{"product_id":"a5672-bach-mass-in-b-minor-album-2","title":"Bach: Mass in B Minor (Album 2)","description":"\u003cstrong\u003eBach’s Mass in B Minor\u003c\/strong\u003e is undoubtedly his most spectacular choral work. Its combination of sizzling choruses and solo numbers covering the gamut of late-Baroque vocal expression render it one of the most joyous musical experiences in the western tradition.\r\n\r\nNevertheless, its identity is teased by countless contradictions: it appears to cover the entire Ordinary of the Catholic Liturgy, but in Bach’s Lutheran environment the complete Latin text was seldom sung as a whole; it seems to have the characteristics of a unified work, yet its origins are perhaps the most diverse for any of Bach’s large scale compositions; it was written in an age when composers generally prepared music for specific occasions, yet we have no firm evidence that the whole work was designed with a performance in mind.\r\n\r\nSomehow, a mystique grew around the Mass soon after Bach’s death, and C.P.E. Bach performed the Credo section during the 1780s; but it was nearly a century before it was available in print. The first performances in the early decades of the nineteenth century were presented by institutions of which Bach could hardly have conceived – amateur choral societies with a vast number of performers. And, over the last century it has often been at the center of major disputes in the field of Bach scholarship: the question of its original function, its chronology, the legitimacy of the various manuscripts and, of course, its performance practice. Even the title ‘Mass in B Minor’ was not applied until the nineteenth century.\r\n\r\nBach’s autograph contains four discrete sections: the Kyrie and Gloria are together entitled Missa, these movements being the regular part of the sung Lutheran mass of Bach’s time; the second section is called Symbolum Nicenum – the Nicene Creed. Then follows the Sanctus – again an independent manuscript (a slightly modified version of a pre-existing setting); the fourth section contains the remaining texts of the Mass, ‘Benedictus’ to ‘Dona nobis pacem’. The fact that Bach gave each of these sections - John Butt\r\n\r\n\u003chr\u003e\r\n\r\n\u003cstrong\u003eMiriam Feuersinger, Soprano I \u003c\/strong\u003e\r\n\u003cstrong\u003eHana Blažiková, Soprano II \u003c\/strong\u003e\r\n\u003cstrong\u003eCarlos Mena, Countertenor \u003c\/strong\u003e\r\n\u003cstrong\u003eJakob Pilgram, Tenor \u003c\/strong\u003e\r\n\u003cstrong\u003eTobias Berndt, Bass \u003c\/strong\u003e\r\n\u003cstrong\u003eLa Cetra Basel\u003c\/strong\u003e\r\n\u003cstrong\u003eAndrea Marcon, Artistic \u0026amp; Musical Direction\u003c\/strong\u003e","brand":"Arcana","offers":[{"title":"DSD 512 \/ 2ch Stereo","offer_id":56741126078788,"sku":"A5672-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56741126111556,"sku":"A5672-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56741126144324,"sku":"A5672-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 128 \/ 2ch Stereo","offer_id":56741126177092,"sku":"A5672-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz \/ 2ch Stereo","offer_id":56741126209860,"sku":"A5672-5","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56741126242628,"sku":"A5672-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"DXD 24 Bit \/ 2ch Stereo","offer_id":57343037768004,"sku":"A5672-22","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/A567-1_e7345467-ade1-4ad6-b94a-5656576f825b.jpg?v=1790647521","url":"https:\/\/www.nativedsd.com\/products\/a5672-bach-mass-in-b-minor-album-2","provider":"NativeDSD Music","version":"1.0","type":"link"}