On enSuite, harpsichord player Korneel Bernolet presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form.
He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.
The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions.
A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between.
Korneel Bernolet, Harpsichord
Tracklist
Total time: 01:20:13
1.
Pièce de clavecin Op. 1 'Italian Sonata' in G Major: I. Adagio
03:52
2.
Pièce de clavecin Op. 1 'Italian Sonata' in G Major: II. Allegro
03:33
3.
Pièce de clavecin Op. 1 'Italian Sonata' in G Major: III. Andante
02:39
4.
Pièce de clavecin Op. 1 'Italian Sonata' in G Major: IV. Vivace
04:23
5.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor H. 47 Wq. 65/17: I. Allegro - Al
05:33
6.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor H. 47 Wq. 65/17: II. Adagio
04:25
7.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor H. 47 Wq. 65/17: III. Allegro as
04:54
8.
Sei Sonate per il Cembalo Solo Sonata No. 4 in F Major: I. Allegretto assai moderato
06:58
9.
Sei Sonate per il Cembalo Solo Sonata No. 4 in F Major: II. Largo sempre piano
03:53
10.
Sei Sonate per il Cembalo Solo Sonata No. 4 in F Major: III. Presto
05:06
11.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor: I. Tendrement. Affettuoso
04:33
12.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor: II. Vivement. Allegro assai
02:33
13.
Pièces de clavecin tirées de différens Ouvrages 'Sonata' in G Minor: III. Menuet
06:58
14.
Pièces de clavecin Livre 2 'Sonata' in D Major: I. La Victoire. Vivement
05:02
15.
Pièces de clavecin Livre 2 'Sonata' in D Major: II. La De Villeroy. Hardiment
06:49
16.
Pièces de clavecin Livre 2 'Sonata' in D Major: III. La Félix. Noblement
04:49
17.
Pièces de clavecin Livre 2 'Sonata' in D Major: IV. La De Vatre. Hardiment
On enSuite, harpsichord player Korneel Bernolet presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form.
He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.
The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions.
A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between.
Korneel Bernolet, Harpsichord