Artists
Matthew Martin,
Choir of Gonville & Caius College Cambridge,
Academy of Ancient Music
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Led by its Director Matthew Martin, The Choir of Gonville & Caius College, Cambridge, joins forces with the Academy of Ancient Music in Michael Haydn’s rarely heard masterpieces: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi
The four soloists are all ex-choral scholars of Caius Choir, showcasing the distinguished musical tradition of this student group. Unjustly neglected, Joseph Haydn’s younger brother was a talented composer in his own right. Written after the death of his infant daughter and his patron, the deeply emotional Requiem is a masterpiece that combines complex colourful textures and forms with imaginative orchestration and vocal writing.
Mozart was a great admirer and it is thought that Haydn’s Requiem formed the prototype for his own better known masterpiece. In contrast, the later Missa Sancti Hieronymi is lighter and more optimistic. Unusually scored for oboes, bassoons, trombones and continuo (with no upper strings), it exudes transparency and joyful energy. This recording will undoubtedly put these neglected works back into mainstream repertoire.
The Choir of Gonville & Caius College, Cambridge
Matthew Martin, Director
Academy of Ancient Music
Tracklist
Total time: 01:10:17
1.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': I. Introitus. Requiem
06:17
2.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': II. Sequentia. Dies ir
08:12
3.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': III. Offertorium. Domi
04:01
4.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': IV. Versus. Hostias et
02:42
5.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': V. Sanctus
01:38
6.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': VI. Benedictus
03:13
7.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': VII. Agnus Dei - Lux a
04:23
8.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': VIII. Cum sanctis tuis
02:02
9.
Requiem in C Minor, MH 155 'Pro defuncto Archiepiscopo Sigismundo': IX. Requiem aeternam -
03:10
10.
Missa Sancti Hieronymi, MH 254: I. Kyrie
03:58
11.
Missa Sancti Hieronymi, MH 254: II. Gloria: No. 1, Et in terra pax
04:52
12.
Missa Sancti Hieronymi, MH 254: III. Gloria: No. 2, Quoniam tu solus Sanctus
03:37
13.
Missa Sancti Hieronymi, MH 254: IV. Credo: No. 1, Patrem omnipotentem
04:07
14.
Missa Sancti Hieronymi, MH 254: V. Credo: No. 2, Et resurrexit tertia die
05:06
15.
Missa Sancti Hieronymi, MH 254: VI. Sanctus
02:24
16.
Missa Sancti Hieronymi, MH 254: VII. Benedictus
03:28
17.
Missa Sancti Hieronymi, MH 254: VIII. Agnus Dei: No. 1, Agnus Dei
02:56
18.
Missa Sancti Hieronymi, MH 254: IX. Agnus Dei: No. 2, Dona nobis pacem
Led by its Director Matthew Martin, The Choir of Gonville & Caius College, Cambridge, joins forces with the Academy of Ancient Music in Michael Haydn’s rarely heard masterpieces: Requiem Pro defuncto Archiepiscopo Sigismundo & Missa Sancti Hieronymi
The four soloists are all ex-choral scholars of Caius Choir, showcasing the distinguished musical tradition of this student group. Unjustly neglected, Joseph Haydn’s younger brother was a talented composer in his own right. Written after the death of his infant daughter and his patron, the deeply emotional Requiem is a masterpiece that combines complex colourful textures and forms with imaginative orchestration and vocal writing.
Mozart was a great admirer and it is thought that Haydn’s Requiem formed the prototype for his own better known masterpiece. In contrast, the later Missa Sancti Hieronymi is lighter and more optimistic. Unusually scored for oboes, bassoons, trombones and continuo (with no upper strings), it exudes transparency and joyful energy. This recording will undoubtedly put these neglected works back into mainstream repertoire.
The Choir of Gonville & Caius College, Cambridge
Matthew Martin, Director
Academy of Ancient Music