{"product_id":"hres2213-music-for-flute-and-piano-pure-dsd","title":"Music For Flute And Piano [Pure DSD]","description":"With his 6th Pure DSD 256 Stereo release at NativeDSD Music, pianist Laszlo Borbely is joined by flutist Szabolcs Szilágyi. Their new album features compositions for piano and flute by Kodaly, Prokofiev, Liebermann and Kernis.\r\n\r\n\u003cstrong\u003eThis is a Pure DSD recording, which was recorded in Stereo DSD 256 and is being offered in its original format exclusively at NativeDSD.\u003c\/strong\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" is the first time in a climber life that they ask themselves if are ready to conquer highest peak world and when does moment come he actually sets out it no longer wishes leave his footprints as runner-up on path trodden by others but chooses much more difficult untrodden alone. so pushing own limits. driven challenge curiosity joy of discovery into unknown... performer often preoccupied similar thoughts. particular whether necessary or even right follow conventions beaten track recording music for example can claim show listener lives knows best with all its beauty countless oddities risks should let territory strange individual dimension audience may not have known existed until now one neither familiar from safe distance concert podium nor be reproduced experience listening at home. dare personal enough because point. nowadays carefully crafted gives illusion believed flawless care fundamentally designed cater perfectionism audience. kind therefore needed breathe recording. intention making this record was create most natural realistically transcendent material possible capable speaking works album their authors closely related than might think. composition each two eastern european geniuses prokofiev contemporary american composers kernis genre easily paired. liebermann sonatas strong dramatic elements also significant without exaggeration landmark compositions flute repertoire. startling eclecticism inimitable mood swings imprints deeply undulating tradition. work draws tradition naturalistic direct means predecessor there few extreme works. both demand witchcraft virtuosity instrumentalists. lyrical written same beginning end last century display universal musicality merely enriching repertoire instrument presenting truth right. kod adagio originally violin piano very frequently played piece good reason what exciting adapted heard new despite fact transcriber mark sparks did add take single note original. an interesting parallel orchestra followed somewhat later adaptation. makes quite clear these transcriptions were intended enrich mentioned above created particularities instrumentation. szil data-sheets-userformat=\"{\" simply:=\"\"\u003eSzabolcs Szilágyi says \u003cem\u003e\"When is the first time in a climber's life that they ask themselves if they are ready to conquer the highest peak in the world? And when does the moment come when he actually sets out to conquer it? When he no longer wishes to leave his footprints as a runner-up on the path trodden by others, but chooses the much more difficult path, the untrodden path, alone. And he does so by pushing his own limits. Driven by the challenge, the curiosity, the joy of discovery into the unknown...\u003c\/em\u003e\r\n\u003cem\u003eThe performer is often preoccupied by similar thoughts.\u003c\/em\u003e\u003c\/span\u003e\r\n\r\n\u003cspan data-sheets-value=\"{\" is the first time in a climber life that they ask themselves if are ready to conquer highest peak world and when does moment come he actually sets out it no longer wishes leave his footprints as runner-up on path trodden by others but chooses much more difficult untrodden alone. so pushing own limits. driven challenge curiosity joy of discovery into unknown... performer often preoccupied similar thoughts. particular whether necessary or even right follow conventions beaten track recording music for example can claim show listener lives knows best with all its beauty countless oddities risks should let territory strange individual dimension audience may not have known existed until now one neither familiar from safe distance concert podium nor be reproduced experience listening at home. dare personal enough because point. nowadays carefully crafted gives illusion believed flawless care fundamentally designed cater perfectionism audience. kind therefore needed breathe recording. intention making this record was create most natural realistically transcendent material possible capable speaking works album their authors closely related than might think. composition each two eastern european geniuses prokofiev contemporary american composers kernis genre easily paired. liebermann sonatas strong dramatic elements also significant without exaggeration landmark compositions flute repertoire. startling eclecticism inimitable mood swings imprints deeply undulating tradition. work draws tradition naturalistic direct means predecessor there few extreme works. both demand witchcraft virtuosity instrumentalists. lyrical written same beginning end last century display universal musicality merely enriching repertoire instrument presenting truth right. kod adagio originally violin piano very frequently played piece good reason what exciting adapted heard new despite fact transcriber mark sparks did add take single note original. an interesting parallel orchestra followed somewhat later adaptation. makes quite clear these transcriptions were intended enrich mentioned above created particularities instrumentation. szil data-sheets-userformat=\"{\" simply:=\"\"\u003e\u003cem\u003eIn particular, whether it is necessary, or even right, to follow conventions (the beaten track) when recording music, for example, or whether the performer can claim the right to show the listener the world he lives in, the world he knows best, with all its beauty and its countless oddities, even risks? Should he let the listener into his own territory, that is, into a strange and individual dimension that the audience may not have known existed until now? One that is neither familiar to the listener from the safe distance of the concert podium, nor can it be reproduced by the experience of listening to music at home. More simply: does the performer dare to be personal enough? Because that's the point. Nowadays, a carefully crafted recording gives the listener the illusion of a world believed to be flawless, a care that is fundamentally designed to cater to the perfectionism of the audience. A 'different' kind of care is therefore needed, one that can breathe life into even a recording.\"\u003c\/em\u003e\r\n\u003c\/span\u003e\r\n\r\n\u003cstrong\u003eSzabolcs Szilágyi - Flute\r\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"\u003eLászló Borbély - Piano\u003c\/span\u003e\u003c\/strong\u003e\r\n\r\n ","brand":"Hunnia Records","offers":[{"title":"DSD 128 \/ 2ch Stereo","offer_id":56739610460484,"sku":"HRES2213-15","price":25.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 256 \/ 2ch Stereo","offer_id":56739610493252,"sku":"HRES2213-16","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 512 \/ 2ch Stereo","offer_id":56739610526020,"sku":"HRES2213-21","price":35.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":56739610558788,"sku":"HRES2213-6","price":20.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56739610591556,"sku":"HRES2213-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":57339121008964,"sku":"HRES2213-14","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/HRES2213.jpg?v=1778487439","url":"https:\/\/www.nativedsd.com\/products\/hres2213-music-for-flute-and-piano-pure-dsd","provider":"NativeDSD Music","version":"1.0","type":"link"}