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| Generally labelled as a Baroque instrument and thought to have disappeared with the French Revolution, the harpsichord flourished again in the first third of the 20th century and inspired original compositions’. Justin Taylor offers us a ‘personal’ overview of the harpsichord in the 20th Century on the album Clavecin XX.
He has structured this album around four major concertos (Falla, Poulenc, Françaix, Górecki) which are linked by pieces for solo harpsichord: Bartók, who, in his preface to Mikrokosmos, from which this Hommage to Bach is taken, suggests playing certain pieces on the harpsichord, Martinů and a new work by Stéphane Gassot in reference to Ligeti.
The program concludes with a nod to Scott Joplin and his famous ragtime music. Always attentive and passionate about instruments, Justin Taylor chose to record the entire program on a single instrument. A harpsichord built in the 1970s by Anthony Sidey, a hybrid model between Pleyel instruments and historical harpsichord making, which "gives a wide and highly varied range of colors".
With this album, he follows in the footsteps of Wanda Landowska and Elisabeth Chojnacka, two pioneers who promoted the harpsichord in all its modernity.
Justin Taylor, Harpsichord
Orchestre National de Lille
Chloé Dufresne, Conductor | Regular price
From €23,99 EUR
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| Alpha Classics | Album |
Quality
DSD 512,DSD 256,WAV 192 kHz,DSD 128,WAV 96 kHz,DSD 64,DXD 24 Bit
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