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Hendrik Andriessen (1892-1981) is not so nearly as well known as he should be outside his home country of The Netherlands. His was a towering musical intellect, ever inventive, ever challenging. These early chamber works from the 1930s are a treasure. Not to be confused with his composer son, Louis Andriessen, the elder Andriessen tends to stay in a more tonal musical landscape, but one that is unmistakably modern.
One easily hears the influences of French composers in these pieces, particularly the Sonata for Cello and Piano which flows melodically and poetically. But dare not to place H. Andriessen in a box too small. Simply listen to the Violin Sonata written some six years after the Cello Sonata. This is music of challenge and contradiction with its striking contrasts of sounds. While this latter piece is arguably more simplistic in composition, it has a bite to it, which I so greatly relish. The Inventions (1937) and the Piano Trio (1939) assume a darker tone, particularly the Trio.
Over the twelve year span in which these four works were composed, we hear a remarkable range of emotional content and creative intensity. These are works to be explored, revisited, and savored. While very satisfying simply on first hearing, these are works that do not fully unfold easily. Plan to invest a bit of time relistening to fully hear what Andriessen communicates in these highly varied works. The effort will be most well rewarded!
All of these works are beautifully rendered, with true passion and commitment, by the Amsterdam Bridge Ensemble. They clearly have an affinity for the music and plumb the depths well. All of which is enhanced by the excellent recorded sound provided by recording engineer Tom Peeters. The sound quality Tom Peeters provides is intimate, warm, and highly resolved. As is usual with his efforts, we are given the gift of being in the immediate presence of the musicians, as in a live recital. Chamber music recordings simply do not get any better than this. Music, performance, sound quality combine in this album for a treasurable experience. I am so pleased to have found this recording.
Rushton, April 2022