On The DSD Blues Bundle, three vocalists bring the power of the blues to DSD. In some of the best sounding blues recordings available.
The blues bundle features I Got The T-Bone Walker Blues by Roy Gaines on Groove Note, Live Acoustic Session by Little G Weevil, a Pure DSD 256 Stereo recording from Hunnia Records and Live At Jazzland by Hans Theessink from Sommelier du Son.
NativeDSD Bundles are a mini collection of DSD albums created by the NativeDSD team that brings the works of a special artist, music label or musical genre to your personal library. Better yet, when you buy all 3 albums in a bundle, NativeDSD gives you a special 30% OFF discounted price on the full bundle. Expanding your musical horizons and collection while saving money at the same time.
Each DSD Bundle is a music opportunity and adventure we urge you to explore.
Roy Gaines, Vocals & Guitar
Little G Weevil, Vocals & Acoustic Guitar
Hans Theessink, Vocals & Guitar
Additional information
| Label | |
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| Release Date | June 24, 2022 |
I Got The T-Bone Walker Blues
| Label | |
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| SKU | GRV1002 |
| Qualities | |
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| Analog Recording Equipment | ATR-100 2 Track Tape Recorder with BASF 900 Tape @ 30 ips |
| Executive Producers | Ying Tan and Sebastian Koh |
| Mastering Engineer | Bernie Grundman (DSD 64), Tom Caulfield (DSD 128, DSD 256, DSD 512) |
| Mastering Room | DSD 128, DSD 256 and DSD 512 Music Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA using the Signalyst Professional DSD Modulators |
| Microphones | AKG C-12, C-12A, KM 54 Neumann M-50, M-49, U-67, 251, U-47FET, Sony C55p, Shure 57 |
| Notes | We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128, DSD 256 and DSD 512 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise. This results in the listener’s DAC using gentler and more phase linear filters for playback of the music. Please click the HRP logo for more information. |
| Awards | |
| Instruments | |
| Original Recording Format | |
| Producer | Joe Harley |
| Recording Engineer | Michael C. Ross |
| Recording Location | Ocean Way/Record One, Sherman Oaks, CA, August 11 & 12, 1998 |
| Recording Type & Bit Rate | Analog |
| Release Date | May 4, 2018 |
Live Acoustic Session [Pure DSD]
| Label | |
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| SKU | HRES2106 |
| Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, FLAC 192 kHz, FLAC 96 kHz |
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| Analog to Digital Converter | Hapi, Merging Technologies |
| Mastering Engineer | Tom Caulfield at NativeDSD Mastering Labs – Pure DSD Release produced in the DSD Domain with Signalyst HQ Player 4 Pro Mastering Tools |
| Instruments | |
| Original Recording Format | |
| Producer | Robert Zoltan Hunka |
| Recording Engineers | Gabor Halasz & Dexter |
| Recording Location | Live Recording to Stereo DSD 256 at SuperSize Recording Studio in Hungary on February 21, 2021 |
| Recording Software | Pyramix, Merging Technologies |
| Release Date | March 24, 2021 |
Live At Jazzland
| Label | |
|---|---|
| SKU | sds0016 |
| Qualities | |
| Channels | |
| Artists | |
| Composers | Blind Blake, Chuck Berry, K. C. Douglas, Primerose, Rufus Thomas, Theessink, Traditional |
| Genres | |
| Analog Tape Recorders | Studer A810 Tape Recorders |
| Analog to Digital Converters | Playback Designs Pinot – Analog to DSD 256 Converter (DSD 256); Signalyst HQ Player 4 Pro "EC" modulators (DSD 256 to DSD 512, DSD 128, DSD 64 Transfers) |
| Mastering Engineer | Christoph Stickel and Dirk Sommer at MSM Studios, Munich, Germany (Original Recording), Dirk Sommer – Direct Analog to DSD 256 Stereo Transfer of the Analog Master Tape; Tom Caulfield at NativeDSD Mastering Lab – DSD 512, DSD 128, DSD 64 Stereo created with Signalyst HQ Player 4 Pro "EC" modulators |
| Microphones | AKG D7 (Vocals), Rode NT4 (Guitar), AKG Solid Tube (Front of Guitar Amp), Strand (Harp), Sennheiser MD 421-2 (Foot Tapping) |
| Monitoring Room | Grapevine Headamp 4, Beyer Dynamic Headphones, Amphion Two 15 Speakers, Bryson 2B-LP Amplifier, PS Audio Power Plant |
| Original Recording Format | |
| Producer | Dirk Sommer and Birgit Hammer-Sommer, Sommelier du Son in Cooperation with Fink Audio Consulting |
| Recording Engineer | Dirk Sommer and Birgit Hammer-Sommer |
| Recording Location | Jazzland Jazz Club in Vienna, Austria on February 2, 2013 |
| Recording Type & Bit Rate | Analog |
| Release Date | November 23, 2018 |
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