Brahms: Piano Concerto No. 1, Op. 15 & Six Piano Pieces, Op. 118

Francesco Piemontesi, Gewandhausorchester Leipzig, Manfred Honeck

€16,99 – €32,99
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Pianist Francesco Piemontesi joins the Gewandhausorchester Leipzig and Conductor Manfred Honeck for a live recording of Brahms’ First Piano Concerto — a work born from personal catastrophe, conceived in the aftermath of Robert Schumann’s suicide attempt and reworked over years from sonata to symphony to concerto.

Honeck brings elegance and symphonic breadth to its “Genesis”-like opening, while Piemontesi treats the piano not as virtuosic display but as a searching, thinking voice within the orchestra’s vast sonic world.

The recording pairs the concerto with the Six Piano Pieces, Op. 118 — composed thirty-four years later as a work of farewell, ranging from consoling intermezzi to the desolate, Dies-irae-haunted final piece Brahms’ friend Hanslick called “a breviary of pessimism.”


Francesco Piemontesi, Piano
Gewandhausorchester Leipzig
Manfred Honeck, Conductor 

Tracklist

Please note that the below previews are loaded as MP3.
1.
Piano Concerto No. 1 in D Minor, Op. 15 - I. Maestoso
22:16
2.
Piano Concerto No. 1 in D Minor, Op. 15 - II. Adagio
13:20
3.
Piano Concerto No. 1 in D Minor, Op. 15 - III. Rondo. Allegro non troppo
12:14
4.
Six Piano Pieces, Op. 118 - I. Intermezzo in A Minor
01:47
5.
Six Piano Pieces, Op. 118 - II. Intermezzo in A Major
05:15
6.
Six Piano Pieces, Op. 118 - III. Ballade in G Minor
03:13
7.
Six Piano Pieces, Op. 118 - IV. Intermezzo in F Minor
02:43
8.
Six Piano Pieces, Op. 118 - V. Romance in F Major
03:51
9.
Six Piano Pieces, Op. 118 - VI. Intermezzo in E-Flat Minor
05:52

Total time: 01:10:31

Additional information

Label

SKU

PTC5187417

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Recording Location

Gewandhaus zu Leipzig, Germany

Producer

Johannes Kammann

Release Date September 11, 2026

Press reviews

The Classic Review

Piemontesi does much of the heavy lifting, establishing a staunch presence through a resonant tone and well-structured phrases… he upholds the dignified spirit of the movement. The finale gets off to a fine start with Piemontesi’s unapologetic entrance, and the ensemble builds on that energy organically. By the close, pianist and orchestra generate exhilarating energy, becoming an undeniable force.

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