Franz Liszt was twenty-four when he began composing the Années de pèlerinage. He would continue to work on the cycle for the rest of his life. How to describe each of the pieces that make up this masterly achievement? As Liszt himself declared, it aims to express – more than words, more than images – an ineffable poetry of sound.
"I admire the freedom with which the evocations of the soul, of nature, of the colours of the masters of Italian painting unfold in succession. Everything Liszt saw during his pilgrimage to Switzerland and Italy contributed to a process of reflection, a journey, a quest to bring him closer to his ideal where silence became the ultimate authority."
Roger Muraro – Piano & Harmonium
Tracklist
Total time: 48:34
1.
Années de pèlerinage III S. 163: I. Angelus ! Prière aux anges gardiens
07:37
2.
Années de pèlerinage III S. 163: II. Aux cyprès de la Villa d’Este. Thrénodie (I)
06:18
3.
Années de pèlerinage III S. 163: III. Aux cyprès de la Villa d’Este. Thrénodie (II)
09:21
4.
Années de pèlerinage III S. 163: IV. Les Jeux d’eau à la Villa d’Este
08:46
5.
Années de pèlerinage III S. 163: V. Sunt lacrymæ rerum en mode hongrois
06:54
6.
Années de pèlerinage III S. 163: VI. Marche funèbre
06:41
7.
Années de pèlerinage III S. 163: VII. Sursum corda
Franz Liszt was twenty-four when he began composing the Années de pèlerinage. He would continue to work on the cycle for the rest of his life. How to describe each of the pieces that make up this masterly achievement? As Liszt himself declared, it aims to express – more than words, more than images – an ineffable poetry of sound.
"I admire the freedom with which the evocations of the soul, of nature, of the colours of the masters of Italian painting unfold in succession. Everything Liszt saw during his pilgrimage to Switzerland and Italy contributed to a process of reflection, a journey, a quest to bring him closer to his ideal where silence became the ultimate authority."
Roger Muraro – Piano & Harmonium