These are delightfully fresh and engaging performances. All on period instruments and with appropriate tuning, each quintet brings its own special pleasures with the changing complement of all strings and two cellos, alternate with an oboe for another work, alternate with guitar for yet another. Nicely performed by all involved.
The recording sets the instruments nicely within the sound field and the overall sound is transparent and nicely resolving. Altogether a very enjoyable recital that maintained variety and interest.
A wonderfully curated album of first recordings by composers Michael Henkel, Anton Diabelli and Bernard Romberg. Cellist Michael Kevin Jones strikes just the right balance of virtuoso brilliance and poignant lyricism in his playing, sensitively supported by Henry Wong Doe. Of particular note is the energy and intensity both players bring to the Grand Cello Sonata of Diabelli, with Wong Doe’s fleet finger work a feature in the Allegretto Scherzando movement. This collection of rarely performed woks for cello and piano is a must-have for musicians and music lovers.
I heard Dieter Ilg on Otello Live on Qobuz and it is absolutely fantastic. Then I listened to Nightfall, also fantastic. I figured I would go through the list on Native DSD and purchase all of the Dieter Ilg albums they have, one at a time. I started with the first recording available there, Bass. Bad Idea.
Does it sound good? I suppose, why not; it should considering, but.....the lack of taste in the selection of pieces????? Awful. Complete lack of imagination. Reminds me of Bromberg when he gets lost. Wasn't there a producer that said, "Nope, sorry, no. Please Don't do that,!!!" Apparently not.
I was planning of buying Otello Live today, as well, but I am in pain considering $24 just left my pocket and is blowing on the ground. I am not saying stay away from Ilg, but do yourself a favor and stay away from Ilg "Bass". Sorry I am so negative, but I wish someone had warned me.
These musicians with their beautiful, intimate and very particular repertoire, are able to capture the listener and transport him into a musical territory of great emotional well-being. The songs are sweet and delicate and all really satisfying. This is music that the more you listen, the more is makes you feel good.
Very nicely done recording! I really enjoyed listening to the DSD Stereo version as well as the DSD Binaural version. I compared both versions with Stax earspeakers and I highly recommend the DSD Binaural version for headphone users. Still the DSD Stereo version is good with headphones too.
Musically it is very nice. It is magical when actual Latin-American singers interpret their music. Of course this applies only to actual Misa Criolla part of Musica Temprana's recording.
I was pleasantly surprised by how listenable this album is. The range in tunes and arrangements kept me interested and felt as comfortable to settle into as my favorite listening chair.
Songs groove along nicely, ballads are moody and engaging, and mid- and up-tempo tunes reveal compelling interplay among the musicians. My favorite is "I Remember Clifford", a moody tune with a beautiful melody and a "Ben Webster" vibe on the sax.
Overall, the musical stream carried me along effortlessly, at once being both relaxed and engaging.
I want to thank the artist for this experience. As a religious person, I'm always seeking religious, modern classical music and I must say this album combines everything I was looking for.
Finally here is a piece that doesn't want to be a modern Bach implementation or a remake, rather a completely new masterpiece piano solo. The artist tells us the story of Jesus with his own words, through a unique, and refreshing journey embedded in its twelve movements of the album.
Luckily for me, I know far too little about classical music to relate to the criticisms of these pieces. So I'll just enjoy them. Beautiful, lovely, moving bliss... certainly not ignorant. Known immediately in experience.
Yes - you can hear everything. Spookily present for a recording that must be nearly sixty years old. There is faint distortion and background hiss on Track 4 - The Story of Sunny Boy Williamson, which in no way detracts for the experience. The remaining tracks could have been recorded last week.
There is no need to discuss the quality of the recording. It is excellent. I listened to the album after a long and exhausting flight. Veronika Szasz's voice is extremely soothing.
A wonderful variety of pieces. From the delicate finger work in the Haydn to the expressiveness of the Chopin. The Bach-Busoni is epic. It takes the listener on a tumultuous journey through moments of reflection and triumph, with a final rendition of the Chaconne that aptly captures the gravity of this monumental work. Bravo!
The warm, gentle tones of Michael Kevin Jones's Cello coupled with the quality of the recording brings out the peaceful joy of the music. A pleasure to listen to.
Regarding the album, it's not the best of Dephazz in my opinion with Live Jazz Club versions of tracks from their earlier albums.
Regarding the DSD edition of the album, I got the DSD 256 version and noticed little ticks throughout the album. Not 100% perfect and disappointed for the price.
This album, recorded in DXD is as Russian as you can get. I can attest to the great sonics (in DSD Surround Sound). Deep bass vocals and many bass instruments. I downloaded it in DXD from Native DSD.
Finally, a male chorus and bass soloist. What a great find for me!