30 Years of Channel Classics Records - Gramophone Editor's Choices (2020)

Revueltas, Mahler, Biber, Dvorak, RACHMANINOFF, Verdi, Purcell, Mozart, Buxtehude, Telemann, Anonymous, Kapsberger, Vivaldi

Various Artists

Ivan Fischer

Channel Classics celebrates their 30th Anniversary!

During these thirty years, Jared Sacks - founder, producer and engineer - has worked with Rachel Podger, Iván Fischer and his Budapest Festival Orchestra, Ning Feng, Paolo Giacometti, Amsterdam Sinfonietta, Netherlands Bach Society, Rick Stotijn, Pieter Wispelwey, Rosanne Philippens, and many others. Most recently we welcomed pianist Anna Fedorova to the Channel Family of Artists. Resulting in a total of 436 recordings to date, and counting.

"Our label Channel Classics is not only a recording company but also promotion/marketing company', says Jared Sacks - founder, producer and engineer. 'I am grateful to have a fantastic team here at Channel Classics to promote our artists. Marian, Floor, Ad, Lydi and Jonas have been working together for many years to bring my recordings into the world. Their artwork, campaigns, ideas, commitment and their personal approach to artists, managements, distributors, designers, and all involved – is what makes it possible to share my recordings with you, and to put a spotlight on the artists."
- Jared Sacks Founder, producer, engineer Channel Classics Records

"For 30 years, Channel Classics has been making wonderful recordings: from projects of a rare intimacy courtesy of Florilegium or Rachel Podger to the magnificent edifices that are Mahler’s symphonies, authoritatively conducted by Iván Fischer. Many have caught our imagination, and a fair few have received our monthly Editor’s Choice accolade. Here’s a selection of some of our favourites."
- James Jolly Editor-in-Chief, Gramophone Magazine

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Ivan Fischer

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "cocoa-concerts" for young children, "Midnight Music" concerts for students, "surprise" concerts where the programme is not announced, "one forint concerts" where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Budapest Festival Orchestra

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "Cocoa-Concerts” for young children, "Midnight Music” concerts for students, "Surprise” concerts where the programme is not announced, "One Forint Concerts” where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Rachel Podger

Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated inGermany and in England at the Guildhall School of Music and Drama, where she studied with David Takeno and Micaela Comberti. After beginnings with The Palladian Ensemble and Florilegium, she was leader ofThe English Concert from 1997 to 2002 and in 2004 began a guest directorship with The Orchestra of the Age of Enlightenment with whom she appeared in a televised bbc Prom in 2007.

As a guest director and soloist she has collaborated with numerous orchestras including Arte dei Suonatori (Poland), Musica Angelica and Santa Fe ProMusica (usa), The Academy of Ancient Music, The European Union BaroqueOrchestra, Holland Baroque Society, the Handel and Haydn Society (usa), Philharmonia Baroque Orchestra (usa). Rachel has toured and recorded extensively with fortepianist Gary Cooper. Rachel records exclusively for Channel Classics and has won numerous prestigious awards including the Baroque Instrumental Gramophone Award for La Stravaganza in2003 and the Diapason d’Or de l’année in the Baroque Ensemble category for the LaCetra Vivaldi concertos with Holland Baroque Society in 2012.

Rachel directs her own ensemble, Brecon Baroque, with whom she has recorded Bach’s Violin Concertos, released in October 2010 to outstanding reviews. She is also Artistic Director of her own festival: the Brecon Baroque Festival. Rachel is an honorary member of both the Royal Academy of Music (where she holds the Michaela Comberti Chair for Baroque Violin) and the Royal Welsh College of Music and Drama (where she holds the Jane Hodge Foundation International Chair in Baroque Violin) and teaches at institutions throughout the world.

Florilegium

Regular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. Since their formation in 1991 they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire.

Concert venues include Sydney Opera House, Esplanade (Singapore), Teatro Colon (Buenos Aires), Wigmore Hall and Royal Festival Hall (London), Concertgebouw (Amsterdam),Konzerthaus (Vienna), Beethoven-Haus (Bonn), Handel-Haus (Halle) and Frick Collection (New York). The numerous residencies Florilegium have held over the years include being the first period instrument Ensemble-in-Residence at London’s Wigmore Hall. This Residency was for three seasons and involved the group performing several series of concerts each year and becoming actively involved in the Hall’s education work. Since September 2008 they have been Ensemble in Association at the Royal College of Music in London, where they are responsible for coaching 18th century baroque chamber music. Their over twenty recordings for Channel Classics have been awarded many prizes including a Gramophone Award nomination, Editor’s Choice from Gramophone, Diapasons d’Or and Chocs de la Musique. Florilegium’s cd of Telemann’s Paris Quartets Vol 2 received the Classical Internet Award from Classicstoday.com. The Bach Cantatas disc with Johannette Zomer was awarded a 2008 Edison Award, Dutch music’s most prestigious prize. The second volume of Baroque Music from Bolivian Missions was nominated for a 2008 bbc Music Magazine award, and bbc Music Magazine selected volume 3 as Disc of the Month for April 2010. A disc of music by Pergolesi was released in May 2010 and was bbc Music Magazine’s cd choice in the vocal category in July 2010. Future recordings include Florilegium’s arrangements of Bach’s Organ Trio Sonatas, and a recording of Couperin’s Les Nations.

Ebony Band

The Ebony Band was founded in 1990 by Werner Herbers. Its core is made up of musicians from the Royal Concertgebouw Orchestra. The ensemble specializes in modern, adventurous music primarily from the first half of the 20th century. Special attention is focused on the (frequently unjustly) forgotten music of lesser known composers, deemed to be worthy of revival. The Ebony Band devoted many programs to German and Czech music at the time of the Weimar Republic, which the nazis called ‘degenerated music’. Other programs focused on composers involved in the Spanish Civil War, Mexican composer Silvestre Revueltas and unknown Russians from the twenties. Several concerts have been given in collaboration with actors, dancers and writers, or with the addition of slide or film projection. The Ebony Band has also performed short operas, semi-staged (Wolpe, Gronostay, Grosz) and radioplays (Seiber, Gronostay, Kahn, Goehr). Many of the ensembles recordings have been awarded prizes: Edisons, Gramophone’s Editors Choice, Diapason d’Or. The extended Ebony Big Band played and recorded jazz influenced music by cool-jazz composers (Carisi, Russo, Russell) and repertoire of the legendary Innovations Orchestra of Stan Kenton (Graettinger, Rugolo, Marks). After 17 years of performing in Europe (Berlin, Paris, Vienna, Warsaw, Prague and all over the Netherlands) and North America (New York, Toronto), the group stopped regular concert giving. The goal of the group now is the registration of detailed information about the music of the interbellum on record and the internet (www.ebonyband.nl).

Werner Herbers

Werner Herbers studied oboe at theAmsterdam Muzieklyceum (with Jaap and Haakon Stotijn) as well as piano and conducting. Herbers was appointed principal oboe of the Royal Concertgebouworchestra in 1970.As a soloist he played with conducturs such as Haitink, Harnoncourt, Berio,Leitner, Van Otterloo, Albrecht, DeWaart and Vonk.  Until the group disbanded in 1988,Herbers was co-leader and oboist of the famous Netherlands WindEnsemble, touring all over Europe,Australia, Japan and the U.S.In 1990 Herbers founded a new group, the Ebony Band. Under his direction the group made its international appearance in Germany and Belgium, as well as Vienna, Prague, Paris, Toronto and New York.As a guest-conductor Herbers appeared in Berlin (Ensemble Oriol), Freiburg (Ensemble Recherche) and NewYork (music of Stefan Wolpe and his contemporaries with the Capriccio Players).

Amsterdam Sinfonietta

Amsterdam Sinfonietta is an ensemble of 22 gifted musicians who perform under the direction of Candida Thompson, artistic director|lead violin since 2003. The ensemble’s defining feature is the strong involvement and artistic drive of each individual member. The group has gained a reputation for distinguished, performances and innovative programming, often featuring surprising combinations of works. It collaborates with renowned artists and performs in major venues around throughout the world.

Founded in 1988 Amsterdam Sinfonietta is a highly respected ensemble with strong roots in the Dutch cultural scene. Every season it presents a series of concerts in the major concert halls of the The Netherlands. The orchestra boasts a young and loyal audience. Amsterdam Sinfonietta performs ingenious programmes featuring well-known repertoire combined with commissions, new arrangements or rarely performed works. Recent commissions include world premières of compositions by Sofia Gubaidulina, HK Gruber, Michel van der Aa and P?teris Vasks. Over the past seasons Amsterdam Sinfonietta has initiated and recorded new arrangements of various chamber music works. These include works by Beethoven, Brahms, Mahler, Schulhoff, Haas, Shostakovich and Berg.

Amsterdam Sinfonietta enjoys intensive collaborations with pre-eminent musicians. Guest artists such as Janine Jansen, David Fray, Jean-Guihen Queyras, Barbara Hannigan, Maxim Vengerov, Thomas Hampson, Sergey Khachatryan, Christianne Stotijn, Håkan Hardenberger, Martin Fröst, Julian Rachlin, Sol Gabetta, James Gilchrist, Natalia Gutman and Isabelle van Keulen have made return appearances with the orchestra.

Recently the ensemble toured China performing concerts with cellist Pieter Wispelwey. The group also performed spectacular performances with solo cellist Sol Gabetta at the Barbican in London, the Philharmonie in Luxemburg, Bozar in Brussels, the Musikhalle in Hamburg and the Konserthuset in Stockholm. The latest tour through Germany and Belgium with the French pianist David Fray was a resouding success culminating in ecstatic reviews. Following concerts in Berlin, Cologne, Frankfurt and Düsseldorf and the Frankfurter Rundschau wrote: ’For the chamber orchestra Amsterdam Sinfonietta, performing under the direction of Candida Thompson, the keyword is alertness. The 22 string players […] communicate with each other in a state of heightened awareness. Each player listens attentively to the others, to the counter lines and tonal colours. […] The result sounded fresh and modern – simply brilliant.’ The group has been a guest at many international festivals including the Adelaide Festival, Gergiev Festival, Schleswig Holstein Festival and La Roque d’Antheron and also appears regularly at the Holland Festival and in the Robeco Summer Series and Carte Blanche Series in the Amsterdam Concertgebouw.

Every year the ensemble shows its versatility with a New Year’s programme that transcends the bounds of a conventional concert. This New Year’s programme has become a tradition attracting new and diverse audiences in many national venues. Joining forces with artists such as Bobby McFerrin, Roby Lakatos, and Chick Corea has resulted in intriguing on-stage chemistry and compelling concerts. The orchestra also participates in multidisciplinary projects. Together with the Dutch-Italian choreographers Emio Greco & PC, the ensemble presented a theatrical production featuring a contemporary collage of Bach’s St Matthew Passion. Amsterdam Sinfonietta has also worked with the actor Jeroen Willems and stage director Pierre Audi in a programme centred on Alban Berg’s Lyric Suite. Upcoming projects include a Dessner-Greenwood double portrait featuring recent compositions by Jonny Greenwood of Radiohead fame and Bryce and Aaron Dessner from the successful rock band The National. Other future projects include collaborations with the violinist Patricia Kopatchinskaja, baritone Thomas Hampson and clarinettist Martin Fröst and tours of Germany, Russia and China.

Candida Thompson

Candida Thompson artistic director and leader 

Candida Thompson studied with DavidTakeno at the Guildhall School of Music andDrama, where she received her soloist's graduationdiploma with honour. She developedher qualities further at the Banff Centre for theArts in Canada and played with several internationalorchestras such as Moskov ChamberOrchestra, The English String Orchestra,Wiener Symphoniker, the Netherland RadioChamber Orchestra and AmsterdamSinfonietta. Candida Thompson has been aregular guest artist at La Musica chambermusic festival in Florida. She also participatedat chamber music festivals like the KuhmoChamber Music Festival (Finland) and theGubbio Festival (Italy). In the past yearsCandida performed with artists such as BrunoGuiranna, Joseph Silverstein, Isabelle Faust,Janine Jansen. Together with cellist XeniaJankovic and pianist Paolo Giacometti sheformed the Hamlet trio. Candida Thompsonwas appointed Amsterdam Sinfonietta's artisticdirector and lead violin in the summer of2003. Under her leadership AmsterdamSinfonietta has made successful tours ofAustralia, the United States, China, Spain,Italy and Germany and has recorded a numberof highly acclaimed CD recordings.

Wim Van Hasselt

Wim Van Hasselt is a member of the trumpet section of the Royal Concertgebouw Orchestra Amsterdam. He is professor of trumpet at the University of Music Freiburg and regulary gives recitals and masterclasses at home and abroad (Europe, N-America and Japan). He’s also an active chamber musician in different ensembles and has appeared at the festivals of Lucerne, Bad Kissingen and Schleswig Holstein among many others.

Wim Van Hasselt was born in Turnhout, Belgium. He studied at the Hochschule für Musik in Karlsruhe (Germany) with Prof. Reinhold Friedrich and Prof. Dr. Edward H. Tarr (baroque trumpet). He also attended lessons and masterclasses given by Ole Edvard Antonsen, Prof. Klaus Schuhwerk, Markus Stockhausen and Philip Smith.

After taking part in the orchestra academies of the Deutsche Oper Berlin and the State Opera Stuttgart he had a trumpet position with the Radio Symphony Orchestra Berlin, from 2005 to 2009. In addition to the Royal Concertgebouw Orchestra he has played with the Berlin Philharmonic and the Lucerne Festival Orchestra.

His first solo CD “On the Road” was released on the Channel Classics label, showing his versatility and feeling for style in an impressive manner. It includes a couple of works that have been composed especially for this CD. The project was awarded the “Prix de Salon” 2010 of the Foundation Donateurs Royal Concertgebouw Orchestra.

Gary Cooper

Gary Cooper is an English conductor and classical keyboardist who specializes in the harpsichord and fortepiano. He is known as an interpreter of the keyboard music of Bach and Mozart, and as a conductor of historically informed performances of music from the Renaissance, Baroque, Classical and Romantic periods.Gary Cooper studied organ and harpsichord at Chetham's School of Music, the John Loosemore Centre, and was an organ scholar at New College, Oxford, where he graduated with First Class Honours. In 1990 while still a student at Oxford, he co-founded the New Chamber Opera, and has conducted many of their performances, including a complete recording of Rameau's cantatas and a new production of Handel's rarely performed opera, Orlando, at Sadler's Wells Theatre in 2006.

Between 1992 and 2000, he was a member of the baroque ensemble, Trio Sonnerie, with whom he performed regularly throughout Europe and the United States. Cooper made his Wigmore Hall solo recital debut on 1 December 2000 with a performance of Bach's complete Well-Tempered Clavier, and has frequently appeared as a recitalist both in the UK and in Europe. Several of his performances have been broadcast on BBC Radio 3, including his 22 November 2004 recital at the Cosmo Rodewald Concert Hall in Manchester and his 29 January 2006 Wigmore Hall performance of Mozart's sonatas for piano and violin with violinist Rachel Podger, broadcast live as part of the European Broadcasting Union's Mozart Day.Gary Cooper has conducted for many ensembles including, the Akademie für Alte Musik Berlin, Irish Baroque Orchestra, Hanover Band, and English Touring Opera (Mozart's Die Entführung aus dem Serail and Handel's Alcina). He also teaches harpsichord and fortepiano at the Royal Welsh College of Music and Drama and the Birmingham Conservatoire, and is Visiting Professor of fortepiano at the Royal College of Music.

The Netherlands Bach Society

Founded in 1921, The Netherlands Bach Society is the oldest Early Music ensemble in the Netherlands, and possibly in the whole world. Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits.

The programmes are often compiled in an original way and thus give a refreshing view of the various musical styles from Schütz/Monteverdi to Haydn/Mozart, as well as of the central composer Bach himself. The flexibility of the ensemble makes it possible to perform works from the secular and sacred repertoires in a great variety of combinations of musicians. In the concerts, top priority is given to beauty, emotion, quality and authentic experience.

For a long time now, the activities of The Netherlands Bach Society have not been restricted to Naarden or Het Gooi, in the Netherlands. They are attracting growing national and international attention from large concert halls and important music festivals, and the ensemble increasingly plays the honourable role of cultural ambassador.

Besides working with principal conductor Jos van Veldhoven, The Netherlands Bach Society also performs with leading early music specialists from the Netherlands and abroad, such as Rinaldo Alessandrini, Peter Dijkstra, Richard Egarr, Gustav Leonhardt, Paul McCreesh, Lars Ulrik Mortensen and Masaaki Suzuki.

In order to reinforce the authentic experience, the concerts are supported where necessary by fringe programming, including introductions, workshops, exhibitions and book publications. Further emphasis is provided by the educational projects, which have also received several awards (e.g. Euro Media Award and the Classical Music Award from the Dutch Association of Theatres and Concert Halls (VSCD)).

The Netherlands Bach Society and Jos van Veldhoven have recorded several CDs for Channel Classics, including the Great Organ Mass with the organist Leo van Doeselaar and Bach's St. Matthew Passion. Illustrated editions of the Christmas Oratorio, the St. John Passion and the Mass in B minor have been published in collaboration with Museum Catharijneconvent.

Johannette Zomer

After several years as a microbiologist, Dutch SopranoJohannette Zomer trained at the Sweelink Conservatorium,Amsterdam with Charles van Tassel. She currently studieswith Diane Forlano.Johannette made her opera debut as Tebaldo in Don Carlowith the Nationale Reisopera and has gone on to sing Belinda– Dido & Aeneas, La Musica & Euridice – L’Orfeo,Gassman’s Opera – Seria, Dalinda – Ariodante, Ilia – Idomeneo,Pamina – Die Zauberflöte and Amanda – Le GrandeMacabre for the company. She has also sung Oberto in Alcinaat the Komische Oper. On the concert platform she has aenviable reputation as a baroque specialist working with manyof the top conductors in the field such as Ton Koopman,Frans Bru?ggen, René Jacobs, Reinhardt Goebel and PaulMcCreesh as well as collaborating for 20th century and contemporaryrepertoire with Kent Nagano, Daniel Harding,Valery Gergiev, Reinbert de Leeuw and Peter Eötvös. Herrecent engagements have included Bach B Minor Mass with the Tonhalle Orchestra/Bru?ggen, and Euridice in Gluck’s Orfeo with the Bamberger Symfoniker/Christian Zacharias.She regularly gives recitals with fortepianist Arthur Schoonderwoerd with whom she has recordedSchubert Songs for Alpha Records and is a member of the early music ensembles Compania Vocale andAntequera with whom she sings Neapolitan and Spanish baroque repertoire and medieval Cantigas.Johannette’s recent and future plans include projects of Handel and Frank Martin with the RiasKammerchor/Daniel Reuss; Bach and Buxtehude with the Amsterdam Baroque Orchestra/Koopman,Handel with Collegium Vocale, Gent and Gluck and Buxtehude with The Netherlands Bach Soc

Matthew Wadsworth

Matthew Wadsworth, lutenist, is in great demand as a soloist, continuo player and chamber musician. He has appeared at major festivals in the UK, Europe and North America and can frequently be heard on radio, both in live performance and on disc.

Matthew has recorded for Avie, Deux-Elles, Linn and EMI Records. His CDs, “When Laura Smiles”, (featuring music by Phillip Rosseter), “Away Delights” (Robert Johnson) and “14 Silver Strings” (Kapsberger and Piccinini) have received international critical acclaim.
Matthew is delighted to have recently been taken on as a solo artist by Channel Classics, and their first collaboration, ‘Masters of the Lute’ was Editor’s Choice in Gramophone Magazine, December 2006.
Matthew studied lute with Nigel North at London’s Royal Academy of Music, winning the London Student of the Year award in 1997 for his work on the development of Braille lute tablature. He then spent a year at the Royal Conservatory of Music in The Hague and now has a post at the Royal Welsh College of Music and Drama in Cardiff. Wadsworth was recently made an Associate of the Royal Academy of Music and was nominated by The Independent as a “Rising Star for 2005”. He is also Musical Ambassador for Britain's National Talking Newspapers and Magazines.

Recent engagements have included the Wigmore Hall, Purcell Room, the Georgian Concert Society (Edinburgh), the Metropolitan Museum of Art (New York) and the Lufthansa, Beverley, Spitalfields, Budapest, Vancouver, Mitte-Europa and Innsbruck festivals. Matthew has also worked with The Academy of Ancient Music, English Touring Opera, Birmingham Opera Company, The Netherlands Bach Society, I Fagiolini, The English Cornett and Sackbut Ensemble, The Musicians of the Globe, Arion, Constantinople and The Theatre of Early Music, among others.

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30 Years of Channel Classics Records - Gramophone Editor's Choices (2020)

Revueltas, Mahler, Biber, Dvorak, RACHMANINOFF, Verdi, Purcell, Mozart, Buxtehude, Telemann, Anonymous, Kapsberger, Vivaldi

Various Artists

    Gramophone

For 30 years, Channel Classics has been making wonderful recordings. From projects of a rare intimacy courtesy of Florilegium or Rachel Podger to the magnificent edifices that are Mahler's symphonies, authoritatively conducted by Ivan Fischer. Many of these recordings have caught our imagination. A fair few have received our monthly Editor's Choice awards. Here's a selection of some of our favorites.

James Jolly, Gramophone Editor In Chief

30 Years of Channel Classics Records - Gramophone Editor's Choices (2020)

Revueltas, Mahler, Biber, Dvorak, RACHMANINOFF, Verdi, Purcell, Mozart, Buxtehude, Telemann, Anonymous, Kapsberger, Vivaldi

Various Artists

Amplifiers: Van Medevoort, Holland
Cables: van den Hul T3 series
Digital Converters: dCS, EMM Labs Meitner ADC & DAC, Grimm Audio AD1
Editing Software: Pyramix, Merging Technologies
Harpsichord Technician: Keith McGowan
Mastering Engineer: Jared Sacks, Tom Caulfield (DSD 512)
Mastering Room: B&W 803 Diamond Series Speakers
Microphones: Bruel & Kjaer 4003 & 4006, Schoeps
Mixing Board: Rens Heijnis custom design
Notes: The Stereo DSD 512 edition of this album was created by Tom Caulfield at the NativeDSD Mastering Lab using the Signalyst HQ Player 4 Professional "EC" modulators (DSD 512) for your musical enjoyment
Producer: Jared Sacks, Jonathan Freeman-Attwood, Jos van Veldhoven, Hein Dekker, Tom Peeters
Recording Assistant: Jonas Sacks
Recording Engineer: Jared Sacks, Hein Dekker
Recording Location: St. Martin’s Church, East Woodhay, UK in February 2003 & September 2005, Catedral de Conception, Bolivia in April 2006, The Church of our Lady, South Creake, United Kingdom in 2004, MCO, Hilversum Holland in 2015, Leiden, Holland in 2004, Italian Institute, Budapest Hungary in 2004, The Palace of Arts, Budapest, Hungary in 2010, Haarlem, Holland in 2013, Palace of Arts, Budapest, Tilburg, Holland in 2004
Recording Software: Pyramix, Merging Technologies
Recording Type & Bit Rate: DSD 64
Speakers: Audiolab, Holland; Grimm Audio LS1

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SEL7120: 30 Years of Channel Classics Records - Gramophone Editor's Choices
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Tracks.
1.
Vivaldi Concerto No. 12 Allegro - From The Album 'La Stravaganza'
Vivaldi
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2.
Kapsberger Toccata Arpeggiata - From The Album 'Masters of Lute'
Kapsberger
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3.
Anonymous Tota salutis - From The Album 'Bolivian Baroque, Vol. 2'
Anonymous
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4.
Telemann Quatuor No. 1 in D Major Vite - From The Album 'Paris Quartets, Vol. 2'
Telemann
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5.
Buxtehude O Gottes Stadt, BuxWV 87 - From The Album 'Death & Devotion'
Buxtehude
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6.
Mozart Sonata in C Major KV 6 Allegro Molto - From The Album 'Sonatas for Keyboard and Violin, Vol
Mozart
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7.
Purcell Sound the Trumpet - From The Album 'Tintomara'
Purcell
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Verdi String Quartet in E Minor Andantino - From The Album 'Tchaikovsky, Verdi'
Verdi
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Rachmaninoff Symphony No. 2 Allegro molto - From The Album 'Rachmaninoff Symphony No. 2'
RACHMANINOFF
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10.
Dvorak Suite in A Minor Andante - From The Album 'Dvorak Symphony No. 7 & Suite in A Major'
Dvorak
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11.
Biber Rosary Sonatas Passacaglia - From The Album 'Guardian Angel'
Biber
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12.
Mahler Symphony No. 3 Lustig im Tempo und keck im Ausdruck - From The Album 'Mahler Symphony No. 3
Mahler
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13.
Revueltas Sensemaya - From The Album 'Homenaje a Revueltas'
Revueltas
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