An undisputed pinnacle of the violin repertoire, Bach’s Six Sonatas and Partitas for Solo Violin represent one of music’s most formidable artistic and technical challenges — and on Assolo, Florentine violinist Alessandro Perpich meets them with complete mastery.
Composed during Bach’s Köthen period (1717–1722), the collection balances two contrasting forms: the rigorous four-movement sonata da chiesa and the more dance-oriented partita. Together they demand extraordinary polyphonic writing on a monodic instrument, requiring the violinist to simultaneously inhabit the roles of soloist and accompanist. Perpich navigates this dialogue with ease, moving fluidly between austere counterpoint and dance-like lyricism, between technical brilliance and expressive depth, while adhering faithfully to the styles and sensibilities of the Baroque era.
The program spans all six works: from the lyrical Adagio and incisive Fugue of the Sonata No. 1 in G minor, to the vast contrapuntal architecture of the Sonata No. 3 in C major, and culminating in the towering Chaconne of the Partita No. 2 in D minor — a monument of musical variation built from a single descending four-note cell.
Alessandro Perpich, Violin
Tracklist
Total time: 01:45
1.
Sonata n. 1 in sol minore BWV 1001 - Adagio
03:51
2.
Sonata n. 1 in sol minore BWV 1001 - Fuga (Allegro)
05:30
3.
Sonata n. 1 in sol minore BWV 1001 - Siciliana
03:03
4.
Sonata n. 1 in sol minore BWV 1001 - Presto
03:46
5.
Sonata n. 2 in la minore BWV 1003 - Grave
03:38
6.
Sonata n. 2 in la minore BWV 1003 - Fuga
07:48
7.
Sonata n. 2 in la minore BWV 1003 - Andante
05:08
8.
Sonata n. 2 in la minore BWV 1003 - Allegro
05:44
9.
Sonata n. 3 in Do maggiore BWV 1005 - Adagio
04:02
10.
Sonata n. 3 in Do maggiore BWV 1005 - Fuga
10:04
11.
Sonata n. 3 in Do maggiore BWV 1005 - Largo
02:48
12.
Sonata n. 3 in Do maggiore BWV 1005 - Allegro assai
An undisputed pinnacle of the violin repertoire, Bach’s Six Sonatas and Partitas for Solo Violin represent one of music’s most formidable artistic and technical challenges — and on Assolo, Florentine violinist Alessandro Perpich meets them with complete mastery.
Composed during Bach’s Köthen period (1717–1722), the collection balances two contrasting forms: the rigorous four-movement sonata da chiesa and the more dance-oriented partita. Together they demand extraordinary polyphonic writing on a monodic instrument, requiring the violinist to simultaneously inhabit the roles of soloist and accompanist. Perpich navigates this dialogue with ease, moving fluidly between austere counterpoint and dance-like lyricism, between technical brilliance and expressive depth, while adhering faithfully to the styles and sensibilities of the Baroque era.
The program spans all six works: from the lyrical Adagio and incisive Fugue of the Sonata No. 1 in G minor, to the vast contrapuntal architecture of the Sonata No. 3 in C major, and culminating in the towering Chaconne of the Partita No. 2 in D minor — a monument of musical variation built from a single descending four-note cell.
Alessandro Perpich, Violin