Jazz At The Pawnshop 2

"On December 6 and 7, 1976, in a small Jazz club called Stampen (The Pawn Shop) in Stockholm's Old Town, Swedish sound engineer Gert Palmcrantz recorded a group of leading Scandinavian jazzmen live, trying to get "the tight, harmonious sound of the records of my childhood." Conditions were less than ideal. A full house, a great deal of background noise. No rehearsals. No sound checks. The musicians just started playing with no one knowing what would be next on the agenda until reedman Arne Domnerus called it.

The result has often been hailed as the best live Jazz recording ever. Amazingly, for a small country such as Sweden, the record sold more than half a million copies and still sells, at a rate of around 4,000 copies annually.

Sound aside, the music is an absolutely glorious mix that seamlessly knits Ellington with Armstrong, melancholic Swedish folk songs with bop, and two takes of African High Life thrown in for good measure. Domnerus is at the very height of his considerable powers on alto saxophone and clarinet.

Pianist Bengt Hallberg, usually an extremely delicate and very measured player, was obviously affected by the general ambience, and here and there cuts loose with awesome force. "Bengt went almost crazy on occasions," bassist Riedel recalls. Erstrand, one of Europe's best on vibes, played just one night but added a light, airy feel. He rides high on up-tempo numbers like "Limehouse Blues," but also provides subtle underpinning on ballads including "I'm Confessin'" and "Lady Be Good."

You hear the chink of glasses, the chime of the bell to acknowledge a tip, the burr of conversation. It all fits. That intimate club atmosphere that sparks Jazz at its best. You feel as though you're there. Which is Palmcrantz's triumph, and why Jazz at the Pawnshop is likely to continue to fascinate both Jazz and audio fans for a good many years to come."