★
★
★
★
★
I knew that this would be exceptional. As soon as I heard the entry of the violin at the beginning of the first sonata - it should appear rising from nothing. It does.
These sonatas pay full attention to Bach without either self-effacement of the players (that sense of a false/inappropriate worship of the composer) or the opposite - self-promotion.
In other words, Sebastián and Mercero have struck the ideal balance. The sound, of course, is astonishing. It leaves nothing to desire.
The violin and harpsichord are recorded sounding exactly as live violin and harpsichord. That's the maximum that can be achieved.