5 Parts From 'Missa Electronica Paschalis' (2020)

Olesya Rostovskaya

Olesya Rostovskaya

Selected extracts from "Missa Electronica Paschalis" for theremin, voices, organ and electronics. While this composition is not primarily intended for use as part of a church service, it might be used in this way. The Ex Oriente Lux vocal ensemble featuring soloists Anastasia Bondareva and Dmitry Maximenko, Marianna Vysotskaya (organ), Olesya Rostovskaya (theremin). The sounds of nature and virtual synthesizers have been added electronically.

Introductory note by Russia’s foremost Catholic liturgist, P. Sakharov

«O truly blessed night,
worthy alone to know the time and hour
when Christ rose from the underworld!

This is the night
of which it is written:
The night shall be as bright as day,
dazzling is the night for me,
and full of gladness…»

In both the Roman Catholic and Orthodox Church traditions, Easter Night prayers, known in the Western tradition as the Easter Vigil, is the pinnacle of the Church calendar and the most important liturgy of the year.

Olesya Rostovskaya’s musical cycle, Missa Electronica Paschalis (Electronic Easter Mass) draws on the texts of the Roman Catholic Easter Vigil Mass, some of which are in Latin and others in Russian translation. However, although based exclusively on the liturgical texts of Catholic Easter prayers, Missa Electronica Paschalis is not primarily intended for use within a Church service but is, rather, a purely concert piece as traditionally almost half of the Easter Vigil Mass is conducted without accompaniment, whether by organ or other instruments. But Rostovskaya’s music has no such limitation and includes human voices, the traditional organ of Western church music and the electronic theremin. These are further supplemented by the sounds of nature which, despite their apparent incongruity, are absolutely logical in this setting.

The Catholic Easter Vigil commences with a lengthy series of readings from the Bible starting with the first verses of the Book of Genesis describing the Creation. Why should this be so? It is because the Resurrection of Christ initiates a new era of the creation of the world and of Man. How did the first Creation begin? God said, “Let there be light.” and there was light. For this reason the Easter Night prayers commence with the Liturgy of Light symbolising the beginning of a new creation in Christ. The profound darkness of the church is illuminated with a single Easter candle from which all other candles are lit and the entire space is filled with light.

Olesya Rostovskaya’s Missa Electronica Paschalis conveys this symbolism in sound with amazing depth.

Pyotr Sakharov, liturgical scholar, St. Thomas Institute, PhD

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Olesya Rostovskaya

Olesya Rostovskaya was born in 1975. After graduating from The Russian Central Music School, she completed her study at the Tchaikovsky Moscow Conservatory (1993 - 2000) with specialization in composition (class of Professor and Head of CMC Composition Dept - Albert Leman) and in 2001 with specialization in organ (class of Professor Oleg Yanchenko). She began to play the thereminvox in 1999. In 2003, she began to play in the Russian bell tradition. In 2006 she began to play the carillon. She graduated from the Saint Petersburg State University in 2008 as carillonneur. In 2009, she graduated from the Royal Carillon School “Jef Denyn” in Mechelen (class of Professor Jo Haazen). Olesya works as a composer for symphony and chamber orchestras, different ensembles, choir, organ, carillon, thereminvox, vocal, music for theater, radio, electro acoustic music, which has been performed in Russia, East and West Europe and USA. Olesya is also an active performer with authentic, classical and contemporary repertoire and improvisations. She has recorded a CDs “Soul of a Bell: Russian Carillon Music”, “What Peter the Great heard from the carillon tower”, “Soul of a Bell - 2”, “Tanido Espagnol”, “16 Century Discothèque”, “The Bells of Northern Skies”, “Peals of the Rostov Kremlin”, “The Organ in a Russian Home”, she appeared in a series of radio programs, “Don Carillon”, and she presented carillon at different musical conferences and symposiums. Olesya presented Russian carillon guild on the World Carillon Congresses in USA, in Belgium and in Baeselona. Olesya’s music has received the following awards: Sacred music contest (1996), First National Young Composers Contest (1999), “New Generation Music” contest (2000), Massalitinov’s National Music Contest (2005), Piano Improvisation Contest (2006), Russian Artiada (2010). She is a member of Russian Composers Union, the Russian Association of Electro-Acoustic Music, the Association of Russian Organ Art and the Russian Carillon Foundation.

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5 Parts From 'Missa Electronica Paschalis' (2020)

Olesya Rostovskaya

Olesya Rostovskaya

Cables: Gotham Starquad
Digital Converters: Horus by Merging Technologies
Editing Software:

Pyramix by Merging Technologies

Mastering Engineer:

Alexey Pogarskiy

Microphones: Neumann KMA184, Neumann KM140, Neumann KM184, MicW M215, MicW
Producer: Olesya Rostovskaya
Recording Engineer: Dmitry Kovyzhenko
Recording location: Cathedral of the Immaculate Conception of the Holy Virgin Mary in Moscow, Russia
Recording Software: Pyramix by Merging Technologies
Recording Type & Bit Rate: DXD
Speakers: Focal CMS 50

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Vidi aquam
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Deo gracias
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