Pure Analogue Recording, Pure Analogue Cutting, One-Stage Pressing Process, 180gr. Virgin Vinyl Pressing, Heavy Quality Sleeves, 33rpm, Tube Processed Analog Master, HiFi Reference, Limited Edition 496 copies
Printed in Japan, natural color transparent vinyl
The original edition of the Sonatas Op.12 (1799) bears on the words Sonatas for Harpsichord or Forte-Piano with a Violin on the title page. The order of importance of the two instruments is surprisingly inverted from that to which modern times has accustomed us, but listening immediately reveals that the Baroque tradition of considering the violin as a mere accompaniment has disappeared altogether. In the radiant and vital Sonatas Op.12 Beethoven places the two instruments firmly, and forever, on the same level.
Dedicated to one of his teachers in Vienna, Antonio Salieri, the Sonatas Op.12 were received unfavorably by critics because of their unconventional harmonic structure, but their success with the public was attested by the eight reprints in less than ten years. The style of these Sonatas was something radically new. The great innovations of the young Beethoven’s music were the daring use of the full textures of the two instruments, the frequent dynamic contrasts and the unusual use of sforzatos, all in a perfect architectural construction.
Salvatore Accardo - ViolinStefania Redaelli - PianoMaria Grazia Bellocchio - PianoLaura Manzini - Piano
The Master has been implemented with Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracks, 1/2 inch 30ips modified by David Manley. The Mastering for Vinyl was made by Giulio Cesare Ricci using Signoricci's analog and valve system. Thanks to Micheli Associati for having granted the "Sala dell'Ermellino" Casa della Musica, Milan for the recording of this album.
SIDE ASonata No. 2 for Violin and Piano in A major Op. 12
Allegro vivace 7'34"
Andante più tosto - Allegretto 6'09"
Allegro piacevole 5'50"
Total Time 19'35"
SIDE BSonata No. 3 for Violin and Piano in E-flat major Op. 12
Allegro con spirito 9'14"
Adagio con molta espressione 7'19"
Rondò - Allegro molto 4'40"
Total Time 21'13"
Tracklist
Total time: 01:03:54
1.
Sonata No. 2 for Violin and Piano in A major Op. 12/2, Allegro vivace
07:34
2.
Sonata No. 2 for Violin and Piano in A major Op. 12/2, Andante più tosto Allegretto
06:09
3.
Sonata No. 2 for Violin and Piano in A major Op. 12/2, Allegro piacevole
05:50
4.
Sonata No. 3 for Violin and Piano in E-flat major Op. 12/3, Allegro con spirito
09:14
5.
Sonata No. 3 for Violin and Piano in E-flat major Op. 12/3, Adagio con molt’espressione
07:19
6.
Sonata No. 3 for Violin and Piano in E-flat major Op. 12/3, Rondo. Allegro molto
04:40
7.
Sonata No. 4 for Violin and Piano in A minor Op. 23, Presto
08:12
8.
Sonata No. 4 for Violin and Piano in A minor Op. 23, Andante scherzoso, più Allegretto
09:03
9.
Sonata No. 4 for Violin and Piano in A minor Op. 23, Allegro molto
05:53
Additional Information
Label
Fonè
SKU
SACD224_vinyl
Qualities
Vinyl
Channels
2ch Stereo
Artists
Salvatore Accardo,
Laura manzini,
Maria Grazia Bellocchio,
Stefania Redaelli
Pure Analogue Recording, Pure Analogue Cutting, One-Stage Pressing Process, 180gr. Virgin Vinyl Pressing, Heavy Quality Sleeves, 33rpm, Tube Processed Analog Master, HiFi Reference, Limited Edition 496 copies
Printed in Japan, natural color transparent vinyl
The original edition of the Sonatas Op.12 (1799) bears on the words Sonatas for Harpsichord or Forte-Piano with a Violin on the title page. The order of importance of the two instruments is surprisingly inverted from that to which modern times has accustomed us, but listening immediately reveals that the Baroque tradition of considering the violin as a mere accompaniment has disappeared altogether. In the radiant and vital Sonatas Op.12 Beethoven places the two instruments firmly, and forever, on the same level.
Dedicated to one of his teachers in Vienna, Antonio Salieri, the Sonatas Op.12 were received unfavorably by critics because of their unconventional harmonic structure, but their success with the public was attested by the eight reprints in less than ten years. The style of these Sonatas was something radically new. The great innovations of the young Beethoven’s music were the daring use of the full textures of the two instruments, the frequent dynamic contrasts and the unusual use of sforzatos, all in a perfect architectural construction.
Salvatore Accardo - ViolinStefania Redaelli - PianoMaria Grazia Bellocchio - PianoLaura Manzini - Piano
The Master has been implemented with Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracks, 1/2 inch 30ips modified by David Manley. The Mastering for Vinyl was made by Giulio Cesare Ricci using Signoricci's analog and valve system. Thanks to Micheli Associati for having granted the "Sala dell'Ermellino" Casa della Musica, Milan for the recording of this album.
SIDE ASonata No. 2 for Violin and Piano in A major Op. 12
Allegro vivace 7'34"
Andante più tosto - Allegretto 6'09"
Allegro piacevole 5'50"
Total Time 19'35"
SIDE BSonata No. 3 for Violin and Piano in E-flat major Op. 12
Allegro con spirito 9'14"
Adagio con molta espressione 7'19"
Rondò - Allegro molto 4'40"
Total Time 21'13"