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Dreamspace is a destination and state of mind. Give dreams space. This album from pianist Michael Mizrahi gives space for dreaming. Keep dreaming.
The singular sound of “Dreamspace” comes from fusing two sonic goals. By using a number of different microphones in various positions and distances, we create a comprehensive perspective on the piano and Michael Mizrahi’s dynamic approach to performance. As well as a realistic and life-like final “image” of the piano and Mizrahi’s playing.
The listener is situated in a specific place in the performance space while simultaneously experiencing sounds that could be heard from a number of listener positions. Bringing those two goals into harmony, aiming for both a multi-perspective and realistic soundworld, is what leads to the sounds you are hearing.
Michael Mizrahi, Piano
Tracklist
Total time: 01:02:15
1.
Fall Down Five Times Get Up Six
09:53
2.
Suite à l'antique: I. Prelude
01:48
3.
Suite à l'antique: II. Pavane
02:39
4.
Suite à l'antique: III. Two Minuets
03:42
5.
Suite à l'antique: IV. Sarabande
02:36
6.
Suite à l'antique: V. Passepied
01:51
7.
For Nightfall
04:15
8.
The Undreaming: I. Undreaming
02:53
9.
The Undreaming: II. Celestial Clockwork
02:25
10.
The Undreaming: III. Infinite Aftertime
01:57
11.
The Red Devil Dreams of Numbers
07:48
12.
Threaded Spaces
06:01
13.
Games: I. Follow the Line
01:17
14.
Games: II. Repeats Rock
02:12
15.
Games: III. Breath
03:52
16.
Games: IV. All in One
04:00
17.
study (nightsong)
03:06
Track previews are low res MP3s in Stereo. Your download will come in the quality and channels you choose.
Dreamspace is a destination and state of mind. Give dreams space. This album from pianist Michael Mizrahi gives space for dreaming. Keep dreaming.
The singular sound of “Dreamspace” comes from fusing two sonic goals. By using a number of different microphones in various positions and distances, we create a comprehensive perspective on the piano and Michael Mizrahi’s dynamic approach to performance. As well as a realistic and life-like final “image” of the piano and Mizrahi’s playing.
The listener is situated in a specific place in the performance space while simultaneously experiencing sounds that could be heard from a number of listener positions. Bringing those two goals into harmony, aiming for both a multi-perspective and realistic soundworld, is what leads to the sounds you are hearing.
Michael Mizrahi, Piano