Carlisle Floyd - Wuthering Heights
Of all my operas,Wuthering Heights, my second full length opera, had probably the most singular beginning. With all the others, I received the request,for a new opera by the commissioner and the subject matter was determined more or less by me, in the case of Wuthering Heights, it was entirely specified by the commissioner, hand in hand with my publisher, and I reluctantly agreed to the subject matter.
The reason for this was what is interesting and unique: Phyllis Curtin, the remarkable soprano who had introduced my first opera, Susannah, to the music world via the New York City Opera, had decided to do a second Town Hall recital and asked me to do a concert aria for her program. I immediately agreed since her performing Susannah had successfully launched my career as an opera composer, and I was (and am) forever happily indebted to her for that.
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