Feldman: Piano, Violin, Viola, Cello Live

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Feldman: Piano, Violin, Viola, Cello Live

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Label TRPTK

Artists Nieuw Amsterdams Peil

€29,99 EUR

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Feldman: Piano, Violin, Viola, Cello Live features Nieuw Amsterdams Peil in Stereo and 5.1 Channel Surround Sound DSD from TRPTK. This album was recorded live at the Sounds of Music Festival in Groningen, Nethelands. Nieuw Amsterdams Peil (NAP) is a fearless band that does not shy away from any genre or style. It was founded in 2005 by violinist Heleen Hulst and pianist Gerard Bouwhuis . As a collective, they focus on a broad repertoire of chamber music and music theater in a flexible line-up. Their focus is on the music of today. Musicians of Nieuw Amsterdams Peil feel more like a 'band' than an 'ensemble'. Little hierarchy and a lot of personal input by each player individually. An hour and fifteen minutes is long for a piano quartet, but it pales in comparison to the nearly five hours of Crippled Symmetry and the six hours of the Second String Quartet. Morton Feldman (1926-1987) is renowned for compositions that are simultaneously the longest, softest, and slowest. Feldman completed his piano quartet, which is not actually titled as such but rather Piano, Violin, Viola, Cello, on May 28, 1987. He could not have foreseen that this would be his last work.

Nieuw Amsterdams Peil Emma Breedveld, Violin Heleen Hulst, viola Mick Stirling, Cello Gerard Bouwhuis, Piano

Tracklist

Total time: 60:19:05

1. Piano, Violin, Viola, Cello

01:19:05

Previews are short MP3 excerpts. Your download is in the quality and channels you choose.

Additional Information

Label

TRPTK

SKU

TTK0127DL

Qualities

FLAC 96 kHz, FLAC 192 kHz, DSD 64, DSD 128, DSD 256, DSD 512, DXD 24 Bit

Channels

2ch Stereo, 5ch Surround, 2ch Stereo & 5ch Surround

Artists

Nieuw Amsterdams Peil

Composers

Feldman

Conductors

Rachel Podger

Genres

Classical

Original Recording Format

DXD 352.8 kHz 32 bit

Instruments

Cello, Piano

Release Date

October 07, 2024

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Reviews

Positive Feedback

Rushton Paul

Ultimately, to my tastes, I place this music in the category of exploration—my exploration for understanding. Similar to standing before a Jackson Pollock painting, don’t try it intellectualize it. Just allow it to seep in. And as you do so, your consciousness begins to embrace the lack of structure, embrace the flow that is sound and non-sound.
Of course, the recording by Brendon Heinst is of superb quality as always. So that is a pure delight.

Source: positive-feedback.com