Yarlung Records is always full of surprises, and Lifeline: Music of the Underground Railroad is no exception. Bob Attiyeh, award-winning President of the label, brought it to my attention, explaining its unique and extraordinary meaning. Bob’s tastes are broader and generally superior to mine, and his recommendations always pan out. His hands-on recording techniques, minimalist use of tube microphones, and recording produce a consistent you-are-there presentation that one must take seriously.
I listened, my ears immersed in this album over and over and heard more nuance and beauty with each play. Just knowing the significance of these spirituals for unaccompanied voices was road maps and directions coded in music for slaves on the run to Canada before and during the Civil War made it unreal and poignant. These pieces will move you in ways you cannot know until you listen to them.
Wait until you hear "Steal Away," a plea to slaves to attempt escape, filled with melodious beauty and special lyrics. Recorded live in a single unedited session, voices are rounded and palpable in perfect imaging on a virtual stage in your listening room. Astounding.
"Wade in the Water" again suggests how to ford the streams and rivers. With just four voices, a choral sound suggesting eight voices emerges with energy and dimension giving the listener the sense of real-life in real space. I am an audiophile, and Lifeline is a reference album of the highest level. Bob Attiyeh and his team demonstrate taste levels of the highest order.
I was most gratified by how superbly alive Lifeline is produced by my system. My favorite cut? "Don't Let Nobody Turn You Around." You just want to sing along and cry.
A must own reference quality recording.
Music "A," Recording "A+"