Intrigues Of The Darkness [Pure DSD]

This new release is a marvel of artistic interpretation, pianistic excellence, and communicative value as Anna takes us on a journey from darkness to light. She opens the 77+ minute recital with a fully engaging performance of Scriabin's terrifying "Black Mass" Sonata, the Piano Sonata No. 9. It is as complex and challenging a composition as I know, and moments in the music are purely terrifying. She then flows smoothly into a compelling delivery of Ravel's romantic Gaspaard de la Nuit, which Ravel so rightly described as requiring "transcendent virtuosity"—which Anna assuredly displays. She follows this with the mysterious world evoked in De Falla's El Amor Brujo and its powerful concluding "Ritual Dance of Fire." What a thrilling ride across these three well known works.

And this is all in just the first 43 minutes. The remaining 33 minutes is filled with as insightful and powerful performance of Mussorgsky's Pictures at an Exhibition (his original version for solo piano) as any I've heard. Her characterizations are delicate, creative, fun, terrifying, overwhelming powerful. All rolling, roiling, reeling from one brilliant interpretation to the next.

In her performances she is blessed with playing a truly powerful, sonorous and tonally beautiful Steinway that has been meticulously set up for this recording. It is just gorgeous. The lovely, natural acoustic environment of MCO Studio 1, Hilversum, Netherlands, is a full partner. And is taken to full advantage as Anna allows the massive walls of sound from the Steinway to swell, fill and reverberate in that excellent performance venue.

Jared Sacks captures this as only Jared does—balancing the direct and reverberant sound fields beautifully for some of the most impactful, and beautiful, sound of piano that one can hope to experience.

On top of all of this goodness, Jared was able to release this recording in Pure DSD 256. No PCM post production whatsoever. As a result, all of the sound from the performance is captured and delivered to our ears in utter purity. It is as transparent and natural sounding a recording of a concert grand piano as I have heard.

Here are sonics that are truly a credit to the outstanding musicianship that Anna Fedorova shares with us in this very remarkable recording. Kudos to all involved.