Berlioz- Symphonie fantastique & Overture- Waverley
Winning Awards


With all its innovations – including the introduction of instruments, textures, rhythms and gestures new to symphonic music – the Symphonie fantastique has its roots in other music, past and present. It was influenced by the music of Gluck and Spontini, which was for several years Berlioz’s main diet and whose melodic style he absorbed into his innermost being when he first came to Paris in 1821, a boy of 17 who had never heard an orchestra. A few years later, the discovery of Weber, and, still more, of Beethoven at the Conservatoire concerts in 1828 (paralleling the impact of Goethe and Shakespeare) had an even more profound effect upon the young musician, who had, until then, been reared on French Classical opera. The Symphonie fantastique is unthinkable without Beethoven’s ‘Pastoral’ and Fifth, and without Weber’s Der Freischu?tz. Above all, the revelation of the symphony as a dramatic form par excellence, and of the orchestra as an expressive instrument of undreamed of richness and flexibility, opened before Berlioz a new world, which he must at all costs enter and inhabit.
Tracklist
Total time: 01:05:32
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Klassik.com
Klassik.com
Classica
Classica
Pizzicato
Pizzicato
Classical CD Choice
Classical CD Choice
AV Magazine
AV Magazine
Audiophile Audition
Audiophile Audition
Classic FM
Classic FM
SA-CD.net
SA-CD.net
International Record Review
International Record Review
BBC Music Magazine
BBC Music Magazine