In this album, Lorquiana, Ana María Valderrama, violin, and David Kadouch, piano, project Lorca’s musical personality into the future by compiling different scores linked in one way or another to the Andalusian artist. Poulenc’s sonata illustrates the positive welcome of the political and social significance of Lorca’s figure in France, where it became a symbol of freedom and resistance. Hahn’s work, on the other hand, takes us to those happy and ephemeral Twenties of the last century that Lorca also enjoyed. Alizia Terzian’s song shows the powerful influence that the poet has had in the Hispanic American context. The famous La vida breve passage is a nod to the veneration Lorca professed towards Falla. And, of course, we listen to Lorca’s own creations in a rich selection of Spanish popular songs, iconic testimonies of his compositional activity that are revisited in an exceptional arrangement by Alberto Martín for violin and piano.
Ana María Valderrama - violin
David Kadouch - piano
Tracklist
Total time: 01:05:32
1.
Sonate: I. Allegro con fuoco
06:40
2.
Sonate: II. Intermezzo
05:53
3.
Sonate: III. Presto tragico
05:39
4.
Canciones Populares: I. Nana de Sevilla
04:55
5.
Canciones Populares: II. Los Reyes de la Baraja
01:18
6.
Canciones Populares: III. Zorongo
04:29
7.
Canciones Populares: IV. Las Tres hojas
01:17
8.
Canciones Populares: V. Las Morillas de Jaén
03:11
9.
Canciones Populares: VI. Los Cuatro Muleros
03:39
10.
Sonata: I. Sans lenteur, tendrement
09:16
11.
Sonata: II. Veloce
03:16
12.
Sonata: III. Modéré
09:47
13.
La Vida breve: Danza española
03:45
14.
Tres retratos: III. Verlaine
02:27
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In this album, Lorquiana, Ana María Valderrama, violin, and David Kadouch, piano, project Lorca’s musical personality into the future by compiling different scores linked in one way or another to the Andalusian artist. Poulenc’s sonata illustrates the positive welcome of the political and social significance of Lorca’s figure in France, where it became a symbol of freedom and resistance. Hahn’s work, on the other hand, takes us to those happy and ephemeral Twenties of the last century that Lorca also enjoyed. Alizia Terzian’s song shows the powerful influence that the poet has had in the Hispanic American context. The famous La vida breve passage is a nod to the veneration Lorca professed towards Falla. And, of course, we listen to Lorca’s own creations in a rich selection of Spanish popular songs, iconic testimonies of his compositional activity that are revisited in an exceptional arrangement by Alberto Martín for violin and piano.
Ana María Valderrama - violin
David Kadouch - piano