Forkel, the author of the first significant Bach monograph, tells the story of the origin of the composition. According to him, the great Johann Sebastian was commissioned by a certain Count Keyserlinck to compose the Goldberg Variations. The Count suffered from insomnia, therefore he asked the composer whom he had known from earlier to compose some music which his court harpsichordist, Johann Gottlieb Goldberg, could play for him from time to time in the tormenting hours of the night. Bach believed that a series of variations would best suit the purpose so that Goldberg could play different movements each night. Keyserlinck received the score and paid an appreciable sum for the work, handing over a golden plate with a hundred double Louis d’or.
The 27th variation continues the method only partially: it is a canon on the ninth but there are only two parts. Variation 30 is a Quodlibet of well-known folksongs instead of the expected canon on the tenth. Variations 4, 7, 10, and some others are character pieces (No. 7 is a gigue, No.10 is a fugato, but No. 16, the French overture, also belongs to this group), others (from Variation 5) are virtuoso pieces utilizing the technical possibilities of the two-manual harpsichord and are difficult to play on the piano, since the two hands always cross owing to the lack of the other manual. It remains an unanswered question of how Goldberg could cope with the task. Because, even if not at the age of 15, he played these movements for the sleepless Count at some time.
Laszlo Borberly - Piano
Tracklist
Total time: 01:26:06
1.
Aria
04:25
2.
Variation 1 A 1 Clav.
02:06
3.
Variation 2 A 1 Clav.
01:28
4.
Variation 3 A 1 Clav. Canone All' Unisuono
02:08
5.
Variation 4 A 1 Clav.
01:08
6.
Variation 5 A 1 Ovvero 2 Clav.
01:40
7.
Variation 6 A 1 Clav. Canone Alla Seconda
01:24
8.
Variation 7 A 1 Ovvero 2 Clav.
01:55
9.
Variation 8 A 2 Clav.
02:08
10.
Variation 9 A 1 Clav. Canone Alla Terza
02:12
11.
Variation 10 A 1 Clav. Fughetta
01:58
12.
Variation 11 A 2 Clav.
02:00
13.
Variation 12 Canone Alla Quarta
02:51
14.
Variation 13 A 2 Clav.
05:54
15.
Variation 14 A 2 Clav.
02:19
16.
Variation 15 A 1 Clav. Canone Alla Quinta. Andante
05:58
17.
Variation 16 Ouverture A 1 Clav.
02:49
18.
Variation 17 A 2 Clav.
01:54
19.
Variation 18 A 1 Clav. Canone Alla Sesta
02:07
20.
Variation 19 A 1 Clav.
01:29
21.
Variation 20 A 2 Clav.
02:04
22.
Variation 21 Canone Alla Settima
02:57
23.
Variation 22 A 1 Clav. Alla Breve
01:40
24.
Variation 23 A 2 Clav.
02:12
25.
Variation 24 A 1 Clav. Canone All' Ottova
02:17
26.
Variation 25 A 2 Clav.
10:00
27.
Variation 26 A 2 Clav.
02:12
28.
Variation 27 A 2 Clav. Canone Alla Nona
01:59
29.
Variation 28 A 2 Clav.
02:08
30.
Variation 29 A 1 Ovvero 2 Clav.
02:33
31.
Variation 30 A 1 Clav. Quodlibet
01:46
32.
Aria Da Capo
04:25
Previews are short MP3 excerpts. Your download is in the quality and channels you choose.
Additional Information
Label
Hunnia Records
SKU
MRC1901-vinyl
Qualities
Vinyl
Channels
2ch Stereo
Artists
László Borbély
Composers
Bach
Genres
Classical
Original Recording Format
DSD 256
Instruments
Piano
Release Date
December 05, 2022
Reviews by Customers
★
★
★
★
Katsuhisa Uruno · March 11, 2025 · Verified buyer
Apparently under the influnce of Glenn Gould. A bit monotonous, as if restraining emotions.
Considering that this tune was composed for a man with insomnia, the player seems to be trying to find what JSB'd had in his mind but still not sure.
I prefer this to Olafsson's Goldberg Variations. The recording is great with clearness of 1 bit DSD and it lost little with 11.2MHz sampling rate.
Forkel, the author of the first significant Bach monograph, tells the story of the origin of the composition. According to him, the great Johann Sebastian was commissioned by a certain Count Keyserlinck to compose the Goldberg Variations. The Count suffered from insomnia, therefore he asked the composer whom he had known from earlier to compose some music which his court harpsichordist, Johann Gottlieb Goldberg, could play for him from time to time in the tormenting hours of the night. Bach believed that a series of variations would best suit the purpose so that Goldberg could play different movements each night. Keyserlinck received the score and paid an appreciable sum for the work, handing over a golden plate with a hundred double Louis d’or.
The 27th variation continues the method only partially: it is a canon on the ninth but there are only two parts. Variation 30 is a Quodlibet of well-known folksongs instead of the expected canon on the tenth. Variations 4, 7, 10, and some others are character pieces (No. 7 is a gigue, No.10 is a fugato, but No. 16, the French overture, also belongs to this group), others (from Variation 5) are virtuoso pieces utilizing the technical possibilities of the two-manual harpsichord and are difficult to play on the piano, since the two hands always cross owing to the lack of the other manual. It remains an unanswered question of how Goldberg could cope with the task. Because, even if not at the age of 15, he played these movements for the sleepless Count at some time.
Laszlo Borberly - Piano