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Journal

But what do you call it!
Dodd's DSD Discoveries

But what do you call it!

Bill Dodd

Bill Dodd on Elegy by the Aeon Trio: cellist Maya Fridman with jazz pianist Atzko Kohashi and bassist Frans van der Hoeven. Chamber jazz? Call it beautiful.

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A Forgotten Treasure from Korngold
Dodd's DSD Discoveries

A Forgotten Treasure from Korngold

Bill Dodd
An Award-Winning Performance I am Thrilled to Rediscover
Dodd's DSD Discoveries

An Award-Winning Performance I am Thrilled to Rediscover

Bill Dodd
I can’t think of a single work by Prokofiev that I don’t like.
Dodd's DSD Discoveries

I can’t think of a single work by Prokofiev that I don’t like.

Bill Dodd
Saskia Giorgini Plays Debussy With a Sparkling Joyfulness
Dodd's DSD Discoveries

Saskia Giorgini Plays Debussy With a Sparkling Joyfulness

Bill Dodd
Fiery Performances from Patrenko and Oslo Philharmonic
Dodd's DSD Discoveries

Fiery Performances from Petrenko and Oslo Philharmonic

Bill Dodd
‘Czech Songs’ from Magdalena Kozena on Pentatone
Dodd's DSD Discoveries

‘Czech Songs’ from Magdalena Kozena on Pentatone

Bill Dodd
The ‘Beethoven Piano Concertos’ You’ve Been Looking For
Dodd's DSD Discoveries

The ‘Beethoven Piano Concertos’ You’ve Been Looking For

Bill Dodd
‘Paysage’ from Véronique Gens is Simply and Gently Moving
Dodd's DSD Discoveries

‘Paysage’ from Véronique Gens is Simply and Gently Moving

Bill Dodd
Britten’s ‘Sinfonia da Requiem’ from Sir Simon Rattle and LSO
Dodd's DSD Discoveries

Britten’s ‘Sinfonia da Requiem’ from Sir Simon Rattle and LSO

Bill Dodd