Suites BWV 1007 - 1012
The path to this recording was long, windy and fascinating. It started with the awareness that the cello suites provide exceptional playing material for saxophonists. But I long felt that for playing Bach on the saxophone, only the light-sounding soprano saxophone would do—which was, I believed, incompatible with the instrument for which the suites were written.
During preparations for my previous DSD recording of Bach’s partitas for violin (Challenge Classics, CC 72648), I discovered that the alto sax—fitted with an old-style mouthpiece—could reproduce the refined articulation of the violin. Vintage mouthpieces represent the sound ideal of days gone by, before the saxophone was regarded as a ‘jazz instrument’. Then came the idea to play the suites on six different saxophones, each of which holds a unique place in the history of the instrument.
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Bert Oling