Melchior Schildt - Complete Organ Works (2019)

Schildt

Vincent van Laar

Melchior Schildt was born in 1592 or 1593, probably in Hannover. After having studied for some years with Andreas Crappius, who was Cantor in Hannover, he left in December of 1609 for Amsterdam to study, probably for a period of three years, with Jan Pieterszoon Sweelinck. From this time until the year 1623 there are no biographical data preserved. From 1623 to 1626 he was organist in Wolfenbüttel. From 1626 to 1629 he was in the service of King Christian IV of Denmark, one of the most munificent musical patrons of the 17th century.

It appears from a receipt signed by Schildt that he gave music lessons to the King’s children. Whether or not he was Court Organist, and in that capacity played the famous Compenius organ in Frederiksborg castle, is unknown. In 1629 he returned to Hannover, where he succeeded his father as organist of the Marktkirche. He held this position until his death in 1667.

Reports of contemporaries give the impression that Schildt was considered a remarkable musician: Matthias Henriksen Schacht calls him in “Musicus danicus eller Danske Sangmester” (1687) a “melotheticus ingeniosus”; Johann Rudolf Ahle considered him in his “Neu-geplantzter Thüringscher Lustgarten” (1657) to be one of the most prominent musicians: “Es hat S im ABC, was die Musik thut angelangen. Schütze, Schein, Scheidt, Schop, Schildt, Schulze, Sell’ und letzlich Scheidemann. Diese sinds, die hochhertraben mit gedachter Himmelskunst: Diese Achten allein bleibet diese Zeit der Preiß und Gunst.”

Johan Gottfried Walther stated in his “Musikalisches Lexikon” (1732) that Schildt was so famous “that it was said of him: he could play, according to his fancy, in such a way that one was forced to laugh or to cry.” From the information offered by Ernst Ludwig Gerber in his “Neues historisch- biographisches Lexikon der Tonkünstler” (1812-1814) we can infer, however, that he was soon forgotten.

Although research has unearthed a number of biographical data, many questions about his musical life remain unanswered. For example, nothing is known of his period of study with Sweelinck, his contacts at the court of Christian IV, who made his court a cultural center for all of Europe, his relationship to Schütz, or of his work as a teacher.

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Vincent van Laar

Vincent van Laar  studied organ and harpsichord at the conservatories of Utrecht and The Hague with Nico van den Hooven, Harald Vogel, Glen Wilson and Bob van Asperen.

He gained solo diplomas for organ and harpsichord in 1984 and 1988 respectively, and won prizes at organ competitions in Zeerijp (1981), Toulouse (1983) and Alkmaar (1991).

Vincent’s  greatest interest and musical passion is for the performance of Baroque solo and continuo music, in particular the works of J.S.Bach and the seventeenth-century North-European school.

Vincent has an international career as a soloist and continuo player, and has played on many recordings for radio and CD, including the complete works of Sweelincks’ pupil Melchior Schildt and Bach cantatas with organo obligato. He also participated in the complete recording of Sweelinck’s keyboard music. The latter was awarded the Netherlands most illustrious prize, the Edison. Recently he recorded the 24 Capricetten by Jacob Wilhelm Lustig.

Along side his solo career, Vincent van Laar is a member of Concerto d’Amsterdam and The Northern Consort. He also regularly plays as a guest with Musica Amphion.

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Melchior Schildt - Complete Organ Works (2019)

Schildt

Vincent van Laar

Mastering Engineer: Jos Boerland
Notes:

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Producer: Jos Boerland
Recording Engineer: Jos Boerland
Recording Type & Bit Rate: DSD 64

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ACDBJ108-2: Melchior Schildt - Complete Organ Works
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Tracks.
1.
Praeambulum in g
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2.
Hertzlich Lieb hab ich dich, O mein Herr
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3.
Allein Gott in der Hoh sei Ehr
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Paduana Lagrima
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5.
Herr Christ, der einig Gottes Sohn, 1. Var.
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Herr Christ, der einig Gottes Sohn, 2. Var.
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Herr Christ, der einig Gottes Sohn, 3. Var.
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Herr Christ, der einig Gottes Sohn, 4. Var.
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Herr Christ, der einig Gottes Sohn, 5. Var.
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Magnificat 1. Modi. 1. Versus
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Magnificat 1. Modi. 2. Versus
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Magnificat 1. Modi. 3. Versus
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Magnificat 1. Modi. 4. Versus
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Magnificat 1. Modi. 5. Versus
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15.
Gleichwie das Feuer
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16.
Praeambulum in G
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