The violin sonata around 1900
At the turn of the 19th to the 20th century the violin sonata experienced a considerable renaissance. A fundamentally conservative genre, it suddenly sparkled with vitality. Mozart developed its classical formula: violin and piano are two equal partners in dialogue with neither the piano being reduced to a mere accompanist nor the violin being reduced to mere colouring of the melody voice; a three-movement-pattern; the first movement being based on the so called sonata form with two themes of clearcut atmospheric contrast and their developement.
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