This specially priced DSD EP brings together for the first time the Complete Keyboard Works of Johann Christoph Bach, a great-cousin of J.S. Bach and organist at Eisenach's Georgenkirche. It forms part of the final instalment in Ricercar's complete recordings of the Bach ancestors (due October 2026).
The heart of the program is three variation cycles for harpsichord — the Aria variata, Aria Eberlina variata, and Sarabanda variata — stylistically close to Pachelbel, with the Sarabanda sometimes floated as a conceptual precursor to the Goldberg Variations. On organ, the Praeludium & Fuga in E flat major (once misattributed to J.S. Bach) is paired with chorale preludes from the enigmatic 44 Choräle zum Präambulieren, whose plain style has long fueled debate over which "Johann Christoph" actually wrote them.
Recorded in Centeilles (2025) and Namur (2026), this is a genuine discovery rather than a rehash — most of this material has never been recorded before.
Cindy Castillo - organBrice Sailly - harpsichordLucie Chabard - harpsichord
Tracklist
Total time: 01:12
1.
Praeludium & Fuga in E-Flat Major
05:14
2.
Allein Gott in der Höh sei Ehr
02:34
3.
An Wasserflussen Babylon
02:41
4.
Wer Gott vertraut, hat wohl gebaut
02:02
5.
Ach Herr, mich armen Sünder
06:42
6.
Aria variata: Aria & 15 Variations
08:56
7.
Aria Eberlina variata: Aria & 15 Variations
09:07
8.
Sarabanda variata: Sarabanda & 12 Variations
13:43
9.
44 Choräle zum Präambulieren: No. 17, Ich ruf zu dir Herr Jesu Christ
01:45
10.
44 Choräle zum Präambulieren: No. 21, Dies sind die heiligen zehn Gebote
01:11
11.
44 Choräle zum Präambulieren: No. 25, Meine Seele erhebt den Herrn
01:52
12.
44 Choräle zum Präambulieren: No. 26, Allein Gott in der Höh sei Ehr
01:37
13.
44 Choräle zum Präambulieren: No. 39, Wie schön leuchtet der Morgenstern
01:13
14.
44 Choräle zum Präambulieren: No. 31, Kommt her zu mir
This specially priced DSD EP brings together for the first time the Complete Keyboard Works of Johann Christoph Bach, a great-cousin of J.S. Bach and organist at Eisenach's Georgenkirche. It forms part of the final instalment in Ricercar's complete recordings of the Bach ancestors (due October 2026).
The heart of the program is three variation cycles for harpsichord — the Aria variata, Aria Eberlina variata, and Sarabanda variata — stylistically close to Pachelbel, with the Sarabanda sometimes floated as a conceptual precursor to the Goldberg Variations. On organ, the Praeludium & Fuga in E flat major (once misattributed to J.S. Bach) is paired with chorale preludes from the enigmatic 44 Choräle zum Präambulieren, whose plain style has long fueled debate over which "Johann Christoph" actually wrote them.
Recorded in Centeilles (2025) and Namur (2026), this is a genuine discovery rather than a rehash — most of this material has never been recorded before.
Cindy Castillo - organBrice Sailly - harpsichordLucie Chabard - harpsichord