Concertos Without Orchestra is the concept of the young Turkish pianist Salih Can Gevrek, Associate Artist at the Queen Elisabeth Music Chapel, for his first recording.
He presents two mirrored works, both of which are imbued with references to the musical style and structure of concertos with orchestra. J. S. Bach’s famous Italian Concerto is subtly linked to Schumann’s lesser known but equally virtuoso Sonata No. 3 in F minor Op. 14, also known as the “Concerto without orchestra”.
Rachmaninov’s rarely recorded Moments musicaux complete this musical panorama to commemorate the 80th anniversary of his death.
This recording offers the listener a real voyage through the Baroque, Romantic and post-Romantic periods; drama and poetry expressed in music supply the connection between these three very different works.
Salih Can Gevrek, Piano
Tracklist
Total time: 01:03:45
1.
Grand Sonata No. 3 in F Minor Op. 14 'Concerto Without Orchestra': I. Allegro Brilliante
07:17
2.
Grand Sonata No. 3 in F Minor Op. 14 'Concerto Without Orchestra': II. Scherzo. Molto Comodo
05:17
3.
Grand Sonata No. 3 in F Minor Op. 14 'Concerto Without Orchestra': III. Quasi Variazioni
06:27
4.
Grand Sonata No. 3 in F Minor Op. 14 'Concerto Without Orchestra': IV. Prestissimo Possibile. Passio
06:45
5.
Italian Concerto BWV 971: I. Allegro
03:44
6.
Italian Concerto BWV 971: II. Andante
04:50
7.
Italian Concerto BWV 971: III. Presto
03:31
8.
Six Moments musicaux Op. 16: No. 1 Andantino
07:02
9.
Six Moments musicaux Op. 16: No. 2 Allegretto
02:58
10.
Six Moments musicaux Op. 16: No. 3 Andante cantabile
04:27
11.
Six Moments musicaux Op. 16: No. 4 Presto
02:55
12.
Six Moments musicaux Op. 16: No. 5 Adagio sostenuto
04:06
13.
Six Moments musicaux Op. 16: No. 6 Maestoso
04:26
Track previews are low res MP3s in Stereo. Your download will come in the quality and channels you choose.
My wife and I love to sit back and relax listening to this album. The recording and engineering are excellent as well as the musicianship. So very nice!
A real gem. The most profound, vibrant and, above all, unique interpretation of these masterpieces, the Leçons de ténèbres. I had the chance to hear them performed live by Miguel and Aurea Vox; now, this album is like that moment, preserved forever. Absolutely brilliant: Miguel is becoming increasingly special, personal and beautiful.
Simply beautiful Jazz music. This Pure DSD 256 file is amazing at creating a very believable stage in front of your listening room.
This album, with a few others from NativeDSD, was part of a DSD review I did on my YouTube channel (mikesvinylexperience). The Blue Hours Sessions is a go-to for me when I just want to unwind with a great musical and sonic experience!
Okay, I couldn't agree more with the first two reviews here. If you enjoy the cut-and-dried simplicity of a Jazz Trio, or you're just in the mood, give this a try.
The musicians and the recording are fantastic. Such precision and so serene. Bravo!
Old Gold is superbly produced, mixed and mastered with that classic Stockfisch sound. Great clear vocals, rich guitars and a lovely Old School Classic Vintage feel. A great choice for relaxed and critical listening.
I love instrumental Jazz. So when I encountered the Rembrandt Trio's first album, entitled "The Blue Hour Sessions", I had a brief listen to samples, liked what I heard and bought it (DSD 128 resolution).
As a result of that experience, it will probably come as no surprise to learn that, when "The Golden Hour Sessions" - the group's follow-up album - appeared, I had a listen to samples of that and ended up buying it too (DSD 126 as well).
I was very impressed with the playing on both albums. I also found the music to be highly enjoyable. When the superb recording quality is also taken into account, I feel a warm recommendation is definitely warranted.
The Golden Hour Sessions is an outstanding recording and is a testament to the talent of Rembrandt Freichs Trio. Just another excellent offering from Native DSD
This was one of my first DSD albums. Got it in DSD 256. Now I have more than a few. This one is by far my favorite.
Every time I listen to it I'm amazed at the clarity and detail. The vibraphone jumps out at you every single time and I am amazed every single time. The limited number of reviews do NOT do it justice! It is simply outstanding!
A superbly produced, recorded and mastered album. Live Encounters is a warm intimate Live Jazz audience recording that is very enjoyable, adventurous and engaging without becoming overly showy.
Patricia Barber - Audiophile Queen!! Clique! is superbly produced, recorded and mastered. The album showcases Patricia with elegance, originality and impeccable musicianship. A very rewarding listen for Jazz lovers. A must purchase for any music library.
One of the most creative recordings I have heard. The interplay between Bloom and percussionist Miller reminds me of (weird, I know) the mating dance of rattlesnakes. Beautifully intertwined. Two lives moving in harmony in a way not often heard in music.
Concertos Without Orchestra is the concept of the young Turkish pianist Salih Can Gevrek, Associate Artist at the Queen Elisabeth Music Chapel, for his first recording.
He presents two mirrored works, both of which are imbued with references to the musical style and structure of concertos with orchestra. J. S. Bach’s famous Italian Concerto is subtly linked to Schumann’s lesser known but equally virtuoso Sonata No. 3 in F minor Op. 14, also known as the “Concerto without orchestra”.
Rachmaninov’s rarely recorded Moments musicaux complete this musical panorama to commemorate the 80th anniversary of his death.
This recording offers the listener a real voyage through the Baroque, Romantic and post-Romantic periods; drama and poetry expressed in music supply the connection between these three very different works.
Salih Can Gevrek, Piano