Bundle

The True Audiophile DSD Bundle [DSD Bundle]

39,7258,85

True Audiophile: The Best Of Groove Note, Volume 1

The Groove Note True Audiophile Vol. 1,2,3 is also available as a bundle.

True Audiophile: The Best Of Groove Note, Volume 2

The Groove Note True Audiophile Vol. 1,2,3 is also available as a bundle.

True Audiophile: The Best Of Groove Note, Volume 3

The Groove Note True Audiophile Vol. 1,2,3 is also available as a bundle.

Here’s your chance to own all 3 of Groove Note’s True Audiophile DSD Samplers. An excellent introduction to the Analog and DSD recordings of Jazz, Soul, Pop, Vocal and Classical Music from the Groove Note Records catalog. Featuring tracks from these 12 vocalists and musicians:

Anthony Wilson
Bennie Wallace
Bill Cunliffe
Diana Krall
Eden Atwood
Jacintha
Jay McShann
Lauren White
Luqman Hamza
Roy Gaines
Skye
The Jung Trio


NativeDSD Bundles are a mini collection of DSD albums created by the NativeDSD team that brings the works of a special artist, music label or musical genre to your personal library. Better yet, when you buy all 3 albums in a bundle, NativeDSD gives you a special 25% Off discounted price on the full bundle. Expanding your musical horizons and collection while saving money at the same time. Each bundle is a DSD music opportunity and adventure we urge you to explore.

Additional information

Label

Release DateDecember 9, 2021

True Audiophile: The Best Of Groove Note, Volume 1

Label

SKU

GRV1036

Qualities

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Channels

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Artists

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Genres

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Cables

AudioQuest

Digital Converters

Sony Sonoma, EMM Labs Meitner ADC-8

Executive Producers

Ying Tan and Sebastian Koh

Mastering Engineer

Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering

Mastering Room

DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA

Microphones

AKG C-12, C-12A, C-24, KM 54, 451, 460, Neumann M-50, M-49, M-249, U-67, 251, U-47FET, Sony C55P, Shure 57, Sennhesier 441, 421, Llomo 919A-19, RCA 44, EV PL-20

Notes

We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. 

They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music.

Recording Locations: Ocean Way Recording in Hollywood, CA, Record One in Sherman Oaks, CA, Cello Studios in Hollywood, CA, Castle Oaks in Calabasas, CA, Systems Two in Brooklyn, NY, Airborne Audio Productions in Kansas City, MO

Instruments

, , ,

Original Recording Format

Producer

Joe Harley, Ying Tan

Recording Engineer

Michael C. Ross, John Sorenson, Joe Marciano

Recording Software

Sony Sonoma DSD Workstation

Recording Type & Bit Rate

Analog, DSD 64fs

Release DateJuly 13, 2018

True Audiophile: The Best Of Groove Note, Volume 2

Label

SKU

GRV1045-3

Qualities

, ,

Channels

Artists

, , , , , , , ,

Composers

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Genres

,

Analog Recording Equipment

Ampex ATR-100 2-Track, Studer A-80 2-Track, BASF 900 Tape at 30 ips

Cables

AudioQuest

Digital Converters

EMM Labs Meitner ADC8, Sony

Executive Producers

Ying Tan and Sebastian Koh

Mastering Engineer

Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering, Gus Skinas at Super Audio Center

Mastering Room

DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA

Microphones

AKG 414, 451, 460, C-12, C-12A, KM-S4 and "The Tube", EV PL 20, Llomo 19 and 19A, Neumann KM-84, M-49, M-50, M-80, M-149, 251, TLM-70, U-47FET and U-67, RCA 44, Royer 121, 122, Sony C55p, Sennheiser 441 and 421, Shure KSM 32, SM 7, SM 57, Telefunken 251

Notes

We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. 

They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise. This results in the listener's DAC using gentler and more phase linear filters for playback of the music.

Instruments

, ,

Original Recording Format

Producer

Joe Hartley, Ying Tan

Recording Engineer

Michael C. Ross, John Sorenson, Joe Marciano

Recording location

Cello Studios in Hollywood, CA, Oceanway/Record One Studios, Sherman Oaks, CA, Sunset Sound, Hollywood, CA, Systems Two, Brooklyn, New York, Airborne Audio Productions, Kansas City, MO

Recording Software

Sony Sonoma DSD Workstation

Recording Type & Bit Rate

Analog, DSD 64fs

Special Thanks

David Kawakami, Gus Skinas and Lon Neumann of the Sony Super Audio CD Project

Release DateNovember 16, 2018

True Audiophile: The Best Of Groove Note, Volume 3

Label

SKU

GRV1048

Qualities

, ,

Channels

Artists

, , , , , ,

Composers

, , , , , , , , , , , , , , , , , , ,

Genres

,

Analog Recording Equipment

ATR-100 2 Track with BASF 900 Tape @ 30 ips, Studer A-80 2 track

Cables

AudioQuest

Digital Converters

EMM Labs Meitner ADC-8, Sony

Editing Software

Sony Sonoma DSD Workstation

Executive Producers

Ying Tan and Sebastian Koh

Mastering Engineer

David Glasser, Airshow Mastering, Bernie Grundman at Bernie Grundman Mastering

Mastering Room

DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA

Microphones

AKG C-12, C-12A, C-24, KM 54, The Tube, Llomo 919A-19, Neumann KM-84, M-49, M-50, M-149, M-249, TLM-70, U-47, U-47FET, U-67, RCA 44, Royer 121, 122, Sennheiser 441, 421, Sony C55p, Shure KSM 32, SM 57, Telefunken 251

Notes

We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music

Instruments

, , , , ,

Original Recording Format

Producer

Joe Hartley, Ying Tan

Recording Engineer

Michael C. Ross, Scott Sedillo, Assistant Engineers: Greg Burns, Bill Mims, Pete Magdeleno

Recording Locations

Airborne Audio Productions, Kansas City, Mo, Gower Hall, Ocean Way Recording Studios, Hollywood CA, OceanWay/Record One, Sherman Oaks, CA, Sunset Sound, Hollywood, CA

Recording Software

Sony Sonoma DSD Workstation

Recording Type & Bit Rate

Analog, DSD 64fs

Release DateApril 24, 2019

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