Raízes [Pure DSD]
Listener Comments
Bob Attiyeh from Yarlung Artists says "The sound is superb, with bass (of which there is plenty) descending effortlessly into the floor without dampening anything in the upper frequencies. Beautifully balanced all around." Tayo Adegun adds "I have really enjoyed listening to Raizes. It has been a great experience. The quality, the soundstage and the depth of the recording is so exceptional. The vocals and the various instruments are so clear. I have my favorite tracks and it's easy to get immersed in the sound. They sound like I'm right there listening to the live performance. Raizes is easily one of the best albums I've listened to recently and I look forward to more of such releases from you. Congrats to everyone involved."How this came about
I met Breno in 2014 in a bar around the corner of my house in Amsterdam (the Netherlands). He plays double bass in jazz trios there on Saturday nights. We became friends and started talking about recording a few songs. A while later he brought in 5 guys and a bunch of instruments and recorded with us on ‘8 Ensembles in 1 Bit’ in March 2015. Quickly after this project, some plans on a complete album came about, with music from composers that he grew up listening to, and some of his own compositions. In November of 2015, two days were picked, and we rolled back into the stage at MCO in Hilversum, The Netherlands, with a Merging HAPI and analog mixing boards, carbon fiber cables and top-notch mics. Today we are proud to present you ‘Raízes’. Roots in Portuguese. Not only does this title reflect the content of the works but it is also a symbol of the sound of Breno’s earthy and flowing double bass. Together with singers like Laura Polence and Lillian Vieira this makes a great listen for a laid-back summer evening with the vibes and colors of the Brazilian landscapes in mind. Enjoy! Jonas Sacks, NativeDSD Technical DirectorTechnical approach
Just like the previous Just Listen recording the main microphones (for Stereo) were a pair of Bruel and Kjaer (B&K) 4006 which have been rebuilt to accept 75 volt Phantom Powering directly from the stage. In between this pair of microphones, we had a Sennheiser MK8 and a B&K 4006 coupled together to give us sound recorded using the M/S technique. The M/S Omni output from the front pair of B&K 4006 microphones was also being used as the center channel for the multichannel tracks. The support microphone for the vocals was the Sonodore MPM-91. The center and surround microphones (also B&K 4006) completed the microphone set. All tracks (Stereo and 5 Channel Surround Sound) went through custom made analog and battery powered pre amplifiers, (Custom made by Rens Heijnis) which were then connected to the Merging Technologies HAPI Analog to Digital Converter (ADC) running at DSD 256fs with 3T carbon cable made by Van den Hul in Holland. Jared Sacks, Native DSD Managing Director Breno Viricimo, Double Bass, Guitar, Pandeiro, Vocals, Composer Daniel de Moraes, Guitar, Rebolo, Composer Wiboud Burkes, Keyboards, Composer Marijn van der Linden, Cavaquinho, Guitar, Composer Udo Demandt, Drums, Percussion, Conga, Composer Laura Polence, Vocals, Composer Lilian Viera, Vocals, Composer Jonas Sacks, Mosquito Sounds https://www.youtube.com/watch?v=C1o_60_ztUkTracklist
Total time: 40:08
Additional Information
- Pure DSD
- Edit Master Sourced
- Higher Rates Program
- Not Available on SACD
Reviews
NativeDSD Listener
Tayo Adegun
The SQ is fantastic!!! Absolutely world class.
Per Eklöf (Sweden)