Exclusively Available in Stereo & 5 Channel Pure DSD 256 at NativeDSD!
Shaping Chopin is pianist Anna Fedorova’s 6th appearance at Native DSD Music on the Channel Classics label.
The album features the music of Chopin that made her feel less lonely in 2020 and will hopefully bring some consolidation and joy to you as well. The album’s cover art was created by Marcelle Schoenmaker during a live concert.
This is a Pure DSD release. This album was recorded, mixed, and balanced in Stereo & Multichannel DSD 256 using Brüel & Kjær 4006 and Schoeps microphones, 3T Van den Hul cables, Rens Heijnis custom mixing board, Grimm Audio LS1 speakers and Pyramix Workstation software and the Horus Analog to Digital Converter from Merging Technologies at DSD 256. No post-production has been done. Shaping Chopin stayed within the DSD domain throughout.
Anna Fedorova is Artist in Residence at the Haarlem Philharmonie in the Netherlands and will be presenting Shaping Chopin in a Solo Recital on September 3, 2021.
She tells us “Chopin’s music had an important place in my life from early childhood and I worked extensively on various pieces with my parents, who were my teachers at that time in Kiev. While we were separated for a long time, I felt closer to them through his music. Practicing certain waltzes or nocturnes seemed to transport me in time and space and reflected the current mood with their dreaminess and melancholy.
When the opportunity to record a new album spontaneously arose, I immediately thought about the music of Chopin. I selected various Waltzes, Nocturnes and Mazurkas, and added the Fantaisie Impromptu, as they cover a wide spectrum of emotions, moods, and colors. It’s incredible how Chopin can express himself so intensively and so deeply in a piece which lasts just a few minutes. He always manages to create a captivating atmosphere and a unique dreamworld. While performing Chopin’s miniatures it feels like diving into a living painting, artistically shaping its unique story, colors, and characters with music.”
Anna Fedorova – Piano
Total time: 01:02:37
|Analog to Digital Converter|
Horus, Merging Technologies
Van den Hul 3T
Brüel & Kjær 4006 and Schoeps
Rens Heijnis custom mixing board
|Original Recording Rate|
DSD 256 Stereo & Multichannel
|Original Recording Format|
|Pure DSD Recording|
This album was recorded, mixed, and balanced in Stereo & Multichannel DSD 256. No post-production has been done. ‘Shaping Chopin' stayed within the DSD domain throughout. This is a Pure DSD release.
Muziekgebouw Eindhoven in July 2020
|Release Date||August 20, 2021|
I can’t and I won’t hide the fact that I’m an avid admirer of Anna Borysivna Fedorova ever since I heard her play Rachmaninoff. She equals men in technique, bravura, and yes, power, but adding what they often don’t or manage to a lesser degree: Lyrical poetry. Listening to her shaping Chopin, the same is true. In all my subjectivity I have no hesitancy to add Anna to the above hit list.
Reading Federova’s personal notes is a pleasant and most revealing exercise. “While performing Chopin’s miniatures it feels like diving into a living painting, artistically shaping its unique story, colors and characters with music”. Concluding with the hope that “the awe-inspiring magic of Chopin’s music will comfort you amidst difficult times (Covid-19) as it has done for me, and that it sweeps you away into the fantasy world of your dreams!”
True to what she says, the Grande Valse Brillante in E-Flat Major, Op.18, with which the program opens, comes to life as a comprehensive story. Precise and articulate in its aristocratic beauty; strong and convincing in its loving recite. Several of the following ‘miniatures’, so much appreciated by the beau monde of the Paris ‘salons’, become in her interpretation sensually and handsomely crafted masterpieces, which continue to appeal time and again.
Most of us will have sets of the ‘complete’ Nocturnes, Mazurkas, Waltzes, etc. Here we must follow Anna’s Choice, a carefully varied program. Was it done to please the listener? That’s what happened to me. But we must give her at the same time and above all much more credit for having selected a tastefully designed combination of ‘miniatures’ rendering her recital more attractive than the usual complete set of any of them. Indeed, it swept me away into the fantasy world of my dreams, best concretized in the concluding Fantaisie-Impromptu in C-Sharp Minor, Op. 66. Compared to the many readings I have; this one stands out as one of the most compelling versions I own.
Great music and great soloists, like Anna Fedorova, deserve the best possible sound reproduction to lift the music into the reality of a concert experience at home. The Pure DSD engineering by Channel Classics obliges and my ears concur: The concert grand sounds like a concert grand. What else do we need to make a dream come true?
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