Mahler Song Cycles
Lied and symphony are inseparably connected in Gustav Mahler’s oeuvre. As early as 1923, his close friend, Willem Mengelberg, had already recognized the significance of the lied genre for Mahler: “The core of Mahler’s music is the folk song.” Indeed, numerous reciprocal links as regards both content and compositional structure can be found
in Mahler’s lieder and symphonies. In this context, Hermann Danuser spoke of “duality in art forms,” in which Mahler had “converged, indeed, transformed
and interwoven opposing poles [...] into one another.” Peter Revers has even identified Mahler’s lieder as “the genetic code underlying his style of composition.”
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