An undisputed pinnacle of the violin repertoire, Bach’s Six Sonatas and Partitas for Solo Violin represent one of music’s most formidable artistic and technical challenges — and on Assolo, Florentine violinist Alessandro Perpich meets them with complete mastery.
Composed during Bach’s Köthen period (1717–1722), the collection balances two contrasting forms: the rigorous four-movement sonata da chiesa and the more dance-oriented partita. Together they demand extraordinary polyphonic writing on a monodic instrument, requiring the violinist to simultaneously inhabit the roles of soloist and accompanist. Perpich navigates this dialogue with ease, moving fluidly between austere counterpoint and dance-like lyricism, between technical brilliance and expressive depth, while adhering faithfully to the styles and sensibilities of the Baroque era.
The program spans all six works: from the lyrical Adagio and incisive Fugue of the Sonata No. 1 in G minor, to the vast contrapuntal architecture of the Sonata No. 3 in C major, and culminating in the towering Chaconne of the Partita No. 2 in D minor — a monument of musical variation built from a single descending four-note cell.
Alessandro Perpich, Violin
Tracklist
Total time: 01:16:00
1.
Partita n. 1 in si minore BWV 1002 - Allemande
05:43
2.
Partita n. 1 in si minore BWV 1002 - Double
03:19
3.
Partita n. 1 in si minore BWV 1002 - Corrente
03:23
4.
Partita n. 1 in si minore BWV 1002 - Double (Presto)
03:28
5.
Partita n. 1 in si minore BWV 1002 - Sarabande
04:15
6.
Partita n. 1 in si minore BWV 1002 - Double
02:43
7.
Partita n. 1 in si minore BWV 1002 - Tempo di Borea
03:45
8.
Partita n. 1 in si minore BWV 1002 - Double
03:27
9.
Partita n. 2 in re minore BWV 1004 - Allemanda
04:18
10.
Partita n. 2 in re minore BWV 1004 - Corrente
02:35
11.
Partita n. 2 in re minore BWV 1004 - Sarabanda
04:28
12.
Partita n. 2 in re minore BWV 1004 - Giga
04:08
13.
Partita n. 2 in re minore BWV 1004 - Ciaccona
12:50
14.
Partita n. 3 in mi maggiore BWV 1006 - Preludio
03:25
15.
Partita n. 3 in mi maggiore BWV 1006 - Loure
03:59
16.
Partita n. 3 in mi maggiore BWV 1006 - Gavotte en Rondeaux
02:56
17.
Partita n. 3 in mi maggiore BWV 1006 - Menuet I Menuet II
An undisputed pinnacle of the violin repertoire, Bach’s Six Sonatas and Partitas for Solo Violin represent one of music’s most formidable artistic and technical challenges — and on Assolo, Florentine violinist Alessandro Perpich meets them with complete mastery.
Composed during Bach’s Köthen period (1717–1722), the collection balances two contrasting forms: the rigorous four-movement sonata da chiesa and the more dance-oriented partita. Together they demand extraordinary polyphonic writing on a monodic instrument, requiring the violinist to simultaneously inhabit the roles of soloist and accompanist. Perpich navigates this dialogue with ease, moving fluidly between austere counterpoint and dance-like lyricism, between technical brilliance and expressive depth, while adhering faithfully to the styles and sensibilities of the Baroque era.
The program spans all six works: from the lyrical Adagio and incisive Fugue of the Sonata No. 1 in G minor, to the vast contrapuntal architecture of the Sonata No. 3 in C major, and culminating in the towering Chaconne of the Partita No. 2 in D minor — a monument of musical variation built from a single descending four-note cell.
Alessandro Perpich, Violin