Two composing masters of impressionism - Claude Debussy with his final Sonata No. 3 and some transcriptions of famous pieces for piano, and Maurice Ravel with his youthful, short Sonata No. 1, combined with tributes to friends who were virtuoso violinists.
This album was recorded in the Sala dell'Ermellino - Casa della Musica in Milano on November 2-3, 2019. For this prestigious recording Giulio Cesare Ricci used the legendary original tube microphones Neumann U47, U48. Recordings are in Stereo DSD on Pyramix using the dCS A/D and D/A converters. A state-of-the-art system without any sound manipulation, neither equalization, nor reverberation, nor compression and expansion...but natural sound with true timbre to best enhance the acoustics of the Sala dell'Ermellino. The mastering has been realized by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube. The result of this recording is fantastic.
With this recording Giulio Cesare Ricci wanted to make the listener live a unique experience. It is as if the listener was sitting on an armchair positioned in the ideal point of the Sala dell'Ermellino. In this position the sound has a field effect and its depth, width and height are very appreciable. Great dynamics but also great precision of the solo parts. It's an album not to be missed.
Tracklist
Total time: 01:11:51
1.
SONATA N.3 in sol min. pour Violon et Piano, Allegro vivo
05:15
2.
SONATA N.3 in sol min. pour Violon et Piano, Intermede - Fantasque et leger
04:38
3.
SONATA N.3 in sol min. pour Violon et Piano, Finale - Tres anime
04:35
4.
Clair de Lune
04:49
5.
Ministrels
02:38
6.
La Fille au Cheveux de Lin
02:37
7.
Il Pleure dans mon Coeur
03:51
8.
SONATA pour Violon et Piano, Allegretto
08:59
9.
SONATA pour Violon et Piano, Blues - Moderato
06:40
10.
SONATA pour Violon et Piano, Perpetuum mobile - Allegro
04:14
11.
Kaddisch
05:58
12.
Berceude
02:45
13.
Piece en Forme de Habanera
03:07
14.
Tzigane
11:45
Previews are short MP3 excerpts. Your download is in the quality and channels you choose.
Additional Information
Label
Fonè
SKU
SACD219
Qualities
FLAC 192 kHz,
FLAC 96 kHz,
DSD 64
Channels
2ch Stereo
Artists
Salvatore Accardo
Composers
Ravel,
Debussy
Genres
Classical
Original Recording Format
DSD 64
Instruments
Piano
Release Date
April 30, 2020
Claude Debussy, Maurice Ravel - Music For Violin And Piano
Artists
Various Artists, Brown Burnett, Charlie Bisharat, Darek Oles, Doc Powell, James Leary, John Clayton, Karen Briggs, KAREN KNOWLES, Mainliners, Munyungo Jackson, Sam Sklair, Sekou Bunch, Todd Cochran, Vickie Leigh
Composers
Bruno Lauzi, John Mayer, Fiorenzo Carpi, Juan Quintero, Lucio Dalla, Suzanne Vega, Antonio Carlos Jobim, Vinicius De Moraes, Juan Luis Guerra, Mayte Martin, Stevie Wonder, Ivano Fossati
Artists
Anna Maria Castelli, Gianni Coscia, Renato Sellani
Composers
J. Davis R. Ramirez J. Sherman, Honeysuckle Rose - A. Razaf T. Waller, L. Hart R. Rodgers, S. Di Giacomo F. P. Tosti, J. Kern, L. Tenco, E. Nicolardi E. A. Mario, B. Strayhorn, G. Giacobetti G. Kramer, E. Heyman V. Young, P. F. Webster S. Burke, H. James D. Ellington J. Hodges, Traditional
Two composing masters of impressionism - Claude Debussy with his final Sonata No. 3 and some transcriptions of famous pieces for piano, and Maurice Ravel with his youthful, short Sonata No. 1, combined with tributes to friends who were virtuoso violinists.
This album was recorded in the Sala dell'Ermellino - Casa della Musica in Milano on November 2-3, 2019. For this prestigious recording Giulio Cesare Ricci used the legendary original tube microphones Neumann U47, U48. Recordings are in Stereo DSD on Pyramix using the dCS A/D and D/A converters. A state-of-the-art system without any sound manipulation, neither equalization, nor reverberation, nor compression and expansion...but natural sound with true timbre to best enhance the acoustics of the Sala dell'Ermellino. The mastering has been realized by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube. The result of this recording is fantastic.
With this recording Giulio Cesare Ricci wanted to make the listener live a unique experience. It is as if the listener was sitting on an armchair positioned in the ideal point of the Sala dell'Ermellino. In this position the sound has a field effect and its depth, width and height are very appreciable. Great dynamics but also great precision of the solo parts. It's an album not to be missed.