names of the girls for whom the piece was intended: Pelegrina dall’ Oboè, Prudenza dal Contralto, Candida dalla Viola and Lucietta Organista\u003cspan class=\"s1\"\u003e*\u003c\/span\u003e. But since Pelegrina was by far the most accomplished oboist when Vivaldi worked at the Ospedale (the only other oboist mentioned in the archives is one Susanna, in 1726), we can assume that a number of the oboe concertos featured on this CD were also written for, and performed by, Pelegrina. And that is why I would like to dedicate this recording to her. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003eTo you, Pelegrina dall’ Oboè, who came into this world with so little; but who managed to breathe colour and lustre into life with that beautiful, yet so obstinate, double-reed instrument; and who inspired one of the greatest Baroque composers to create little gems we can enjoy to this very day.\u003c\/em\u003e\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738684862788,"sku":"CC72389-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738684895556,"sku":"CC72389-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738684928324,"sku":"CC72389-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738684961092,"sku":"CC72389-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738684993860,"sku":"CC72389-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308242903364,"sku":"CC72389-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334613180740,"sku":"CC72389S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334613213508,"sku":"CC72389S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334613246276,"sku":"CC72389S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72389-1.jpg?v=1790127373"},{"product_id":"cc72539-chalumeaux-concertos-ouvertures-sonatas","title":"Chalumeaux - Concertos, ouvertures \u0026 sonatas","description":"\u003cp class=\"p1\"\u003eIf people are innocent of the name of Christoph Graupner in Vienna or anywhere else in Austria this should be neither a surprise nor anything to be ashamed of, because the sphere of influence of this contemporary of Johann Sebastian Bach and Johann Joseph Fux was in faraway Darmstadt, a small residence capital of the landgrave in Hesse about twenty miles south of Frankfurt. What is more, Graupner never visited Vienna in his life. Graupner’s employer Ernst Ludwig was an opera enthusiast; after becoming acquainted with the young harpsichordist and composer Graupner – who had received his musical education in Leipzig – some time in the period from autumn 1706 and 1708 at the Hamburg Gänsemarkt Opera House, Ernst Ludwig appointed him Kapellmeister in Darmstadt in 1709. The court household there was that of a comparatively small landgrave, Protestant in inclination – one of the numerous German principalities in the German Lands. But in his ambition for prestige and luxurious pastimes – particularly hunting – the Darmstadt regent by no means took second place even to the pre-eminent courts. Thus in 1723, he secured Graupner’s presence in Darmstadt for life by a generous rise in salary, which made the court Kapellmeister the best paid orchestra director of his time and simultaneously stopped Graupner from taking off to Leipzig, where he had been offered the post of Thomaskantor, the choirmaster of St Thomas’s. Another thirty-seven years were to pass in the service of the Darmstadt landgrave before Graupner eventually died in 1760; he had gone blind, thus in the last six years of his life could no longer actively direct the fortunes of the orchestra.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738686927172,"sku":"CC72539-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738686959940,"sku":"CC72539-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738686992708,"sku":"CC72539-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738687025476,"sku":"CC72539-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738687058244,"sku":"CC72539-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308249784644,"sku":"CC72539-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334614851908,"sku":"CC72539S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334614884676,"sku":"CC72539S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334614917444,"sku":"CC72539S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72539.jpg?v=1790127588"},{"product_id":"cc72545-johannes-passion","title":"Johannes-Passion","description":"\u003cp class=\"p1\"\u003eLet’s start with a simple question : which version have you recorded? Hmm, this is actually a rather complex question. During Bach’s lifetime there were four different performances, each time with new modifications, some in response to the circumstances at the time, others influenced by which musicians and instruments he then had at his disposal. However Bach experimented to the greatest degree with the second version, dating from 1725: for instance, he used a different opening chorus (which was later to become the closing chorus of the first part of the St Matthew Passion, a work yet to be composed at this stage) and a couple of other arias near the end of the work. For the later performances he reverted to his first version from 1724, albeit with some differences in instrumentation. For instance, in the final version he includes a bassono grosso, but no one knows for certain which instrument he had in mind; possibly a 16-foot bassoon, i.e. a contrabassoon, a veritable chimney pot two metres in length. However, he scored this instrument in combination with the delicate sound of the lute and two violas d’amore, of all things! I cannot believe that Bach would opt for such an instrument in this passage; an 8-foot bassoon is more likely and the term bassono grosso probably indicates this more modern type of instrument rather than the earlier dulcian, although the latter had not totally fallen out of fashion at the time. However, I would not venture a definite opinion as to what bassono grosso means in this context. So we did not use this instrument: this was yet another reason to stick with the first version, since it raises fewer uncertain issues. Nevertheless, there are still various grey areas involved. Even prior to the first performance, before making the individual orchestral parts, Bach began to write out the score in fine calligraphy, a task he did not complete; and this score deviates in some aspects from the orchestral material used in the actual performance. The process of determining the most probable historical truth continues to have elements reminiscent of a detective novel; anyway, it will never be possible to clarify certain details. At any rate, we opted for the first version that everyone performs.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738687648068,"sku":"CC72545-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738687680836,"sku":"CC72545-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738687713604,"sku":"CC72545-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738687746372,"sku":"CC72545-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738687779140,"sku":"CC72545-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5.1ch Surround","offer_id":56738687811908,"sku":"CC72545-40","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308250997060,"sku":"CC72545-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618620228,"sku":"CC72545S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618652996,"sku":"CC72545S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334618685764,"sku":"CC72545S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/CC72545.jpg?v=1790127674"},{"product_id":"cc72570-concerti-grossi-op-6-triple-album","title":"Concerti Grossi Op. 6 [Triple Album]","description":"\u003cp class=\"p1\"\u003eBecause George Frideric Handel meticulously dated the manuscripts of his concertos, we know that they were completed in September and October of 1739, as shown in the list below. HWV refers to the thematicsystematic catalogue of Handel’s work, the Händel-Werke-Verzeichnis, and Walsh to the first edition, of 1740. The often very close dates of completion give rise to astonishment at how quickly Handel composed the respective concertos. In some cases, however, the proximity of the dates is misleading because Handel borrowed from his own (and others’) work. In today’s terminology, we might speak of “recycling” – a practice Johann Sebastian Bach also employed throughout his life.\u003cbr\u003eThis borrowing was applied with varying degrees of exactitude. In some cases, the music is identical: the first movement (a tempo giusto) of Concerto No. 1 to the third movement of the Sinfonia from the Occasional Oratorio, HWV 62; the fourth (Allegro) and fifth (Menuet) movements of Concerto No. 9 to the second and third parts of the Overture for the opera Imeneo, HWV 41, composed a year earlier. Elsewhere, it varies from showing only slight changes (such as the second movement of Concerto No. 5 and the second part of the overture of the Ode for St. Cecilia’s Day, HWV 76) to being radically altered, such as the sixth movement (Menuet) of Concerto No. 5 and the third part of the previously named overture. Other times there is not much similarity except for the beginning of a given theme, after which the pieces simply go their own way: the second movement (a tempo giusto) of Concerto No. 6 equals the chorus “They Are Brought Down” from the Chandos Anthem, no. 10, HWV 255. But the typical, chromatically descending beginning (incidentally, marvellously suited for fugal treatment), remaining with this thematic material, could already be heard in the much earlier arioso “Alla Salma in fedel” from the solo cantata La Lucrezia: Oh Numi eterni, HWV 145.\u003c\/p\u003e","brand":"Challenge Classics","offers":[{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738689155396,"sku":"CC72570-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56738689188164,"sku":"CC72570-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738689220932,"sku":"CC72570-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738689253700,"sku":"CC72570-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch 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unhidewhenused=\"false\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ansi-language:EN-US;\n\tmso-fareast-language:JA;}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.7pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-US\"\u003eTHE ORGAN\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e used in this recording is a tracker-action organ built in 1966 by Dirk A. Flentrop of Zaandam, Holland, for All Saints’ Episcopal Church in Palo Alto, California. Some of the principles of organ construction embodied in this superb instrument include: a free-standing case, so that the sound of the pipes is unhampered; tracker action, so that the organist’s fingers have direct control over the speaking of the pipes: slider chests, so that all pipes of a division speak synchronously and harmoniously; low wind pressure with lightly-nicked pipes, so that each rank speaks with its characteristic clarity and beauty; and. most important of all, perfect voicing so that the tone is even and perfectly blended throughout the entire range of the instrument. The organ has 1,144 pipes arranged in 22 ranks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wilson Audiophile Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738696560964,"sku":"Wson782-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738696593732,"sku":"Wson782-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308280947012,"sku":"Wson782-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Wson782-1.jpg?v=1790128328"},{"product_id":"wson794-john-fenstermaker-plays-french-organ-music","title":"John Fenstermaker plays French Organ Music","description":"\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:officedocumentsettings\u003e\n  \u003co:allowpng\u003e\u003c\/o:allowpng\u003e\n \u003c\/o:officedocumentsettings\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e 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Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:\"Table Normal\";\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-language:JA;}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003eEver since the twelfth century when Léonin and Pérotin as organists of Notre-Dame in Paris helped make France the musical center of western civilization, the organ in France has maintained a vitality and popularity peculiar to that country. The rich melodic mine of Gregorian chant, the unbroken emphasis on liturgical improvisation, the imaginative and innovative developments in organ building: all these have been factors in a strong tradition which has produced such composers and performers as Francois Couperin, César Franck and Olivier Messiaen. This recording is a sampling of the last two and one-half centuries of French organ music. Grace Cathedral is an especially appropriate setting \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Wilson Audiophile Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738697740612,"sku":"Wson794-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738697773380,"sku":"Wson794-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308281078084,"sku":"Wson794-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Wson794-1.jpg?v=1790128372"},{"product_id":"wson806-music-for-christmas-james-welch-in-concert-at-stanford-memorial-church","title":"Music for Christmas- James Welch in Concert at Stanford Memorial Church","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.7pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-fareast-language: JA;\"\u003eSTANFORD MEMORIAL CHURCH\u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\" style=\"mso-fareast-language: JA;\"\u003e is a tradition in itself. All those who visit the Church come away with a bit of its richness: the visual aspect of its windows, carvings, mosaics, and high arches; its peaceful setting in the middle of the campus with gently rolling and often cloud—covered hills as a backdrop; and the reverberation of choral and instrumental music. Add to this the tradition of the Christmas season and its wealth of beautiful music, and the result is an unforgettable experience. It is easy to understand why James Welch, who for four years served as Assistant University Organist at Stanford, has a deep appreciation for Christmas music at Stanford Memorial Church. Nothing gives a performer such as Mr. Welch greater pleasure than to share with friends the opportunity to enjoy favorite music in such a unique setting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.7pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-fareast-language: JA;\"\u003eIt was while at Stanford in 1973 that yet another tradition was begun: in honor of a close friend, Mrs. Mary Finlayson of Woodside, California, whose birthday falls on December 5, Mr. Welch chose to offer a “Birthday Concert\" of Christmas music. Each December since that time, the Annual Birthday Concert has been held in the Palo Alto area, often including guest performers, two of whom are represented in this recording. Mr. Welch has written a number of new Christmas songs, all receiving their premiere performances at these concerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:documentproperties\u003e\n  \u003co:revision\u003e0\u003c\/o:revision\u003e\n  \u003co:totaltime\u003e0\u003c\/o:totaltime\u003e\n  \u003co:pages\u003e1\u003c\/o:pages\u003e\n  \u003co:words\u003e237\u003c\/o:words\u003e\n  \u003co:characters\u003e1309\u003c\/o:characters\u003e\n  \u003co:company\u003echannel\u003c\/o:company\u003e\n  \u003co:lines\u003e10\u003c\/o:lines\u003e\n  \u003co:paragraphs\u003e3\u003c\/o:paragraphs\u003e\n  \u003co:characterswithspaces\u003e1543\u003c\/o:characterswithspaces\u003e\n  \u003co:version\u003e14.0\u003c\/o:version\u003e\n \u003c\/o:documentproperties\u003e\n \u003co:officedocumentsettings\u003e\n  \u003co:allowpng\u003e\u003c\/o:allowpng\u003e\n \u003c\/o:officedocumentsettings\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e 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name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c\/xml\u003e\u003c![endif]--\u003e \u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ansi-language:EN-US;\n\tmso-fareast-language:JA;}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.7pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-fareast-language: JA;\"\u003eIt is the sincere wish of the artist that this joyous tradition may continue and that all who hear this music will feel the special joy that only Christmas music can bring.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wilson Audiophile Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738697969988,"sku":"Wson806-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738698002756,"sku":"Wson806-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308282749252,"sku":"Wson806-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Wson806-1.jpg?v=1790128418"},{"product_id":"sachr70120-all-stations","title":"All Stations","description":"James Scholfield was born in Manchester, England and moved to South Africa in his childhood. After playing in all kind of different bands he was bitten by the Jazz-bug. That made him decide to study at the excellent Jazz school in Graz, Austria for several years, but South Africa eventually pulled him back.\r\n\r\nIn Cape Town he met Dutch Producer and Bass player Hein Van de Geyn, who was visiting South Africa at that time. Hein was immediately impressed not only by his excellent playing but also by his prolific compositions. As you will hear yourself, James' music has a very personal signature: deeply rooted in the tradition, hints of the Cape, on the edge and above all original.\r\n\r\nNot too long after hearing James' demo Hein bumped into Dutch Hammond Organ player Arno Krijger and he immediately realized that he should get these two wonderful musicians together at some point. The only thing they missed (according to Hein) was a great Drummer. In his mind it couldn't be anybody else than the amazing, exciting Billy Hart. And if it had to be, Billy was up to it and even better, going to be on tour.\r\n\r\nSo now they had a tour and the possibility to record. The result of their wonderful week, of great music and good food can be heard on this album. It's strong, potent, gentle, sensitive, grooving, original, accusable and creative. And on top of all that recorded in the DSD format, which gives this music even more intensity than a normal recording would do. 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Renowned as a composer at home and abroad, Carissimi was memorably described by his successor Pitoni as ‘very frugal in his domestic circumstances, very noble in his manners towards his friends and others ... of tall stature, thin, and inclined to melancholy’. Carissimi was born in the small town of Marino, fifteen miles from the centre of Rome. We know little about his musical education, but as the youngest son of a cooper, he was presumably the beneficiary of church schooling often made available to boys with strong singing voices. After working in Tivoli and Assisi as organist and maestro di cappella respectively, he was appointed to the Collegio Germanico in Rome at the age of just 23.\u003cbr\u003eVery quickly thereafter he became maestro di cappella, a prestigious post previously held by Tomás Luis de Victoria. Conditions at the well-funded Jesuit college were excellent and Carissimi stayed for the remainder of his life, during which time he became arguably Europe’s most admired composer. His fame grew not through publishing or self-promotion, but via countless hand-written copies of his music being transported across the continent by his many students and admirers. From Purcell’s London to Buxtehude’s Lübeck, the work of Carissimi came to be regarded by the cognoscenti as the epitome of fine vocal style. When 17th-century musicians spoke of music in ‘the latest Italian manner’ it would have been the style defined by Carissimi they often had in mind. This fame and respect led naturally to offers of employment, including one enticing opportunity to succeed Monteverdi as maestro di cappella at San Marco in Venice. Carissimi seems to have appreciated life at the Collegio Germanico however, and all such offers were turned down.\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738713305412,"sku":"807588DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738713338180,"sku":"807588DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738713370948,"sku":"807588DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738713403716,"sku":"807588DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738713436484,"sku":"807588DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308335079748,"sku":"807588DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334657745220,"sku":"807588DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334657777988,"sku":"807588DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334657810756,"sku":"807588DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807588DI-1.jpg?v=1790129938"},{"product_id":"807610di-carols-from-the-old-new-worlds-vol-iii","title":"Carols from the Old \u0026 New Worlds, Vol. III","description":"\u003cp class=\"p1\"\u003e The “O Antiphons” that frame this collection of Christmas music properly belong to the week before Christmas. They are the culmination of Advent in preparation for the celebrations of Christmas Eve and Day. Advent itself begins on the fourth Sunday before Christmas of course. Children start to open the pictures on their Advent calendars. Advent candles are lit to measure off the days left. Christmas fairs are set up across Germany. In Provence the crèche is peopled with santons. In Denmark the traditional Christmas lunch (an allafternoon affair at the very least) puts politics and business on hold. Across America the Christmas shops that have been open most of the year suddenly begin to make sense. And everywhere the carol singers begin to gather. Putting aside the commercial mayhem that surrounds a modern Christmas, all of these activities contrive to remind us that Christmas begins, musically as well as theologically, about a month before the day itself. Properly speaking it continues for some time afterwards as well, although carol singing, indoors or outside, tends to stop rather abruptly once the presents have been unwrapped.\u003cbr\u003eI don’t know if my musical colleagues have similar experiences – I expect they do – but my musical encounter with Christmas tends to run well into the New Year, either with more seasonal concerts or a carols recording on the back of December’s music-making. And it picks up again quite early in the summer when I start to plan the final details of my carol concerts for the following winter. Actually there is nothing I enjoy more on a hot June afternoon than to cool off indoors by playing through some favourite carols and perhaps starting to work on a new arrangement of one tune or another. This may all seem a bit weird to more normal people, for whom the onset of Christmas is probably signaled by the appearance of decorations in shops, but it was ever thus in my experience.\u003cbr\u003eThis is the fourth in a series of carol recordings for harmonia mundi that have featured a number of my own carol arrangements. Most of these arrangements have now been published by Theatre of Voices Edition: https:\/\/www. tov-edition.com. The first two CDs were Carols from the Old and New Worlds volumes 1 and 2. Next came The Christmas Story (2011), which follows a narrative pattern built loosely on the plan of Nine Lessons and Carols, and including early music as well as traditional. This newest addition maintains the transatlantic approach of the first two CDs, but because the singers here are Chamber Choir Ireland, I have flavoredthe mixture with a hint of Irish music for good measure.\u003c\/p\u003e","brand":"harmonia mundi","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738714353988,"sku":"807610DI-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738714386756,"sku":"807610DI-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738714419524,"sku":"807610DI-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738714452292,"sku":"807610DI-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738714485060,"sku":"807610DI-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308339175748,"sku":"807610DI-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334658793796,"sku":"807610DIS1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334658826564,"sku":"807610DIS69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334658859332,"sku":"807610DIS710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/807610DI-1.jpg?v=1790130069"},{"product_id":"36315-tintomara","title":"Tintomara","description":"\u003cp class=\"p1\"\u003eTintomara, as this CD is called, is a dualistic figure from The Briar Rose Book by the Swedish author Jonas Love Almqvist (1793-1859); in Folke Rabe’s Tintomara it reflects the male and female character of the trumpet and trombone. Folke Rabe: ‘When I was working on this little piece I spent a lot of time thinking about the concept of male and female. The penetrating sound of the trumpet, and its role in military fanfares, are primarily associated with typically male qualities, while the trumpet is really a soprano instrument. Its warm sound and attractive glissandos (sliding notes) perhaps evoke motherly associations, but the range of the trombone corresponds to the male voice. Not to mention the trombone as a metaphor for male sexuality, when Movitz climbs into bed with his instrument! (He is a character in the songs of Carl Michael Bellman, which are set in the taverns of eighteenth-century Stockholm.)’ On this CD programme the performers explore this versatile, ambiguous character, the range of colours, possibilities and even boundaries of the combination of trumpet and trombone, in which the soprano voice of the trumpet forms a wonderful combination with the tenor of the trombone.\u003c\/p\u003e\n\nhttps:\/\/www.youtube.com\/watch?v=QykDMdhMtTk","brand":"Channel Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738747023684,"sku":"36315-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738747056452,"sku":"36315-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738747089220,"sku":"36315-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738747121988,"sku":"36315-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738747154756,"sku":"36315-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308387279172,"sku":"36315-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334690251076,"sku":"36315S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334690283844,"sku":"36315S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334690316612,"sku":"36315S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/36315-1.jpg?v=1790131592"},{"product_id":"lwc1075-the-steinmeyer-organ-in-nidaros-cathedral","title":"The Steinmeyer Organ in Nidaros Cathedral","description":"\u003cp\u003eNidaros Cathedral’s Steinmeyer organ, completed in 1930 for the 900th anniversary of the Battle of Stiklestad, is one of the largest cathedral organs in Europe. The instrument has, however, suffered an unkind fate over the course of time as a result of moves within the cathedral, a reduction of the number of stops, and exposure to dampness and draft. Maintenance of the organ eventually became so demanding that those in charge of its repair could only pray and hope for the best. Many years of tireless effort to have the organ restored, led by former Director of Music Per Fridtjov Bonsaksen, finally produced results, and in the spring of 2012 the municipality of Trondheim agreed to act as guarantor for the cost of the restoration project. In late summer of the same year, Kuhn Organ Builders began the laborious task of dismantling the organ and sending a significant portion of the instrument to its factory in Switzerland for restoration. The following year, in September 2013, work began on installing the organ in its new façade, and in May 2014 it was ready for use. 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priority=\"9\" qformat=\"true\" name=\"heading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"toc 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"35\" qformat=\"true\" name=\"caption\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"59\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Table 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locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" 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priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  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*\/\ntable.MsoNormalTable\n\t{mso-style-name:Standaardtabel;\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin-top:0cm;\n\tmso-para-margin-right:0cm;\n\tmso-para-margin-bottom:0cm;\n\tmso-para-margin-left:36.0pt;\n\tmso-para-margin-bottom:.0001pt;\n\ttext-indent:-36.0pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:11.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-fareast-language:EN-US;}\n\u003c\/style\u003e\n\u003c![endif]--\u003e \u003c!--StartFragment--\u003e \u003c!--EndFragment--\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 0cm; text-indent: 0cm;\"\u003eThrough the E.M. Skinner Organ at the Church of the Transfiguration in Orleans, Massachusetts, USA, Dr. SharonRose Pfeiffer gives voice to works by master composers from the Baroque to the twentieth century. Recorded in DSD, this album creates a surround-sound experience, enabling listeners to hear the full effect of this organ. In a unique design by Nelson Barden \u0026amp; Associates of Boston, the organ pipes line the north and south side aisles the full length of the church, allowing the entire building to sing. \u003cbr\u003e \u003cbr\u003e The program includes \u003cem\u003eResurrection: Lament, The Rising, The Ecstasy, Reflection\u003c\/em\u003e by Larry King, \u003cem\u003eSonate der 94ste Psalm\u003c\/em\u003e by Julius Reubke, \u003cem\u003eJob\u003c\/em\u003e for Organ, 6. \u003cem\u003ePenitence and Realization\u003c\/em\u003e by Petr Eben, \u003cem\u003eSymphonie VI Op. 42: 1. Allegro\u003c\/em\u003e by Charles-Marie Widor, \u003cem\u003eFantasia Super “Komm Heiliger Geist” BWV 651\u003c\/em\u003e by J.S. Bach, and \u003cem\u003eMesse de la Pentecote: V. Sortie (Le vent d’Esprit) \u003c\/em\u003eby Olivier Messiaen.\u003cbr\u003e \u003cbr\u003e The inspiration for all of these text-based works is outlined in the detailed program notes, giving additional insight to the composers’ thoughts and intentions behind the music.\u003cbr\u003e \u003cbr style=\"mso-special-character: line-break;\"\u003e \u003c!-- [if !supportLineBreakNewLine]--\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e \u003c!--[endif]--\u003e\u003c\/p\u003e","brand":"Gloriae Dei Cantores Recordings","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738785001796,"sku":"GDCD059-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738785034564,"sku":"GDCD059-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738785067332,"sku":"GDCD059-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738785100100,"sku":"GDCD059-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738785132868,"sku":"GDCD059-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308416082244,"sku":"GDCD059-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698770756,"sku":"GDCD059S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698803524,"sku":"GDCD059S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334698836292,"sku":"GDCD059S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/GDCD059-1.jpg?v=1790132268"},{"product_id":"812864019605-cantate-domino","title":"Cantate Domino","description":"\u003cstrong\u003eExclusively Available in Stereo DSD 256 and Stereo DSD 512 at NativeDSD! \u003c\/strong\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eCantate Domino\u003c\/strong\u003e\u003c\/em\u003e is a remarkable album.  It has been an audiophile favorite for many years.  Appreciated for its exquisite sound quality in the recording of choral and solo voices. Setting a new standard in sound engineering. It features Oscar's Motet Choir. organist Alf Linder, soprano Marianne Mellnas and is conducted by Torsten Nilsson.\r\n\r\nRecorded by legendary sound engineer Bertil Alving in 1976, the album is widely regarded as one of the greatest audiophile masterpieces ever recorded. Opening with Enrico Bossi's \"Cantate Domino\" for choir, organ, trumpets and trombones, the choral album includes several Swedish folk songs as well as pieces by Handel, Otto Olsson, and others.\r\n\r\nCantate Domino is now made even better with this new Stereo DSD and DXD edition from 2xHD Mastering and Naxos.  NativeDSD makes the album available to our listeners in Stereo DSD 128, DSD 64 and DXD \u003cstrong\u003eplus Stereo DSD 256 and Stereo DSD 512 editions - found only at NativeDSD Music.\u003c\/strong\u003e\r\n\r\nWords from the Book of Psalms, the foremost treasure of Jewish psalms since ages ago, even at the time of Jesus. The psalms were recited and sung in the homes, in the synagogues and, not least, in the Temple of Jerusalem at the great festivals.\r\n\r\nThe Christian church appropriated the Book of Psalms; its significance is precious. Seldom has the agony and assurance of the soul been expressed more truly and profoundly. The features of the Saviour emerging ever clearer. And the praises to the Lord of Creation have never been sung more genuinely!\r\n\r\nMany authors have mined the Book of Psalms for gems and paraphrased them. Still, more composers have drawn inspiration from it. One of the best-known works is the Italian romanticist Enrico Bossi’s magnificent “\u003cem\u003eCantate Domino\u003c\/em\u003e”. 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There are probably many reasons for this: Easter in Norway means skiing and lunching on oranges and the dream of sunshine in the mountains, while Advent and Christmas are a time for domestic pursuits indoors. Christmas music is meant to create a Christmas mood; Easter music seldom puts us in the mood for Easter. The themes of Easter are so much more dramatic that many may not wish to be absorbed with this story; for while Christmas portrays the birth of a little child, Easter conveys so many more moods and feelings: from awe, festivity, and hope, via humiliation, disappointment, betrayal, anguish, and death, to victory, boundless jubilation, and stunning good tidings.\u003c\/p\u003e","brand":"Lawo Classics","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738798076228,"sku":"LWC1077-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738798108996,"sku":"LWC1077-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738798141764,"sku":"LWC1077-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738798174532,"sku":"LWC1077-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738798207300,"sku":"LWC1077-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738798240068,"sku":"LWC1077-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 5ch Surround","offer_id":56738798272836,"sku":"LWC1077-18","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":56738798305604,"sku":"LWC1077-22","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 5ch Surround","offer_id":56738798338372,"sku":"LWC1077-23","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308444655940,"sku":"LWC1077-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706667844,"sku":"LWC1077S1417","price":32.49,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706700612,"sku":"LWC1077S1517","price":34.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706733380,"sku":"LWC1077S69","price":30.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334706766148,"sku":"LWC1077S710","price":29.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/LWC1077-1.jpg?v=1790132750"},{"product_id":"ptc5186387-tchaikovsky-manfred-symphony-op-58","title":"Tchaikovsky - Manfred Symphony Op. 58","description":"\u003cp\u003ePeter Ilyich Tchaikovsky’s \u003cem\u003eManfred \u003c\/em\u003eis a hermaphrodite – at least, as far as the music is concerned. For although the work (dating from 1885) was indeed dubbed by its creator as a symphony, it still did not receive a number alongside Tchaikovsky’s further six contributions to the category. And thus it was – and has still to some extent remained – “draped” over a stool, as it were: isolated in Tchaikovsky’s oeuvre somewhere between the categories of the symphony and the symphonic poem. Nevertheless, \u003cem\u003eManfred \u003c\/em\u003eis definitely based on a literary programme. And what a programme – the eponymous dramatic poem written by the “dark romantic” poet, Lord Byron. Tchaikovsky devoted himself to this and to its eponymous hero with zeal, and seemed to even somewhat transform himself into Manfred during the intensive period of work. After all, he was also suffering from inner torment. And this can be heard in the music, which appears to be full of inner conflict. Nowadays, \u003cem\u003eManfred \u003c\/em\u003eis rarely heard in the concert hall. 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We also hear his first organ work, Scherzo, Op.2. The whole is played by Torvald Torén – one of Scandinavia’s most eminent interpreters of the French organ music – in a recording which bears the unmistakable signature of sound engineer Bertil Alving.\u003c\/p\u003e","brand":"2xHD-Naxos","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738889695556,"sku":"812864019896-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738889728324,"sku":"812864019896-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56738889761092,"sku":"812864019896-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308588835140,"sku":"812864019896-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/812864019896-1.jpg?v=1790135765"},{"product_id":"acdbl085-2-six-trio-sonatas-for-oboe-violin-and-bc","title":"Six Trio Sonatas for Oboe, Violin and B.C.","description":"In all likelihood these sonatas were written by Handel when he was around eleven years old, in 1696. At the time, he readily wrote for the oboe, which was, by his own admission, his favorite instrument. Consequently, these sonatas were long considered to be works for two oboes. Yet, the use of double strings in the first movement of the third sonata leads us to believe that the handwritten composition was for oboe and violin, two richly contrasting voices with complementary tones.\r\n\r\nFor the past four years and thanks to the Duke of Saxe-Weissenfels’ mediation with his family, Handel had been a pupil of the Halle organist Friedrich Wilhelm Zachow. This enlightened mind had already given him a very European musical culture, teaching him to compose and play the organ according to the different musical styles of the time.\r\n\r\nThe trio sonatas HWV 380-385 are all composed following the model of the sonata da chiesa which had remained hugely fashionable since Corelli's works: in four movements, slow-fast-slow-fast; they demonstrate a very strong and rigorous knowledge of counterpoint.\r\n\r\n\u003cstrong\u003eEnsemble Amalthée\u003c\/strong\u003e","brand":"Aliud Records","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738891104580,"sku":"ACDBL085-2-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 5ch Surround","offer_id":56738891137348,"sku":"ACDBL085-2-9","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 5ch Surround","offer_id":56738891170116,"sku":"ACDBL085-2-10","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738891202884,"sku":"ACDBL085-2-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 5ch Surround","offer_id":56738891235652,"sku":"ACDBL085-2-17","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ Auro3D","offer_id":56738891268420,"sku":"ACDBL085-2-61","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308599746884,"sku":"ACDBL085-2-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334860251460,"sku":"ACDBL085-2S1417","price":28.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334860284228,"sku":"ACDBL085-2S69","price":26.49,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo \u0026 5ch Surround","offer_id":57334860316996,"sku":"ACDBL085-2S710","price":25.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/ACDBL085-2-1.jpg?v=1790135942"},{"product_id":"cc72394-weihnachtsoratorium-the-christmas-oratorio","title":"Weihnachtsoratorium (The Christmas Oratorio)","description":"\u003cp class=\"p1\"\u003eThe Christmas Oratorio is actually not an ‘oratorio’ in the mold of, for instance, Bach’s Ascension Oratorio or Handel’s Messiah. 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Bach wrote the work in Leipzig in 1734 and 1735 for Christmas Day (I), Boxing day (II), the third day of Christmas (III), New Year (IV), the Sunday after New Year (V) and Twelfth Night (VI). \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs with the Passions, the texts here are drawn from three sources: (1) the evangelical texts (primarily Luke and Matthew) intoned by the Evangelist (tenor) as recitatives, (2) chorales from the Lutheran tradition and (3) free texts for arias and some choral passages, written by the poet Picander. Rather than dealing with the content and structure of the work itself (which an interested reader can readily find out about in the literature or even on the internet), I would prefer to consider certain aspects of this performance that all contribute towards the fact that, as a whole, it is perhaps as close as presently possible to what we imagine Bach might have had in mind as he composed the work in Leipzig.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFirst of all, we have the ‘one to a part’ aspect: historical research among the various sources clearly shows that Bach did not ask for a choir to perform his cantatas, but simply a vocal quartet (the classical combination of soprano, alto, tenor and bass). 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