Artists
Francesco Piemontesi,
Gewandhausorchester Leipzig,
Manfred Honeck
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Pianist Francesco Piemontesi joins the Gewandhausorchester Leipzig and Conductor Manfred Honeck for a live recording of Brahms' First Piano Concerto— a work born from personal catastrophe, conceived in the aftermath of Robert Schumann's suicide attempt and reworked over years from sonata to symphony to concerto.
Honeck brings elegance and symphonic breadth to its "Genesis"-like opening, while Piemontesi treats the piano not as virtuosic display but as a searching, thinking voice within the orchestra's vast sonic world.
The recording pairs the concerto with the Six Piano Pieces, Op. 118 — composed thirty-four years later as a work of farewell, ranging from consoling intermezzi to the desolate, Dies-irae-haunted final piece Brahms' friend Hanslick called "a breviary of pessimism."
Francesco Piemontesi, PianoGewandhausorchester LeipzigManfred Honeck, Conductor
Tracklist
Total time: 01:10:31
1.
Piano Concerto No. 1 in D Minor, Op. 15 - I. Maestoso
22:16
2.
Piano Concerto No. 1 in D Minor, Op. 15 - II. Adagio
13:20
3.
Piano Concerto No. 1 in D Minor, Op. 15 - III. Rondo. Allegro non troppo
12:14
4.
Six Piano Pieces, Op. 118 - I. Intermezzo in A Minor
01:47
5.
Six Piano Pieces, Op. 118 - II. Intermezzo in A Major
05:15
6.
Six Piano Pieces, Op. 118 - III. Ballade in G Minor
03:13
7.
Six Piano Pieces, Op. 118 - IV. Intermezzo in F Minor
02:43
8.
Six Piano Pieces, Op. 118 - V. Romance in F Major
03:51
9.
Six Piano Pieces, Op. 118 - VI. Intermezzo in E-Flat Minor
05:52
Previews are short MP3 excerpts. Your download is in the quality and channels you choose.
Francesco Piemontesi,
Gewandhausorchester Leipzig,
Manfred Honeck
Composers
Brahms
Conductors
Manfred Honeck
Genres
Classical
Original Recording Format
PCM 96k
Instruments
Orchestra,
Piano
Recording Location
Gewandhaus zu Leipzig, Germany
Producer
Johannes Kammann
Release Date
September 11, 2026
Higher Rates Program
Not Available on SACD
Reviews
The Classic Review
Azusa Ueno
Piemontesi does much of the heavy lifting, establishing a staunch presence through a resonant tone and well-structured phrases... he upholds the dignified spirit of the movement. The finale gets off to a fine start with Piemontesi's unapologetic entrance, and the ensemble builds on that energy organically. By the close, pianist and orchestra generate exhilarating energy, becoming an undeniable force.
Pianist Francesco Piemontesi joins the Gewandhausorchester Leipzig and Conductor Manfred Honeck for a live recording of Brahms' First Piano Concerto— a work born from personal catastrophe, conceived in the aftermath of Robert Schumann's suicide attempt and reworked over years from sonata to symphony to concerto.
Honeck brings elegance and symphonic breadth to its "Genesis"-like opening, while Piemontesi treats the piano not as virtuosic display but as a searching, thinking voice within the orchestra's vast sonic world.
The recording pairs the concerto with the Six Piano Pieces, Op. 118 — composed thirty-four years later as a work of farewell, ranging from consoling intermezzi to the desolate, Dies-irae-haunted final piece Brahms' friend Hanslick called "a breviary of pessimism."
Francesco Piemontesi, PianoGewandhausorchester LeipzigManfred Honeck, Conductor