{"product_id":"sacd130-natural-jazz-recordings","title":"Natural Jazz Recordings","description":"\u003cem\u003e\u003cstrong\u003eNatural Jazz Recordings\u003c\/strong\u003e\u003c\/em\u003e is a 10 track sampler of the Best Live Jazz Recordings made \u003cstrong\u003eDirect to 2 Track Analog Tape\u003c\/strong\u003e by audio designer, producer and recording engineer \u003cstrong\u003eDavid Manley\u003c\/strong\u003e of VTL. Jazz artists featured on the album include \u003cstrong\u003eJosh Sklair\u003c\/strong\u003e, \u003cstrong\u003eSekou Bunch\u003c\/strong\u003e, \u003cstrong\u003eVickie Leigh\u003c\/strong\u003e, \u003cstrong\u003eKaren Knowles\u003c\/strong\u003e, \u003cstrong\u003eAlan Yoshida\u003c\/strong\u003e, \u003cstrong\u003eLuis Conte\u003c\/strong\u003e, \u003cstrong\u003eKate McGarry\u003c\/strong\u003e, \u003cstrong\u003eMunyungo Jackson\u003c\/strong\u003e and \u003cstrong\u003eJack Le Compte\u003c\/strong\u003e.\r\n\r\n\u003cem\u003e\"My dream has always been to record the sound of silence, and in silence to find the breath of life. To record the feelings and the emotions of people, as nearly as I can. The problem is not how to capture the space or the depth or the source of the sound, all this of course is fine and provides emotions, but is not in itself moving. To portray the smell of the concert hall, or the concentration of both performers and listeners, that is what is moving. If we believe that recording means portraying truth by following objective, absolute criteria, then we have completely missed the point. \u003c\/em\u003e\r\n\r\n\u003cem\u003eWhen I record, I follow all my senses, which means not only what I hear, but more importantly the feelings that come into the soul and to the heart. For me, placing the microphones is something of a sacred ritual, almost a mystic art. I have to find, and I know that it exist and is waiting to be found, that pocket-handkerchief sized space of air where the whole atmosphere can be felt. I measure the dimension with eyes and ears, I evaluate the materials, and, as an instrument-maker would, I ‘tune’ some gigantic structure like a church, a theatre or a music salon. And if the public are present, so much the better! Like an extraordinary acoustic trap, the bodies and the faces of hundreds of people make the sound more linear. If I could, I would record the bodies! And after, two, three, four microphones higher, lower, to the right, no, to the left... each time the conditions change and everything has to be discovered again, even the “emotion center”.\u003c\/em\u003e\r\n\r\n\u003cem\u003eThe microphones are eventually exactly there where they should be; I must be aware of everything, the beautiful women, the musicians, their state of mind, and remind myself of the flavor of the occasion... and then, draw everything together at that “center”. Reality on its own does not exist, it only exists in our own feelings. In truth, I record my own feelings, Fonè is my gift to music and to all music lovers.\" \u003c\/em\u003e\r\n\r\n\u003cstrong\u003eAlan Yoshida - Guitar\u003c\/strong\u003e\r\n\u003cstrong\u003eBennie Maupin - Flute \u0026amp; Saxophones\u003c\/strong\u003e\r\n\u003cstrong\u003eBill Summers - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eBob Summers - Trumpet \u0026amp; Flugelhorn\u003c\/strong\u003e\r\n\u003cstrong\u003eBobby Rodriguez - Trumpet\u003c\/strong\u003e\r\n\u003cstrong\u003eBruce Bishop - Guitar, Acoustic Guitar \u0026amp; Backing Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eDavid Garfield - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eEfrain Toro - Drums \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eEveAnna Manley - Baritone Saxophone\u003c\/strong\u003e\r\n\u003cstrong\u003eFelicidad - Background Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eFrank Crawford - Piano, Organ \u0026amp; Keyboards\u003c\/strong\u003e\r\n\u003cstrong\u003eJack Le Compte - Drums\u003c\/strong\u003e\r\n\u003cstrong\u003eJosh Sklair - Electric \u0026amp; Acoustic Guitars\u003c\/strong\u003e\r\n\u003cstrong\u003eKaren Briggs - Violin\u003c\/strong\u003e\r\n\u003cstrong\u003eKaren Knowles - Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eKate McGarry - Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eLarry Klimas - Tenor Sax, Soprano Sax \u0026amp; Flute\u003c\/strong\u003e\r\n\u003cstrong\u003eLouis Verdieu - Vocals \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eLuis Conte - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eMarina Bambino - Percussion \u0026amp; Background Vocals\u003c\/strong\u003e\r\n\u003cstrong\u003eMike Turre - Saxophone \u0026amp; Flute \u003c\/strong\u003e\r\n\u003cstrong\u003eMunyungo Jackson - Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eNengue Hernandez - Vocals \u0026amp; Percussion\u003c\/strong\u003e\r\n\u003cstrong\u003eNick Smith - Piano\u003c\/strong\u003e\r\n\u003cstrong\u003eOscar Brashear - Trumpet\u003c\/strong\u003e\r\n\u003cstrong\u003eRon Ross - Bass\u003c\/strong\u003e\r\n\u003cstrong\u003eRuss Henry - Drums\u003c\/strong\u003e\r\n\u003cstrong\u003eSam Sklar - Clarinet, Arranger \u0026amp; Musical Director \u003c\/strong\u003e\r\n\u003cstrong\u003eSekou Bunch - Tenor Bass\u003c\/strong\u003e\r\n\u003cstrong\u003eVickie Leigh - Vocals \u0026amp; Backing Vocals\u003c\/strong\u003e\r\n\u003cp class=\"p3\"\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"FLAC 96 kHz \/ 2ch Stereo","offer_id":56738649669956,"sku":"SACD130-7","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DSD 64 \/ 2ch Stereo","offer_id":56738649702724,"sku":"SACD130-14","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"FLAC 192 kHz \/ 2ch Stereo","offer_id":57308166226244,"sku":"SACD130-6","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0966\/7900\/2436\/files\/Natural-Jazz-Recordings-SACD130-No-Logo-500x500-1.jpg?v=1790442983","url":"https:\/\/www.nativedsd.com\/products\/sacd130-natural-jazz-recordings","provider":"NativeDSD Music","version":"1.0","type":"link"}